Re: CSO

From: owen (email suppressed)
Date: Wed Jan 18 2006 - 19:48:05 PST


Hi,
Some of the late sixties early seventies film/television
experimentalists used chroma keys. Jud Yalkut, on this list, could
illuminate for us if he's listening.
I think Doris Chase used chroma keys in her wonderful dance films and
Ed Emschwiller too. Scott Bartlett did so in many films, and maybe
Stan Vanderbeek.
owen

On Jan 18, 2006, at 3:33 AM, Barbara Keating wrote:

> Hi all,
> does anyone have any information on films or videos
> using CSO (chromakey). I can find little snippets of
> technical stuff in bboks and online, but don't know
> films where it was/is used.
> thanks all
> best
> ,Barbara
>
> --- owen <email suppressed> wrote:
>
>> Wow sounds great.
>> owen
>>
>>
>>
>> On Jan 17, 2006, at 3:47 AM, C Keefer wrote:
>>
>>> A flashback to the 1960’s with a program of rarely
>> seen film and
>>> video by legendary light show artists from San
>> Francisco, New York,
>>> Los Angeles and London: Glenn McKay, Tony Martin,
>> Elias Romero,
>>> Mark Boyle and Joan Hills, Joshua White, Single
>> Wing Turquoise Bird
>>> and Jud Yalkut, plus the light show finale excerpt
>> from David
>>> Lebrun's "Hog Farm Movie." Featuring light, color
>> and liquid
>>> projections layered with film and handmade slides,
>> originally
>>> performed live at rock concerts. Selections from
>> this program were
>>> featured in the recent US exhibition "Visual
>> Music" at the
>>> Hirshhorn Museum.
>>
>>
>>
>>
> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at
>> <email suppressed>.
>>
>>
>
>
> from Barbara Keating, artist, t/a E CLIPS email suppressed
>
>
>
> ___________________________________________________________
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>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.