From: weekly listing (email suppressed)
Date: Sat Sep 02 2006 - 11:47:18 PDT
This week [September 3 - 10, 2006] in avant garde cinema
PROGRAMMERS AND CURATORS! Enter your fall calendars now!
http://www.hi-beam.net/cgi-bin/ann.pl
JOB AVAILABLE:
=============
Florida Atlantic University
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=14.ann
NEW FILM/VIDEO:
==============
"invisibilities" by Jennifer Proctor
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=270.ann
"Through My Fingers" by Janene Higgins
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=272.ann
"More Than Meets the Eye: Remaking Jane Fonda" by Scott Stark
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=271.ann
NEW CALLS FOR ENTRIES:
=====================
Lake Forest Film Festival (Lake Forest, IL USA; Deadline: September 08, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=609.ann
LiveBox Gallery (Chicago, IL, USA; Deadline: October 01, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=610.ann
ArtsUnion (Somerville, MA, USA; Deadline: October 03, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=611.ann
Research Spaces 3: Topos - The Moving Image between Art and Architecture (London, UK; Deadline: October 10, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=612.ann
UPDATED! Elastic Gallery / The Ruckel Patzke Project (Chicago, IL, USA; Deadline: September 15, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=613.ann
DEADLINES APPROACHING:
======================
Eerie Horror Film Festival (Erie, Pa. USA; Deadline: September 09, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=471.ann
Echo Park Film Center (Los Angeles, CA, USA; Deadline: September 15, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=525.ann
Elastic Gallery (Chicago, IL, USA; Deadline: September 15, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=568.ann
Pleasure Dome (Toronto; Deadline: September 15, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=594.ann
Polymer at the Hunter Museum of American Art (Chattanooga, TN, US; Deadline: September 15, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=597.ann
19th SEAGATE FOYLE FILM FESTIVAL (Derry City, Derry, N.Ireland; Deadline: September 04, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=599.ann
Seagate Foyle Film Festival (Derry, Northern Ireland; Deadline: September 04, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=600.ann
Abrasions: Architecture and Accident (San Francisco, CA USA; Deadline: September 30, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=605.ann
Lake Forest Film Festival (Lake Forest, IL USA; Deadline: September 08, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=609.ann
LiveBox Gallery (Chicago, IL, USA; Deadline: October 01, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=610.ann
ArtsUnion (Somerville, MA, USA; Deadline: October 03, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=611.ann
UPDATED! Elastic Gallery / The Ruckel Patzke Project (Chicago, IL, USA; Deadline: September 15, 2006)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=613.ann
SERVICES:
========
BOOM OPERATOR
http://www.hi-beam.net/cgi-bin/ann.pl?type=services&readfile=81.ann
POST SOUND SERVICES
http://www.hi-beam.net/cgi-bin/ann.pl?type=services&readfile=79.ann
Edit Suite Rental
http://www.hi-beam.net/cgi-bin/ann.pl?type=services&readfile=80.ann
MISCELLANEOUS:
=============
History of Xperimental Cinema class
http://www.hi-beam.net/cgi-bin/ann.pl?type=misc&readfile=78.ann
38mm Pageant projector lens WANTED
http://www.hi-beam.net/cgi-bin/ann.pl?type=misc&readfile=77.ann
Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl
Also available online at Flicker: http://www.hi-beam.net
THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Haunted Cameras: Recent Avant-Garde Films [September 5, Berkeley, California]
* World Premiere: Electra Elf : vile Buddies [September 5, New York, New York]
* Film Screening: Matthew Barney: No Restraint [September 5, San Francisco, California]
* Cash Refund Annuity [September 5, USA]
* David Lamelas: Time Is A Fiction [September 7, Chicago, Illinois]
* Canyon Cinema Presents... Not At Ease and Not At Rest [September 8, San Francisco, California]
* Wavelengths: Programme 1 [September 8, Toronto, Ontario, Canada]
* Dark Toons: Fugazi and Califone Live At Rooftop Sept 9 [September 9, Brooklyn, New York]
* Cinnamon By Kevin Everson [September 9, Chicago, Illinois]
* Wavelengths: Programme 2 [September 9, Toronto, Ontario, Canada]
* Wavelengths: Programme 3 [September 9, Toronto, Ontario, Canada]
* Cinnamon By Kevin Everson [September 10, Chicago, Illinois]
* Wavelengths: Programme 4 [September 10, Toronto, Ontario, Canada]
Events are sorted by CITY within each DATE.
--------------------------
TUESDAY, SEPTEMBER 5, 2006
--------------------------
9/5
Berkeley, California: Pacific Film Archive
http://www.bampfa.berkeley.edu/
7:30PM, 2575 Bancroft Avenue
HAUNTED CAMERAS: RECENT AVANT-GARDE FILMS
Haunted Camera (U.S., 2006, 30 mins, B&W, 16mm), Nancy Andrews's
handcrafted homage to film noir and early motion-study photographers
Marey and Muybridge, features puppets, a chalk illustrator, a possible
death, and things one cannot draw. Fred Worden's Here (U.S., 2005, 11
mins, B&W/Color, Beta SP) conjures a dizzying optical encounter between
actor Sir Laurence Olivier and turn-of-the-century cinema magician
Georges Méliès. Dangerous Supplement (Soon-Mi Yoo, Korea/U.S., 2005,
14 mins, Color/B&W, DVCam), composed of both aerial shots filmed by
bomber planes during the Korean War and contemporary footage of Korea,
suggests the limited ability of images to represent the horrors of war.
Jim Jennings's Made in Chinatown (U.S., 2005, 12 mins, Silent, Color,
16mm) exquisitely observes New York, being "a condensation of an emotion
related to being on the outside looking in" (Jennings). The wonderful,
intricate collage Phantom Canyon (Stacey Steers, U.S., 2006, 10 mins,
B&W, 35mm) recalls a woman's journey long ago. Olivo Barbieri's aerial
city study site specific_Las Vegas 05 (Italy, 2005, 12 mins, Color,
35mm) reveals a strangely unreal landscape.
9/5
New York, New York: Penetration Films & Television
http://electraelf.com
7:00 PM, Mo Pitkins, 34 Ave A.
WORLD PREMIERE: ELECTRA ELF : VILE BUDDIES
The Adventures of Electra Elf : Vile Buddies starring Saint Rev Jen,
Brenda Bergman, Alison Gordy, Faceboy, Joseph Mauricio, Angry Bob, Mike
Raphone. Episode 14 in the groundbreaking tv series written & directed
by Nick Zedd, Vile Buddies stars Alison Gordy (Sopranos; singer for
Johnny Thunders) as Tantalus, masked queen of fetish wear who wreaks
havoc flying on a giant bat as an agent for a terrorist organization
using weather as a weapon. When Fluffer (Rev Jen Jr.) crashlands in
Gramercy Park, getting arrested for trespassing, Electra Elf (Rev Jen)
must raise her bail by competing in a wrestling tournament against
Tantalus and guest star Brenda Bergman! A collossal mismatch? Action,
adventure and scathing satire with guest appearance by Angry Bob as Biff
Hitler! $5 cheap As an added attraction, Brenda Bergman & the Bodacious
Ta Tas will open the show!
9/5
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
12:00 pm, 151 Third Street
FILM SCREENING: MATTHEW BARNEY: NO RESTRAINT
Free Tuesday Program Matthew Barney: No Restraint By Alison Chernick,
2005, 72 min. - September 05, 2006, Noon, Phyllis Wattis Theater -
Chernick chronicles the action behind the scenes in Matthew Barney's
film DRAWING RESTRAINT 9 as the artist navigates cultural divides and
challenging logistics to realize his creative vision. She also
highlights how the soundtrack composed by Barney's costar and
collaborator Björk influenced his process. Museum and program admission
are free. DRAWING RESTRAINT 9 By Matthew Barney, 2005, 145 min. June 23
- September 17, 2006, Daily (except Wednesdays): 2:00 p.m. Thursdays at
6:15 p.m. Phyllis Wattis Theater. Free. Seating is limited and available
on a first-come, first-served basis.
9/5
USA: The Best
http://cash-home.o-f.com/
Under construction, Very site
CASH REFUND ANNUITY
Emotionally Packed Words Will Cash refund annuity Earn You More Money.
http://cash-home.o-f.com/
---------------------------
THURSDAY, SEPTEMBER 7, 2006
---------------------------
9/7
Chicago, Illinois: Conversations at the Edge
http://www.siskelfilmcenter.org/
6:00 p.m., 164 N. State Street
DAVID LAMELAS: TIME IS A FICTION
Argentine-born conceptual artist David Lamelas has produced an
extraordinary body of film and video work over the past 30 years,
balancing a cheeky sensibility with a serious inquiry into the rhythms
and syntax of contemporary life. Tonight's program is a rare opportunity
to see five of his earliest 16mm experiments, including READING OF AN
EXTRACT FROM LABYRINTHS BY J.L. BORGES (1970, 5 min.), TO POUR MILK INTO
A GLASS (1972, 8 min.), TIME AS ACTIVITY (DÜSSELDORF) (1969, 13 min), A
STUDY OF RELATIONSHIPS BETWEEN INNER AND OUTER SPACE (1969, 20 min.),
and THE DESERT PEOPLE (1974, 48 min.). Curated by Jacqueline Holt for
LUX. (1969-74, Germany/UK/USA, 16mm, ca. 95 min.)
-------------------------
FRIDAY, SEPTEMBER 8, 2006
-------------------------
9/8
San Francisco, California: Canyon Cinema
http://www.canyoncinema.com
7:30pm, 145 Ninth Street @ Minna
CANYON CINEMA PRESENTS... NOT AT EASE AND NOT AT REST
CANYON CINEMA presents... NOT AT EASE AND NOT AT REST A selection of
short, 16mm films from the collection. An evening of adolescent
disquiet, geothermal & meteorological agitation, drastic measures,
retinal assault, California Dreamin', and the discomfort that comes with
the impossibility of fully understanding the other, at any age. JOHN
LUTHER SCHOFILL, Filmpiece for Sunshine (1966-1968), DOROTHY WILEY, Miss
Jesus Fries on Grill (1973), GEORGE KUCHAR, Wild Night in El Reno
(1977), ED EMSHWILLER, Thanatopsis (1962), WARREN HAACK, Selective
Service System (1970), ANDREJ ZDRAVIC, Restless (1987), JAMES IRWIN, Old
Argument on MacDougal Street (1985), with unannounced respites
throughout. Curated by Eric Theise FRIDAY, SEPT 8TH at 7:30pm.
Admission: $7. Since 1967, Canyon Cinema has led the way in distributing
experimental, avant-garde, and independent films. Unapologetically
committed to film in its many formats--8mm, Super 8, 16mm, and
35mm--Canyon distributes over 3,700 titles by nearly 400 maker/members.
For more information, visit http://www.canyoncinema.com , email
email suppressed, or call 415 626 2255.
9/8
Toronto, Ontario, Canada: Toronto International Film Festival
http://www.e.bell.ca/filmfest
7:00 p.m., 750 Spadina Avenue, Toronto, ON M5S 2J2
WAVELENGTHS: PROGRAMME 1
This programme of three masterful works explores the intersections
between landscape, history and representation. Rose Lowder's Bouquets
28-30 complete what she calls a series of "ecological" films that began
with Bouquet 20 in 2001. Lowder's exquisite, optically dense films are
composed in-camera, frame by frame, interweaving floral images of three
environments with rural activities in the immediate area. Lowder is one
of cinema's supreme colourists, and the vibrating energy of her work is
unmistakable. In This House documents Lebanese artist Akram Zaatari's
mission to uncover a letter buried in a garden in the village of Ain el
Mir, forty-five kilometres southeast of Beirut. For six years, members
of the Lebanese resistance occupied a family's home there, while the
Israeli army occupied the nearby hills. Unbeknownst to the family, when
the fighting was over one of the soldiers left behind a note of
gratitude buried inside the casing of a B-10 mortar. Using a playful,
diagrammatic schema, Zaatari juxtaposes the testimony of the soldier who
wrote the letter with a hired gardener's sweaty, dogged search for it.
Complex and demanding, but consistently witty, In This House incisively
highlights the absurd and peculiar situations that arise in times of
war. Haunting and spare, Xavier Lukomski's Un Pont sur la Drina reflects
on the history of a wounded place. The Drina River and the bridge that
crosses it at Višegrad hold great significance in the history of the
Balkan region. (The Drina flows from Montenegro along the borders of
Bosnia, Herzegovina and Serbia.) Nobel Prize-winning author Ivo Andriæ's
novel "The Bridge on the Drina," from which this film takes its name,
raised the Višegrad bridge to iconic status as a symbol of the
centuries-old tensions between the Muslim and Christian cultures of
these nations. Lukomski's film unfolds in a series of stately shots of
the seemingly placid river and bridge at different times of day, a
painterly landscape worthy of endless contemplation. Yet, as the film
reveals, the scene's beauty alone can communicate nothing of the
gruesome horrors recently witnessed there. The Toronto International
Film Festival presents Wavelengths. For ticket information please call
(416)968-FILM or go to www.e.bell.ca/filmfest. All Wavelengths
screenings will be held at the Al Green Theatre.
---------------------------
SATURDAY, SEPTEMBER 9, 2006
---------------------------
9/9
Brooklyn, New York: Rooftop Films
http://www.rooftopfilms.com
8:30PM, 210 Cook Street, East Williamsburg
DARK TOONS: FUGAZI AND CALIFONE LIVE AT ROOFTOP SEPT 9
ROOFTOP FILMS Presents DARK TOONS AND MEMBERS OF FUGAZI AND CALIFONE
(LIVE!) Rooftop Films is known for our impressive combinations of
spectacular venues, fabulous films, and great music, and this show is
sure to be a smash. Atop a gorgeously gritty, rust-covered roof in East
Williamsburg, we'll be screening some of the coolest, cruelest, most
disturbing and delightful cartoons you'll ever see, accompanied by rock,
rollick and roll by the legendary Brendan Canty (Fugazi), Jim Becker
(Califone) and Jerry Busher, playing live before the movies and along
with the films of Brent Green. This is a program you don't want to miss,
because "Wondrous things happen all the time, and to sleep through even
one of them could cripple your life" (Hadacol Christmas). SATURDAY,
SEPTEMBER 9, 2006 Time: Music at 8:30 | Films at 9:00 Venue: The roof of
210 Cook St. (East Williamsburg, Brooklyn) Tickets: $8 available at the
door or online at www.rooftopfilms.com/tickets.html Advance tickets are
recommended as the show may sell out. After Party: Cheap drinks at The
Wreck Room, just around the corner on Flushing at White.
www.RooftopFilms.com
9/9
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
8:00 pm, Chicago Filmmakers (5243 N. Clark St.)
CINNAMON BY KEVIN EVERSON
Kevin Everson's exceptional second feature, Cinnamon (2006) is intimate
look at the diversity of African-American life. Told in a hybrid
narrative-documentary style, the film centers on drag racing. Home
scenes of the Bowles family alternate with preparations for racing,
practice runs, and the races themselves. The focus, however, is on
individual improvement rather than competition - a metaphor for a way of
living. Former racer John Bowles is now the mechanic and coach for his
wife Rhonda, brother Larry, 12-year old daughter Ashley, and another
driver - mortgage loan officer Erin. Everson seamlessly combines the
documentary (the Bowles family) with the fictional (Erin's scenes -
she's played by actress Erin Stewart) into an impressionistic drama
about the quest for perfection, filtered through the grit, grime,
repetition, and exhilaration of drag racing.
9/9
Toronto, Ontario, Canada: Toronto International Film Festival
http://www.bell.ca/filmfest
6:30 p.m., 750 Spadina Avenue, Toronto, ON M5S 2J2
WAVELENGTHS: PROGRAMME 2
From home movies to the nightly news, from the structure of the video
image to the icons of Hollywood, these works ask questions about how
images are created, circulated and understood. The young video artist
Kyle Canterbury works through a multi-stage process of reshooting
small-sized video images. His source material becomes highly abstracted,
while the resulting interference patterns create a rhythmic pulse with a
strong musical quality. Cynthia Madansky's The PSA Project was designed
as a protest against the United States-led war in Iraq. In these three
instalments of the series, Madansky draws on a wide range of images to
create a moving condemnation of the war, and of war as a means to
supposedly positive ends. In hysteria, Christina Battle refers more
obliquely to the contemporary political climate using schoolbook
illustrations of the Salem witch trials. She works the surface of the
film in distinctive ways, here lifting the emulsion to literally add new
wrinkles to the image one frame at a time. Christoph Girardet and
Matthias Müller's Kristall extends from the artists' previous work using
iconic images from commercial cinema. Here they draw on the rich
tradition of mirror imagery in the movies, introducing unexpected visual
ruptures and passages of quiescence. Peter Tscherkassky's latest,
Nachtstûck, was commissioned as part of a series of one-minute films
commemorating the 250th anniversary of Mozart's birth. Here
Tscherkassky's method of elaborately contact-printing film by hand is
informed by Mozart's "Eine Kleine Nachtmusik." In Afraid So, Jay
Rosenblatt creates a statement-and-response structure alternating
between speech and image. Garrison Keillor's reading of Jeanne Marie
Beaumont's poem lends the film a suitably understated sense of anxiety.
Memo to Pic Desk takes an idiosyncratic look at staging in news
photography, using photos and related memos from the archives of a
Toronto daily. The film closely examines two sets of images, from
stories on female juvenile delinquents and deserted wives. In Roads of
Kiarostami the Iranian master looks back over decades of his photographs
of landscapes with roads, ruminating on his fascination with these
spaces and touching on the path as a longstanding motif in Persian
poetry. The film's themes subtly broaden, culminating in a haunting and
unexpected final image. Yuiko Matsuyama's contemplative Reminiscence
uses old home-movie footage, layered and multiplied on an optical
printer, to create a reflection on memory. The Toronto International
Film Festival presents Wavelengths. For ticket information please call
(416)968-FILM or go to www.e.bell.ca/filmfest. All Wavelengths
screenings will be held at the Al Green Theatre.
9/9
Toronto, Ontario, Canada: Toronto International Film Festival
http://www.bell.ca/filmfest
9:00 p.m., 750 Spadina Avenue, Toronto, ON M5S 2J2
WAVELENGTHS: PROGRAMME 3
This series of striking and colourful films and videos takes us to a
series of distinctive spaces: observed, imagined and recombined. The
great surrealist animator Lawrence Jordan's new work, Poet's Dream,
begins in sleepy darkness but soon bursts into brilliant colour. It is a
work of exquisite, languid beauty set in a wilderness of
nineteenth-century engravings. In lions and tigers and bears, Rebecca
Meyers focuses on the urban wildlife, both real and simulated, with
which we share our cities. The most unlikely creatures somehow survive
in a hostile environment, while animals are also invoked in artworks,
corporate logos and other icons. Pets and animal icons testify to a
human longing for proximity to wildlife, while the urban landscape
offers its fugitive creatures artificial substitutes for the tree limbs
and tunnels of the wild. Oliver Husain's Swivel creates a kind of
Frankenstein portrait of the new Shanghai, digitally stitching together
shots captured all over the city by an insistently panning camera.
Locations shift from the suburbs into the city and back. The result is
an oddly mesmerizing picture of a city whose architecture becomes a
highly theatrical space for its inhabitants. Little known in North
America, Josef Dabernig is an established photographer and filmmaker
whose sense of the uncanny is matched by a rigorous practice. In Lancia
Thema, a mysterious man travels through an unsigned European landscape
in the titular vehicle. Though shot in the tradition of European art
cinema (Antonioni's Red Desert and The Passenger come to mind), the film
playfully raises narrative expectations that become increasingly
untenable. For 3 Minuten, Christoph Brunner created three one-minute
shots of a train station platform by running the same strip of film
through the camera 240 times over the course of four hours. The result
is an image in which moving objects appear only as the most subtle of
ghostly impressions in a mysteriously empty space. Takashi Ishida's Ema
• Emaki II is also composed using a series of minute-long units. In this
film Ishida animates organic linear forms that grow ever upwards. Each
piece of animation is then recombined with the others in a series of
variations created through multiple exposures. The Toronto International
Film Festival presents Wavelengths. For ticket information please call
(416)968-FILM or go to www.e.bell.ca/filmfest. All Wavelengths
screenings will be held at the Al Green Theatre.
--------------------------
SUNDAY, SEPTEMBER 10, 2006
--------------------------
9/10
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
8:00 pm, Chicago Filmmakers (5243 N. Clark St.)
CINNAMON BY KEVIN EVERSON
See September 9.
9/10
Toronto, Ontario, Canada: Toronto International Film Festival
http://www.bell.ca/filmfest
8:45 p.m., 750 Spadina Avenue, Toronto, ON M5S 2J2
WAVELENGTHS: PROGRAMME 4
With Schuss!, Nicolas Rey has created a delightfully confounding work
that reinvigorates the experience of film-viewing. Rey describes Schuss!
as an "Alpine film," implying a documentary about skiing, but the first
few sentences of voice-over already suggest broader, more complex
themes. As Schuss! unfolds in a series of chapters with puckish titles
like "Arlette Puts on Her Skis" and "Bold Bamboozle," it expands to
sketch out a history of the aluminum industry, the shifting economy of
France's Romanche valley, and the relationship between the leisure
industry and local public interests, making reference to the history of
film along the way. As a sagacious chronicler, Rey's method is to place
his materials (skiers, studies in landscape, archival footage,
historical documents and more) in clusters whose relations to one
another are initially unclear, then gradually develop connections.
Winter sports, the aluminum industry, the cinema – each has its origins
in the late nineteenth century, and each can be taken as a case study in
capitalist development. Schuss! is Rey's second slalom into an
idiosyncratic and compelling style of long-form essay/documentary film
(his previous work was the three-hour epic Les Soviets plus
l'électricité, shot entirely on dated Soviet Super 8 film stock).
Formally, Schuss! continues Rey's exploration of unusual materials and
processes; much of the colour footage has been created using a method
that dates back to 1908. Colour is built up through the successive
filtration of a black-and-white image through three primary-colour
filters, and the resulting footage has a peculiar, radically distinct
cast. For Rey, the alchemic possibilities of the film lab are an
integral part of the creative process, and make Schuss! as compelling
visually as it is thematically. The German word schuss describes a fast,
straight, downhill run on skis, with no slowing down. Does this
correspond to the structure of the film or its subject? Do we now look
back at the twentieth century as a fast downhill slide, bottoming out in
the conditions of contemporary global capitalism? Rey's aim is not to
propagandize, but, in his words, to "question habits of thought – my own
first of all." The Toronto International Film Festival presents
Wavelengths. For ticket information please call (416)968-FILM or go to
www.e.bell.ca/filmfest. All Wavelengths screenings will be held at the
Al Green Theatre.
Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl
The weekly listing is also available online at Flicker:
http://www.hi-beam.net
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.