From: Jay Hudson (email suppressed)
Date: Fri Oct 06 2006 - 09:00:08 PDT
Yes I am in NYC. I am not sure how ceramic paint
would work because it is not meant to be transparent,
but it could always be dilluted.
I don't have the foggiest idea where to look besides
regular art stores. I know there is a shop somewhere
in the east village that specializes in paint, but I
forgot where it is.
--- Cari Machet <email suppressed> wrote:
> he ended up using paint for glass
> see pearl paint - here is a link
>
http://www.pearlpaint.com/shop~ocID~6400~parentID~6392~categoryID~8593~layoutIndicator~horizontal.htm
> but this is to the ceramic
> r u in nyc?
> if u go in the store it is probably best
> i do not see the glass paint on their site
>
> also to my knowledge he used as well the
> ceramic paints
> but i do not know whether one is better than the
> other
> and he was able to find special colors
> i thought it was arabian - but that is off the top
> of my head
> the minerals to make the colors were fr: arabia
>
> general rule is if it will dissolve in water it is
> (basically) non-toxic
> the thing that was majorly toxic for stan was
> cole tar (sp?)
>
> let me know if i can b of further help
>
> c
>
>
> On 10/5/06, Jay Hudson <email suppressed> wrote:
> >
> > I recall seeing in an archived series of
> frameworks
> > posts mention of iranian dyes, but the resolution
> of
> > the discussion trailed off before completion. The
> > discussion occured not long after Stan Brakhage
> > passed, in relation to the analine dyes/cancer
> link.
> >
> > Does anyone know of anything? Cancer-free
> painting on
> > film is the goal.
> >
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__________________________________________________________________
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>
>
__________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at
> <email suppressed>.
>
>
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__________________________________________________________________
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