From: Pablo Marin (email suppressed)
Date: Fri Oct 20 2006 - 11:15:02 PDT
Albert,
again, yes, as both Andy's said earlier on, contact
Wendy at Anthology for Recycled Images. it's 10
dollars. plus shipping.
all best,
pablo marin
buenos aires.
--- andrew lampert <email suppressed> wrote:
> Contact Wendy Dorsett at Anthology, we sell it:
> email suppressed
>
> A.
>
> --- albert alcoz <email suppressed> wrote:
>
> > Hi,
> > I've just read a great couple of articles about
> > found footage films: "Form and Meaning in Found
> > Footage Films: an Overview" and "The Ambigous Aura
> > of Hollywood Stars in Avant-garde in Found Footage
> > Films") written by William C. Wees in "Archivos de
> > la Filmoteca. Founf footage: simulacro, reciclaje,
> > collage, falsificaci�n. Filmoteca de Valencia,
> > 1998".
> > I would like to know where I can find the book
> > Recycled Images: The art and politics. It is not
> > available in Amazon, but is it available somewhere
> > else, in a museum store or somewhere else?
> >
> > Thanks,
> >
> > Albert Alcoz
> > http://visionary-film.blogspot.com/
> >
> > "William Wees, Dr." <email suppressed>
> > escribi�:
> > Stephen makes a good point. But it's worth
> > remembering that in the early
> > years most programs were shown twice. Also, my
> > comments about the
> > increased emphasis on older films were based on
> > percentage of screening
> > time, not number of films or programs. Nit
> picking,
> > maybe?
> >
> >
> > --Bill Wees
> >
> > William C. Wees, Editor
> > CANADIAN JOURNAL OF FILM STUDIES/REVUE CANADIENNE
> > D'ETUDES
> > CINEMATOGRAPHIQUES
> > Department of Art History and Communication
> Studies
> > McGill University
> > 853 Sherbrooke St. West--Arts W225
> > Montreal, QC H3A 2T6
> > Phone: 514 398-4935 Fax: 514 398-7247
> >
> > -----Original Message-----
> > From: Experimental Film Discussion List
> > [mailto:email suppressed] On Behalf Of
> > Stephen Kent Jusick
> > Sent: October 18, 2006 1:06 AM
> > To: email suppressed
> > Subject: Re: views on Views from the Avant-Garde
> > Part 2
> >
> > Thanks Bill for your comments. It would be great
> to
> > hear from others,
> > just reactions to what they've seen.
> > We couldalways use more of that on Frameworks,
> > especially about newer
> > films that don't have a body of writing around
> them!
> >
> >
> > I've noticed that there's more historical material
> > too, but I'm not
> > sure it's so unbalanced.
> > In truth, there are more programs than there used
> to
> > be, so it's as
> > if the historical is necessarily pushing out newer
> > work.
> >
> > This year there were 9 different programs (Guy
> > Maddin's Brand Upon
> > the Brain screened twice)
> > with 5 programs of contemporary work.
> >
> > Summary of past years :
> >
> > 2004 & 2005 10 programs
> > 2003 6 programs
> > 2002 8 programs
> > 2001 5 programs
> > 1999 & 2000 4 programs
> >
> > So really there's more being shown than there used
> > to be, and about
> > the same in terms of new work.
> > I'm not sure this is so terrible.
> >
> > While it's true that Saul Levine or Anger could be
> > show at Anthology
> > or elsewhere, as makers, I'm sure we'd agree that
> > having our work
> > screened at Lincoln Center reaches a different
> (and
> > maybe larger?)
> > audience.
> >
> > I think it's great the NYFF is showing so much
> > experimental work. It
> > still isn't like Rotterdam, which shows tons,
> > seemingly every day.
> > But here in NY I'm a little overwhelmed by 6 or 8
> or
> > 10 shows in 2
> > days....
> > That's actually too much in too little time....
> But
> > I have the
> > hometown disadvantage--many other things to do.
> When
> > visiting
> > festivals in other cities, I'm there for the films
> > alone....
> >
> > As for Guy Maddin's Brand Upon the Brain, which
> > screened on
> > Sunday--it was certainly a Maddin tour deforce!
> With
> > the live
> > orchestra, the amazing foley artists, and the
> > narration by Isabella
> > Rossellini, well, it was one of those special
> > events, and I'm glad I
> > was able to be there. In some ways watching the
> > foley artists was my
> > favorite part. But then I'd miss some on-screen
> > intertitle or
> > action. If you get the chance to see this in the
> > live version, don't
> > miss it!
> >
> >
> > Stephen Kent Jusick
> >
> >
> >
> >
> > --
> > ********************************************
> > Stephen Kent Jusick
> > Fever Films
> > 23 E. 10th Street, #PHG
> > New York, NY 10003 USA
> >
> > (212) 539-1023 tel
> > (212) 475-1399 fax
> > (212) 780-0493 home tel
> >
> > http://www.feverfilms.org
> >
> >
> >
>
__________________________________________________________________
> > For info on FrameWorks, contact Pip Chodorov at
> > .
> >
> >
> >
>
__________________________________________________________________
> > For info on FrameWorks, contact Pip Chodorov at
> > .
> >
> >
> >
> > ---------------------------------
> >
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> >
> >
> >
>
__________________________________________________________________
> > For info on FrameWorks, contact Pip Chodorov at
> > <email suppressed>.
> >
>
>
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For info on FrameWorks, contact Pip Chodorov at <email suppressed>.