-khtml-line-break: after-white-space; "><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Dear =
programmers,</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><BR =
class=3D"khtml-block-placeholder"></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Last=A0June =
international cinema lost one it's most cherished filmmakers, Japan's =
Shohei Imamura.=A0 Imamura, whose credits include the masterpiece THE =
BALLAD OF NARAYAMA and=A0PIGS AND BATTLESHIPS, was a true maverick. He's =
the first major post-humanist to emerge in Japan, getting his feet wet =
just before the other great rebel of Japanese cinema, Nagisa Oshima, =
went into feature filmmaking. While his peers busied themselves telling =
classical humanist tales such as THE HUMAN CONDITION and THE BURMESE =
HARP, Imamura picked at our festering scabs.=A0Much like Nikkatsu mentor =
Yuzo Kawashima, Imamura had a preference for contemporary themes, =
explored with frankness, humor and a lack of cant. He also had an =
enduring interest in the inhabitants of cultural backwaters and the =
lower depths, particularly earthy, strong-willed women who disdained =
bourgeois morality.=A0Gradually he emerged as one of the leading figures =
of postwar Japanese cinema, an insightful, creative artist with a =
near-scientific interest in Japanese culture and society, new and old, =
and a flair for depicting the human condition audaciously and =
entertainingly. Northwest Film Forum and=A0=A0Freer and Sackler =
Galleries of the Smithsonian Institution will honor Imamura on what =
would have=A0been his eightieth year with a retrospective of his =
work.=A0</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><BR =
class=3D"khtml-block-placeholder"></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">A list of =
titles in the program follows:</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Arial; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">ENDLESS DESIRE (Hateshinaki Yokubou)=A0=A01958=A0=A016=
mm & 35mm</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">STOLEN DESIRE (Nusumareta =
Yokubo)=A0=A01958=A0=A035mm</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">LIGHTS OF =
NIGHT=A0(Nishi Ginza Ekimae) 1958=A0=A035mm</DIV><DIV style=3D"margin-top:=
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">MY =
SECOND BROTHER (Nian-chan)=A0=A01959=A0=A035mm</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">PIGS AND BATTLESHIPS =A0(Buta to Gunkan) =
1961=A0=A016mm</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">THE INSECT WOMAN (Nippon =
Konchu-ki)=A0=A0=A01963=A0=A016mm & 35mm</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">MURDEROUS INSTINCTS (Akai Satsui) 1964 =
16mm</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">A MAN VANISHES (Ningen =
Johatsu)=A0=A01967 16mm</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">THE PROFOUND =
DESIRE OF GODS=A0 =A0(Kamigami no fukai Yokubo)=A0=A01968=A0=A016mm</DIV><=
DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">THE MAKINGG OF A PROSTITUTE =
(Karayukisan)=A0=A01973=A0=A016mm</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">VENGENCE IS =
MINE (Fukushuwa wareniari)=A0=A01979=A0=A016mm</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">WHY NOT (Eejanaika)=A0=A01981 16mm & =
35mm</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">THE BALLAD OF NARAYAMA =
(Narayamabushiko)=A0=A01983=A0=A016mm & 35mm</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">ZEGEN=A0=A01987=A0=A035mm</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">BLACK RAIN=A0 (Kuroiame)=A0 1989=A0 35mm</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Arial; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">The series =
will open in September 2007.=A0If you are interested in booking this =
program please be in touch so we=A0can work out dates and =
details.=A0</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><BR =
class=3D"khtml-block-placeholder"></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><DIV><DIV>Best =
regards,</DIV><DIV><BR></DIV><DIV>Adam</DIV><DIV>-------------------------=
------------</DIV><DIV>Adam Sekuler</DIV><DIV>Program =
Director</DIV><DIV>NW FILM FORUM</DIV><DIV>1515 12th =
Avenue</DIV><DIV>Seattle, WA 98122</DIV><DIV><BR></DIV><DIV>206.329.2629 =
P</DIV><DIV>206.329.1193 =
F</DIV><DIV>nwfilmforum.org</DIV><DIV><BR></DIV><DIV>Support =
independence in cinema by visiting the non-profit Northwest Film Forum, =
Seattle=92s home for the film arts - located on Capitol Hill at 1515 =
12th Ave (between Pike and Pine). Find out more online at</DIV><DIV><A =
href=3D"http://www.nwfilmforum.org">http://www.nwfilmforum.org></DIV></=
DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Arial; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Arial; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top:=
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Arial; min-height: 14px; "><BR =
class=3D"khtml-block-placeholder"></DIV><B></B></BODY></HTML>=
<p>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
<p>
--Apple-Mail-23-627530297--
------------------------------
Date: Wed, 15 Nov 2006 13:54:18 -0800
From: Madison Brookshire <email suppressed>
Subject: color dupe?
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Dear Frameworkers,
Is there any way to get color reversal workprint anymore? Anything would do.
Madison
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
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Dear Frameworkers,<br><br>Is there any way to get color reversal workprint
anymore? Anything would do.<br><br>Madison<br>
<p>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
<p>
------=_Part_5427_17257451.1163627658325--
------------------------------
Date: Wed, 15 Nov 2006 17:34:32 -0600
From: Jeff Kreines <email suppressed>
Subject: Re: color dupe?
On Nov 15, 2006, at 3:54 PM, Madison Brookshire wrote:
> Is there any way to get color reversal workprint anymore? Anything
> would do.
Thanks, Kodak, for this mess.
If there's enough demand, we might make a device that scans reversal
original and does a 16mm filmout (including edge codes) onto color
positive stock. Perhaps some lab would want one?
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
------------------------------
Date: Wed, 15 Nov 2006 19:16:30 -0500
From: julie murray <email suppressed>
Subject: Microcultural Incidents in Ten Zoos
Hi Frameworkers,
Would anyone know where I could obtain for sale or rent a decent copy of
Microcultural Incidents in Ten Zoos, either on film or on video? I guess a
dvd is available from Penn State (where the lectures originated) but it is a
little out of my range at $165 a pop.
Thanks
Julie Murray
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__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
------------------------------
Date: Wed, 15 Nov 2006 22:01:31 -0800
From: Sean Weitzel <email suppressed>
Subject: ektachrome vnf processing? any left
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Are there any labs left out there that anyone knows about that still can
process ektachrome VNF?
thanks in advance
-sean
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
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Are there any labs left out there that anyone knows about that still can
process ektachrome VNF?<br><br>thanks in advance<br>-sean<br>
<p>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
<p>
------=_Part_75703_32510773.1163656891171--
------------------------------
Date: Wed, 15 Nov 2006 23:29:18 -0800
From: ben d <email suppressed>
Subject: Re: ektachrome vnf processing? any left (Handprocess as E-6)
To add to this does anyone have experience with deveopling old ektachrome in
the contemporary e-6 process? Will i still get an image? What will the
colour shift be? If it was my own film i wouldn't worry but it's for another
filmmaker and i want to get a picture irregadless of the colour shifts.
Thanks
ben
>From: Sean Weitzel <email suppressed>
>Reply-To: Experimental Film Discussion List <email suppressed>
>To: email suppressed
>Subject: ektachrome vnf processing? any left
>Date: Wed, 15 Nov 2006 22:01:31 -0800
>
>Are there any labs left out there that anyone knows about that still can
>process ektachrome VNF?
>
>thanks in advance
>-sean
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
_________________________________________________________________
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__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
------------------------------
Date: Thu, 16 Nov 2006 02:57:16 -0800
From: Freya <email suppressed>
Subject: Re: ektachrome vnf processing? any left (Handprocess as E-6)
Apparently vnf is very similar process to E6 and lots
of people have been developing the old ektachrome in
e6, often without big colour shifts but you will
probably need to experiment.
I havn't tried it myself tho (yet!)
love
Freya
--- ben d <email suppressed> wrote:
> To add to this does anyone have experience with
> deveopling old ektachrome in
> the contemporary e-6 process? Will i still get an
> image? What will the
> colour shift be? If it was my own film i wouldn't
> worry but it's for another
> filmmaker and i want to get a picture irregadless of
> the colour shifts.
>
> Thanks
>
> ben
>
>
>
>
> >From: Sean Weitzel <email suppressed>
> >Reply-To: Experimental Film Discussion List
> <email suppressed>
> >To: email suppressed
> >Subject: ektachrome vnf processing? any left
> >Date: Wed, 15 Nov 2006 22:01:31 -0800
> >
> >Are there any labs left out there that anyone knows
> about that still can
> >process ektachrome VNF?
> >
> >thanks in advance
> >-sean
> >
> >
>
>__________________________________________________________________
> >For info on FrameWorks, contact Pip Chodorov at
> <email suppressed>.
> >
>
>
_________________________________________________________________
> Experience Live Search from your PC or mobile device
> today.
> http://www.live.com/?mkt=en-ca
>
>
>
__________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at
> <email suppressed>.
>
____________________________________________________________________________________
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__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
------------------------------
Date: Thu, 16 Nov 2006 07:47:24 -0600
From: paula salhany <email suppressed>
Subject: Re: ektachrome vnf processing? any left (Handprocess as E-6)
yes, e-6 is a pretty easy process. just make sure you follow the
instructions on
the chemical labels for mixing and make sure the temperature is correct. you
should get a picture. are you using a russian tank or bucket-style?
paula
> To add to this does anyone have experience with deveopling old ektachrome
in
>
> the contemporary e-6 process? Will i still get an image? What will the
> colour shift be? If it was my own film i wouldn't worry but it's for
another
>
> filmmaker and i want to get a picture irregadless of the colour shifts.
>
> Thanks
>
> ben
>
>
-- www.paulasalhany.com email suppressed __________________________________________________________________ For info on FrameWorks, contact Pip Chodorov at <email suppressed>. ------------------------------ Date: Thu, 16 Nov 2006 06:16:23 -0800 From: Jay Hudson <email suppressed> Subject: Re: ektachrome vnf processing? any left If you are talking 16, Pac-Labs in New York still does it once a week. I am not sure about Super 8. --- Sean Weitzel <email suppressed> wrote: > Are there any labs left out there that anyone knows > about that still can > process ektachrome VNF? > > thanks in advance > -sean > > > __________________________________________________________________ > For info on FrameWorks, contact Pip Chodorov at > <email suppressed>. > > ____________________________________________________________________________________ Do you Yahoo!? Everyone is raving about the all-new Yahoo! Mail beta. http://new.mail.yahoo.com __________________________________________________________________ For info on FrameWorks, contact Pip Chodorov at <email suppressed>. ------------------------------ End of FRAMEWORKS Digest - 15 Nov 2006 to 16 Nov 2006 - Special issue (#2006-290) ********************************************************************************* _________________________________________________________________ Fixing up the home? Live Search can help http://imagine-windowslive.com/search/kits/default.aspx?kit=improve&locale=en-US&source=hmemailtaglinenov06&FORM=WLMTAG __________________________________________________________________ For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
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