This week [January 6 - 14, 2007] in avant garde cinema

From: Weekly Listing (email suppressed)
Date: Sat Jan 06 2007 - 08:20:36 PST

Next message: JAG: "Re: Non-judgmental Preservation (was: chicago film archive)"
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Enter your announcements (calls for entries, new work, screenings,
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NEW FILM/VIDEO: NON-FEATURE:
===========================
"Private City" by Geert Wachtelaer
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=285.ann
"Memories Make Me..." by Kent Youngblood
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=284.ann
" "12- 26- oh- 6 "" by ryan seslow
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=282.ann

MISCELLANEOUS:
=============
film courses and workshops at no.w.here
http://www.hi-beam.net/cgi-bin/ann.pl?type=misc&readfile=83.ann

NEW CALLS FOR ENTRIES:
=====================
Fargo Film Festival (Location: Fargo, ND, 58103; Deadline: January 9, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=668.ann
Studio 27 - Oral Action (Location: San Francisco, CA USA; Deadline: February 1, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=669.ann
Heaven Gallery (Location: Chicago, IL ; Deadline: January 22, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=670.ann
Portland Documentary and eXperimental Film Festival (Portland, Oregon; Deadline: January 19, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=629.ann
25 FPS Festival (Zagreb, Croatia; Deadline: April 20, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=671.ann
The Secret Technology Show (San Francisco, CA; Deadline: February 16, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=672.ann
FAST WOMEN (Boston, MA, USA; Deadline: March 16, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=673.ann
Bicycle Film Festival (New York, NY, United States; Deadline: February 17, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=674.ann

DEADLINES APPROACHING:
======================
PA Festival of Films (Slippery Rock, PA, USA; Deadline: February 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=607.ann
Hong Kong International Film Festival (Hong Kong ; Deadline: January 27, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=608.ann
Independent Film Festival of Boston (Boston, MA, U.S.A.; Deadline: January 31, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=623.ann
The Play Ground (Duluth, MN, USA; Deadline: January 26, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=624.ann
Portland Documentary and eXperimental Film Festival (Portland, Oregon; Deadline: January 19, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=629.ann
Dereel Independent Film Festival (Melbourne, Victoria, Australia; Deadline: February 03, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=634.ann
The Delta International Film and Video Festival (Cleveland, MS USA; Deadline: February 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=642.ann
Daughters of Joy! Film + Video Festival (Montreal, Quebec, Canada; Deadline: January 15, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=643.ann
Streaming Festival {The Hague} (The Hague. Netherlands; Deadline: January 14, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=648.ann
britspotting - British/Irish Filmfestival (Berlin, Germany; Deadline: January 15, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=660.ann
Visual Music Marathon (Boston, MA; Deadline: January 22, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=662.ann
Fargo Film Festival (Fargo, ND, 58103; Deadline: January 09, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=668.ann
Studio 27 - Oral Action (San Francisco, CA USA; Deadline: February 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=669.ann
Heaven Gallery (Chicago, IL ; Deadline: January 22, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=670.ann

Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl

Also available online at Flicker: http://www.hi-beam.net

THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Essential Cinema: Carl Th Dreyer [January 6, New York, New York]
* Analogue: Pioneering Artists’ video From the Uk, Canada and Poland
    (1968-88): Polish Artists [January 6, New York, New York]
* New Orleans: Music In Exile [January 6, Portland, Oregon]
* Bob Marley & Friends [January 6, Portland, Oregon]
* Who Is Harry Nilsson? (And Why Is Everybody Talkin' About Him?) [January 6, Portland, Oregon]
* Essential Cinema: Carl Th Dreyer [January 7, New York, New York]
* Analogue: Pioneering Artists’ video From the Uk, Canada and Poland
    (1968-88): Canadian Artists, Program 2 [January 7, New York, New York]
* Essential Cinema: Carl Th Dreyer [January 7, New York, New York]
* Analogue: Pioneering Artists’ video From the Uk, Canada and Poland
    (1968-88): Canadian Artists, Program 2 [January 7, New York, New York]
* The Holy Modal Rounders: Bound To Lose [January 7, Portland, Oregon]
* Who Is Harry Nilsson? (And Why Is Everybody Talkin' About Him?) [January 7, Portland, Oregon]
* Tonight Let's All Make Love In London / the Beach Boys In London [January 7, Portland, Oregon]
* Artists Space Presents: In the Poem About Love You Don’T Write the Word
    Love In the Poem About Love You Don’T Write the Word Love [January 8, New York, New York]
* Keith Jarrett - the Art of Improvisation [January 8, Portland, Oregon]
* Fire In the Water / the Pink Floyd: London 1966/67 [January 10, Portland, Oregon]
* Dyke Delicious Series - A Florida Enchantment [January 13, Chicago, Illinois]
* Pancake Mountain 2007 [January 13, Houston, Texas]
* Pancake Mountain 2007 [January 14, Houston, Texas]

Events are sorted by CITY within each DATE.

-------------------------
SATURDAY, JANUARY 6, 2007
-------------------------

1/6
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:30pm, 32 Second Ave @ 2nd St.

ESSENTIAL CINEMA: CARL TH DREYER
  VAMPYR 1931-32, 70 minutes, b&w. In Danish with no subtitles. English
  synopsis available. "Imagine that we are sitting in a very ordinary
  room. Suddenly we are told that there is a corpse behind the door.
  Instantly, the room we are sitting in has taken on another look. The
  light, the atmosphere have changed, though they are physically the same.
  This is because we have changed and the objects are as we conceive them.
  This is the effect I wanted to produce in VAMPYR." –Carl Th. Dreyer

1/6
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8pm, 32 Second Ave @ 2nd St.

ANALOGUE: PIONEERING ARTISTS’ VIDEO FROM THE UK, CANADA AND POLAND
(1968-88): POLISH ARTISTS
  Pawel Kwiek VIDEO A (1974, 8.5 minutes) Pawel Kwiek VIDEO C (1974, 8.5
  minutes) Janusz Kolodrubiec TRANSMISSION (1977, 3 minutes) Janusz
  Szczerek DISTURBANCE (1977, 6 minutes) Janusz Szczerek SUBMERGE MESSIAH
  (1984, 6 minutes) Zbigniew Libera HOW TO TRAIN LITTLE GIRLS (1986, 16
  minutes) Jerzy Truszkowski FAREWELL TO EUROPE (1987, 14 minutes) Józef
  Robakowski MY VIDEOMASOCHISMS (1989-90, 5 minutes) Józef Robakowski
  DANCE WITH THE TREES (1985, 2.5 minutes) Józef Robakowski MY LEG HURTS
  (1989, 3 minutes) Józef Robakowski SONGS OF THE MOODS (1988, 2 minutes)
  Adam Rzepecki EVERY DOG HAS HIS DAY (1989, 5 minutes) Total running
  time: ca. 85 minutes.

1/6
Portland, Oregon: Northwest Film Center
http://www.nwfilm.org/
4pm, Whitsell Auditorium, Portland Art Museum, 1219 SW Park Avenue

NEW ORLEANS: MUSIC IN EXILE
  US 2006 Director: Robert Mugge Hurricane Katrina and its aftermath
  devastated the legendary New Orleans music community. Music
  documentarian Robert Mugge (GOSPEL ACCORDING TO AL GREEN, SAXOPHONE
  COLOSSUS, DEEP BLUES) creates an emotional portrait of horror,
  heartbreak and hope as the musicians who lived through the disaster pick
  up the pieces and try to rebuild their lives. Performances and
  interviews with New Orleans artists such as Dr. John, Cyril Neville,
  Kermit Ruffin, Irma Thomas, The Iguanas, Cowboy Mouth and The ReBirth
  Brass Band demonstrate how Katrina, broken levees, floods, looting,
  black mold and their consequences wreaked havoc on music and life in
  this colorful city. (117 min)

1/6
Portland, Oregon: Northwest Film Center
http://www.nwfilm.org/
6:30 pm, Whitsell Auditorium, Portland Art Museum, 1219 SW Park Avenue

BOB MARLEY & FRIENDS
  US 2005 Director: Saul Swimmer Swimmer's (CONCERT FOR BANGLADESH)
  celebration of the life and art of the incomparable Bob Marley puts the
  reggae master's music front and center, featuring rare concert footage
  as well as outstanding performances of Marley compositions from a bevy
  of contemporary talents. Along with vintage 70's performances of such
  classics as "Buffalo Soldier," "I Shot the Sheriff," "War," "One Love,"
  and "Redemption Song," Marley's son, Stephen, joins Wyclef Jean and
  Lauryn Hill for a powerful rendition of "No Woman No Cry," while Sting,
  Peter Gabriel, Bruce Springsteen and Tracy Chapman perform an anthemic
  "Get Up Stand Up." With additional performances by Ziggy Marley, Seal
  and the late Peter Tosh, and featuring interviews with Marley
  contemporaries like Bunny Wailer and legendary Miami deejay Clint
  O'Neil, BOB MARLEY & FRIENDS offers an infectious celebration of
  Marley's music and a powerful testament to his enduring legacy. (94 min)
  Q & A with co-producer Mario Custodio will follow both screenings.

1/6
Portland, Oregon: Northwest Film Center
http://www.nwfilm.org/
9pm, Whitsell Auditorium, Portland Art Museum, 1219 SW Park Avenue

WHO IS HARRY NILSSON? (AND WHY IS EVERYBODY TALKIN' ABOUT HIM?)
  US 2006 Director: John Scheinfeld Enigmatic singer-songwriter Harry
  Nilsson was singled out by the Beatles as their favorite "group" and
  regarded by songwriter Jimmy Webb as the greatest vocalist of the
  twentieth century. Gifted with a remarkable three and-a-half octave
  range, Nilsson won two Grammys and many Gold records, yet never cut his
  music to fit mainstream fashion. From MIDNIGHT COWBOY'S "Everybody's
  Talkin'" to love song classic "Without You," hair-raising rocker, "Jump
  Into The Fire," or the whimsical "Me And My Arrow" from his animated
  film, THE POINT, Nilsson's short and eclectic career was singular.
  Scheinfeld's lively film celebrates his legacy with rarely seen footage
  and interviews with a stellar group of his peers, including Micky
  Dolenz, Eric Idle, Randy Newman, Yoko Ono, The Smothers Brothers, Robin
  Williams, and Brian Wilson, among others. (90 min)

-----------------------
SUNDAY, JANUARY 7, 2007
-----------------------

1/7
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5pm, 32 Second Ave @ 2nd St.

ESSENTIAL CINEMA: CARL TH DREYER
  DAY OF WRATH / VREDENS DAG 1943, 100 minutes, b&w. In Danish with no
  subtitles. English synopsis available. "Carl Dreyer's art begins to
  unfold at the point where most other directors give up. Witchcraft and
  martyrdom are his themes – but his witches don't ride broomsticks, they
  ride the erotic fears of their persecutors. It is a world that suggests
  a dreadful fusion of Hawthorne and Kafka." –Pauline Kael

1/7
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6pm, 32 Second Ave @ 2nd St.

ANALOGUE: PIONEERING ARTISTS’ VIDEO FROM THE UK, CANADA AND POLAND
(1968-88): CANADIAN ARTISTS, PROGRAM 2
  General Idea PILOT (1977, 5-minute extract) Tom Sherman TELEVISIONS
  HUMAN NATURE (1977, 8-minute extract) Alex Poruchnyk LIVE WIRE (1982, 6
  minutes) Jayce Salloum IN THE ABSENCE OF HEROES (WARFARE – A CASE FOR
  CONTEXT) (1984, 6-minute extract) Su Rynard A TAPE ABOUT MEMORY (1985,
  3.5 minutes) Vera Frenkel THE LAST SCREENING ROOM: A VALENTINE (1984,
  11-minute extract) Robert Morin & Lorraine Dufour THE THIEF LIVES IN
  HELL (1984, 20 minutes) Total running time: ca. 65 minutes.

1/7
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7pm, 32 Second Ave @ 2nd St.

ESSENTIAL CINEMA: CARL TH DREYER
  ORDET 1955, 132 minutes, b&w. In Danish with no subtitles. English
  synopsis available. An existential morality essay by the master of the
  long take, in which a man who believes he is Jesus Christ soon begins to
  convince those around him. Based on the play by Kaj Munk, ORDET is a
  meditation on faith and fanaticism.

1/7
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8pm, 32 Second Ave @ 2nd St.

1/7
Portland, Oregon: Northwest Film Center
http://www.nwfilm.org/
2pm, Whitsell Auditorium, Portland Art Museum, 1219 SW Park Avenue

THE HOLY MODAL ROUNDERS: BOUND TO LOSE
  US 2006 Director: Sam Wainwright Douglas and Paul Lovelace From their
  origins in New York's Greenwich Village folk scene in the 60s and their
  involvement in the EASY RIDER soundtrack, to the lost years of constant
  drugging, endless touring and a final shot at redemption, BOUND TO LOSE
  recounts the unique 40-year history of true American originals. With
  startling intimacy, Douglas and Lovelace document fiddler Peter Stampfel
  and guitarist Steve Weber's arduous, amusing, and sometimes
  heartbreaking struggle to capitalize on a late career resurgence in
  popularity that culminated in an unpredictable 40th anniversary concert
  here in Portland. More than just a chronicle of psychedelic folk rock
  legends, BOUND TO LOSE is a raucous celebration of a lost American
  outlaw subculture as it draws its final rebellious breaths. This warm,
  funny story of friendship, growing older, and great music features
  endearing appearances by playwright (and former Rounders drummer) Sam
  Shepard, Dennis Hopper, John Sebastian of The Lovin' Spoonful, Peter
  Tork of the Monkees, Ed Sanders and Tuli Kupferberg of the Fugs, Loudon
  Wainwright III, Ira Kaplan of Yo La Tengo, music editor Robert Christgau
  of the "Village Voice," Wavy Gravy and many more. (87 min) The directors
  will introduce the film For Both Screenings. Sponsored by Artichoke
  Music.

1/7
Portland, Oregon: Northwest Film Center
http://www.nwfilm.org/
5pm, Whitsell Auditorium, Portland Art Museum, 1219 SW Park Avenue

1/7
Portland, Oregon: Northwest Film Center
http://www.nwfilm.org/
7pm, Whitsell Auditorium, Portland Art Museum, 1219 SW Park Avenue

TONIGHT LET'S ALL MAKE LOVE IN LONDON / THE BEACH BOYS IN LONDON
  TONIGHT LET'S ALL MAKE LOVE IN LONDON BRITAIN 1967 Director: Peter
  Whitehead Mods, mini skirts, topless models and music by, among many
  others, The Pink Floyd, back when the band was the definite article.
  Peter Whitehead's sexy, psychedelic record of the Swinging London scene
  could be the documentary cousin of Antonioni's BLOW UP. A self-described
  "Pop Concerto for Film," it captures a heady time when Britannia no
  longer ruled the waves but Carnaby Street definitely ruled the music and
  fashion worlds. Amid the pop art, pop music, paisley, anti-war protests
  and painted naked ladies are appearances by Mick Jagger, Julie Christie,
  Michael Caine, Lee Marvin (opining on mini skirts), Andrew Loog Oldham,
  artists Alan Aldridge and David Hockney, and a bevy of sexually
  liberated "dolly girls." One of the few filmmakers trusted within the
  perfumed gardens of the 60s rock illuminati, Whitehead was allowed
  unparalleled access into the center of the pop circle to capture the
  moment for this dazzling, kaleidoscopic record from the very core of the
  in-crowd." (70 min) with THE BEACH BOYS IN LONDON BRITAIN 1967 Director:
  Peter Whitehead Whitehead's rare document of the Beach Boys' 1966 UK
  Tour features the band at its peak, but with a missing Brian Wilson, in
  Los Angeles to finish recording "Smile." (30 min)

-----------------------
MONDAY, JANUARY 8, 2007
-----------------------

1/8
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30pm, 32 Second Ave @ 2nd St.

ARTISTS SPACE PRESENTS: IN THE POEM ABOUT LOVE YOU DON’T WRITE THE WORD
LOVE IN THE POEM ABOUT LOVE YOU DON’T WRITE THE WORD LOVE
  Anthology Film Archives presents a film/video series as part of Artists
  Space's exhibition IN THE POEM ABOUT LOVE YOU DON'T WRITE THE WORD LOVE.
  This project brings together works by several generations of artists and
  filmmakers whose practices engage – in tacit and explicit ways – the
  overwhelming media culture in which we live. Displacement is a seam that
  emerges and retreats through more than 30 works: a selection of film and
  video installations, sculptures, paintings, drawings, collages, and
  photographs. These works demonstrate a fundamental incompleteness,
  deferring any sense of a true image, reinforcing the confused neurotic
  state between entities, and challenging the status of the "visual." The
  film/video series being presented at Anthology will feature screenings
  on a weekly basis on Mondays at 7:30 from January 8 – February 12. This
  series takes as its starting point the distinction that the great French
  film critic Serge Daney made between the "image" and the "visual."
  Daney's distinction refers to an "image" that can critically challenge
  and destabilize predominant models of information, resisting the "purely
  technical," that which is nothing other than the verification that
  something functions. How, asked Daney, can contemporary art fracture the
  dominant model of the visual and its thoughtless circulation? What kind
  of audience can it address or mobilize? What form of community can it
  suggest? The works included in this series attempt to grapple with these
  questions, staging, through various strategies of dislocation or
  slippage, an unsettling tension that challenges visual conventions in an
  increasingly mediated culture. PROGRAM 1: Alexander Kluge THE BLIND
  DIRECTOR (1986, 113 min, 16mm, b&w/color) The Blind Director (otherwise
  known more appropriately as The Present Versus The Rest of Time)
  addresses audiovision at its most basic level. The viewer is placed in
  the position of having to discover over and over his/her eagerness to
  consume a story and to be consumed by it. Kluge laments the notion that
  there is practically only one image that we can relate to, one story,
  one line of continuity. He effectively transforms our viewing experience
  by laying bare the devices of cinema, repeatingly forcing us to face the
  conditions by which technologically mediated modes of narrative and
  continuity have been absorbed and naturalized, in turn actively
  impelling us to challenge information and mediation, within an
  impossible present time.

1/8
Portland, Oregon: Northwest Film Center
http://www.nwfilm.org/
7pm, Whitsell Auditorium, Portland Art Museum, 1219 SW Park Avenue

KEITH JARRETT - THE ART OF IMPROVISATION
  BRITAIN 2005 Director: Mike Dibb Pianist Keith Jarrett is one of jazz's
  true stars, an artist whose interests and influences range from ethnic
  and folk music to Bach, Mozart, Stravinsky and Samuel Barber.
  Contrasting his boundary blurring immersion in the worlds of jazz and
  classical music, Mike Dibb's (THE MILES DAVIS STORY) incisive portrait
  explores, through a collage of interviews and great archival film, the
  complete range of Jarrett's life and work and the numerous musical
  greats he has played with over the years. Among the many contributors
  are Chick Corea, Steve Cloud, Charlie Haden, Jan Garbarek, Gary Burton
  and many others. (85 min)

---------------------------
WEDNESDAY, JANUARY 10, 2007
---------------------------

1/10
Portland, Oregon: Northwest Film Center
http://www.nwfilm.org/
7pm, Whitsell Auditorium, Portland Art Museum, 1219 SW Park Avenue

FIRE IN THE WATER / THE PINK FLOYD: LONDON 1966/67
  FIRE IN THE WATER BRITAIN 1977 Director: Peter Whitehead Whithead's last
  film is an alchemical allegory set in the Highlands of Scotland in which
  a filmmaker reviews his brief movie career while his girlfriend explores
  the countryside alone. Along with appearances by David Hockney and John
  Lennon, Whitehead incorporates footage from some of his previous films
  to fashion a coda to era. (90 min) with THE PINK FLOYD: LONDON 1966/67
  BRITAIN 1967 Director: Peter Whitehead The first-ever footage of Pink
  Floyd and the legendary Syd Barrett, performing live in the UFO Club in
  London and at the Sound Techniques Studio. (30 min)

--------------------------
SATURDAY, JANUARY 13, 2007
--------------------------

1/13
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
7:00pm social hour; 8:00pm screening, Chicago Filmmakers (5243 N. Clark St.)

DYKE DELICIOUS SERIES - A FLORIDA ENCHANTMENT
  Tonight we go retro for what may be the first gender-bending film ever.
  A Florida Enchantment (1914, 63 mins., dir. Sidney Drew) is an
  extraordinary resort-set comedy of crossdressing and confusion.
  Frustrated by her fiancé's affairs with hotel maids, a New York heiress
  downs one of the magic seeds that change women into men. But after
  shaving her morning moustache, she exchanges ideas of revenge for the
  new-found pleasure of embracing other women!

1/13
Houston, Texas: Aurora Picture Show
http://www.aurorapictureshow.org
10am, 800 Aurora St.

PANCAKE MOUNTAIN 2007
  Created as an alternative to the formulaic kids' shows of today, Pancake
  Mountain is an all ages, independent cable access show with emphasis on
  music, comedy and most importantly fun. "..MTV could never dream up a
  show that once featured Fugazi god Ian MacKaye lip-syncing a kiddie
  ditty he wrote called "Vowel Movement." Such moments have made Pancake
  Mountain the coolest TV booking in rock." –Luke Zaleski, G.Q. Magazine
  "A sort of slapstick "Sesame Street" that combines "Pee-wee's Playhouse"
  silliness with the inspired lunacy of "Monty Python's Flying Circus,"
  the program also boasts an ultra-hip and ever-expanding musical guest
  list."-Joe Heim, Washington Post

------------------------
SUNDAY, JANUARY 14, 2007
------------------------

1/14
Houston, Texas: Aurora Picture Show
http://www.aurorapictureshow.org
3pm, 800 Aurora St.

Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl

The weekly listing is also available online at Flicker:
http://www.hi-beam.net

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

Next message: JAG: "Re: Non-judgmental Preservation (was: chicago film archive)"
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