From: Dennis Miller (email suppressed)
Date: Tue Apr 24 2007 - 05:33:27 PDT
Regarding the Visual Music Marathon this Saturday, in fact, 120 films will
be screened between 10 and 10.
Best wishes.
Dennis
----- Original Message -----
From: "FRAMEWORKS automatic digest system" <email suppressed>
To: <email suppressed>
Sent: Tuesday, April 24, 2007 12:37 AM
Subject: FRAMEWORKS Digest - 23 Apr 2007 to 24 Apr 2007 - Special issue
(#2007-228)
> There are 7 messages totalling 645 lines in this issue.
>
> Topics in this special issue:
>
> 1. Cinema Project Presents, "Carte Blanche du Canada" -- Brett Kashmere
> in
> Person
> 2. Sarah Jacobson Film Grant - deadline May 25
> 3. Rear Screen Projection Material
> 4. video camera for rear projection - question
> 5. LONDON FILM FESTIVAL 2007, Call for Entries
> 6. Video Performance 4.29 and Video Music Marathon 4.28
> 7. Summer Internship Available at MercerMedia
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> ----------------------------------------------------------------------
>
> Date: Mon, 23 Apr 2007 09:46:03 -0700
> From: Jeremy Rossen <email suppressed>
> Subject: Cinema Project Presents, "Carte Blanche du Canada" -- Brett
> Kashmere in Person
>
> --_3242e744-ead7-4ea2-9798-59378c4ca492_
> Content-Type: text/plain; charset="Windows-1252"
> Content-Transfer-Encoding: quoted-printable
>
> Cinema Project Presents: CARTE BLANCHE du CANADA: BRETT KASHMERE in
> Per=
> sonApril 24th 2007 | 7:30 PMNew American Art Union [922 S.E..Ankeny]
> in=
> (address suppressed) just returned from the Images Festival in
> Toront=
> o last week, were we spent a lot of time watching tons of Canadian work,
> we=
> can assuredly say you are all for a treat at this one-night only
> screening=
> ! Cinema Project rolls out the red carpet to welcome guest curator and
> film=
> maker Brett Kashmere to present this special program. Carte Blanche du
> Cana=
> da magnifies cracks in the friendly Northern fa=E7ade: Isolation,
> lonelines=
> s, melancholia, the dissipation of rural life, the fall of civilization
> and=
> the end of civilized play are displayed in this program of Canadian film
> e=
> t video. Brett will also be screening his newest video essay, Valery=92s
> An=
> kle, at the PDX Fest this Sunday.When Canadians Attack by Brett Kashmere
> [2=
> 004, video, color, sound, 4 min.]Very Nice, Very Nice by Arthur Lipsett
> [19=
> 61, 16mm, b&w, sound, 7 min]Distance is Relative by Amber Goodwyn [2004,
> 16=
> mm, b&w, silent, 5 min]still | move by Michael Rollo [2003, video,
> color/b=
> &w, silent, 11 min]unfinished passages by Brett Kashmere [2005, video,
> b&=
> w, sound 17 min]buffalo lifts by Christina Battle [ 2004, 16mm, color,
> sile=
> nt, 3 min]Colonel Canuck by Jake Kennedy [2003, video, color, sound, 3
> min]=
> Last Days of Contrition by Richard Kerr [1988, 16mm, b&w, sound, 35 min]
> _________________________________________________________________
> Explore the seven wonders of the world
> http://search.msn.com/results.aspx?q=3D7+wonders+world&mkt=3Den-US&form=3DQ=
> BRE=
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> --_3242e744-ead7-4ea2-9798-59378c4ca492_
> Content-Type: text/html; charset="Windows-1252"
> Content-Transfer-Encoding: quoted-printable
>
> <html>
> <head>
> <style>
> P
> {
> margin:0px;
> padding:0px
> }
> body
> {
> FONT-SIZE: 10pt;
> FONT-FAMILY:Tahoma
> }
> </style>
> </head>
> <body><div style=3D"text-align: left;">Cinema Project Presents:
> <br=
>>CARTE BLANCHE du CANADA: BRETT KASHMERE in Person<br><br>April 24th
>>=
> 2007 | 7:30 PM<br>New American Art Union [922
> S.E..Ankeny=
> ] <br> email suppressed<br><br>Having just returned from the
> Ima=
> ges Festival in Toronto last week, were we spent a lot of time watching
> ton=
> s of Canadian work, we can assuredly say you are all for a treat at this
> on=
> e-night only screening! Cinema Project rolls out the red carpet to welcome
> =
> guest curator and filmmaker Brett Kashmere to present this special
> program.=
> Carte Blanche du Canada magnifies cracks in the friendly Northern
> fa=E7ade=
> : Isolation, loneliness, melancholia, the dissipation of rural life, the
> fa=
> ll of civilization and the end of civilized play are displayed in this
> prog=
> ram of Canadian film et video. Brett will also be screening his newest
> vide=
> o essay, Valery=92s Ankle, at the PDX Fest this Sunday.<br><br>When
> Canadia=
> ns Attack by Brett Kashmere [2004, video, color, sound, 4 min.]<br>Very
> Nic=
> e, Very Nice by Arthur Lipsett [1961, 16mm, b&w, sound, 7
> min]<br>Dista=
> nce is Relative by Amber Goodwyn [2004, 16mm, b&w, silent, 5
> min]<br>st=
> ill | move by Michael Rollo [2003, video, color/b&w,
> silent=
> , 11 min]<br>unfinished passages by Brett Kashmere [2005, video,
> b&am=
> p;w, sound 17 min]<br>buffalo lifts by Christina Battle [ 2004, 16mm,
> color=
> , silent, 3 min]<br>Colonel Canuck by Jake Kennedy [2003, video, color,
> sou=
> nd, 3 min]<br>Last Days of Contrition by Richard Kerr [1988, 16mm,
> b&w,=
> sound, 35 min]<br><br><br><br></div><br><br><br><hr
> id=3D"stopSpelling"><b=
> r><br /><hr />Explore the seven wonders of the world <a
> href=3D'http://sear=
> ch.msn.com/results.aspx?q=3D7+wonders+world&mkt=3Den-US&form=3DQBRE'
> target=
> =3D'_new'>Learn more!</a></body>
> </html>=
> <p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
> <p>
>
> --_3242e744-ead7-4ea2-9798-59378c4ca492_--
>
> ------------------------------
>
> Date: Mon, 23 Apr 2007 13:58:37 -0400
> From: Ed Halter <email suppressed>
> Subject: Sarah Jacobson Film Grant - deadline May 25
>
>> This message is in MIME format. Since your mail reader does not
>> understand
> this format, some or all of this message may not be legible.
>
> --B_3260181675_9700276
> Content-type: text/plain;
> charset="ISO-8859-1"
> Content-transfer-encoding: quoted-printable
>
> 2007 Sarah Jacobson Film Grant
>
> This annual film grant is intended to honor the spirit and legacy of Sarah
> Jacobson. Sarah, whose feature film Mary Jane's Not A Virgin Anymore
> screened at the 1997 Sundance Film Festival, died in 2004 after a battle
> with cancer. Sarah led a DIY ("Do It Yourself") movement in the 1990s,
> promoting and distributing her own work with her producer and mom, Ruth
> Ellen Jacobson, speaking at festivals and events everywhere, and writing
> about film for a number of publications. A tireless, at times even
> shameless, promoter of her own work, Sarah was also a passionate
> advocate for the films of fellow filmmakers.
>
> The Free History Project, Ruth Jacobson (Sarah=B9s mom), and a number of
> Sarah=B9s friends have contributed money in order to give out a small
> annual
> grant to young female filmmakers whose work embodies some of the
> things that Sarah stood for: a fierce DIY approach to filmmaking, a
> radical
> social critique, and a thoroughly underground sensibility.
>
> Last year we gave $750 grants to each of the following three filmmakers:
>
> Gretchen Hogue See Photo
> Kara Herold Bachelorette , 34
> Vanessa Renwick Portrait #2: Trojan
>
> This year, we plan to give out two grants of $1,500 each to support film
> projects in any stage of completion from pre-production through
> distribution. We are open to films of any length and genre, from
> documentary to experimental to narrative. What we are looking for are
> projects that in some way embody Sarah=B9s spirit and represent the values
> that she articulated in her work.
>
> To apply for the grant, please mail the following materials to the Free
> History Project, postmarked by May 25, 2007. Include a SASE if you
> would like your materials returned to you.
>
> 1. A synopsis/treatment of the project (no more than 3 pages).
> Please include a detailed description of the film -- its subject, style,
> structure, and distribution strategy. Please also explain why your
> project is appropriate for this grant.
>
> 2. A simple one-page budget for the project. Also include a
> paragraph describing other funding you have received for this project
> and how you would use the money from this grant.
>
> 3. A short bio for the film=B9s director.
>
> 4. A work sample =AD either a trailer or rough-cut of the project you=B9re
> applying for the grant with, or an example of previous work. The work
> sample should be on either VHS or DVD. Please do not send more
> than one sample.
>
> APPLICATIONS MUST BE POST-MARKED BY FRIDAY MAY 25, 2007
> MAILING ADDRESS:
> The Free History Project
> 1563 Solano Avenue, Box 197
> Berkeley, CA 94707
> The Free History Project is not staffed full-time, so we are unable to
> respond to telephone or email inquiries.
>
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> --B_3260181675_9700276
> Content-type: text/html;
> charset="ISO-8859-1"
> Content-transfer-encoding: quoted-printable
>
> <HTML>
> <HEAD>
> <TITLE>Sarah Jacobson Film Grant - deadline May 25</TITLE>
> </HEAD>
> <BODY>
> <FONT SIZE=3D"5"><FONT FACE=3D"Times, Times New Roman"><SPAN
> STYLE=3D'font-size:1=
> 6.0px'>2007 Sarah Jacobson Film Grant<BR>
> <BR>
> </SPAN></FONT></FONT><FONT FACE=3D"Times, Times New Roman"><FONT
> SIZE=3D"4"><SP=
> AN STYLE=3D'font-size:13.0px'>This annual film grant is intended to honor
> the =
> spirit and legacy of Sarah<BR>
> Jacobson. Sarah, whose feature film <I>Mary Jane's Not A Virgin
> Anymore<BR>
> </I>screened at the 1997 Sundance Film Festival, died in 2004 after a
> battl=
> e<BR>
> with cancer. Sarah led a DIY ("Do It Yourself") movement in the
> 1=
> 990s,<BR>
> promoting and distributing her own work with her producer and mom,
> Ruth<BR>
> Ellen Jacobson, speaking at festivals and events everywhere, and
> writing<BR=
>>
> about film for a number of publications. A tireless, at times even<BR>
> shameless, promoter of her own work, Sarah was also a passionate<BR>
> advocate for the films of fellow filmmakers.<BR>
> <BR>
> The Free History Project, Ruth Jacobson (Sarah’s mom), and a number
> o=
> f<BR>
> Sarah’s friends have contributed money in order to give out a small
> a=
> nnual<BR>
> grant to <B>young female filmmakers whose work embodies some of the<BR>
> things that Sarah stood for: a fierce DIY approach to filmmaking, a
> radical=
> <BR>
> social critique, and a thoroughly underground sensibility.<BR>
> </B><BR>
> Last year we gave $750 grants to each of the following three
> filmmakers:<BR=
>>
> <BR>
> Gretchen Hogue <I>See Photo<BR>
> </I> Kara Herold <I>Bachelorette </I>, <I>34 <BR>
> </I>Vanessa Renwick <I>Portrait #2: Trojan <BR>
> <BR>
> </I>This year, we plan to give out two grants of $1,500 each to support
> fil=
> m<BR>
> projects in any stage of completion from pre-production through<BR>
> distribution. We are open to films of any length and genre, from<BR>
> documentary to experimental to narrative. What we are looking for are<BR>
> projects that in some way embody Sarah’s spirit and represent the
> val=
> ues<BR>
> that she articulated in her work.<BR>
> <BR>
> To apply for the grant, please mail the following materials to the
> Free<BR>
> History Project, postmarked by May 25, 2007. Include a SASE if you<BR>
> would like your materials returned to you.<BR>
> <BR>
> 1. A synopsis/treatment of the project (no more than 3 pages).<BR>
> Please include a detailed description of the film -- its subject,
> style,<BR=
>>
> structure, and distribution strategy. Please also explain why your<BR>
> project is appropriate for this grant.<BR>
> <BR>
> 2. A simple one-page budget for the project. Also include a<BR>
> paragraph describing other funding you have received for this project<BR>
> and how you would use the money from this grant.<BR>
> <BR>
> 3. A short bio for the film’s director.<BR>
> <BR>
> 4. A work sample – either a trailer or rough-cut of the project
> you&#=
> 8217;re<BR>
> applying for the grant with, or an example of previous work. The work<BR>
> sample should be on either VHS or DVD. Please do not send more<BR>
> than one sample.<BR>
> <BR>
> APPLICATIONS MUST BE POST-MARKED BY FRIDAY MAY 25, 2007<BR>
> MAILING ADDRESS:<BR>
> The Free History Project<BR>
> 1563 Solano Avenue, Box 197<BR>
> Berkeley, CA 94707<BR>
> The Free History Project is not staffed full-time, so we are unable to<BR>
> respond to telephone or email inquiries.<BR>
> </SPAN></FONT></FONT><FONT FACE=3D"Geneva CE"><SPAN
> STYLE=3D'font-size:12.0px'>=
> <BR>
> </SPAN></FONT>
> </BODY>
> </HTML>
>
> <p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
> <p>
>
> --B_3260181675_9700276--
>
> ------------------------------
>
> Date: Mon, 23 Apr 2007 15:56:32 -0400
> From: Pablo de Ocampo <email suppressed>
> Subject: Re: Rear Screen Projection Material
>
> Did someone reply to this? Clearprint drafting vellum is the one you want.
> I
> put out a call about this a month or so ago, and this is what we ended up
> going with for a rather large, side by side double rear screen projection.
> It looked great. You can get rolls up to 72" wide but will likely need to
> go
> to a film/theatre expendables shop, as most art supply shops I asked
> didn't
> know it came in rolls this large.
>
> -p
>
>
> }- - - -- - - - - - {
>
> Pablo de Ocampo
> Artistic Director
> THE IMAGES FESTIVAL
> 448-401 Richmond Street West
> Toronto. Ontario M5V 3A8 Canada
> T 416.971.8405
> F 416.971.7412
> http://www.imagesfestival.com
>
> 20th Edition>>>> 5-14 April 2007 >>>>>>
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Mon, 23 Apr 2007 17:07:38 -0700
> From: Victoria Wolfe <email suppressed>
> Subject: video camera for rear projection - question
>
> on the topic of rear projection, mine pertains to theater performance:
>
> Is there a certain type of camera that is best for recording footage
> that I will use as rear projection onto a stage?
> I borrowed a very basic at home video camera, figuring that would give
> the right quality to the footage.
> Wondering if anyone has experience with this. Apologies if I missed a
> post in the thread that addressed this
> question.
>
> thanks, V
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Mon, 23 Apr 2007 22:41:07 -0400
> From: gregg biermann <email suppressed>
> Subject: Re: LONDON FILM FESTIVAL 2007, Call for Entries
>
> Hi Mark -- Gregg Biermann here.
> I have to admit I haven't had much luck with you in the past but I'd like
> to
> give it another shot. Try and give this work a careful look this time I'm
> confident that you won't find much stronger video work out there.
> The newer pieces are Hackensack Motet and Happy Again.
> Best,
> Gregg
>
>
> ----- Original Message -----
> From: "Mark Webber" <email suppressed>
> To: <email suppressed>
> Sent: Monday, April 23, 2007 10:34 AM
> Subject: LONDON FILM FESTIVAL 2007, Call for Entries
>
>
>> LONDON FILM FESTIVAL
>> 17 October - 1 November 2007
>>
>> The London Film Festival is committed to incorporate a strong presence
>> for
>> avant-garde and artists' film & video in its programme. For several
>> years,
>> we have presented a concentrated selection of artists' work, with many of
>> the makers attending screenings. This year's "avant-garde weekend" will
>> take
>> place on 26-28 October 2007.
>>
>> I am very be interested to hear about any works completed in the last two
>> years or currently in progress. If you are a film or video maker, please
>> send tapes of recent works for preview and consideration. If no previews
>> are
>> available then send details of the project. Please note that works will
>> be
>> shown in theatrical screenings. The festival is unable to present
>> installations or gallery-based work.
>>
>> Official regulations require that works will receive their UK theatrical
>> premiere in the Festival. Prior theatrical, UK Festivals, UK television
>> screenings, UK dvd / video releases or internet transmission films from
>> entry. To be eligible for screening in the festival, works must have been
>> made within the last two years, or be archival restorations that have not
>> yet shown in the UK.
>>
>> Further information on eligibility and regulations are on the LFF website
>> :-
>> http://www.lff.org.uk/content.php?CategoryID=640
>>
>> Preview materials can be sent to the Festival office (clearly labelled
>> for
>> the attention of Mark Webber), or preferably sent directly to me. Please
>> contact me for addresses, or if you would like additional information.
>> Unsolicited submissions are welcomed and there are no application forms
>> to
>> complete.
>>
>> Details of the 2006 programme can be found at :-
>> http://www.lff.org.uk/films.php?year=2006&StrandID=47
>>
>> With best wishes,
>>
>> Mark Webber
>> Programme Advisor, The Times BFI 51st London Film Festival
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>> --
>> No virus found in this incoming message.
>> Checked by AVG Free Edition.
>> Version: 7.5.463 / Virus Database: 269.5.9/773 - Release Date: 4/22/2007
>> 8:18 PM
>>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Mon, 23 Apr 2007 23:39:50 -0400
> From: "Emile Tobenfeld (a.k.a Dr. T)" <email suppressed>
> Subject: Video Performance 4.29 and Video Music Marathon 4.28
>
> Hi folks,
>
> I'll be doing video improvisations with The Lothars (one of my
> favorite bands -- two theremins, electro flute and hammered
> dulcimer) at PA's Lounge 345 Somerville Ave, Somerville MA , 617
> 776-1557. We are the opening act, sometime around 8:30 or 9.
>
> At 11:30 AM -0500 4/23/07, The Lothars wrote:
>>On April 29, The Lothars return for their
>><http://www.wobblymusic.com/lothars/LotharsGigs.php?gig_id=090605>annual
>><http://www.wobblymusic.com/lothars/LotharsGigs.php?gig_id=042606>visit
>>to local Somerville haunt <http://www.paslounge.com>P.A.'s Lounge.
>>This time around, we are opening for
>><http://www.importantrecords.com/releases/imprec101_release_page.htm>Alasehir,
>>a side project of Bardo Pond brothers John and Michael Gibbons with
>>drummer Michael Zangha. Also on the bill are D.C. p sych improvisors
>><http://611florida.alkem.org/kohoutek/frizz.html>Kohoutek. Come for
>>the theremins; stay for the barrage of psychedelic noise!
>
> On April 28, a live piece of mine called "Another Kind of Blues" will
> be shown between 2 and 3 PM at the first Visual Music Marathon at
> NorthEastern University's Egan Research Center, 120 Forsyth Street,
> Boston, MA 02115 .
>
> This will be part of an amazing event that I'm much looking forward
> to attending -- a must for anyone with an interest in visual music.
> 64 film and video works, plus live performances, will be shown from
> 10AM to 10 PM. For the full schedule, go to
> http://www.music.neu.edu/vmm/schedule.html
>
>
> --
> " Practice makes perfect, imperfect is better." -- Paul Bley
>
> Emile Tobenfeld, Ph. D.
> Video Producer Image Processing Specialist
> Video for your HEAD! Boris FX
> http://www.foryourhead.com http://www.borisfx.com
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Tue, 24 Apr 2007 00:36:57 -0400
> From: Bill Seery <email suppressed>
> Subject: Summer Internship Available at MercerMedia
>
> --Boundary_(ID_EJ+9mDqy+5A+hES3LrkOHg)
> Content-type: text/plain; charset=WINDOWS-1252; delsp=yes; format=flowed
> Content-transfer-encoding: quoted-printable
>
> Please pass this along to anyone who may be interested
>
>
> Summer Internship Available at MercerMedia
>
> About Us
>
> We provide a full range of media services including video editing, =20
> sound design, audio post production, DVD authoring, radio production =20
> and magnetic media preservation.
> Our primary focus is on experimental, documentary and social issue =20
> work. Some of our recent clients and projects include Carolee =20
> Schneemann with Bill Brand (Kitch's Last Meal), Chris Marker with =20
> Lynne Sachs (Vive la Baleine), Judith Helfand and Dan Gold =20
> (Everything's Cool), Cynthia Wade (Freeheld), Bill Plympton (Hair =20
> High), Alan Berliner (Wide Awake), Aldo Tambellini, Jenny Perlin, =20
> James Nares, Helene Aylon, and FAIR (Counterspin)
>
> Internship
> We are searching for someone to assist in day to day operations =20
> including studio management, transfers, media preparation, database =20
> entry and other technical and organizational duties. This is an =20
> unpaid position but we are happy to provide college credit, if possible.
>
> What We Offer
> A creative, informal work environment that provides a unique learning =20=
>
> experience. During your internship you will have the opportunity to =20
> learn: how to transfer audio and video, magnetic media preservation, =20
> including cleaning, and restoration, database management, principles =20
> of time code and editing, sound design, audio editing and mixing, and =20=
>
> other skills useful in the post production field. We also encourage =20
> interns to sit in and observe sessions.
>
> Who We=92re Looking For
> A reliable, responsible person who is interested in and knowledgeable =20=
>
> about experimental film, video and related media.
>
> Requirements
> All applicants should be Macintosh computer literate and have a basic =20=
>
> understanding of film and video systems. Applicants should be self =20
> directed, detail oriented and motivated. We offer an easy-going, =20
> supportive, instructive environment to learn and grow.
>
> How to Apply
> Email a brief letter of inquiry and a resume to email suppressed=
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> --Boundary_(ID_EJ+9mDqy+5A+hES3LrkOHg)
> Content-type: text/html; charset=WINDOWS-1252
> Content-transfer-encoding: quoted-printable
>
> <HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
> -khtml-line-break: after-white-space; "><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
> class=3D"Apple-style-span" face=3D"Verdana">Please pass this along to =
> anyone who may be interested</FONT><FONT class=3D"Apple-style-span" =
> face=3D"Verdana"></FONT></DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
> class=3D"Apple-style-span" face=3D"Verdana"><BR =
> class=3D"khtml-block-placeholder"></FONT></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
> class=3D"Apple-style-span" face=3D"Verdana"><BR =
> class=3D"khtml-block-placeholder"></FONT></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
> class=3D"Apple-style-span" face=3D"Verdana">Summer Internship Available =
> at=A0<FONT class=3D"Apple-style-span" =
> face=3D"Helvetica">MercerMedia</FONT></FONT></DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; font: normal normal normal 12px/normal Verdana; =
> min-height: 15px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
> class=3D"Apple-style-span" face=3D"Verdana">About Us=A0</FONT></DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
> min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">We provide a =
> full range of media services including video editing, sound design, =
> audio post production, DVD authoring, radio production and magnetic =
> media preservation.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
> 0px; margin-bottom: 0px; margin-left: 0px; ">Our primary focus is on =
> experimental, documentary and social issue work. Some of our recent =
> clients and projects include Carolee Schneemann with Bill Brand (Kitch's =
> Last Meal), Chris Marker with Lynne Sachs (<FONT =
> class=3D"Apple-style-span" face=3D"Arial" size=3D"3"><SPAN =
> class=3D"Apple-style-span" style=3D"font-size: 13px;">Vive la =
> </SPAN></FONT><FONT class=3D"Apple-style-span" face=3D"Arial" =
> size=3D"3"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
> 13px;">Baleine</SPAN></FONT>), Judith Helfand and Dan Gold (Everything's =
> Cool), Cynthia Wade (Freeheld),=A0 Bill Plympton (Hair High), Alan =
> Berliner (Wide Awake), Aldo Tambellini,=A0Jenny Perlin,=A0James =
> Nares,=A0=A0Helene Aylon,=A0=A0and FAIR (Counterspin)=A0</DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
> min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
> class=3D"Apple-style-span"
> face=3D"Verdana">Internship=A0=A0</FONT></DIV><=
> DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; "><FONT class=3D"Apple-style-span" face=3D"Verdana">We =
> are searching for someone to assist in day to day operations including =
> studio management, transfers, media preparation, database entry and =
> other technical and organizational duties. This is an unpaid position =
> but we are happy to provide college credit, if =
> possible.=A0</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: =
> 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
> class=3D"Apple-style-span" face=3D"Verdana"><BR =
> class=3D"khtml-block-placeholder"></FONT></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
> class=3D"Apple-style-span" face=3D"Verdana">What We =
> Offer=A0</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; "><FONT class=3D"Apple-style-span" =
> face=3D"Verdana">A creative, informal work environment that provides a =
> unique learning experience. During your internship you will have the =
> opportunity to learn: how to transfer audio and video, magnetic media =
> preservation, including cleaning, and restoration, database management, =
> principles of time code and editing, sound design, audio editing and =
> mixing, and other skills useful in the post production field.=A0We also =
> encourage interns to sit in and observe sessions.=A0</FONT></DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; "><FONT class=3D"Apple-style-span" face=3D"Verdana"><BR
> =
> class=3D"khtml-block-placeholder"></FONT></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
> class=3D"Apple-style-span" face=3D"Verdana">Who We=92re Looking =
> For=A0</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; "><FONT class=3D"Apple-style-span" =
> face=3D"Verdana">A reliable, responsible person who is interested in =
> and=A0knowledgeable about experimental film, video and related =
> media.=A0</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
> 12px/normal Verdana; min-height: 15px; "><BR></DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; "><FONT class=3D"Apple-style-span" =
> face=3D"Verdana">Requirements=A0</FONT></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
> class=3D"Apple-style-span" face=3D"Verdana">All applicants should be =
> Macintosh computer literate and have a basic understanding of film and =
> video systems. Applicants should be self directed, detail oriented and =
> motivated.=A0We offer an easy-going, supportive, instructive environment =
> to learn and grow.=A0</FONT></DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
> class=3D"Apple-style-span" face=3D"Verdana"><BR =
> class=3D"khtml-block-placeholder"></FONT></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
> class=3D"Apple-style-span" face=3D"Verdana">How to =
> Apply=A0</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; "><FONT class=3D"Apple-style-span" =
> face=3D"Verdana">Email a brief letter of inquiry and a resume to =
> </FONT><A href=3D"mailto:email suppressed"><FONT =
> class=3D"Apple-style-span" face=3D"Verdana"><FONT =
> class=3D"Apple-style-span" =
> color=3D"#1A19E4">email suppressed</FONT></FONT></A></DIV></BODY></HTM=
> L>=
> <p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
> <p>
>
> --Boundary_(ID_EJ+9mDqy+5A+hES3LrkOHg)--
>
> ------------------------------
>
> End of FRAMEWORKS Digest - 23 Apr 2007 to 24 Apr 2007 - Special issue
> (#2007-228)
> *********************************************************************************
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.