From: Robin Curtis (email suppressed)
Date: Tue May 22 2007 - 09:08:03 PDT
Hi Frameworks,
Let me take this opportunity to suggest my own book in answer to the "diary
film" question, which was written in English but published in Germany (where
I work).
Robin Curtis. Conscientious Viscerality. The Autobiographical Stance in
German Film and Video. Berlin: Gebrueder Mann Verlag / Edition Imorde, 2006.
It deals specifically with German film and video, since it makes the
argument that the mode that one chooses to represent the self is culturally
and historically specific. It also provides 2 initial chapters that theorize
the possibility of the representation of the self both following more recent
debates in literary theory and then questioning their application in an
audio-visual context (which changes everything of course).
It is available from www.amazon.de for 25 Euros
(sorry for the ad, but it isn't likely familiar to anyone outside of
Germany)
Best,
Robin
Dr. Robin Curtis
Freie Universität Berlin
"Synästhesie Effekte: kinetische und farbliche Dimensionen des Films"
Sonderforschungsbereich 447 - Kulturen des Performativen
Grunewaldstr. 35, 12165 Berlin, Germany
+4930 838 50339
email suppressed
http://personal.geisteswissenschaften.fu-berlin.de/curtis
Privat:
Urbanstr. 137
10967 Berlin, Germany
+4930 698 18 401
+49 170 5277 943
> Von: FRAMEWORKS automatic digest system <email suppressed>
> Antworten an: Experimental Film Discussion List <email suppressed>
> Datum: Tue, 22 May 2007 11:14:02 -0400
> An: <email suppressed>
> Betreff: FRAMEWORKS Digest - 21 May 2007 to 22 May 2007 - Special issue
> (#2007-271)
>
> There are 4 messages totalling 522 lines in this issue.
>
> Topics in this special issue:
>
> 1. Conceptual movies (3)
> 2. diary films
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> ----------------------------------------------------------------------
>
> Date: Mon, 21 May 2007 13:42:07 -0700
> From: Sandra Maliga <email suppressed>
> Subject: Re: Conceptual movies
>
> --Apple-Mail-9--390534954
> Content-Transfer-Encoding: quoted-printable
> Content-Type: text/plain;
> charset=WINDOWS-1252;
> delsp=yes;
> format=flowed
>
> Film in Which There Appear Edge Lettering, Sprocket Holes, Dirt =20
> Particles, Etc. (1966) is by Owen Land
>
> It is materialist, not really conceptual.
>
> --Sandy
>
>
>
>
> On May 21, 2007, at 12:48 PM, Joost Rekveld wrote:
>
>> Hi,
>>
>> I recently saw a funny film by Ernst Schmidt jr, called "Ja/Nein =20
>> (Vorhangfilm)", from Austria, 1968, 16mm, 3min, silent.
>> It consists of a film, showing white, with a curtain closing, =20
>> accompanied by live manipulations of the curtain in the cinema =20
>> according to a set of instructions.
>>
>> and what about the 'film in which appear edge lettering, scrathes.. =20=
>
>> etc etc' by Birgit and Wilhem Hein ?
>>
>> i would try to find a good source about Austrian work.
>>
>> ciao,
>>
>> Joost.
>>
>>
>>
>> On May 18, 2007, at 5:37 , Michael Betancourt wrote:
>>
>>> I'm doing some research into "films" that exist only as sets of =20
>>> instructions or declarations (nothing to actually watch) that =20
>>> belong to the same history/tradition/whatever you want to call it =20
>>> as conceptual art and the new music (such as La Monte Young's =20
>>> instruction pieces). I know of a number of things that border on =20
>>> this type of work, but still have a physical component.
>>>
>>> I have a copy of "This Book is a Movie" from the 70s
>>>
>>> Things like "Total Static Takeover" (Scott Arford ) are also of =20
>>> interest.
>>>
>>>
>>> Michael Betancourt
>>> Sioux City, IA USA
>>>
>>> www.michaelbetancourt.com
>>> www.cinegraphic.net
>>> the avant-garde film & video blog
>>> __________________________________________________________________ =20=
>
>>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>>
>>>
>>
>>
>>
>>
>>
>> -------------------------------------------
>>
>> Joost Rekveld
>> ----------- http://www.lumen.nu/rekveld
>>
>> -------------------------------------------
>>
>> =93You are in the nets of the horizon like fish !
>> We, suprematists, we throw you a road.
>> Hurry up !
>> Because tomorrow you will not recognize us.=94
>> (Malevich)
>>
>> -------------------------------------------
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> --Apple-Mail-9--390534954
> Content-Transfer-Encoding: quoted-printable
> Content-Type: text/html;
> charset=WINDOWS-1252
>
> <HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
> -khtml-line-break: after-white-space; "><FONT class=3D"Apple-style-span" =
> face=3D"Helvetica"><B>Film in Which There Appear Edge Lettering, =
> Sprocket Holes, Dirt Particles, Etc</B>. (1966) is by Owen =
> Land</FONT><DIV><FONT class=3D"Apple-style-span" face=3D"Helvetica"><BR =
> class=3D"khtml-block-placeholder"></FONT></DIV><DIV><FONT =
> class=3D"Apple-style-span" face=3D"Helvetica">It=A0is materialist, not =
> really conceptual.<BR></FONT><DIV> <SPAN class=3D"Apple-style-span" =
> style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
> rgb(0, 0, 0); font-family: Verdana; font-size: 12px; font-style: normal; =
> font-variant: normal; font-weight: normal; letter-spacing: normal; =
> line-height: normal; text-align: auto; =
> -khtml-text-decorations-in-effect: none; text-indent: 0px; =
> -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
> white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
> class=3D"Apple-style-span" style=3D"border-collapse: separate; =
> border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Verdana; =
> font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
> normal; letter-spacing: normal; line-height: normal; text-align: auto; =
> -khtml-text-decorations-in-effect: none; text-indent: 0px; =
> -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
> white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
> class=3D"Apple-style-span" style=3D"border-collapse: separate; =
> border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Verdana; =
> font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
> normal; letter-spacing: normal; line-height: normal; text-align: auto; =
> -khtml-text-decorations-in-effect: none; text-indent: 0px; =
> -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
> white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
> class=3D"Apple-style-span" style=3D"border-collapse: separate; =
> border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Verdana; =
> font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
> normal; letter-spacing: normal; line-height: normal; text-align: auto; =
> -khtml-text-decorations-in-effect: none; text-indent: 0px; =
> -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
> white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
> class=3D"Apple-style-span" style=3D"border-collapse: separate; =
> border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Verdana; =
> font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
> normal; letter-spacing: normal; line-height: normal; text-align: auto; =
> -khtml-text-decorations-in-effect: none; text-indent: 0px; =
> -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
> white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
> class=3D"Apple-style-span" style=3D"border-collapse: separate; =
> border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Verdana; =
> font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
> normal; letter-spacing: normal; line-height: normal; text-align: auto; =
> -khtml-text-decorations-in-effect: none; text-indent: 0px; =
> -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
> white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
> class=3D"Apple-style-span" style=3D"border-collapse: separate; =
> border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Verdana; =
> font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
> normal; letter-spacing: normal; line-height: normal; text-align: auto; =
> -khtml-text-decorations-in-effect: none; text-indent: 0px; =
> -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
> white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
> class=3D"Apple-style-span" style=3D"border-collapse: separate; =
> border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Verdana; =
> font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
> normal; letter-spacing: normal; line-height: normal; text-align: auto; =
> -khtml-text-decorations-in-effect: none; text-indent: 0px; =
> -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
> white-space: normal; widows: 2; word-spacing: 0px; "><DIV style=3D""><FONT=
> class=3D"Apple-style-span" color=3D"#62074D" face=3D"Murray Hill" =
> size=3D"5"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
> 18px;"><BR class=3D"khtml-block-placeholder"></SPAN></FONT></DIV><DIV =
> style=3D""><FONT class=3D"Apple-style-span" style=3D""><FONT =
> class=3D"Apple-style-span" color=3D"#62074D"><FONT =
> class=3D"Apple-style-span" face=3D"Murray Hill" size=3D"5"><SPAN =
> class=3D"Apple-style-span" style=3D"font-size: 18px;; color: rgb(98, 7, =
> 77); font-family: Murray Hill; "><SPAN class=3D"Apple-style-span" =
> style=3D"color: rgb(98, 7, 77); font-family: Murray Hill; font-size: =
> 18px; =
> ">--Sandy</SPAN></SPAN></FONT></FONT></FONT></DIV><DIV><BR></DIV><DIV><BR =
> class=3D"khtml-block-placeholder"></DIV><BR =
> class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
> PAN></SPAN></SPAN> </DIV><BR><DIV><DIV>On May 21, 2007, at 12:48 PM, =
> Joost Rekveld wrote:</DIV><BR =
> class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; ">Hi,</DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
> 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; ">I recently saw a funny film by =
> Ernst Schmidt jr, called "Ja/Nein (Vorhangfilm)", from Austria, 1968, =
> 16mm, 3min, silent.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
> 0px; margin-bottom: 0px; margin-left: 0px; ">It consists of a film, =
> showing white, with a curtain closing, accompanied by live manipulations =
> of the curtain in the cinema according to a set of =
> instructions.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; ">and what about the 'film in which appear edge =
> lettering, scrathes.. etc etc' by Birgit and Wilhem Hein ?</DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">i would =
> try to find a good source about Austrian work.</DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
> ">ciao,</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; ">Joost.</DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
> 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On May =
> 18, 2007, at 5:37 , Michael Betancourt wrote:</DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; min-height: 14px; "><BR></DIV> <BLOCKQUOTE =
> type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; ">I'm doing some research into =
> "films" that exist only as sets of instructions or declarations (nothing =
> to actually watch) that belong to the same history/tradition/whatever =
> you want to call it as conceptual art and the new music (such as La =
> Monte Young's instruction pieces). I know of a number of things that =
> border on this type of work, but still have a physical =
> component.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; ">I have a copy of "This Book is a Movie" from the =
> 70s</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; ">Things like "Total Static Takeover" (Scott Arford ) =
> are also of interest.</DIV><DIV style=3D"margin-top: 0px; margin-right: =
> 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
> "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; ">Michael Betancourt</DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Sioux =
> City, IA USA</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; ">www.michaelbetancourt.com</DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; ">www.cinegraphic.net</DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">the =
> avant-garde film & video blog</DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
> ">__________________________________________________________________ For =
> info on FrameWorks, contact Pip Chodorov at <<A =
> href=3D"mailto:email suppressed</A>>.</DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
> min-height: 14px; "><BR></DIV> </BLOCKQUOTE><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
> min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
> 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
> min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
> ">-------------------------------------------</DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><SPAN =
> class=3D"Apple-converted-space">=A0=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0=
> =A0 <SPAN class=3D"Apple-tab-span" style=3D"white-space:pre"> </SPAN>=A0=
> =A0 =A0 </SPAN>Joost Rekveld</DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
> ">-----------<SPAN class=3D"Apple-converted-space">=A0 =A0 </SPAN><A =
> href=3D"http://www.lumen.nu/rekveld">http://www.lumen.nu/rekveld></DIV>=
> <DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
> ">-------------------------------------------</DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">=93You =
> are in the nets of the horizon like fish !</DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">We, =
> suprematists, we throw you a road.</DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Hurry up =
> !</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
> 0px; margin-left: 0px; ">Because tomorrow you will not recognize =
> us.=94</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; ">(Malevich)</DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
> ">-------------------------------------------</DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
> min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
> ">__________________________________________________________________</DIV>=
> <DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; ">For info on FrameWorks, contact Pip Chodorov at =
> <<A href=3D"mailto:email suppressed</A>>.</DIV><DIV =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; min-height: 14px; "><BR></DIV> =
> </BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=
> <p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
> <p>
>
> --Apple-Mail-9--390534954--
>
> ------------------------------
>
> Date: Mon, 21 May 2007 16:58:14 -0400
> From: Bill Brand <email suppressed>
> Subject: Re: Conceptual movies
>
> My film "Rate of Change" (1972) has no original - only a score and a
> sound track. I asked the lab to take white leader and print it
> according to specified timing (grading) lights.
>
> This posed an interesting when I was asked 30 years later to preserve
> it for the New York Public Library. What do I preserve? The score,
> the leader, the Bell & Howell C-printer for generating new prints?
>
> Best,
>
> Bill
> --
> Bill Brand
> 108 Franklin Street #4W
> New York, NY 10013
> (212) 966-6253
> http://www.bboptics.com
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Tue, 22 May 2007 09:38:43 +1000
> From: Jack Sargeant <email suppressed>
> Subject: Re: Conceptual movies
>
> i saw a film at Chicago Underground Film Fest in 2000 (I think) that
> consisted of somebody actually building a camera around the film and
> exposing the film, so while the film was actual the camera it was
> shot on started as a concept..... does that make sense? i can't
> remember the title - bryan?
>
> On 22 May 2007, at 06:58, Bill Brand wrote:
>
>> My film "Rate of Change" (1972) has no original - only a score and
>> a sound track. I asked the lab to take white leader and print it
>> according to specified timing (grading) lights.
>>
>> This posed an interesting when I was asked 30 years later to
>> preserve it for the New York Public Library. What do I preserve?
>> The score, the leader, the Bell & Howell C-printer for generating
>> new prints?
>>
>> Best,
>>
>> Bill
>> --
>> Bill Brand
>> 108 Franklin Street #4W
>> New York, NY 10013
>> (212) 966-6253
>> http://www.bboptics.com
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Tue, 22 May 2007 09:13:58 -0600
> From: gyoungblood <email suppressed>
> Subject: diary films
>
> This is a multi-part message in MIME format.
>
> ------=_NextPart_000_0013_01C79C51.87C7C9D0
> Content-Type: text/plain;
> charset="Windows-1252"
> Content-Transfer-Encoding: quoted-printable
>
> Frameworkers,
> Can anyone recommend writings about diary films, especially theoretical =
> writings or ones that discuss different kinds of films which might be =
> considered "diaries," and what the different genres and criteria are? If =
> there's a thread that might be in the Frameworks archive, let me know.
>
> Also film/video makers known for diary work. I've thought of the =
> following:
>
> Michel Auder
>
> Gordon Ball
>
> Robert Huot
>
> George Kuchar
>
> Boris Lehman
>
> Ross McElwee
>
> Jonas Mekas
>
> David Perlov=20
>
> Anne Robertson
>
>
> Gene Youngblood
> Department of Moving Image Arts
> The College of Santa Fe
> 1600 St. Michael's Drive
> Santa Fe, NM. 87505 USA
> Vox: +1.505.473.6406=20
> Fax: +1.505.473.6403=20
> Office: email suppressed
> Home: email suppressed
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
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> <META http-equiv=3DContent-Type content=3D"text/html; =
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> <DIV><FONT size=3D2>Frameworkers,</FONT></DIV>
> <DIV><FONT size=3D2>Can anyone recommend writings about diary films, =
> especially=20
> theoretical writings or ones that discuss different kinds of films =
> which=20
> might be considered "diaries," and what the different genres and =
> criteria=20
> are? If there's a thread that might be in the Frameworks archive, =
> let me=20
> know.</FONT></DIV>
> <DIV><FONT size=3D2></FONT> </DIV>
> <DIV><FONT size=3D2>Also film/video makers known for diary work. =
> I've thought=20
> of the following:</FONT></DIV>
> <DIV><FONT size=3D2></FONT> </DIV>
> <DIV>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT size=3D2>Michel =
>
> Auder</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT size=3D2>Gordon =
>
> Ball</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT size=3D2>Robert =
>
> Huot</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT size=3D2>George =
>
> Kuchar</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT size=3D2>Boris=20
> Lehman</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT size=3D2>Ross=20
> McElwee</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT size=3D2>Jonas=20
> Mekas</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT size=3D2>David =
> Perlov=20
> </FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT size=3D2>Anne=20
> Robertson</FONT></P></DIV>
> <DIV><FONT size=3D2></FONT> </DIV>
> <DIV><FONT size=3D2>Gene Youngblood<BR>Department of Moving Image =
> Arts<BR>The=20
> College of Santa Fe<BR>1600 St. Michael's Drive<BR>Santa Fe, NM. 87505=20
> USA<BR>Vox: +1.505.473.6406 <BR>Fax: +1.505.473.6403 <BR>Office: =
> <A=20
> href=3D"mailto:email suppressed</A><BR>Home: <A=20
> href=3D"mailto:email suppressed</A></FONT></DIV>
> <DIV> </DIV>
> <DIV><FONT size=3D2></FONT> </DIV></BODY></HTML>
> <p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
> <p>
>
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> ------------------------------
>
> End of FRAMEWORKS Digest - 21 May 2007 to 22 May 2007 - Special issue
> (#2007-271)
> ******************************************************************************
> ***
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.