From: Weekly Listing (email suppressed)
Date: Sun Sep 30 2007 - 08:18:39 PDT
This week [September 29 - October 6, 2007] in avant garde cinema
Enter your announcements (calls for entries, new work, screenings, jobs, items for sale, etc.) at:
http://www.hi-beam.net/cgi-bin/ann.pl
New Film/Video: non-feature:
====================
"OPENING" by Madison Brookshire
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=316.ann
Job Available:
==============
University of Wisconsin-Madison
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=29.ann
NEW CALLS FOR ENTRIES:
=====================
Experiments in Cinema V 3.0 (Albuquerque, New Mexico USA; Deadline: January 15, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=789.ann
Wisconsin Film Festival (Madison; Deadline: December 31, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=790.ann
San Francisco Ocean Film Festival (San Francisco, California, USA; Deadline: October 31, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=791.ann
DEADLINES APPROACHING:
======================
Byron Bay Film Festival (Byron Bay, NSW, Australia; Deadline: October 31, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=743.ann
TOFIFEST - International Film Festival (Torun, Poland; Deadline: September 30, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=755.ann
Visualized Film Festival (Denver; Deadline: October 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=757.ann
Ann Arbor Film Festival (Ann Arbor, MI, U.S.A.; Deadline: October 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=762.ann
Artist's Television Access (San Francisco, CA; Deadline: October 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=772.ann
Sand Hill Berries Film Festival (NY, NY. USA; Deadline: October 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=780.ann
Signal & Noise (Vancouver, BC, Canada; Deadline: November 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=782.ann
Rhythm from Wreckage! (Portland, OR, USA; Deadline: October 10, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=783.ann
Radar Festival (UK; Deadline: October 07, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=787.ann
TOFIFEST - International Film Festival (Torun, Poland; Deadline: September 30, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=788.ann
San Francisco Ocean Film Festival (San Francisco, California, USA; Deadline: October 31, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=791.ann
Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl
Also available online at Flicker: http://www.hi-beam.net
THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Film Love #47: Art/Space - Artists In the Urban Space [September 29, Atlanta, Georgia]
* Brutallo's Fairytales, Re-Tuned [September 29, San Francisco, California]
* Filmforum Presents Border Crossings, Part 1 [September 30, Los Angeles, California]
* Helen Hill Memorial [October 1, Los Angeles, California]
* Roger Beebe: New Maps of the New World [October 2, New York, New York]
* Inland Empire [October 2, Reading, Pennsylvania]
* The Newfilmmakers Shorts [October 3, New York, New York]
* Illuminated Corridor-Prelinger On Prelinger [October 3, San Francisco, California]
* Prelinger On Prelinger [October 3, San Francisco, California]
* The Devil Lives In Hollywood: Amy Lockhart & Friends [October 4, Chicago, Illinois]
* Walking Picture Palace: Betzy Bromberg: A Darkness Swallowed [October 4, New York, New York]
* Walking Picture Palace: Films By Fred Worden [October 4, New York, New York]
* Impure Cinema: Hybrid Works Rupturing Media Boundaries [October 5, San Francisco, California]
* Video Vortex: Responses To Youtube [October 6, Brussels]
* Views From the Avant Garde: From the Canyons To the Stars [October 6, New York, New York]
* Views From the Avant Garde: Peter Hutton [October 6, New York, New York]
* Views From the Avant Garde: Unending [October 6, New York, New York]
* Views From the Avant Garde: Ken Jacobs & Rick Reed [October 6, New York, New York]
* Views From the Avant Garde: Stranger Than A Strange Land [October 6, New York, New York]
* Kfc Collective Walk-In and Bike-In Guerrilla Outdoor Cinema [October 6, San Francisco, California]
* Kill Yr Idols + [October 6, San Francisco, California]
Events are sorted by CITY within each DATE.
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SATURDAY, SEPTEMBER 29, 2007
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9/29
Atlanta, Georgia: Frequent Small Meals
http://www.frequentsmallmeals.com
8:00 PM, 425 Peachtree Hills Ave, on the terrace beside the Davis Waldron gallery
FILM LOVE #47: ART/SPACE - ARTISTS IN THE URBAN SPACE
ART/SPACE is an evening of films and videos on artists working in urban
spaces, from abandoned houses and buildings to subway trains. Bring lawn
chairs, blankets, coolers, and enjoy an autumn evening of films in a
dynamic outdoor location! **In "Splitting" and "Bingo/Ninths," artist
Gordon Matta-Clark makes large-scale cuts in the walls and floors of
houses, to stunning effect. **Filmed in the early days of hip-hop,
Manfred Kirchheimer's "Stations of the Elevated" combines the music of
jazz legend Charles Mingus with vintage 1980 footage of graffiti art on
the traveling subway trains of New York. **Meanwhile in 2007 Atlanta, a
group of artists named Public and Private give acoustic music
performances in carefully chosen abandoned spaces, highlighting the
fleeting beauty of our rapidly changing city. **Filmmaker Blake Williams
provides a newly created, poetic video portrait of Atlanta. Program:
Gordon Matta-Clark, Splitting (1974), 11 minutes (super-8 film,
projected on DVD); Gordon Matta-Clark, Bingo/Ninths (1974), 10 minutes
(super-8 film, projected on DVD); Public and Private, performances in
near-inaccessible environs, private and public spaces (2006-2007),
digital video excerpts of Atlanta performances; Blake Williams, new
video on Atlanta spaces (2007); Manfred Kirchheimer, Stations of the
Elevated (1980), 45 minutes (16mm film, projected on DVD) **ART/SPACE is
a Film Love event, programmed and hosted by Andy Ditzler for Frequent
Small Meals. Film Love exists to provide access to great but
rarely-screened films, and to promote awareness of the rich history of
experimental and avant-garde film. Film Love was voted Best Film Series
in Atlanta by the critics of Creative Loafing in 2006.
9/29
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia Street
BRUTALLO’S FAIRYTALES, RE-TUNED
Guided by Christine Metropoulos and Mr. Sloumberfugex of Brutallo.com,
we go over the river and down through the dense woods of the fabled
imagination of stop-motion animator Ray Harryhausen. Our fantastic
escapade is sonically paced by equally animated electronic musicians:
Mad Hatter Hans Grusel falls down the rabbit's hole with Alice in
Wonderland, while the terrific (and sometimes terrifying) twosome
Tarantism wreak havoc with Mother Goose's Nursery Rhymes. With his eerie
soundscapes, audio- and video-editing wizard Loachfillet wolfs down
Little Red Riding Hood; KRoB lurks through the forest with Hansel and
Gretel ; Bran(…)Pos rhapsodizes to Rapunzel; and deft soundscapist
HeadBoggle crowns King Midas. *$8. Come in your favorite fairy-tale
costume to receive a dollar discount!
--------------------------
SUNDAY, SEPTEMBER 30, 2007
--------------------------
9/30
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00 pm, Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas
FILMFORUM PRESENTS BORDER CROSSINGS, PART 1
Cinematic looks at the border between the United States and Mexico.
Featuring "Feral" by Louis Hock (2004, video, 4:40 min.); "El Mojado" by
Danny Lyon (1974, 14 min.); "Crossings" by Robert Fenz (2006, 16mm, 5
min.) and "The Other Side" by Bill Brown (2006, 16mm, 44 min.).
-----------------------
MONDAY, OCTOBER 1, 2007
-----------------------
10/1
Los Angeles, California: Redcat
http://www.redcat.org/
8pm, 631 W. 2nd St
HELEN HILL MEMORIAL
A special to beloved experimental animation artist, filmmaker and
activist Helen Hill, who was murdered earlier this year. Hill drew
inspiration from the cut-out silhouettes of Lotte Reiniger and went on
to incorporate stop-motion, puppetry, cycles, and drawing on film in her
own award-winning animation.
------------------------
TUESDAY, OCTOBER 2, 2007
------------------------
10/2
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8pm, 32 Second Avenue
ROGER BEEBE: NEW MAPS OF THE NEW WORLD
Roger Beebe's short films and videos attempt to marry experimental forms
with a documentary interest in cinema as a means of engaging with
pressing issues in our everyday lives. If the works are diverse in
subject matter - covering such disparate topics as women in the air
force in World War II, the origin of Shaquille O'Neal's last name, and
the horrors (and beauties) of suburban sprawl - and are equally diverse
in format - with work in both film (16mm, super 8mm, regular 8mm) and
video - they are united by their use of an ironizing poetics to cast a
sidelong glance on some often overlooked realities of 20th and 21st
Century Americana. "[Beebe's films] implicitly and explicitly evoke the
work of Robert Frank, Garry Winogrand and Lee Friedlander, all
photographers of the atomic age whose Western photographs captured the
banalities, cruelties and beauties of imperial America." -David
Fellerath, THE INDEPENDENT WEEKLY The program includes: TB TX DANCE
(2006, 2.5 minutes, 16mm) A camera-less film made in a black & white
laser printer with an optical soundtrack made of dots of varying sizes
provides the backdrop for a re-visitation of Toni Basil's appearance in
Bruce Conner's BREAKAWAY. S A V E (2006, 5 minutes, 16mm) A study of a
disused gas station provides the occasion for a reflection on our
interest in the decaying monuments of mom and pop capitalism. (rock/hard
place) (2005, 6.5 minutes, 16mm) Two massive structures - one manmade,
the other natural - sit on opposite ends of a causeway in Morro Bay,
California, waiting for someone to put them in the same frame. ONE
NATION UNDER TOMMY (2004, 15 minutes, DVD installation/digital video)
'The telephone game' gets a new twist as scriptwriters and filmmakers
take turns attempting to faithfully reproduce a cynically patriotic
Tommy Hilfiger commercial. FAMOUS IRISH AMERICANS (2003, 8 minutes,
digital video) A hyperflat exploration of the limitations of our binary
thinking about race, featuring appearances by stars of sport and screen.
COMPOSITION IN RED & YELLOW (2002, 2.5 minutes, Super-8mm) A strange
homage to Mondrian, featuring McDonald's restaurants stretching from
Gainesville, FL to Oakland, CA. A WOMAN, A MIRROR (2001, 15 minutes,
16mm) An anti-dance-film dance-film about gender and technology and the
'technologies of gender.' THE STRIP MALL TRILOGY (2001, 9 minutes,
Super-8mm) A look straight into the heart of the most postmodern of
architectural forms, the strip mall, shot in a mile-long parking lot
that could be Anywhere, USA.
10/2
Reading, Pennsylvania: Berks Filmmakers, Inc
http://www.berksfilmmakers.org
7:30 pm, Albright College
INLAND EMPIRE
Inland Empire (2006, 172 min.) by DAVID LYNCH "extraordinary, savagely
uncompromised… his first feature in five years, his first shot in video
and one of the few films I've seen this year that deserves to be called
art. Dark as pitch, as noir, as hate, by turns beautiful and ugly, funny
and horrifying, the film is also as cracked as Mad magazine, though
generally more difficult to parse."—Manohla Dargis, The New York Times.
"The heroine's persistent doubling and Lynch's continuous use of
"creative geography" reinforce the sense that he assimilated Maya
Deren's venerable avant-noir Meshes of the Afternoon at an
impressionable age. And like Meshes, Inland Empire has no logic apart
from its movie-ness."—J. Hoberman, The Village Voice
--------------------------
WEDNESDAY, OCTOBER 3, 2007
--------------------------
10/3
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:20, 32 Second Avenue
THE NEWFILMMAKERS SHORTS
William Harkins HOME FREE (2004, 8 minutes, 16mm) Christopher Messina
LITTLE WHITE FLOWER (2007, 18 minutes, 16mm) Brian Emery CONTRITION
(2007, 22 minutes, video)
10/3
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
7:30pm, Prelinger Archive, 301 Eighth Street (at Folsom)
ILLUMINATED CORRIDOR-PRELINGER ON PRELINGER
FREE Event The artists of the Illuminated Corridor return to San
Francisco with another collision of public art, film and live music: an
evening of free outdoor cinema that reflects the collection, and
aspirations, of the Prelinger Library and Archive. Over 300 musicians
and filmmakers will simultaneously relight the facades of the Library,
with premieres of new interpretations of the Rick Prelinger's film
Panorama Ephemera with a new soundtrack composed by percussionist Gino
Robair and performed live by a large creative orchestra. The evening
includes live light painting by Antonio Jorge Goncalves performed as
graphic scores and commissioned performative projection by Killer
Banshee (Kriss de Jong and Eliot Daughtry), Keith Arnold, Charles
Kremenak, Steven Dye, and many others.
10/3
San Francisco, California: Illuminated Corridor
http://www.illuminatedcorridor.com/
7:16pm, Prelinger Library 8th & Folsom Streets
PRELINGER ON PRELINGER
A collision of public art, live music and film with performative
projectionists Craig Baldwin, Alfonso Alvarez, Keith Arnold, Steve Dye,
António Jorge Gonçalves (Portugal), Killer Banshee, Charles Kremenak and
many others with a new score for Panorama Ephemera (Prelinger 2004)
performed by a large ensemble conducted by Gino Robair and live
broadcasts from Neighborhood Public Radio. The Corridor will take place
during the Library's traditional Wednesday Open House evening hours,
where you are invited to lose yourself in the stacks of an extraordinary
library turned inside out for an evening.
-------------------------
THURSDAY, OCTOBER 4, 2007
-------------------------
10/4
Chicago, Illinois: Conversations at the Edge
http://www.siskelfilmcenter.org/
6:00 pm, 164 N. State St.
THE DEVIL LIVES IN HOLLYWOOD: AMY LOCKHART & FRIENDS
Amy Lockhart in person! Nothing is quite right in animator and SAIC
faculty member Amy Lockhart's hallucinogenic, hyper-colored world.
Siamese-hearts pump hamburgers and butterflies, voracious Pac-Men hunt
flocks of weeping eyeballs, and frogs belch Smurf-like red-and-white
mushrooms. Funny and tragic by turns, Lockhart's films mix
knowingly-naïve hand-drawn characters with pop-culture cutouts and
digitally manipulated imagery to create works that dazzle the eye and
spark the imagination. Tonight's program charts Lockhart's career over
the last decade and includes additional gems admired by the artist. TELL
MUMSY I LOVE HER (2006); WALK FOR WALK (2005); LADY FLEX (2005); A
SINGLE TEAR (2004); MISS EDMONTON TEENBURGER 1983 IN: YOU'RE ETERNAL…
(2002); MISS EDMONTON TEENBURGER 1983 IN: IT'S PARTY TIME! (2002); BONK!
(w/Mark Bell, 2000); TESTS (w/Mark Bell, 2000); THE DEVIL LIVES IN
HOLLYWOOD (1999); SYLVIA LINING (1998); along with LA MUJER LAGARTIJA
(Trixy Sweetvittles, 1996); THOUGHT CITY (Stefan Gruber, 2000); TUNNEL
OF LOVE (Helen Hill, 1996); and ONE LAST TRICK (Red Smarteez, 1998).
(1996–2006, Amy Lockhart & various directors, Canada/USA, various
formats, ca 80 min)
10/4
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7pm, 32 Second Avenue
WALKING PICTURE PALACE: BETZY BROMBERG: A DARKNESS SWALLOWED
Preceded by Bruce McClure INAUGURATION OF THE PALACE (SCRUBBING THE
WINDOWS WITH SOUL DETERGENT) 2007, ca. 30 minutes. Performance for
multiple projectors. "At once the most elliptical and also the most
overt work in a career that spans nearly 30 years and more than a dozen
dazzling films, A DARKNESS SWALLOWED opens on a pair of faded
photographs showing an old dented car, one with a child standing beside
it and the other without. Speaking in voice-over, Bromberg references a
past event, one that will forever haunt her although it occurred before
her birth. The film then sinks downward, dipping below the surface of
the rational world to mine the seemingly infinite layers of the past
stored within the fleshy entrails, chalky bones, sinewy spider webs and
gnarled ligaments of both the body and the Earth." -Holly Willis
10/4
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:30pm, 32 Second Avenue
WALKING PICTURE PALACE: FILMS BY FRED WORDEN
VUDOO (1976, 5 minutes, 16mm, silent) "I made this film in 1976 as an
early stab at considering how a flow of frames passing through a
projector might yield an experience of continuity if representation and
naturalism were happily out the window. It was based on my then
fascination with fractal geometry and the notion of self-similar
patterns as one of nature's most ubiquitous underlying structures."
-F.W. THE OR CLOUD (2001, 6 minutes, 16mm, b&w, silent) "Adventurous
eyeballing then, in the ideal, an epiphanous moment of mutual
recognittion and commiseration between energy forms. 'There is a
vibration which exists to enrapture and console us' (Rilke). I like to
think this vibration can be detected streaming out of THE OR CLOUD."
–F.W. IF ONLY (2003, 7 min, 16mm, b&w, silent) HOW THE HELL I RIPPED
JACK GOLDSTEIN'S PAINTING IN THE ELEVATOR (1989, 23 minutes, 16mm, b&w,
sound) HERE (2005, 11 minutes, DV, color, sound) "HERE is a place, an
optical location brought into being through conjuring in order to
accommodate a clandestine rendezvous between Sir Laurence Olivier and
Georges Méliès." -F.W. EVERYDAY BAD DREAM (2006, 6 minutes, DV) TIME'S
ARROW (2007, 11 minutes, DV) New York Premiere! "'Time's arrow' is a
term coined by British astronomer Arthur Eddington in 1928 to describe
the directionality of time. He cast it as a one-way street aimed into
the future. The term has since come to be applied to a plethora of
natural processes that are seen to be one-way, which is to say,
irreversible." -F.W. AMONGST THE PERSUADED (2004, 23 minutes, DV, color,
sound) "The human susceptibility to delusional thinking has, at least,
this defining characteristic: easy to spot in others, hard to see in
oneself. This film is about us. I believe it's true. See the iron jaws
of the mechanism at work as the filmmaker falls into the biggest and
most obvious delusion of all: the belief that he can master his own
delusions by making a film about them." -F.W.
-----------------------
FRIDAY, OCTOBER 5, 2007
-----------------------
10/5
San Francisco, California: Studio 27
http://studio27.org
9 p.m., 689 Bryant Street (at 5th Street)
IMPURE CINEMA: HYBRID WORKS RUPTURING MEDIA BOUNDARIES
Studio 27 presents a screening of short films and videos that mix
different mediums or genres. By synthesizing traditional media and
techniques with newer technologies, these filmmakers have created hybrid
forms to express new ideas in their work. Some of these pieces draw
attention to their own construction by the conventions of genre, while
others either question or highlight the distinction between different
visual technologies: The Arsenal at Danzig by Timothy Hutchings, 2001, 8
mins., USA. Anticipation by Johanna Vaude, 2007, 12 mins., France. The
Tree With The Lights In It by Jason A. Harrington, 2007, 5 mins., USA.
Authority Head Exorcism by Daniel King, 2006, 3 mins., USA. Inkjet
Printed Film Process by Jesse England, 2007, 1 min., USA. Vide-Uhhh! by
Jesse England, 2005, 2 mins., USA. This Video Edited by Computer by
Jesse England, 2005, 1 min., USA. Blobsquatch: In The Expanded Field by
Carl Diehl, 2007, 11 mins., USA. The End of The Universe as We Know It?
(Cosmic) by Anders Bojen & Kristoffer Orum, 2007, 8 mins., Denmark.
Kogel Vogel by Federico Campanale, 2007, 6 mins., The Netherlands.
Mother on Trial: Gathering Voices in the Theater of Attraction by
Kristine Diekman, 2006, 12 mins., USA. Nebula by Hilary Harp and Suzie
Silver, 2006, 10 mins, USA. Running Time: 1 hour, 19 mins. Admission is
free. Filmmaker Federico Campanale will be present!
-------------------------
SATURDAY, OCTOBER 6, 2007
-------------------------
10/6
Brussels: ARGOS
http://www.argosarts.org
11:00, BOZAR Brussels
VIDEO VORTEX: RESPONSES TO YOUTUBE
Video Vortex: Responses to YouTube Fri 05.10.2007 // 11:00 - 19:00 Argos
Brussels Over the past years the moving image has claimed an
increasingly prominent place on the internet. Thanks to a wide range of
technologies and web applications it has become possible, not only to
record and distribute video, but to edit and remix it on-line as well.
With this world of possibilities within reach of a multitude of social
actors, the potential of video as a personal means of expression has
arrived at a totally new dimension. How is this potential being used?
How do artists and activists react to the popularity of YouTube and
other 'user-generated-content' websites? What is the impact of the
availability of massive on-line images and sound databases on aesthetics
and narrativity? How is Cinema, as an art form and experience,
influenced by the development of widely spreading internet practices?
What does YouTube tell us about the state of art in visual culture? And
how does the participation culture of video-sharing and vlogging reach
some degree of autonomy and diversity, escaping the laws of the mass
media and the strong grip of media conglomerates? with Nora Barry, Johan
Grimonprez, Peter Horvath, Lev Manovich, Ana Kronschnabl & Tomas
Rawlings, Adrian Miles, Simon Ruschmeyer, Keith Sanborn, Peter
Westenberg moderated by Geert Lovink. Co-production with Institute of
Network Cultures + screenings, curated by Keith Sanborn a.o. in the
context of the Argos project OPEN ARCHIVE #1 more info:
www.argosarts.org or contact Stoffel Debuysere (www.argosarts.org)
10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
12:15, 32 Second Avenue
VIEWS FROM THE AVANT GARDE: FROM THE CANYONS TO THE STARS
All That Rises Daichi Saito | The Coming Race Ben Rivers | Surging Sea
of Humanity Ken Jacobs | Black and White Trypps Number Three Ben Russell
| Energie! Thorsten Fleisch | North Shore Fred Worden | Armoire Vincent
Grenier | Finestra davanti ad un albero (dedicato a Fox Talbot) Paolo
Gioli | Transit of Venus Nicky Hamlyn | Observando el Cielo Jeanne
Liotta
10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
3pm, 32 Second Avenue
VIEWS FROM THE AVANT GARDE: PETER HUTTON
At Sea
10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
5pm, 32 Second Avenue
VIEWS FROM THE AVANT GARDE: UNENDING
The Hyrcynium Wood Ben Rivers | Nymph Ken Jacobs | Anonimatografo Paolo
Gioli | What the Water Said 4-6 David Gatten | How to Conduct a Love
Affair David Gatten | Tziporah Abraham Ravett | Phantom Luke Sieczek |
In Memoriam Mark LaPore: Untitled (for David Gatten) Mark LaPore & Phil
Solomon | Rehearsals for Retirement Phil Solomon | Last Days In a Lonely
Place Phil Solomon
10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
7:30pm, 32 Second Avenue
VIEWS FROM THE AVANT GARDE: KEN JACOBS & RICK REED
Dreams That Money Can't Buy | Capitalism: Child Labor
10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
9:15pm, 32 Second Avenue
VIEWS FROM THE AVANT GARDE: STRANGER THAN A STRANGE LAND
Warm Objects Peggy Ahwesh | Notes from a Bastard Child Fern Silva | The
Mongrel Sister Luther Price | Victory Over the Sun Michael Robinson |
Stranger Comes to Town Jacqueline Goss | Light Is Waiting Michael
Robinson | SpaceDisco-One Damon Packard
10/6
San Francisco, California: KFC Collective Guerrilla Outdoor Screenings
http://www.myspace.com/guerrillascreening
7:30pm, Lucca Delicatessen parking lot; on Valencia Street, between 22nd and 23rd.
KFC COLLECTIVE WALK-IN AND BIKE-IN GUERRILLA OUTDOOR CINEMA
KFC Collective, Guerrilla Outdoor Screening October 6th, Lucca Parking
Lot at Valencia between 22nd and 23rd, Mission District, San Francisco
7:30pm, Free Come celebrate DIY with another outdoor screening by local
filmmakers. Come see the best of local experimental, documentary and
narrative shorts with your favorite guerrilla screening peeps: "Lot 63,
Grave C", by Sam Green (2006) 10 mins "Two Four", by Veronica Majano
(2006) 3 mins Vicki Marlane documentary (trailer) by Michelle Lawler
(2007) 9 mins "Leftovers" by Chelsea Walton(2007) 1min dvd "Hush," by
Mike Seely, 5 minutes. (2003) "The Chessmen," by Ken Kokka,(2004) 18 min
"Parking Day," by Rebar (2007) Seeing as this is in early October, we
are almost guaranteed that this screening will be hotter than a
mid-August Mojave Drive in, but bring an arctic parka just in case (this
is SF afterall!). Also bring a friend, a dog, some beer, hot cider,
popcorn, chairs, cookies, vegan pigs in a blanket, deviled eggs, or
anything to share with your fellow DIY screening squatters. We're
reclaiming public space for art, for community, and the greater DIY
good, one film and one parking lot at a time...
10/6
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia Street
KILL YR IDOLS +
Angelique Bosio's energized doc Llik Your Idols showcases the Cinema of
Transgression amidst NYC's downtown punk scene of the early 80's. The
69-min. survey features Richard Kern, Lydia Lunch, Nick Zedd, Richard
Hell, Joe Coleman, Thurston Moore, Jack Sargeant, Jarboe, and many
others, plus clips of banned underground movies. ALSO fierce sets of
shorts from Kern, Zedd, and Leg, and no-wave performances from the likes
of James Chance, Judy Nylon, and Tuxedo Moon.
Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl
The weekly listing is also available online at Flicker:
http://www.hi-beam.net
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.