From: Adam Hyman (email suppressed)
Date: Mon Oct 15 2007 - 13:36:20 PDT
It was available for touring a couple of years ago, available through Lux, I
believe. I didnšt know it was still available.
Best,
Adam
On 10/15/07 1:23 PM, "Jonathan Walley" <email suppressed> wrote:
> Hello everyone,
>
> I can't recommend this program enough. I saw it at Anthology a few years ago -
> came out with a completely different view of 60s-70s British avant-garde film
> than I went in with. I would love to see it tour the U.S. It would start a
> much needed new wave of scholarship on the subject.
>
> Jonathan
>
> Jonathan Walley
> Assistant Professor
> Cinema Department
> Denison University
> Granville, Ohio 43023
> email suppressed
>
> On Oct 15, 2007, at 4:07 PM, ADAM ABRAMS wrote:
>
>> Hey,
>>
>> Is this program touring around the states? Can you mix and match? We've
>> shown a number of these films from the new york co-op. Any info would be
>> appreciated.
>>
>> Thanks,
>> Adam
>> jefferson presents...
>> pittsburgh
>>
>>
>>> > Date: Mon, 15 Oct 2007 12:07:03 -0700
>>> > From: email suppressed
>>> > Subject: Cinema Project Presents -- Shoot Shoot Shoot
>>> > To: email suppressed
>>> >
>>> > Hello Frameworkers,
>>> >
>>> > We wanted to remind you all about a very important upcoming screening this
>>> Tuesday October 16th and Wednesday October 17th. Cinema Project will be
>>> having the North American Premiere of Shoot Shoot Shoot -- a selection of
>>> 16mm films from the London Filmmakers Co-Operative circa 1960's--1970's.
>>> This program was curated by Mark Webber and distributed by LUX UK [see
>>> description below]. It is a rare chance to see groundbreaking work by
>>> filmmakers including John Smith, Malcom Le Grice, and Guy Sherwin among many
>>> others.
>>> >
>>> > We know the days are getting shorter and the rains are on the way, but
>>> resist the urge to hibernate and join us!
>>> >
>>> > Much Love,
>>> >
>>> > Cinema Project
>>> >
>>> > Autumn Campbell & Jeremy Rossen
>>> >
>>> >
>>> > October 16 + 17 2007
>>> > New American Art Union [922 SE Ankeny]
>>> > Portland Oregon USA
>>> > 7:30pm
>>> > www.cinemaproject.org
>>> >
>>> > The 1960s and 1970s were groundbreaking decades in which independent
>>> filmmakers challenged cinematic convention. In England, much of the
>>> innovation took place at the London Film-Makers' Co-operative, an artist-led
>>> organization that enabled filmmakers to control every aspect of the creative
>>> process. LFMC members conducted an investigation of celluloid that echoed
>>> contemporary developments in painting and sculpture. During this same
>>> period, British filmmakers also made significant innovations in the field of
>>> "expanded cinema", creating multi-screen projections, film environments and
>>> live performance pieces.
>>> >
>>> > The physical production of a film (its printing and processing) became
>>> integral to its form and content as Malcolm Le Grice, Lis Rhodes, Peter
>>> Gidal and others explored the material and mechanics of cinema, making
>>> radical new works that contributed to a new visual language. The London
>>> Film-Makers' Co-operative, established in 1966, grew from a film society at
>>> the heart of Londonšs sixties counterculture to become Europe's largest
>>> distributor of experimental cinema and was recognized internationally as a
>>> major centre for avant-garde film.
>>> >
>>> > October 16
>>> >
>>> > Slides by Annabel Nicolson [1970, 16mm, color, silent, 11 min]
>>> > At the Academy by Guy Sherwin [1974, 16mm, b&w, sound, 5 min]
>>> > Shepherd's Bush by Mike Leggett [1971, 16mm, b&w, sound, 15 min]
>>> > Film No. 1 by David Crosswaite [1971, 16mm, color, sound, 10 min]
>>> > Dresden Dynamo by Lis Rhodes [1971, 16mm, color, sound, 5 min]
>>> > Versailles I & II by Chris Garratt [1976, 16mm, b&w, sound, 11 min]
>>> > Silver Surfer by Mike Dunford [1972, 16mm, b&w, sound, 15 min]
>>> > Footsteps by Marilyn Halford [1974, 16mm, b&w, sound, 6 min]
>>> >
>>> > October 17
>>> >
>>> > Threshold by Malcolm Le Grice [1972, 16mm color, sound, 10 min]
>>> > Seven Days by Chris Welsby [1974, 16mm, color, sound, 20 min]
>>> > Key by Peter Gidal, [1968, 16mm, color, sound, 10 min]
>>> > Moment by Stephen Dwoskin [1968, 16mm, color, sound, 12 min]
>>> > Deck by Gill Eatherley [1971, 16mm, color, sound, 13 min]
>>> > Colours of this Time by William Raban [1972, 16mm, color, silent, 3 min]
>>> > Associations by John Smith [1975, 16mm, color, sound, 7 min]
>>> >
>>> > _________________________________________________________________
>>> > Climb to the top of the charts! Play Star Shuffle: the word scramble
>>> challenge with star power.
>>> > http://club.live.com/star_shuffle.aspx?icid=starshuffle_wlmailtextlink_oct
>>> >
>>> >
>>> > __________________________________________________________________
>>> > For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>> Windows Live Hotmail and Microsoft Office Outlook together at last. Get it
>> now!
>> __________________________________________________________________ For info
>> on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.