From: rblaetz (email suppressed)
Date: Tue Oct 16 2007 - 08:17:19 PDT
Sandra, if I get to volume II or hear of anyone else doing so, I will
let you know!
all best,
Robin
Sandra Naumann wrote:
> Hi Robin,
>
> since I did my master about Bute and continue my research on her I would
> love to do the Bute chapter ;-)
>
> Best,
>
> Sandra Naumann
>
>
> Am 13.10.2007 um 17:45 schrieb rblaetz:
>
>> Owen, I would love to have had more chapters but couldn't find anyone
>> to commit to writing about anyone else. It would be great to have a
>> second volume; I will keep in touch with Duke about it.
>>
>> best regards,
>> Robin
>>
>> owen wrote:
>>> fantastic. looks great. can't wait to get it. I understand Maya
>>> Deren, Shirley Clarke not being there, so much written about them but
>>> I'd like to read more about Storm de Hirsch and the fantastic Mary
>>> Ellen Bute and Doris Chase and others too. Are they in there
>>> somewhere? I hope there's Vol 2 !
>>> owen
>>> On Oct 12, 2007, at 7:49 PM, Chuck Kleinhans wrote:
>>>> Women's Experimental Cinema: Critical Frameworks
>>>> Robin Blaetz
>>>>
>>>> 432 pages (September 2007)
>>>> 62 illustrations
>>>>
>>>> Paperback - $25.95
>>>>
>>>> [ISBN13 978-0-8223-4044-7]
>>>> Women’s Experimental Cinema provides lively introductions to the
>>>> work of fifteen avant-garde women filmmakers, some of whom worked as
>>>> early as the 1950s and many of whom are still working today. In each
>>>> essay in this collection, a leading film scholar considers a single
>>>> filmmaker, supplying biographical information, analyzing various
>>>> influences on her work, examining the development of her corpus, and
>>>> interpreting a significant number of individual films. The essays
>>>> rescue the work of critically neglected but influential women
>>>> filmmakers for teaching, further study, and, hopefully, restoration
>>>> and preservation. Just as importantly, they enrich the understanding
>>>> of feminism in cinema and expand the terrain of film history,
>>>> particularly the history of the American avant-garde.
>>>>
>>>> “This definitive volume on U.S. women’s experimental cinema fills a
>>>> significant and long-lamented gap within film studies, and in
>>>> feminist film studies in particular. Together, these essays offer us
>>>> a richly nuanced picture not only of women’s experimental film but
>>>> of avant-garde filmmaking in general from the 1940s to the
>>>> present.”—Sharon Willis, author of High Contrast: Race and Gender in
>>>> Contemporary Hollywood Film
>>>>
>>>> Robin Blaetz is Associate Professor and Chair of the Film Studies
>>>> Program at Mount Holyoke College. She is the author of Visions of
>>>> the Maid: Joan of Arc in American Film and Culture.
>>>>
>>>> ____________________________________________________
>>>> For info on FrameWorks, contact Pip Chodorov at <email suppressed
>>>> <mailto:email suppressed>>.
>>> __________________________________________________________________
>>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>> --
>> Robin Blaetz
>> Associate Professor
>> Film Studies Program
>> Mount Holyoke College
>> 50 College Street
>> South Hadley, MA 10175
>> 413-538-2984
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
-- Robin Blaetz Associate Professor Film Studies Program Mount Holyoke College 50 College Street South Hadley, MA 10175 413-538-2984 __________________________________________________________________ For info on FrameWorks, contact Pip Chodorov at <email suppressed>.