From: Jonathan Walley (email suppressed)
Date: Sun Oct 21 2007 - 07:46:55 PDT
Ingo,
It might be that the period at the end of the sentence in which I cited
the link is being included in the URL address, which would make it
invalid. In other words, you might be linking to this (which has a
period at the end):
http://www.luxonline.org.uk/artists/anthony_mccall/essay(1).html.
When you should be linking to THIS (which has no period at the end):
http://www.luxonline.org.uk/artists/anthony_mccall/essay(1).html
Give that a shot, and if it doesn't work, you can always go to the
luxonline home page:
From there, click on the "Artists" tab at the top, find McCall on the
alphabetized list, and go to the "Featured Essay" link at the right.
Thanks for your interest.
Best,
Jonathan
On Oct 21, 2007, at 9:30 AM, Ingo Petzke wrote:
> Jonathan
>
> The link to your essay doesn’t seem to work – I constantly get a 404
> message – not found.
>
> Ingo
>
>
> -----Original Message-----
> From: Experimental Film Discussion List
> [mailto:email suppressed] On Behalf Of Jonathan Walley
> Sent: Mittwoch, 17. Oktober 2007 14:43
> To: email suppressed
> Subject: Re: Shoot Shoot Shoot - Scholarship
>
>
> Freya and all,
>
> I had in mind books like The Structural Film Anthology (ed. Peter
> Gidal), Abstract Film and Beyond (Malcolm Le Grice), as well as
> journals like Studio International, Undercut (The Undercut Reader, ed.
> by Michael Mazière and Nina Danino, is a terrific resource), and
> Afterimage (specifically Afterimage 6 - 1976 - which was devoted
> entirely to British avant-garde cinema). Though all of these sources
> address international a-g- film, they focused primarily on the UK,
> with a heavy emphasis on the LFMC, and, with the exception of the
> Undercut stuff, on "Structural-materialist" film and British expanded
> cinema. So, when I say that a "new wave" of scholarship would be a
> good thing, I don't mean to criticize these books and journals, all of
> which I love; I just mean that newer scholarship might consider a
> wider range of practices in the UK. And given my experience seeing
> Shoot Shoot Shoot, there's A LOT more to say about
> structural-materialist film and expanded cinema than has been said.
>
> The program notes for Shoot Shoot Shoot, including excellent essays
> by A.L. Rees and Mark Weber, begin the job of re-thinking some of
> these things, as does Rees's book A History of Experimental Film and
> Video, the second half of which focuses on a-g film/video in the UK. I
> would include The Undercut Reader in this group, too.
>
> And if I may be brazenly self-serving for a moment, an essay of mine
> on Anthony McCall has just been launched on Luxonline. I address the
> LFMC as a context for his work in section 3 of my essay, and in an
> essay in a forthcoming anthology published by Rodopi called
> Avant-Garde Film (ed. Dietrich Scheunemann and Alexander Graf); that
> essay is entitled "The Paracinema of Anthony McCall and Tony Conrad."
> The Luxonline essay can be found here:
> http://www.luxonline.org.uk/artists/anthony_mccall/essay(1).html.
>
> Best regards and happy reading,
>
> Jonathan
>
> Jonathan Walley
> Assistant Professor
> Cinema Department
> Denison University
> Granville, Ohio 43023
> email suppressed
>
> On Oct 17, 2007, at 12:11 AM, Freya wrote:
>
> These sound like general texts tho? Do they contain
> stuff specific to the u.k.?
>
> I like your idea of publishers targeting google!
> However havn't there always been things floating
> around such as "the definitive Richard Clayderman
> collection", even before more recent times?
>
> It's seems a shame if authors can't choose their own
> titles to the books. :(
>
> Thanks for the info Jack!
>
> love
>
> Freya
>
> --- Jack Sargeant <email suppressed> wrote:
>>
>> BTW Jonathon, you mention a new wave, does that
> imply
> there was an old wave, and if so can you recommend
> any
>
> texts etc?
>
> presumably the old wave of film scholarship was:
> Film As Subversive
> Art / Visionary Film / The Underground Film and so
> on.... the stuff
> published in 60s / 70s.....
>
> jack
>
>
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