From: Weekly Listing (email suppressed)
Date: Sat Oct 27 2007 - 16:01:39 PDT
This week [October 27 - November 4, 2007] in avant garde cinema
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NEW CALLS FOR ENTRIES:
=====================
Ann Arbor Film Festival (Ann Arbor, MI, U.S.A.; Deadline: November 15, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=762.ann
LIFT (Toronto; Deadline: November 15, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=797.ann
Media City (Windsor ON Canada; Deadline: November 30, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=798.ann
Fargo Film Festival (Fargo, ND, USA; Deadline: December 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=799.ann
Studio 27 (San Francisco, CA USA; Deadline: December 15, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=800.ann
Portland Documentary & eXperimental Film Festival (PDX Fest) (Portland, Oregon USA; Deadline: December 14, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=801.ann
Faux Film Festival (Portland, OR; Deadline: December 31, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=802.ann
OpenLens Short Film/Video Festival (Eugene, OR, USA; Deadline: November 21, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=803.ann
Coney Island Film Festival (Brooklyn, NY; Deadline: July 03, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=804.ann
Northwest Folklife Film Series (Seattle, WA, USA; Deadline: November 16, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=805.ann
DEADLINES APPROACHING:
======================
Byron Bay Film Festival (Byron Bay, NSW, Australia; Deadline: October 31, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=743.ann
Ann Arbor Film Festival (Ann Arbor, MI, U.S.A.; Deadline: November 15, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=762.ann
MONO NO AWARE Film Event (Brooklyn, NY USA; Deadline: November 09, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=767.ann
CinemaJAZZ (Kansas City, MO USA; Deadline: December 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=774.ann
Kansas City Filmmakers Jubilee (Kansas City, MO USA; Deadline: December 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=779.ann
Signal & Noise (Vancouver, BC, Canada; Deadline: November 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=782.ann
Black Maria Film + Video Festival (Jersey City, New Jersey, USA; Deadline: November 16, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=786.ann
San Francisco Ocean Film Festival (San Francisco, California, USA; Deadline: October 31, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=791.ann
Nashville Film Festival (Nashville, TN, USA; Deadline: November 16, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=792.ann
The Images Festival (Toronto, Ontario, CANADA; Deadline: November 09, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=794.ann
LIFT (Toronto; Deadline: November 15, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=797.ann
Media City (Windsor ON Canada; Deadline: November 30, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=798.ann
Fargo Film Festival (Fargo, ND, USA; Deadline: December 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=799.ann
OpenLens Short Film/Video Festival (Eugene, OR, USA; Deadline: November 21, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=803.ann
Northwest Folklife Film Series (Seattle, WA, USA; Deadline: November 16, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=805.ann
Enter your event announcements by going to the Flicker Weekly Listing Form
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Also available online at Flicker: http://www.hi-beam.net
THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Urban/Rural Landscapes In Film and video [October 27, Greenbelt, Maryland]
* Capitalism: Child Labor [October 27, London, England]
* The ‘I’ and the ‘We’ [October 27, London, England]
* Past Imperfect [October 27, London, England]
* Carolee Schneemann [October 27, London, England]
* Mysterious Emulsion [October 27, London, England]
* 3 By Charles Burnett [October 27, Los Angeles, California]
* Experiments In Terror ii [October 27, San Francisco, California]
* The Anagogic Chamber [October 28, London, England]
* Now Wait For Last Year [October 28, London, England]
* Over Land and Sea [October 28, London, England]
* The Percipient Image [October 28, London, England]
* Seven Easy Pieces By Marina Abramovic [October 28, London, England]
* Free Radical: the Films of Len Lye [October 28, Los Angeles, California]
* The Films of Lech Majewski [October 28, Los Angeles, California]
* Arabic Series 11-19 [October 28, New York, New York]
* Peter Hutton In the Elements [October 29, London, England]
* Seven Easy Pieces By Marina Abramovic [October 30, London, England]
* Cinema For the Eyes and Ears [October 30, London, England]
* Our Daily Bread [October 30, Reading, Pennsylvania]
* The Films of Lech Majewski [October 31, Los Angeles, California]
* Newfilmmakers Celebrates Halloween With Much, Much Scarier Films Than
Usual [October 31, New York, New York]
* A Sense of Place: Ted Lyman In Buffalo Nov 1-2, 2007 [November 1, Buffalo, New York]
* The Speculative Archive [November 1, Chicago, Illinois]
* Dia De Los Muertos: Honorar Las Almas De Cineastas De Avant-Garde
Vanguarda [November 1, San Francisco, California]
* Dark Mirror: Artist videos [November 1, San Francisco, California]
* Film Love #50 [November 2, Atlanta, Georgia]
* The 2007 Experimental Cinema Exhibition: Opening Night & Super 8
Screening [November 2, Montréal, Québec, Canada]
* Dia De Los Muertos: Honorar Las Almas De Cineastes De Vanguardia [November 2, San Francisco, California]
* Film Love #51 [November 3, Atlanta, Georgia]
* The Unknown Part of the World: Films By Ben Russell (In Person) [November 3, Leipzig, Germany]
* The 2007 International Experimental Cinema Exhibition (MontréAl, Canada) [November 3, Montréal, Québec, Canada]
* Chicken John + Tesla + Ufos + Cox’ Led By Zeppelins + [November 3, San Francisco, California]
* Harry Smith's Film #18, Mahagonny [November 4, Los Angeles, California]
* Magnificent Forest [November 4, Olympia, WA]
Events are sorted by CITY within each DATE.
--------------------------
SATURDAY, OCTOBER 27, 2007
--------------------------
10/27
Greenbelt, Maryland: Utopia Film Festival-Urban/Rural Program 3
http://www.utopiafilmfestival.org/
12noon, municipal building
URBAN/RURAL LANDSCAPES IN FILM AND VIDEO
Urban/Rural Landscapes Curated by local filmmaker Chris Lynn
Experimental Shorts, 90 minute program A program of captivating and
challenging experimental shorts by moving image artists from around the
globe. The films include: Observation of a Satellite by Andrew Busti and
Layne Garrett (4 minutes). An homage to the enchanted wanderer, Joseph
Cornell. Interstate (part one) by Cortlund and Halperin (6 minutes). A
night surveillance artifact. Elephants and zebras move in circadian
rhythm while traffic flashes across the stream in waves. Iceland by
Fabiene Gautier (4 minutes). Iceland's landsape seems to reflect a
particular internlization of feeling. It speaks to the internal mind.
London 6 by Chris Lynn (5 minutes). A typical Sunday near a London train
station provides the backdrop to this meditative and transformative
piece. Premonition by Dominic Angerame (10 minutes). Influenced by the
avant garde filmmakers of the 1920s-30s, this is a city symphony that is
haunting, lyrical, and serene. Berlin Warszawa Express by Caroline
Koebel (19 minutes). A disappearance becomes a departure, but rather
than attempting to reconstitute what is lost,the filmmaker follows the
clues and signs framing the site with an anticipatory gaze. Midden by
David Dinnell (20 minutes). Shot in rural Japan, a video that documents
the rapidily disappearing landscape near Mt.Tsukuba. I'm Back by Robert
Robertson (13 minutes). Spike Hawkins' poems are set to film in an
attempt to capture what happens at the moment a poem is being written.
Screening Saturday, October 27 at 12:00 noon at the Greenbelt Municipal
Building
10/27
London, England: London Film Festival
http://www.lff.org.uk
12pm, BFI Southbank, Belvedere Road, London, SE1 8XT
CAPITALISM: CHILD LABOR
CAPITALISM: CHILD LABOR (Ken Jacobs, USA 2006, 14 mins looped) Ken
Jacobs continues his interrogation of archival sources by deconstructing
a single stereoscopic photograph from the Victorian era. The image of
barefoot children in a textile mill is spun into a critique of
capitalism and the workforce of child labour which sustained the
industrial revolution. With a dizzying array of visual techniques, space
is condensed, expanded, flipped and cropped, accompanied by Rick Reed's
compelling soundtrack. [Free Admission]
10/27
London, England: London Film Festival
http://www.lff.org.uk
2pm, BFI Southbank, Belvedere Road, London, SE1 8XT
THE ‘I’ AND THE ‘WE’
SEEING RED (Su Friedrich, USA 2005, 27 mins) A video confessional in
which the artist expresses her frustration with the onset of middle age,
frankly declaring personal anxieties. Interspersed with observational
vignettes edited to Bach's Goldberg Variations (played by Glenn Gould),
Seeing Red is ultimately less an admission of crisis than a roar of
defiance. JE SUIS UNE BOMBE (Elodie Pong, Switzerland 2006, 7 mins)
Unprecedented and absolute: The image of a young woman 'simultaneously
strong and vulnerable, a potential powder keg.' I JUST WANTED TO BE
SOMEBODY (Jay Rosenblatt, USA 2006, 10 mins) American pop singer Anita
Bryant, the face of Florida orange juice, led a political crusade
against the 'evil forces' of homosexuality in the 1970s. Local success
was short lived, and a national boycott of Florida oranges was the first
sign of her loss of public approval. REGARDING THE PAIN OF SUSAN SONTAG
(NOTES ON CAMP) (Steve Reinke, Canada 2006, 4 mins) A journey from
schoolyard to graveyard, with author Susan Sontag as philosophical
guide. PART TIME HEROES (Mara Mattuschka, Chris Haring, Austria 2007, 33
mins) Mattuschka's second adaptation of a piece by Vienna's ingenious
Liquid Loft (following Legal Errorist in 2004) exposes a trio of
fractured characters. In the lonely hearts hotel of an unfamiliar zone,
the amorphous heroes erratically construct and reveal their
unconventional personas.
10/27
London, England: London Film Festival
http://www.lff.org.uk
4pm, BFI Southbank, Belvedere Road, London, SE1 8XT
PAST IMPERFECT
HYSTERIA (Christina Battle, Canada 2006, 4 mins) Through the
manipulation of drawings of the Salem witch trials, using techniques
which include peeling layers of emulsion from the filmstrip, oblique
parallels are drawn with modern day hysteria. DANGEROUS SUPPLEMENT
(Soon-Mi Yoo, USA-Korea 2006, 14 mins) 'Is it possible to see the
landscape of the past even though it was first seen by the other's
murderous gaze?' Dangerous Supplement poetically appropriates footage
shot by US military to explore the secrets of the mountain, and the
legacy of the Korean War. CATALOGUE OF BIRDS: BOOK 3 (Jayne Parker, UK
2006, 16 mins) Following World War II, Messiaen's fascination with
birdsong inspired many compositions, and dominates the monumental
'Catalogue d'Oiseaux' of 1959. Jayne Parker has created a visual
interpretation of the third movement – The Tawny Owl and The Woodlark –
which evokes the habitat and symbolism of these nocturnal birds. HIS EYE
ON THE SPARROW (Bruce Conner, USA 2006, 4 mins) The power of music
transports the founders of the Soul Stirrers gospel quartet back in time
to the Depression Era. A poignant refrain by a master of found footage.
MARGUERITE DURAS, ALAIN RESNAIS (0.65, 0.85, 1.0 FPS) (David Dempewolf,
USA 2007, 19 mins) The opening act of Hiroshima, Mon Amor has been
condensed and structured, with urgent repetition, to reconstitute the
dialogue between Duras' text and Resnais' vision. Words assume priority
as potent images are crudely masked, emphasising details and inviting
fresh analysis of this powerful sequence. HELENÉS (APPARITION OF
FREEDOM) (Christoph Draeger, Switzerland 2005, 18 mins) Helenés combines
two examples of propaganda from East and West. A bleak Hungarian
instructional film on nuclear attack is presented in its entirely,
strategically subtitled with text from George Bush's inauguration speech
(an idiosyncratic interpretation of the concept of freedom).
10/27
London, England: London Film Festival
http://www.lff.org.uk
7pm, BFI Southbank, Belvedere Road, London, SE1 8XT
CAROLEE SCHNEEMANN
Newly preserved prints. Carolee Schneemann is a multi-media artist whose
films, performances, installations and writings are a radical discourse
on the body, sexuality and gender. FUSES (Carolee Schneemann, USA
1964-67, 29 mins) Fuses is a vibrant celebration of a passionate
relationship, openly portraying sexual intercourse without the
objectification of pornography. To extend the tactile intimacy of
lovemaking to filmmaking, Schneemann treated the filmstrips as a canvas,
working by hand to paint, transform and cut the footage into a dense
collage. The erotic energy of the body is transferred directly onto the
film material. Recently preserved by Anthology Film Archives, this
legendary work glows with a clarity unseen since its debut in the 1960s.
KITCH'S LAST MEAL (Carolee Schneemann, USA 1973-76, c.60 mins) The
moving conclusion to the autobiographical trilogy which began with
Fuses, Kitch's Last Meal documents the routines of daily life. It was
shot on the Super-8 home movie format and is projected double screen
(one image above the other) as an interchangeable set of 18-minute
reels. The soundtrack mixes personal reminiscences with ambient sounds
of the household, and includes the original text used for Schneemann's
1975 performance 'Interior Scroll'. Time passes, a relationship winds
down and death closes in: filming and recording stopped when the elderly
cat Kitch, Schneemann's closest companion for two decades, died. Each
performance of the film in its original state was a re-ordering of the
visual and aural materials, arranged by the artist according to mood and
environment. For the preservation print, three pairs of reels have been
selected and blown up to 16mm.
10/27
London, England: London Film Festival
http://www.lff.org.uk
9pm, BFI Southbank, Belvedere Road, London, SE1 8XT
MYSTERIOUS EMULSION
WATER SPELL (Sandy Ding, USA 2007, 42 mins) A journey from realism to a
supersensory realm, slipping under the surface and between molecules at
a microscopic scale. Channeling the subconscious, Water Spell is both
odyssey and invocation; a ritual of transformation and retinal blast.
The film releases the energy locked within its frames through flickering
pulsations of light. BLUE MONET (Carl E. Brown, Canada 2006, 56 mins)
(double screen) Rarely shown in the UK, Carl Brown is a long-established
film artist whose practice is dedicated to the modification of images by
chemical means. Blue Monet is an homage to the French Impressionist, and
an attempt to bring the Monet experience into the realm of cinema.
Through the ebb and flow of intricate imagery, water lilies eternally
blossom and fade with otherworldly grace. Brown has used his alchemical
techniques to transfer Monet's sense of colour, light, sky and water
onto film. Viewed in spacious double-screen and enhanced by swathes of
sound, this film is an immersive experience.
10/27
Los Angeles, California: UCLA Film & Television Archive
http://www.cinema.ucla.edu/
7:30 p.m., Billy Wilder Theatre located at The Hammer Museum, 10899 Wilshire Blvd.
3 BY CHARLES BURNETT
MY BROTHER'S WEDDING (1983/2007) Pierce Mundy works at his parent's
South Central dry cleaners with no prospects for the future and his
childhood buddies in prison or dead. With his best friend just getting
out of jail and his brother planning a wedding, Pierce navigates his
conflicting obligations while trying to figure out what he really wants
in life. QUIET AS KEEP (2007) Charles Burnett's recent short about
Hurricane Katrina. KILLER OF SHEEP (1977) Now recognized as a landmark
independent filmmaker, Charles Burnett shot his first feature on the
streets of South Central Los Angeles in the early 1970s. Rather than
sensationalizing its "inner-city" setting, the film provides and
unforgettable vision of working-class life.
10/27
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30 pm, 992 Valencia Street
EXPERIMENTS IN TERROR II
BOO! Our annual Halloween horror show boasts the debut of a program
curated and introduced by Noel Lawrence: Body-parts of cinema
past—silents, grind-house, giallos, Hitchcock, and Karloff—are exhumed,
disemboweled, then stitched back together into shockingly new creations
of frightful power and monstrous beauty, through fiendishly clever
montage and sinister sound design. Featuring Bill Morrison's Mesmerist
(with music by Bill Frisell), Michelle Silva's Amor Peligrosa, Wago
Krieder's Between 2 Deaths, J.X. Williams' Psych-Burn, a Damon Packard
blow-out, and legions more. Arrive early for free blood-red mulled wine
amidst the mournful dirges of Douglas Katelus. Come in costume for
tricks and treats!
------------------------
SUNDAY, OCTOBER 28, 2007
------------------------
10/28
London, England: London Film Festival
http://www.lff.org.uk
9pm, BFI Southbank, Belvedere Road, London, SE1 8XT
THE ANAGOGIC CHAMBER
FILM FOR INVISIBLE INK, CASE NO: 71: BASE-PLUS-FOG (David Gatten, USA
2006, 10 mins) 'Just barely a whisper. The minimum density, the
slightest shape. A series of measurements, an equation for living. The
edge of what matters, the contours of an idea. A selection of
coordinates for finding one's way back.' SHADOW TRAP (Greg Pope,
UK-Norway 2007, 8 mins) Shards of emulsion produced during an
auto-destructive film performance have been layered and structured onto
clear 35mm. Extending across the soundtrack area, the synaesthetic image
creates an intense volley of sound and light. THE OBJECT WHICH THINKS
US: OBJECT 1 (Samantha Rebello, UK 2007, 7 mins) Utilitarian objects,
related to health and hygiene, rendered in unconventional ways. This
unsettling film questions the way that we relate to our surroundings by
exploring the 'radical otherness' of things. FUGITIVE L(I)GHT (Izabella
Pruska-Oldenhof, Canada 2005, 9 mins) Adrift on the mists of time,
archival images of Loïe Fuller's 'Serpentine Dance' shimmer forth and
dissolve in folds of abstract colour. SICK SERENA AND DREGS AND WRECK
AND WRECK (Emily Wardill, UK 2007, 10 mins) A farce of fractures: part
study of allegorical stained glass windows, part fiction of disparate
doppelgangers. VICTORY OVER THE SUN (Michael Robinson, USA 2007, 13
mins) Viewed through science fiction or scientific innovation, the
future is as far away now as it ever was. Sites of past World's Fairs
witness battles between good and evil, the spirit world and the cold
hard light of day. TODAY! (Jessie Stead, David Gatten, USA 2007, 11
mins) 'Touch what you see when you find it or pick it up. Fall off
tomorrow's promise, not injured and again. In the woods there is snow,
in the water there is sugar, bodies are made of salt and (yesterday is
unaware).'
10/28
London, England: London Film Festival
http://www.lff.org.uk
12pm-7pm, BFI Southbank, Belvedere Road, London, SE1 8XT
NOW WAIT FOR LAST YEAR
NOW WAIT FOR LAST YEAR (Rachel Reupke, UK-China 2007, 9 mins looped) In
response to the rapid pace of property development in Beijing, Reupke
references the visual style of architectural practice and corporate
videos to present a sequence of fixed views of urban landscapes.
Buildings which share the characteristics of both traditional and
futuristic design are displayed, but all is not what it seems. Digital
images cannot be trusted: these could be plans for future structures or
computer-aided fantasy. [Free Admission]
10/28
London, England: London Film Festival
http://www.lff.org.uk
2pm, BFI Southbank, Belvedere Road, London, SE1 8XT
OVER LAND AND SEA
THE IVALO RIVER DELTA (Patrick Beveridge, UK 2007, 17 mins) Shot within
the Arctic Circle in northern Lapland, the film documents the landscape
and lively night sky of an icy wilderness. The Aurora Borealis and other
extraordinary phenomena are captured through long exposures and stunning
time-lapse photography. AT SEA (Peter Hutton, USA 2007, 60 mins) Peter
Hutton has modestly spoken of his work as being 'a little detour' from
the history of cinema but perhaps he is following a path that others
have neglected, or are yet to discover. Typified by fixed shots of
extended duration, his concentrated gaze builds a bridge between early
cinema, landscape painting and still photography, evoking Lumière,
Turner and Stieglitz. Hutton's camera often records the subtle changes
of light and atmospheric conditions of rural and urban locations, and
has frequently been directed toward nautical themes. This new film is
essentially about the birth, life and death of large merchant ships.
Following the construction of the vessels in South Korea and the passage
of a massive container ship across the North Atlantic, it ends with
images of shipbreaking in Bangladesh. At Sea is a real tour-de-force, in
which the weight and scale of its subject is conveyed by masterful
cinematography over a series of breathtaking compositions.
10/28
London, England: London Film Festival
http://www.lff.org.uk
4pm, BFI Southbank, Belvedere Road, London, SE1 8XT
THE PERCIPIENT IMAGE
DISCOVERIES ON THE FOREST FLOOR 1-3 (Charlotte Pryce, USA 2007, 4 mins)
'Three miniature, illuminated, hagiographic studies of plants observed
and imagined, hand-processed and optically printed.' THE SKY WALKS ME
HOME Allen D. Glass II, USA-China 2005, 24 mins) A journey through
China, visiting northern provinces, Inner Mongolia, Tibet and Beijing.
The filmmaker travelled alone, photographing the landscape and
inhabitants of this extraordinary region with a keen and compassionate
eye. THE CROSSING (Timoleon Wilkins, USA 2007, 6 mins) Crowns of light
and subtle gradations of colour are refracted through extreme close-ups
of natural phenomena. Moments of sentience, an elevation of
consciousness. THE BREATH (Minyong Jang, Korea 2007, 10 mins) 'A
respiratory exchange between me and a bamboo forest.' PITCHER OF COLORED
LIGHT (Robert Beavers, USA 2007, 24 mins) Following the completion of
his 17-film cycle 'My Hand Outstretched', Beavers travelled to New
England to photograph the solitude of his mother's house. Employing a
more intimate approach to filming, he created this tender portrait which
contrasts a dark interior with the vibrancy of an abundant garden. As
seasons pass, the camera searches through shadows, conveying the slowed
pace of life in old age.
10/28
London, England: London Film Festival
http://www.lff.org.uk
7pm, BFI Southbank, Belvedere Road, London, SE1 8XT
SEVEN EASY PIECES BY MARINA ABRAMOVIC
SEVEN EASY PIECES BY MARINA ABRAMOVIC (Babette Mangolte, USA 2007, 93
mins) For one week in November 2005, Yugoslavian artist Marina Abramovic
gave seven consecutive performances in the rotunda of the Guggenheim
Museum in New York City, presenting her own works alongside
interpretations of what are now regarded as seminal performance pieces
by artists such as Joseph Beuys and Bruce Nauman. Actions that were once
performed to select audiences in studios or small galleries were
transformed into public spectacle. The artist's own 'Lips of Thomas' is
an intense ritual that repeatedly subjects the body to physical pain,
being clearly related to her country's war torn past. Other
uncompromising works address sexuality (Vito Acconci, 'Seedbed'),
confrontation (Valie Export, 'Genital Panic') and suffering (Gina Pane,
'The Conditioning'). The performances, executed with extraordinary
discipline and composure, test the thresholds of endurance and
determination. Babette Mangolte's mesmerising document of this event
condenses the entire series into 90 minutes. The camera, cool and
detached, rarely strays from the artists' body, detailing mental and
physical tension with the sharp clarity of high definition video. Live
art, best experienced in the moment, has rarely been captured with such
atmosphere.
10/28
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00 pm, Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas
FREE RADICAL: THE FILMS OF LEN LYE
The Los Angeles stop for this traveling program of masterful
experimental animation from the pioneering Lye (1901-1980), organized by
New Zealand Film Archive and The Len Lye Foundation. Films include
Tusalava (1929), A Colour Box (1935), Rainbow Dance (1936), Swinging the
Lambeth Walk (1939), Tal Farlow (1950s), Rhythm (1957), Free Radicals
(1958/1979) and more! General admission $9, students/seniors $6, free
for Filmforum members, cash and check only.
10/28
Los Angeles, California: UCLA Film & Television Archive
http://www.cinema.ucla.edu/
7:00 p.m., Billy Wilder Theatre located at The Hammer Museum, 10899 Wilshire Blvd.
THE FILMS OF LECH MAJEWSKI
GOSPEL ACCORDING TO HARRY (USA, 1992) Starring Viggo Mortensen before he
became famous, this maverick allegory takes place, according to
Majewski, when "the Pacific has dried up and California has become a
desert. A couple try to make the best of it but life is hard; even sex
hurts. The only person who enjoys himself is Harry, the Tax collector."
10/28
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:30, 32 Second Avenue (at Second Street)
ARABIC SERIES 11-19
Dir: Stan Brakhage.
------------------------
MONDAY, OCTOBER 29, 2007
------------------------
10/29
London, England: Tate Modern
http://www.tate.org.uk/modern/programmes/film
7pm, Bankside, London, SE1 9TG
PETER HUTTON IN THE ELEMENTS
Films by Peter Hutton appear more closely related to landscape painting
and still photography than contemporary cinema. In their stately
portrayal of urban and rural locations, they afford the viewer a
rarefied and highly-focused mode of looking, a stillness seemingly at
odds with everyday life. Over shots of extended duration, the world
reveals itself before the camera, which often records only subtle
changes of light and atmospheric conditions. For this screening at Tate
Modern, Peter Hutton will introduce works, made on land and sea, which
relate to the elements of earth, air, fire and water. All 16mm films by
Peter Hutton. NEW YORK PORTRAIT: CHAPTER 2 (1980-81, b/w, silent, 16
mins) BOSTON FIRE (1979, b/w, silent, 8 mins) IMAGES OF ASIAN MUSIC (A
DIARY FROM LIFE) (1973-74, b/w, silent, 29 mins) LANDSCAPE (FOR MANON)
(1986-87, b/w, silent, 19 mins) IN TITAN'S GOBLET (1991, b/w, silent, 10
mins). Peter Hutton began making films in 1970 and has work in the
collections of the Whitney Museum, Centre Georges Pompidou, George
Eastman House and the Austrian Film Museum. A former merchant seaman, he
has been a professor of film at Bard College in the Hudson River Valley
since 1985. His most recent film, AT SEA, will screen in the London Film
Festival on Sunday 28 October.
-------------------------
TUESDAY, OCTOBER 30, 2007
-------------------------
10/30
London, England: London Film Festival
http://www.lff.org.uk
7:30pm, BFI Southbank, Belvedere Road, London, SE1 8XT
SEVEN EASY PIECES BY MARINA ABRAMOVIC
SEVEN EASY PIECES BY MARINA ABRAMOVIC (Babette Mangolte, USA 2007, 93
mins) For one week in November 2005, Yugoslavian artist Marina Abramovic
gave seven consecutive performances in the rotunda of the Guggenheim
Museum in New York City, presenting her own works alongside
interpretations of what are now regarded as seminal performance pieces
by artists such as Joseph Beuys and Bruce Nauman. Actions that were once
performed to select audiences in studios or small galleries were
transformed into public spectacle. The artist's own 'Lips of Thomas' is
an intense ritual that repeatedly subjects the body to physical pain,
being clearly related to her country's war torn past. Other
uncompromising works address sexuality (Vito Acconci, 'Seedbed'),
confrontation (Valie Export, 'Genital Panic') and suffering (Gina Pane,
'The Conditioning'). The performances, executed with extraordinary
discipline and composure, test the thresholds of endurance and
determination. Babette Mangolte's mesmerising document of this event
condenses the entire series into 90 minutes. The camera, cool and
detached, rarely strays from the artists' body, detailing mental and
physical tension with the sharp clarity of high definition video. Live
art, best experienced in the moment, has rarely been captured with such
atmosphere.
10/30
London, England: Roxy Bar and Screen
http://www.roxybarandscreen.com
8pm, 128-132 Borough High Street, London, SE1 1LB
CINEMA FOR THE EYES AND EARS
The potential for combining image and sound has been explored since the
invention of cinema. This primer of classic works of the international
avant-garde demonstrates some of the possibilities specific to the film
medium, from the flickering frames of Tony Conrad, Paul Sharits and John
Latham to the intricate optics of Daina Krumins, Malcolm Le Grice, and
others. Featuring soundtracks by Brian Eno, Rhys Chatham, John Cale and
Terry Riley. All films will be shown on 16mm. ARNULF RAINER (Peter
Kubelka, Austria, 1958, 8 minutes) YYAA (Wojciech Bruszewski, Poland,
1973, 5 minutes) SPEAK (John Latham, UK, 1968-69, 11 minutes) BERLIN
HORSE (Malcolm Le Grice, UK, 1970, 8 minutes) THE DIVINE MIRACLE (Daina
Krumins, USA, 1973, 5 minutes) AXIOMATIC GRANULARITY (Paul Sharits, USA,
1972-73, 20 minutes) DRESDEN DYNAMO (Lis Rhodes, UK, 1974, 5 minutes)
STRAIGHT AND NARROW (Tony & Beverly Conrad, USA, 1970, 11 minutes). Part
of The Wire 25, a month long season of music celebrating The Wire
magazine's 25th birthday.
10/30
Reading, Pennsylvania: Berks Filmmakers, Inc
http://www.berksfilmmakers.org
7:30 pm, Albright College
OUR DAILY BREAD
Our Daily Bread (2006, 92 mins.) by NIKOLAUS GEYRHALTER.This
unforgettable documentary reveals the little-known world of high-tech
agriculture. In a series of visually stunning, continuously tracking,
wide-screen images that seem right out of a science-fiction movie, we
see the places where food is cultivated and processed: surreal
landscapes optimized for agricultural machinery, clean rooms in cool
industrial buildings designed for maximum efficiency, and elaborate
machines that operate on a 'disassembly line' basis. "Devastating! A
Must-See!"—The New York Times; The 2001: A Space Odyssey of modern food
production."—The Nation; shown at the 2006 New York Film Festival; Grand
Prize, 2006 Paris International Festival of Films on the Environment.
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WEDNESDAY, OCTOBER 31, 2007
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10/31
Los Angeles, California: UCLA Film & Television Archive
http://www.cinema.ucla.edu/
7:30 p.m., Billy Wilder Theatre located at The Hammer Museum, 10899 Wilshire Blvd.
THE FILMS OF LECH MAJEWSKI
THE ROE'S ROOM (Poland, 1997) This autobiographical film is an opera
about a young poet, his parents and the apartment in which they live.
The poet's sensitivity filters visions of the apartment as it is slowly
devoured by nature. GARDEN OF EARTHLY DELIGHTS (UK/Italy 2004) In this
intense tale of passion and mortality, a beautiful but dying London art
historian, obsessed with Hieronymus Bosch's painting "Garden of Earthly
Delights", spends her last months in Venice with her lover.
10/31
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:00, 32 Second Avenue (at Second Street)
NEWFILMMAKERS CELEBRATES HALLOWEEN WITH MUCH, MUCH SCARIER FILMS THAN
USUAL
HALLOWEEN SHORTS. Vera Freitag SOUND MACHINE (2006, 15 minutes, 16mm).
Jeffrey Von Ragan BIHUVUD (2007, 9 minutes, video). Nicole Melanson
WELCOME, HUMAN (2007, 9 minutes, 16mm). Hilton Ariel Ruiz PROGNOSIS
(2007, 10 minutes, video). Donald Reynolds PHOBIA - THE SHORT (2006, 19
minutes, video). Palmer Avery TELEX (2007, 22 minutes, video). . 7:40
NEWFILMMAKERS FIRST SCARY FEATURE. David Buchert. BLOOD OATH. 2006, 75
minutes, video. BLOOD OATH tells the story of a group of friends on a
weekend camping trip who decide to investigate a local urban legend. The
trip will change the lives of everyone in the group. They will fight to
stay alive, but will soon pray for death. . 9:10 NEWFILMMAKERS SECOND
SCARY FEATURE. Nathan Wrann. HUNTING SEASON. 2006, 94 minutes, video.
Six friends go camping deep in the woods. But after an encounter turns
tragic, a pair of sadistic hunters sets out to wreak relentless, violent
revenge. .
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THURSDAY, NOVEMBER 1, 2007
--------------------------
11/1
Buffalo, New York: Hallwalls
http://www.hallwalls.org
8pm, 341 Delaware Ave.
A SENSE OF PLACE: TED LYMAN IN BUFFALO NOV 1-2, 2007
Since the early seventies, Ted Lyman has been engaged with experimental
filmmaking, creating films inspired by the American Avant-Garde. Through
his ensuing career he has maintained a belief in the power of the
extraordinary syntax of the moving image exposed and explored by that
movement. The overall strategy of his filmmaking is to use the syntax in
ways that are legible and illuminating to the general viewer. While his
works differ in content and appearance, they all are founded on a sense
of place, interaction with nature, and a commitment to expression by
visual, non-narrative means. Hallwalls and the University at Buffalo are
pleased to welcome this Vermont based filmmaker to Buffalo. Lyman's
visit will include a retrospective screening at Hallwalls on Thursday
November 1st at 8pm, and a workshop at the University at Buffalo on
Friday November 2nd at noon. The screening at Hallwalls will include
16mm films SCOTLAND WITH NO CLOTHES (1977), FLA.ME (1982), TESTAMENT OF
THE RABBIT (1989(, FIRST SURFACE (1996) and FLAT EARTH (a work in
progress). Tickets are $7 general, $5 students/seniors, and $4 members.
The workshop at the University at Buffalo, hosted by Deptartment of
Media Study Asst. Prof. Caroline Koebel, will feature a screening of
Lyman's 1979 film MANSACTS. This program was curated and organized by
Caroline Koebel and Carolyn Tennant, and is co-sponsored by the UB
College of Arts and Sciences, the Department of Media Study, and the
Experimental Television Center.
11/1
Chicago, Illinois: Conversations at the Edge
http://www.siskelfilmcenter.org/
6:00 pm, 164 N. State St.
THE SPECULATIVE ARCHIVE
Co-presented by the Video Data Bank. Julia Meltzer and David Thorne in
person! The effects of state secrets and political uncertainty are at
the center of LA-based artist-duo The Speculative Archive's (Julia
Meltzer and David Thorne) work. The two create electrifyingly smart and
poetic videos about the ways governments "revision" history and the ways
that history shapes our present-day lives and hopes for the future. Shot
in Syria, their latest videos foray into that future, exploring the way
everyday people imagine what might come to pass as their nation
struggles between the forces of a repressive regime, a growing
conservative Islamic movement, and mounting pressures from the United
States. In NOT A MATTER OF IF BUT WHEN… (2006) Syrian performer Rami
Farah, allegorizes the complications, frustrations, and heartache of the
Middle East's current state-of-affairs through a series of extraordinary
vignettes. The prize-winning WE WILL LIVE TO SEE THESE THINGS, OR, FIVE
PICTURES OF WHAT MAY COME TO PASS (2007) pieces together five competing
visions of Syria's future to create a compelling portrait of Syria
today. (2006–07, Syria/USA, Beta SP video, ca 70 min)
11/1
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
7:30pm, Roxie Cinema, 3117 16th Street
DIA DE LOS MUERTOS: HONORAR LAS ALMAS DE CINEASTAS DE AVANT-GARDE
VANGUARDA
Bruce Baillie In Person Bruce Baillie, founder of both Canyon Cinema and
San Francisco Cinematheque, visits San Francisco to present two
screenings honoring a selection of departed filmmakers who have given a
piece of their souls to the noble cause of avant-garde cinema. Having
known several of the filmmakers presented in tonight's show, Baillie
will present his personal reminisces on these classic and forgotten
films from Canyon Cinema's vaults. Screening: The Mexican Footage by Ron
Rice; Heavy-Light by Adam Beckett; Bridges-Go-Round by Shirley Clarke;
Aleph by Robert Fulton; Peyote Queen by Storm De Hirsch; Non Catholicam
by Will Hindle; Glimpse of the Garden by Marie Menken; Occam's Thread by
Stan Brakhage; Si See Sumi by Charles Levine; Sailboat by Joyce Weiland;
Portrait Two, The Young Lady by Earl Bodien.
11/1
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
6:30 pm, 151 Third Street
DARK MIRROR: ARTIST VIDEOS
This program presents contemporary video shorts that intervene into
popular cinema. From manipulations of appropiated footage to
colaborations with movie actors and directors, the featured selections
predominantly draw from crime, thriller, and action movies. The program
additionally reflects on these classic film genres through homages to
suspense master Alfred Hitchcock and horror film auteur Jean Rollin. The
program includes an introduction by Tanya Zimbardo, Assistant Curator,
Media Arts, SFMOMA. Program lineup (total running time 60 min.): Johan
Grimonprez, Looking for Alfred, 2004, 10 min.; Manuel Saiz, Specialized
Technicians Required: Being Luis Porcar, 2005, 1:30 min.; Anri Sala,
Promises, 2001, 4:20 min.; Kara Hearn, Fight Club, 2006, 2 min.; Artemio
Narro, Apoohcalypse Now8:30 min.; Joe Sola, Climaxes 1966-2001, 2002, 2
min.; Christian Jankowski, 16mm Mystery, 2004, 5 min.; Aïda Ruilova,
Life Like, 2006, 6 min.; Wago Kreider, Capturing Rose, 2007, 4 min.; Les
LeVeque, 4 Vertigo, 2000, 9 min. --Free with Museum admission-- In
conjunction with Douglas Gordon: Pretty Much Every Film and Video Work
from about 1992 until Now.
------------------------
FRIDAY, NOVEMBER 2, 2007
------------------------
11/2
Atlanta, Georgia: Eyedrum
http://www.eyedrum.org
8:00 PM, 290 Martin Luther King Jr Dr Suite 8
FILM LOVE #50
Experimental films to do with music, curated by Andy Ditzler ** Part of
the Frequent Small Meals music and film festival at Eyedrum ** Films:
Hojas de Maiz (Eric Theise, 2002): A handmade, cameraless film with
abstract imagery and vibrant rhythm and color. Composer/guitarist Colin
Bragg provides a live soundtrack, unique to this screening. ** Co-Co
Puffs (Ira Wohl, 1972): "The unlikely - and alien - subject of a
detailed drum lesson becomes a celebration of counterculture values...we
discover the painful process of learning, the inevitable failures, the
ultimate triumph and the power relation between teacher and taught."
(Amos Vogel, Film as a Subversive Art) ** Eastside Summer (Rudolph
Burckhardt, 1959): "A walk on the Lower Eastside, colorful and teeming
to the piano of Thelonious Monk." ** Program subject to change
11/2
Montréal, Québec, Canada: The International Experimental Cinema Exhibition
http://www.experimentalcinema.com
8:30, Main Hall (5390 St-Laurent)
THE 2007 EXPERIMENTAL CINEMA EXHIBITION: OPENING NIGHT & SUPER 8
SCREENING
TIE 2007 kicks off on Friday, Nov. 2 with a Super 8 screening of films
by Luther Price, Tomonari Nishikawa, Pablo Marin and several other great
artists of this small gauge format. Filmmakers will be in attendance.
The screening is preceded by a reception for filmmakers and passholders
and it's followed by live music. TIE 2007 continues on Saturday, Nov. 3
with two 16mm/35mm screenings and features over thirty films by eighteen
filmmakers. Those to be in attendance to discuss their films in person
include Jeanne Liotta, Robert Todd, Daichi Saito, and Jonathan Schwartz,
among others. The full schedule, program notes and festival passes are
available from TIE's website: www.experimentalcinema.org
11/2
San Francisco, California: Canyon Cinema
http://www.canyoncinema.com
7:30 p.m., Ninth Street Independent Film Center, 145 Ninth Street
DIA DE LOS MUERTOS: HONORAR LAS ALMAS DE CINEASTES DE VANGUARDIA
Presented by the founder of Canyon Cinema, Bruce Baillie. "Tonights
screening is sponsored by Canyon Cinema and co-sponsored the Ninth
Street Media Arts Center. Bruce Baillie, cinema legend and founder of
both Canyon Cinema and the San Francisco Cinematheque, and over the past
fifty years has created an astonishing filmography currently housed in
the Library of Congress. Bruce Baillie's films have had a profound
effect upon audiences and filmmakers around the world. Baillie is
visiting San Francisco for a series of two screenings honoring selected
departed filmmakers who have given a piece of their souls to the noble
cause of avant-garde cinema.Canyon Cinema and the San Francisco
Cinematheque are currently celebrating their forty fifth anniversary.
This screening is a celebration to those filmmakers who have been
members of Canyon Cinema and have passed away. Bruce Baillie had
personally known several of the filmmakers presented in tonight's show.
This is the second screening in this series and to be held November 2,
2007 at 145 Ninth Street, San Francisco at 7:30pm."—Dominic Angerame,
Executive Director, Canyon Cinema Curated by Michelle Silva and Dominic
Angerame Among the films to be shown are: Aleph by Wallace Berman, David
Brook's Winter, Curt McDowell Visit to Indiana, Le Ann Bartok aka Le Ann
Wilchusky Skyworks, The Red Mile, Joyce Wieland Solidarity, Scott
Bartlett Off/on, Rumble by Jules Engle, Ancient by Marjorie Keller and
31/75 Asyl by Kurt Kren
--------------------------
SATURDAY, NOVEMBER 3, 2007
--------------------------
11/3
Atlanta, Georgia: Eyedrum
http://www.eyedrum.org
8:00 PM, 290 Martin Luther King Jr Dr Suite 8
FILM LOVE #51
Experimental films and videos to do with childhood and memory, curated
by Andy Ditzler ** Part of the Frequent Small Meals festival of music
and film at Eyedrum ** Films: passage a l'acte (Martin Arnold, 1993):
From the maker of the classic Pièce Touchee, another labor-intensive,
subversive, frame-by-frame deconstruction of Hollywood. This time,
Arnold takes a family dinner scene from the film To Kill a Mockingbird,
and creates stuttering loops of sound and image to reveal the meanings
behind tiny movements and small gestures. ** Matthias Müller, Alpsee
(1994): Müller's sumptuously colorful, Kenneth Anger-influenced film is
a mysterious and memorable autobiographical glimpse of boyhood. "I could
not take my eyes off the mellow colors of this film." - Christian
Cargnelli ** Andy Ditzler and Blake Williams, Dining Room (2006): Dining
Room was shot in one take within a single room and features a real-time
monologue improvised during the shooting by Andy Ditzler. Alternately
directing the camera movements and addressing the audience, Ditzler
tells stories of the "pictures" taken during his life. ** Program
subject to change
11/3
Leipzig, Germany: Pierogi Leipzig
http://www.pierogi2000.com
7:00pm, Spinnereistrasse 7
THE UNKNOWN PART OF THE WORLD: FILMS BY BEN RUSSELL (IN PERSON)
Beginning with the birth of the Universe and ending with the death of
the Self, these seven 16mm films by itinerant curator/filmmaker Ben
Russell map out an alternate timeline for the History of the World.
Working in locations as far afield as the South of France, Easter
Island, the Chilean desert, and the Inside of Your Skull, Russell
employs a mixture of cameraless film techniques, pinhole photography,
and imagery from Early Cinema in an attempt to produce the Ghost of Time
Itself. Featuring: Black and White Trypps Number One (6:30, 16mm,
silent, 2005), Last Days (5:00, 16mm, 2004), The Breathers-In (30:00,
16mm, 2002), the quarry (4:00, 16mm, silent, 2002) The Ataraxians
(co-directed w/Sabine Gruffat) (6:00, 16mm, 2004), Terra Incognita
(10:00, 16mm, 2002) Black and White Trypps Number Two (9:00, 16mm,
silent, 2006) TRT 71:00
11/3
Montréal, Québec, Canada: The International Experimental Cinema Exhibition
http://www.experimentalcinema.com
Sat. Nov 3 @ 4:30 & 9:00, Concordia's J.A. de Sève Cinema (1400 de Maisonneuve West)
THE 2007 INTERNATIONAL EXPERIMENTAL CINEMA EXHIBITION (MONTRéAL, CANADA)
Hosted by the Double Negative Film Collective of Montréal, the festival
is held November 2-4, 2007. A Super-8 screening and reception kick the
event off on Friday night, while the majority of the film screenings
take place on Saturday at Concordia University's J.A. de Sève Cinema.
Sunday features an intimate round-table discussion with the visiting
filmmakers lead by TIE curator, Christopher May. TIE-2007 features over
thirty films by eighteen filmmakers. Those to be in attendance to
discuss their films in person include Jeanne Liotta, Robert Todd, Daichi
Saito (Montréal resident), and Jonathan Schwartz, among others. A full
schedule, program notes as well as tickets and passes can be found on
TIE's website: www.experimentalcinema.org
11/3
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30pm, 992 Valencia Street
CHICKEN JOHN + TESLA + UFOS + COX’ LED BY ZEPPELINS +
Science is fiction! SFAI grad-made-good Lance Acord gives back to the
City with the local premiere of Tripping the Light Electric, a half-hr.
cinematic speculation on Nikola Tesla's Colorado Springs Coil
experiments. David Cox explores the up-and-down history of blimps, in
both aviation and cinema, through a multimedia show-and-tell of 16mm
film, video, PowerPoint, and floating screens. Jefree Anderson alerts us
to late-breaking developments in flying-saucer engineering with his
riveting lecture-demo, chock-full of eye-poppers. AND!: Mayoral
candidate Chicken John Rinaldi honors us with a campaign appearance just
three days before the election, demonstrating his carbon-negative truck,
running on coffee grinds while nourishing a mobile flower garden!! A
portion of the proceeds goes towards his campaign. PLUS the LIVE
psychedelic oscillations of Low Speed Duplicating, Unarius, the UFO
anime A Discoid Body in the Sky, and a sneak peek at Baldwin's Mu.
*$9.99
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SUNDAY, NOVEMBER 4, 2007
------------------------
11/4
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00 pm, Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas
HARRY SMITH’S FILM #18, MAHAGONNY
Filmforum presents Harry Smith's Film #18, Mahagonny (1970-80, 16mm,
presented on 35mm). The final film from Experimental filmmaker,
anthropologist, painter, and musicologist Harry Smith is an epic
four-screen projection. This screening kicks off screenings of Smith's
films all over town in November. General admission $9, students/seniors
$6, free for Filmforum members, cash and check only. The Egyptian
Theatre has a validation stamp for the Hollywood & Highland complex.
Park 4 hours for $2 with validation.
11/4
Olympia, WA: Eyes and Ears Collective
http://www.endsound.com/erico
10:00 PM, 206 E. 5th Ave
MAGNIFICENT FOREST
Bring on the Cinema of Noise! Eric Ostrowski returns to the Olympia Film
Festival to present films from his latest DVD, Magnificent Forest. Sure
to be an audio cinematic blowout, the program will feature several 16mm
shorts from the release: The Hummingbird, The Woodpecker, Boom
Chickadee, Bumblebee. Watch for Cyanonide presented on the big screen.
There will also be a performance of his recent multi-projector work,
Burn, including newly added 35mmglory! Look fora couple other surprises,
too. DVD web site: http://www.endsound.com/erico/magnificent_forest.html
Enter your event announcements by going to the Flicker Weekly Listing Form
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The weekly listing is also available online at Flicker:
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__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.