From: Emile Tobenfeld (a.k.a Dr. T) (email suppressed)
Date: Tue Nov 13 2007 - 20:27:05 PST
It obviously depends on what you are shooting. The general rule of
thumb would be to go down one stop for a double exposure and two for
a quadruple. If some of your shots are contrasty and mostly dark, you
wouldn't want to go down as much.
At 3:52 AM +0000 11/14/07, Shumona Goel wrote:
>Hi Frameworks,
>
>I'm shooting 16mm on a bolex and am doing some multiple exposures (2 - 5)
>layers. I was wondering how to compensate the exposure... Any suggestions?
>
>Thanks!
>Shumona
>
>Quoting Steve Polta <email suppressed>:
>
>> Coincidentally, I just bought a digital recorder for
>> Cinematheque to use to record artist presentations and
>> intverviews. I'm sure the Zoom H4 that others a
>> recommending but we actually had one for a while that
>> was kind of a pain in the neck--it was great but was
>> too complicated for an untrained person (say, an new,
>> short term intern) to use intuitively. So I bought the
>> Zoom H2 (and returned the H4). We'll see how I like it
>> when it arrives but a friend (who does interviews)
>> highly recommends it.
>>
>> product description/review:
>>
>www.oreillynet.com/pub/a/oreilly/digitalmedia/2007/09/13/review-zoom-h2-surround-recorder.html?page=1
>> good amazon reviews too of the H2
>>
>> But I don't know much more. I still like mini-disc for
>> personal recordings, fwiw.
>>
>> Steve Polta
>> San Francisco Cinematheque
>>
>>
>>
>> --- andrew lampert <email suppressed> wrote:
>>
>> > Hi
>> >
>> > I realise that I'm inviting a lot of opinions and
>> > responses, but if anyone thinks they have a good
>> > answer I'm all ears. I'm looking to buy (or maybe
>> > even rent if what I want is too expensive) a digital
>> > audio recorder with the express purpose of recording
>> > sound that will be used on a stereo optical
>> > celluloid soundtrack. There are a lot of options on
>> > the market and I've not had experience with any of
>> > them which is why I ask such a broad question. I
>> > can see myself recording voices, music, field
>> > recordings, etc, and using it for other near future
>> > film and video projects. I don't like using
>> > mini-discs and, at this point in time, don't want to
>> > go to DAT. Does anyone have any recommendations for
>> > compact flash card recorders? Anyone here use a
>> > Marantz PMD 660? Feel free to write back off list.
>> >
>> > Thanks,
>> > A.
>> >
>> >
>> >
>> >
>> >
>>
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>> __________________________________________________________________
>> > For info on FrameWorks, contact Pip Chodorov at
>> > <email suppressed>.
>> >
>>
>>
>>
>>
>>
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>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
-- "The test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function." F. Scott Fitzgerald Visit "Before the Fall -- Images of the World Trade Center" at http://www.foryourhead.com Emile Tobenfeld, Ph. D. Video Producer Image Processing Specialist Video for your HEAD! Boris FX http://www.foryourhead.com http://www.borisfx.com __________________________________________________________________ For info on FrameWorks, contact Pip Chodorov at <email suppressed>.