Re: Wees on Ahwesh

From: Artcite / Media City (email suppressed)
Date: Thu Jan 24 2008 - 08:45:37 PST


The general observation that the title of a book "Women's
Experimental Cinema: Critical Frameworks" is almost exclusively
focused on American Filmmakers is
accurate.

Even Joyce Weiland and Gunvor Nelson spent quite some time in the USA.

But what do I know, My Name is Oona!?

Otaku.

>Well, then what exactly was your point? Sorry, but it is not self- evident.
>I can guess, but I'd prefer that you just spell it out.
>
>CHUCK
>
>
>
>On Jan 24, 2008, at 6:55 AM, Nicky Hamlyn wrote:
>
>>OK, so strictly I was not quite right, but that wasn't exactly my point,
>>Nicky Hamlyn.
>>Chuck Kleinhans writes:
>>>The late Joyce Weiland was a Canadian. I don't know the precise  
>>>citizenship of Gunvor Nelson, but it wouldn't be surprising to
>>>find she was a dual national (Sweden/US). CHUCK KLEINHANS On Jan
>>>23, 2008, at 2:55 PM, Nicky Hamlyn wrote:
>>>>Haven't seen this book, so can't comment on it, but shouldn't
>>>>the title be "AMERICAN Women's Experimental Cinema: Critical  
>>>>Frameworks", since, as far as I can see, no other nationalities
>>>>are mentioned? Nicky Hamlyn. On 23 Jan 2008, at 19:58, Bernard
>>>>Roddy wrote:
>>>>>The essay by William Wees in the collection edited by
>>>>>Robin Blaetz
>>> __________________________________________________________________
>>>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>>__________________________________________________________________
>>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

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__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.