From: Weekly Listing (email suppressed)
Date: Sat Feb 16 2008 - 07:53:36 PST
This week [February 16 - 24, 2008] in avant garde cinema
To subscribe/unsubscribe to the weekly listing, send an
email to (address suppressed)-beam.net.
Enter your announcements (calls for entries, new work, screenings,
jobs, items for sale, etc.) at:
http://www.hi-beam.net/cgi-bin/ann.pl
JOB AVAILABLE:
==============
DIVA Center
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=31.ann
Minnesota State University Moorhead
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=30.ann
FUNDING:
========
Experimental Television Center (Deadline: March 15, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=funding&readfile=15.ann
NEW FILM/VIDEO: NON-FEATURE:
===========================
"In Pursuit of Elvis (Elvis' Blow Job)" by Kate Pelling
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=336.ann
"SEPTEMBER" by Matt Peterson
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=335.ann
NEW CALLS FOR ENTRIES:
=====================
filmarmalade (Location: london UK; No entry deadline)
http://www.hi-beam.net/cgi-bin/ann.pl?type=callsnd&readfile=138.ann
Videoex Festival Zurich (Zurich, Switzerland; Deadline: February 15, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=831.ann
imagine art after (London, United Kingdom; Deadline: June 01, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=839.ann
Wimbledon Shorts 2008 (London, UK.; Deadline: April 14, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=846.ann
ATA Film & Video Festival (San Francisco; Deadline: May 15, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=847.ann
Around the Coyote (Chicago, IL, USA; Deadline: February 23, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=848.ann
Portland Film + Video Artists Collective 007: Acts and Actions (Portland, Maine, USA; Deadline: March 15, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=849.ann
BROOKLYN INTERNATIONAL FILM FESTIVAL (Brooklyn, NY; Deadline: March 15, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=850.ann
Pantheon Xperimental Film & Animation Festival 7.0 (Cyprus; Deadline: July 31, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=851.ann
FILMER LA MUSIQUE (Paris, France; Deadline: March 15, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=852.ann
Antimatter Underground Film Festival (Victoria, BC, Canada; Deadline: May 30, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=853.ann
DEADLINES APPROACHING:
======================
HDFEST (Orlando, FL; Deadline: March 03, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=806.ann
HDFEST (New York, New York; Deadline: March 02, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=812.ann
2nd Cambridge international Super 8 Festival (Cambridge, United Kingdom; Deadline: February 16, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=816.ann
Main Line Film Festival (Wayne, PA USA; Deadline: March 01, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=823.ann
The Show Starts on the Sidewalk (San Francisco, CA USA; Deadline: February 28, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=829.ann
Bicycle Film Festival (New York, NY, United States; Deadline: February 19, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=832.ann
Milwaukee Underground Film Festival (Milwaukee, WI USA; Deadline: March 01, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=840.ann
Around the Coyote (Chicago, IL, USA; Deadline: February 23, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=848.ann
Portland Film + Video Artists Collective 007: Acts and Actions (Portland, Maine, USA; Deadline: March 15, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=849.ann
BROOKLYN INTERNATIONAL FILM FESTIVAL (Brooklyn, NY; Deadline: March 15, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=850.ann
FILMER LA MUSIQUE (Paris, France; Deadline: March 15, 2008)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=852.ann
Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl
Also available online at Flicker: http://www.hi-beam.net
THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Art Docs Series: Cph Remix and the Subconscious Art of Graffiti Removal [February 16, Chicago, Illinois]
* Redcat International Children's Film Festival [February 16, Los Angeles, California]
* Steina [February 16, Santa Fe, NM. USA]
* James Benning's Casting A Glance At Cinematheque Ontario [February 16, Toronto, Ontario, Canada]
* Eros and Wonder By R. Bruce Elder (In Person) [February 16, Toronto, Ontario, Canada]
* Filmforum Presents This Must Be the Place: Recent Work On Displacement [February 17, Los Angeles, California]
* Redcat International Children's Film Festival [February 17, Los Angeles, California]
* Jessie Stead/Robert Nelson: Inhale the Microcosm [February 17, San Francisco, California]
* R. Bruce Elder's the Book of All the Dead: Part Two Continued At
Cinematheque Ontario [February 17, Toronto, Ontario, Canada]
* Paper Tigers Reads Paper Tiger Television, Pttv 25-Year Anniversary [February 18, Los Angeles, California]
* Industry Insider Social [February 19, Los Angeles, California]
* 27th Black Maria Film/Video Festival: John Columbus:In Person [February 19, Reading, Pennsylvania]
* Yvonne Rainer's Film About A Woman Who... At Mass Art Film Society [February 20, Boston, Massachusetts]
* Oh My G-D! Gallery 400 Presents "The Religious Show" [February 20, Chicago, Illinois]
* Transfigured Time [February 20, San Francisco, California]
* R. Bruce Elder's the Book of All the Dead: Part Two Continued At
Cinematheque Ontario [February 20, Toronto, Ontario, Canada]
* I Love Presets [February 21, Chicago, Illinois]
* Carbuncle [February 21, Los Angeles, California]
* Balkan Rhapsodies By Jeff Silva At Moma - Documentary Fortnight [February 21, New York, New York]
* Openscreening [February 21, San Francisco, California]
* Film Love #54 - Tearoom: A Document Presented By William E. Jones [February 22, Atlanta, Georgia]
* Electromediascope [February 22, Kansas City, Missouri]
* Carbuncle Screening [February 22, Los Angeles, California]
* Digital Artifact Magazine [February 22, San Francisco, California]
* The 8 Fest [February 22, Toronto, Ontario, Canada]
* "We Do Not Remember, We Rewrite History" An Evening With Brett Kashmere [February 23, Buffalo, New York]
* Super-8 “B-Movie” Horror: Beach Beast [February 23, Chicago, Illinois]
* Redcat International Children's Film Festival [February 23, Los Angeles, California]
* Happening Now At the Film-Makers’ Coop [February 23, New York, New York]
* Package Deals and Scandinavia House Present Sigur Ros's "Heima" [February 23, New York, New York]
* R. Bruce Elder's the Book of All the Dead: Part Three [February 23, Toronto, Ontario, Canada]
* The 8 Fest [February 23, Toronto, Ontario, Canada]
* Redcat International Children's Film Festival [February 24, Los Angeles, California]
* Distributed Memory: Live Music and Projected Images [February 24, San Francisco, California]
* Tik///Tik - Xrin Arms - Nero's Day At Disneyland [February 24, San Francisco, California]
Events are sorted by CITY within each DATE.
---------------------------
SATURDAY, FEBRUARY 16, 2008
---------------------------
2/16
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
8:00 pm, Chicago Filmmakers, 5243 N. Clark St.
ART DOCS SERIES: CPH REMIX AND THE SUBCONSCIOUS ART OF GRAFFITI REMOVAL
Art Docs Series: CPH Remix Copenhagen, a small but famous capital in
Europe known for the Tivoli, the Little Mermaid and the Royal Family,
also has a very different visual aspect, which is explored in CPH Remix,
directed by Runar Gudnason & Ulrik Gutkin (Denmark, 2005, 39 min.).
Everywhere around the city, street-artists are adding their stories,
emotions and expressions to Copenhagen's walls and tunnels. While the
city is dressing up for its biggest "fairytale" event of the last four
decades -- the royal wedding between Crown Prince Frederik and his
Australian fiancée -- two local artists are working intensely in the
streets with their art. Meanwhile a desperate graffiti remover from the
city council is trying to clean up the "mess" before the giant event.
This film follows the two artists in their work and gets close to the
human need to express itself: a need that even the graffiti remover has
to acknowledge in the end. Through these two artists' work we sense the
organism of a big modern city in Europe. Also screening: The
Subconscious Art of Graffiti Removal, directed by Matt McCormick (USA,
2001, 17 min.).
2/16
Los Angeles, California: Redcat
http://www.redcat.org/
noon, 1:30pm and 3pm, 631 W. 2nd St
REDCAT INTERNATIONAL CHILDREN’S FILM FESTIVAL
Now in its third year, this audience favorite offers a world of
sparkling cinematic delights with three weekends of inspired animation,
exhilarating live-action and rarely-shown films from more than 15
countries. Film lovers of all ages are invited to take this eye-opening
journey around the globe—and revel in a treasure trove of unforgettable
stories. Each screening $5
2/16
Santa Fe, NM. USA: SITE Santa Fe
http://www.sitesantafe.org/exhibitions/exhibitfr.html
5:00 PM, 1606 Paseo de Peralta
STEINA
SITE Santa Fe is organizing the first retrospective of the Icelandic
artist Steina, a canonical figure in the world of new media art, who now
resides in Santa Fe. Long considered a pioneer in the field by artists
and curators alike, Steina was an early collaborator with Woody Vasulka,
and one of the original co-founders of The Kitchen in New York. For over
three decades, she has been making art that has expanded the boundaries
of video technology and electronic imaging. Through an ongoing process
of experimentation and play, she deftly merged the unlikely and complex
languages of electrical engineering and musical composition into a
visual aesthetic that has set her apart from her contemporaries. This
exhibition will provide a chronological survey of her work, and includes
approximately 25 of her single channel videos and five multi-screen
installations from 1970-2000. She will also recreate her significant
solo performance, Violin Power (first performed in 1970), accompanied by
video installations screening two of her previous performances of the
work during the 1970s and more recently, 2003. Steina's video
projection-based environments, which are variable in scale and
dimension, anticipated the large-scale multi-screen projections that
dominate much of today's video art. SITE will also publish a
ground-breaking monograph complete with color reproductions, a critical
essay by new media curator Steve Deitz, and a transcribed interview
between Steina and renowned film/media scholar Gene Youngblood. The
catalog will significantly enhance the limited state of Steina
scholarship, and more broadly, will re-position Steina within the art
historical canon.
2/16
Toronto, Ontario, Canada: Cinematheque Ontario
http://www.bell.ca/cinematheque
7:30 p.m., Art Gallery of Ontario’s Jackman Hall (317 Dundas Street West)
JAMES BENNING'S CASTING A GLANCE AT CINEMATHEQUE ONTARIO
TORONTO PREMIERE of James Benning's casting a glance(USA, 2007, 80
minutes).James Benning, progenitor of some of the most breathtaking
images in all of contemporary cinema, casts his visionary glance upon
Robert Smithson's legendary Spiral Jetty. Having premiered at the
Documenta art fair in Kassel, Germany, and already a hit on the festival
circuit, casting a glance is both a document of a famous work of art and
a work of art in itself, using the language of cinema to render the
awesome beauty of a coveted landscape, one which firmly belongs to the
filmmaker's intuitive vision of the world. Benning's new film takes us
on a guided pilgrimage that is as revealing as it is oblique. While the
footage, which masterfully captures this ephemeral splendour, was
recorded from 2005 to 2007, its assemblage ingeniously maps the Jetty
over almost thirty-seven years of existence and ultimately invites us to
question the truth of the image. – Andréa Picard
2/16
Toronto, Ontario, Canada: Pleasure Dome
http://www.pdome.org/
8 pm, 129 Spadina Ave., Cinecycle
EROS AND WONDER BY R. BRUCE ELDER (IN PERSON)
R. Bruce Elder has been an avant-garde visionary in the realm of
experimental cinema for over thirty years. Deeply passionate about
non-narrative filmmaking, the man and his works have inspired a new
generation of experimental filmmakers. In 2007 he was honoured by the
Canada Council for the Arts with a prestigious Governor General's Award
in Visual and Media Arts. In addition to being a prolific filmmaker he
is also an author, critic and influential educator. Eros and Wonder
(2002) is a mysterious meditation on existence, inspired by spirituality
and erotic wonder. Elder's work is not easy – this multi-layered film is
complex, revealing a deeply excavated psyche. Eros and Wonder is a
passionate, mildly apocalyptic and beautiful film. The physicality of
Eros and Wonder – flashes of images, layered surfaces of poetry and
sound – is a visceral experience. The soundtrack combines distorted
voice-over with romantic music. Visually the film uses both analog and
digital technologies to create a dense vocabulary of footage of urban
landscapes, historic German locations, and both sexual and sensual
images of a female body. He transfers the film footage to video, then
uses this technology to alter the footage before outputting the film
back onto 16mm. "The final stage (transferring and screening the
projects on film) is at the heart of all of my conceptualization,
planning and production. The final project should be viewed in its
entirety, and viewed on film – the experience is truly unique." There is
the desire on the part of the viewer to decipher the opaque surfaces of
images and sound stacked upon each other, each layer resonating and
rubbing against the other in constant friction. However, a narrative is
always out of reach, spurring the viewer on, keeping them entranced in
his erotic vision. Elder makes the viewer an accomplice in his deeply
excavated psyche, asking the viewer to keep searching, to dig deeper in
their own attempt for meaning.
-------------------------
SUNDAY, FEBRUARY 17, 2008
-------------------------
2/17
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.
FILMFORUM PRESENTS THIS MUST BE THE PLACE: RECENT WORK ON DISPLACEMENT
Filmforum presents This Must Be the Place: recent work on displacement.
Featuring The Garden City (Vera Brunner-Sung, 2007); Recordando el Ayer
(Alexandra Cuesta, 2007); Footnotes to A House of Love (Laida Lertxundi,
2007); Lay Down Tracks (Brigid McCaffrey and Danielle Lombardi, 2006).
Meditations on itinerant lifestyles, immigration, travel and memory,
filmed in places as disparate as Bangalore, India; Queens NY, and
Valencia. $9 general, $6 students/seniors
2/17
Los Angeles, California: Redcat
http://www.redcat.org/
noon, 1:30pm and 3pm, 631 W. 2nd St
REDCAT INTERNATIONAL CHILDREN’S FILM FESTIVAL
Now in its third year, this audience favorite offers a world of
sparkling cinematic delights with three weekends of inspired animation,
exhilarating live-action and rarely-shown films from more than 15
countries. Film lovers of all ages are invited to take this eye-opening
journey around the globe—and revel in a treasure trove of unforgettable
stories.
2/17
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
7:30 pm, 701 Mission St/YBCA
JESSIE STEAD/ROBERT NELSON: INHALE THE MICROCOSM
First prize winner at the 2007 Ann Arbor Film Festival, Jessie Stead's
"structuralist road movie" Foggy Mountains Breakdown More Than Non-Foggy
Mountains explores the magical mundanity of byway wandering (as well as
the pleasures and absurdities of cinematic structuralism) with an
endlessly mutating parade of Super-8 travelogue, abstract direct
animation, transient poetics, and version after version of the Flatt &
Scruggs bluegrass classic. Described by Ed Halter as "a strange brew of
visual semi-sequiturs and relentless editorial logic," Foggy
Mountains... receives its West Coast premiere tonight alongside Robert
Nelson's long-rumored and virtually unscreened 1997 masterpiece Hauling
Toto Big (also an Ann Arbor honoree). Decades in the making, Hauling...
is Foggy...'s perfect complement, colliding a sprawling and unruly
reality—complete with crazed carnies and rundown ranch hands—with
Nelson's own idiosyncratic brand of home-brew formalism. $10, general;
$6, members, students, disabled, seniors.
2/17
Toronto, Ontario, Canada: Cinematheque Ontario
http://www.bell.ca/cinematheque
4:45 p.m., Art Gallery of Ontario’s Jackman Hall (317 Dundas Street West)
R. BRUCE ELDER'S THE BOOK OF ALL THE DEAD: PART TWO CONTINUED AT
CINEMATHEQUE ONTARIO
PART TWO: CONSOLATIONS (LOVE IS AN ART OF TIME). "So, the failure of the
project of LAMENTATIONS turned the next series of films, CONSOLATIONS,
toward the question of what it would be, specifically, to be a saint for
our time, the time of the 'Between.'" – R. Bruce Elder. In this
wasteland of Purgatory, we ponder the lessons of Elder's guides who have
wandered between Heaven and Hell like Pound and Heidegger, and with his
patron saints Spinoza and Weil, we find the consolation of philosophy: a
footing in the accepted necessity of the natural order and the course of
history, while waiting for the gift of divine grace. PART 2: THE LIGHTED
CLEARING (1988, 275 minutes).
-------------------------
MONDAY, FEBRUARY 18, 2008
-------------------------
2/18
Los Angeles, California: Redcat
http://www.redcat.org/
8pm, 631 W. 2nd St
PAPER TIGERS READS PAPER TIGER TELEVISION, PTTV 25-YEAR ANNIVERSARY
Los Angeles premiere 2007, 45 min., DV Formed at the height of the
Reagan era to "smash the myths of the information industry," Paper Tiger
Television is a collective of artists and activists whose raucous
public-access shows are some of the quirkiest and most compelling
alternative media ever to hit the airwaves. PTTV now turns the cameras
on itself and serves up a revelatory, hugely entertaining mosaic of
archival footage, hand-crafted animations, video shorts, and interviews
with media critics, historians and Tigers past and present—among them,
DeeDee Halleck, Jesse Drew, George Stoney, Dierdre Boyle and Mary
Feaster. Accompanied by a program of PTTV's most seminal work. In
person: Maria Juliana Byck, Jesse Drew
--------------------------
TUESDAY, FEBRUARY 19, 2008
--------------------------
2/19
Los Angeles, California: Planet Shark Productions
http://www.planetsharkproductions.com
5pm, Maggiano's Little Italy 189 The Grove Drive
INDUSTRY INSIDER SOCIAL
Back by popular demand ... You're cordially invited to our Industry
Insider Social (2.19.08 - Los Angeles) Back by popular demand! - Planet
Shark Productions & One World Music cordially invite you and your
industry comrades to our smokin hot INDUSTRY INSIDER SOCIAL at Maggianos
Little Italy (189 The Grove Dr. LA, CA 90036) on Tuesday, February 19,
2008 from 5pm-10pm! As the 100 or so 'Industry Insiders' who attended
our last one will attest, this is THE place to meet, socialize, &
network with like-minded industry professionals! So if you're up for BIG
things in 2008, come on by & connect with some of LA's coolest industry
peeps. This event was conceived out of the hosts' desire to create a new
kind of 'social' for a cool, intriguing creatives working in film,
music, tv, fashion, etc. NOTE: NO cover charge but we respectfully
request your RSVP (as directed below) so we can give the venue a head's
up! - :) RSVP via email (by 5pm on Monday, FEBRUARY 18th, 2008):
sharkzvip1 'AT' aol.com (sub @ for 'AT') We look forward to seeing you
on the 19th! xo teri & sharky Shark's Related Links:
http://www.planetsharkproductions.com http://www.myspace.com/planetshark
http://www.youtube.com/planetshark007 http://www.imdb.com/name/nm2361938
2/19
Reading, Pennsylvania: Berksfilmmakers.Inc
http://www.berksfilmmakers.org
7:30, Abright College
27TH BLACK MARIA FILM/VIDEO FESTIVAL: JOHN COLUMBUS:IN PERSON
A juried national tour reflecting the imaginative work being done by
experimental and independent film & video makers today. JOHN COLUMBUS,
the festival's founder and director, will present a selection of
prizewinners, representing a wide range of styles and genres, from this
years' competition. Program includes works by: SKY DAVID, VAN McELWEE,
DEANNE MORSE, JIM JENNINGS, PHIL SOLOMON, PETER ROSE, TONY BUBA, MARIE
LOSIER and others.
----------------------------
WEDNESDAY, FEBRUARY 20, 2008
----------------------------
2/20
Boston, Massachusetts: MassArt Film Society
http://massartfilmsociety.blogspot.com/
8pm, 621 Huntington Avenue
YVONNE RAINER'S FILM ABOUT A WOMAN WHO... AT MASS ART FILM SOCIETY
FILM ABOUT A WOMAN WHO... by Yvonne Rainer 16mm, 1974, 105 min.
Introduced by art historian Carrie Lambert-Beatty, Assistant Professor
of Visual and Environmental Studies. Lambert-Beatty's book about
spectatorship in U.S. art of the 1960s, focusing on the performance
career of Yvonne Rainer, is forthcoming from MIT Press
2/20
Chicago, Illinois: Gallery 400
http://www.uic.edu/aa/college/gallery400/
7:00, 400 South Peoria Street
OH MY G-D! GALLERY 400 PRESENTS "THE RELIGIOUS SHOW"
Oh, these are heady times for us (Non) Believers – in the face of
eternal War, unending Famine, and economic Pestilence, we flutter like
so many moths towards the one bright light that might still save us from
ourselves. We kneel at the marquee, break popcorn, and raise our eyes to
that "sweaty, flaring, rectangular body" of CINEMA for our (non) secular
deliverance, for a brighter reflection of our past/present/future lives.
Oh, there has been much talk of CHANGE AND LEADERSHIP of late, but here,
at last, is a REAL SOLUTION: from the Flames of Hell to the Clouds of
Heaven, from Satanic Sacrifice to Bushmen Trance, from Grocery Store
Prayer to Color Field Transcendence, this is the one true avant-garde/
evangelical/ ethnographic cinema of Devotion and Transformation. These
seven 16mm films comprise a Religion of Celluloid - all we ask is that
you believe... FEATURING: The Burning Hell by Estus Pirkle (15:00
excerpt of 60:00, 16mm, 1974), Invocation of My Demon Brother by Kenneth
Anger (11:00, 16mm, 1969), A Film of Their 1973 Spring Tour Commissioned
by Christian World Liberation Front of Berkeley, California by Owen Land
(12:00, 16mm, 1974), N/um Tchai: The Ceremonial Dance of the !Kung
Bushmen by John Marshall (20:00, 16mm, 1969), "No Sir, Orison!" by Owen
Land (3:00, 16mm, 1975), Ray Gun Virus by Paul Sharits (14:00, 16mm,
1966), I'll Walk With God by Scott Stark (8:00, 16mm, 1994) TRT 82:00
FREE
2/20
San Francisco, California: SFAI Film Salon
7:30pm, SFAI, Studio 8, 800 Chestnut Street
TRANSFIGURED TIME
The temporal and spatial are transposed in mysterious unfoldings and
perceptual abstractions. In Maya Deren's Ritual in Transfigured Time a
personal journey plays out as a dance of the cycles and transformations
of time. Images fl icker, turn and reveal in the layering of Charlotte
Pryce's Cold Polished Pictures-disturbed. Pip Chodorov's Faux Movements
works a play of perception in creating surprising motion, and Hans
Richter's Film Study frees images in new space. Interruptions of
movement and gesture create new rhythm in Margaret White's Dance Film
while the fragmentation in Charlotte Pryce's WHY resonates with the
weight of memory. --- For more information contact:
email suppressed or (address suppressed) The SFAI Film
Salon is supported by the SFAI Student Union and Legion of Graduate
Students (LOGS)
2/20
Toronto, Ontario, Canada: Cinematheque Ontario
http://www.bell.ca/cinematheque
7:30 p.m., Art Gallery of Ontario’s Jackman Hall (317 Dundas Street West)
R. BRUCE ELDER'S THE BOOK OF ALL THE DEAD: PART TWO CONTINUED AT
CINEMATHEQUE ONTARIO
PART TWO: CONSOLATIONS (LOVE IS AN ART OF TIME). "So, the failure of the
project of LAMENTATIONS turned the next series of films, CONSOLATIONS,
toward the question of what it would be, specifically, to be a saint for
our time, the time of the 'Between.'" – R. Bruce Elder. In this
wasteland of Purgatory, we ponder the lessons of Elder's guides who have
wandered between Heaven and Hell like Pound and Heidegger, and with his
patron saints Spinoza and Weil, we find the consolation of philosophy: a
footing in the accepted necessity of the natural order and the course of
history, while waiting for the gift of divine grace.PART 3: THE BODY AND
THE WORLD (1988, 272 minutes).
---------------------------
THURSDAY, FEBRUARY 21, 2008
---------------------------
2/21
Chicago, Illinois: Conversations at the Edge
http://www.siskelfilmcenter.org/
6pm, 164 N. State St.
I LOVE PRESETS
Rob Ray, Jon Satrom, & Jason Soliday in person! As I LOVE PRESETS,
Chicago-based sound and new media artists Rob Ray, Jon Satrom, and Jason
Soliday do everything wrong the right way. The trio manipulates found
sounds and animated GIFs on home-brewed equipment in spectacular live
audio/video performances, breaking down, complicating, and glorifying
instrument settings, tool presets, and art-making interfaces normally
accepted as fixed and stable. From Excel spreadsheets and video games to
hacked Casios and discarded drum machines, any and everything electronic
is fair game. Tonight, the trio will play several new pieces and demo
their latest instruments and a video game titled I Love Resets (2008).
(2008, USA, multiple formats, ca 90 min.)
2/21
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8:00 PM, 1200 N. Alvarado Street (@ Sunset Blvd)
CARBUNCLE
TWO NIGHTS ONLY!!! Misfit Films announces the North American Premiere of
CARBUNCLE, award-winning filmmaker T. Arthur Cottam's provocative first
feature film. CARBUNCLE was made on a micro-budget over the course of
five years and had its World Premiere at the Milan Film Festival.
CARBUNCLE, a mobile home drama with a disabling sense of humor, concerns
a director with Asperger's Syndrome making a movie about a mentally
challenged woman who is manipulated by her alcoholic social worker. "I'm
excited to have the North American premiere at the Echo Park Film
Center." says Cottam, "They have the same independent spirit with which
this film was made. The response to the film in Milan was overwhelmingly
positive and I'm hoping American audiences will have a similar reaction.
My goal is to both entertain and provoke." Cottam and CARBUNCLE cast
members Jim Eshom, Shawn Lockie, John Falchi, Jamie Garza, Doug Goetz,
Bo Lebo, Josh T. Ryan, Nicole Blume and Kent Hatch will be available for
a Q&A session after the screening, which is also a benefit to raise
money for HOME VIDEOS, Cottam's next film. In appreciation for their
contribution to HOME VIDEOS, screen credit will be awarded to all
donating audience members. TICKETS: Suggested donation $5-$20
2/21
New York, New York: Museum of Modern Art
http://www.moma.org
6PM, 11 West 53 St, NY
BALKAN RHAPSODIES BY JEFF SILVA AT MOMA - DOCUMENTARY FORTNIGHT
Balkan Rhapsodies (2007) 55 minutes by Jeff Daniel Silva New York
Premiere Balkan Rhapsodies is an experimental documentary poem made up
of 78 visual and sound episodes that weave together a mosaic of
encounters, observations and reflections from Jeff Silva's travels
through war-torn Serbia and Kosovo. Jeff was the first American allowed
into Serbia after the NATO bombings in June of 1999, and the filming he
did while there makes up the heart of the project. Jeff returned back to
the Balkans later again in 2000 and a final time in 2005 to complete the
project. The seventy-eight part episodic structure of the film was
inspired by the musical rhapsodies of the 19th century that featured a
series of short, free-form, and emotionally infused compositions with
high ranging and contrasted moods, colours and tonalities. This
fragmented rhapsodic structure captures the essence of the video
material that Jeff has gleaned over the years, from his documentary
travels to his various cultural appropriations and re-enactments he uses
in Balkan Rhapsodies. Using the 78 days of NATO bombings of Yugoslavia
(March 24 – June 10, 1999) as a structural reference point to explore
the post-trauma of innocent people caught in a web between the politics
of then president Slobodan Milosovic, the Albanian separatist movement,
and the United States led NATO coalition, Balkan Rhapsodies looks beyond
the moment it captures and seems to become more relevant everyday. As
old wounds fail to heal and new conflicts arise around the globe from
the ashes and residue of past traumas, the shards of memories, evidence,
and experiences in Balkan Rhapsodies creates a melodic echo that
resonates with the absurdity of the situation and reflects a political
and social imperative beyond the conflicts in Yugoslavia into of our
present day crises. Jeff Daniel Silva http://www.jeffdanielsilva.com
2/21
San Francisco, California: Artists Television Access
http://www.atasite.org/
8 pm, 992 valencia st
OPENSCREENING
Thursday, February 21, 2008. 8PM $5 OpenScreening Music, muzika, musik,
muzyka, live and not and la la la Music, muzika, musik, muzyka and la la
la We are going to have live musica la la la la la band name: Matadon
performing: Battlero Doso ...and bunch of shorts la la so, folks are you
interested in getting your movies out there? do you wanna share your
films, get feedback and meet other filmmakers? You should submit your
shorts to us We are arranging the coolest Open Screening in the Bay
Area. At the legendary ATA, Artist television Access
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FRIDAY, FEBRUARY 22, 2008
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2/22
Atlanta, Georgia: Eyedrum
http://www.eyedrum.org
8:00 PM, 290 Martin Luther King Jr Dr Suite 8
FILM LOVE #54 - TEAROOM: A DOCUMENT PRESENTED BY WILLIAM E. JONES
selected work, 2008 Whitney Biennial | In Mansfield, Ohio, 1962, police
hid behind a two-way mirror in a public restroom and filmed the men who
had sex there - the so-called "tearoom trade." They used this film
footage to arrest and prosecute some sixty men under the Ohio sodomy
law. | In 2007, filmmaker William E. Jones came into possession of the
film shot by the police. From this footage, he created the film Tearoom.
| In Tearoom, instead of making a run-of-the-mill documentary, Jones
lets the unedited footage speak for itself. The surprising imagery
raises many issues even as it provides a shocking history lesson. A
haunting and powerful work, Tearoom has been selected for the 2008
Whitney Biennial. | Screening in Atlanta one night only! | Director
William E. Jones will be on hand at Eyedrum to introduce the film,
answer questions and debut the new book on Tearoom. | Co-sponsored by
Outwrite Bookstore and The Office of LGBT Life, Emory University | The
Film Love series provides access to rare but important films, and seeks
to increase awareness of the rich history of experimental and
avant-garde film. The series is curated and hosted by Andy Ditzler for
Frequent Small Meals. Film Love was voted Best Film Series in Atlanta by
the critics of Creative Loafing in 2006. Screening schedule and archives
for the series may be found at www.frequentsmallmeals.com.
2/22
Kansas City, Missouri: Nelson-Atkins Museum of Art
http://www.nelson-atkins.org
7:00 p.m., 4525 Oak Street
ELECTROMEDIASCOPE
Life and Art: Stories from the Borderland. "In A Nutshell: A Portrait of
Elizabeth Tashjian," Don Bernier (USA), 2005, 80 min., video. Program
continues on February 29 with "Me and You and Everyone We Know" by
Miranda July. "Absolute Wilson" by Katharina Otto-Bernstein was shown
February 15. Katharina Otto-Bernstein's and Don Bernier's documentaries
and Miranda July's fictional film explore the creative lives and
delicate balance that is maintained between the art and life of three
very different artists. Through their films we enter into the everyday
reality of these individuals and learn how the unique circumstances of
their worlds and day-to-day activities provide sources of inspiration
and self-discovery for their art-in-life and life-in-art experiences. We
witness their successes, failures, struggles and survival strategies to
realize projects and communicate with others within situations in which
their private worlds and the worlds of art and culture overlap.
Elizabeth Tashjian's life and art co-exist within the self-created
contexts of her museum and home. Although achieving international media
attention, her local community fails to appreciate her lifelike art that
she introduces to the public. She ultimately becomes a tragic figure
when misunderstanding, gender prejudice and lack of financial resources
upset the balance between her life and art. -- Patrick Clancy.
2/22
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8:00 PM, 1200 N. Alvarado Street (@ Sunset Blvd)
CARBUNCLE SCREENING
See February 21, 2008 for event description
2/22
San Francisco, California: Artists Television Access
http://www.atasite.org/
8pm, 992 valencia st
DIGITAL ARTIFACT MAGAZINE
Friday, February 22, 2008. 8PM $6 Digital Artifact Magazine Nath, Wood,
Mundim Nath, Wood, Mundim Digital Artifact Magazine is a new, web-based
journal that explores digital and global culture using hybrid aesthetic
tactics. Join us for a reading and screening by contributors from Issue
1 (Summer 2007), as we solicit submissions for Issue 2. Readings by
David Christensen, Soledad De Costa, Camille Roy, Will Skinker, Sarah
Fran Wisby. Screenings by Faye Driscoll, Kara Hearn, Jessica Lawless,
Julianna Mundim, Kirthi Nath, Katina Papson. Sound Installation by
Sherri Wood. Always online at digitalartifactmagazine.com contact:
email suppressed
2/22
Toronto, Ontario, Canada: The 8 Fest
http://satanmacnuggit.com
7 & 9 pm, Trash Palace
THE 8 FEST
FRIDAY FEBRUARY 22 7 PM SUPER 8 SOUND – FILMS BY SAUL LEVINE
Co-presented by the Images Festival Raps And Chants, Parts I & II 1981,
super 8, color, sound, 26 min "Raps And Chants' first part is a man's
monologue about a grueling LSD adventure and the second is the portrait
of a woman, gleefully milking cacophony from a tape recorder by rapidly
playing with the buttons." –P. Adams Sitney, Village Voice Notes of an
Early Fall 1976, super 8, color, sound, 33 min Notes was mostly made in
Binghamton in 1976 - a warped record constructed out of visits to the
zoo, relatives and various locations. "Levine's first talkie, Notes of
an Early Fall is a characteristically raw work that parlays even the
sound of microphone rumble into a formal element." – J. Hoberman 9 PM
CounterNarratives There's more to cheesy old educational films than
meets the eye! Armed with his trusty Technicolor Super 8 Cartridge
projector and a passel of vintage classroom loops, "the 8 fest's"
Jonathan Culp invites PERFORMERS of widely varying stripes TO 'NARRATE'
these silent artifacts to their own satisfaction. What will a room full
of aesthetes make of such titles as "Lemming Migration", "Movement in
the City", "Desert Tortoise Courtship Ritual" and "Snacks"? This will
probably be your only chance to find out! FEATURING: Mohammad Ali
Aumeer, Rose Bianchini, Lora Bozabalian, Stacey Case, Heather Childs,
Suzanne Farkas, Graham Hollings, Luis Jacob, Ryan Kamstra, Boonaa
Mohammed, Dwayne Morgan, Andrew Paterson, Matthew Trafford, Jane Walker,
Jessica Westhead, Greg Woods
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SATURDAY, FEBRUARY 23, 2008
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2/23
Buffalo, New York: Hallwalls
http://www.hallwalls.org
8pm , 341 Delaware Ave.
"WE DO NOT REMEMBER, WE REWRITE HISTORY" AN EVENING WITH BRETT KASHMERE
Through intricate experimental documentaries and unadorned camera
movies, the Canadian filmmaker Brett Kashmere explores the intersection
of history and (counter-) memory, geographies of identity, and the
politics of representation. His work, which has screened internationally
at the London Film Festival, Made in Video: International Video Art
Festival in Copenhagen, New York's Anthology Film Archives, the Kassel
Documentary Festival in Germany, and The Images Festival in Toronto,
combines traditional research methods with hybrid interfaces, handmade
equipment, and materialist aesthetics. His most recently completed
film-essay, Valery's Ankle, explores the spectacle of hockey violence in
North American media. The film scholar Thomas Waugh writes that VALERY'S
ANKLE "may well give momentum (and integrity) to the discourses of
sports, masculinity, and nationalism in Canadian cinemas." Preceded by
UNFINISHED PASSAGES, about which Kashmere writes: "Small monument to my
great-grandfather, prairie homesteader and giver of consciousness.
Internalized history lesson for the birth of a province - in honour of
100 years since Saskatchewan's named independence - and light reflection
on cinema's unreeling history, coterminously." Valery's Ankle (2006,33
minutes, digital video, color) In September 1972 Canadian hockey pros
faced the amateur Soviets for the first time ever. Canada's victory in
this famous Cold War showdown, thanks to a last-minute winning goal, has
become the most celebrated Canadian story of all time. But the games
were also marked by extreme acts of violence that are only
subconsciously remembered. Team Canada's performance throughout the
series and Bobby Clarke's two-handed slash of rival Russian star Valery
Kharlamov's ankle, in particular, signal a "glitch" in the production of
Canadian nationalism, identity, and masculinity. This fracture disrupts
Canadian self-identification as polite, peaceful and sportsmanlike and
enacts a shadow identity as frustrated, aggressive and vengeful.
Preceded by: unfinished passages (2005,17 minutes, digital video, b&w)
2/23
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
8:00 pm, Chicago Filmmakers, 5243 N. Clark St.
SUPER-8 “B-MOVIE” HORROR: BEACH BEAST
Beach Beast (directed by Bill Storz, USA, 1991, 115 min.), recalls the
efforts of children in their imitation of the perceived adult world.
Language in their mouths is always too big, it doesn't fit them anymore
then their parents shoes, they use it like costume jewelry, creatively
and not in search of truth. In Beach Beast language is as much an object
as what is being filmed. Out of place with what is happening and
insincere (as a ray of light or a laugh), it remains a part of the film
(alongside any other) rather than a narrative over it or about it. The
result is a kind of constellation of unfamiliar faces, places, phrases
and scenarios that in it's silliness and tenderness manages to be less
linear (in the sense that it captures the beauty of a moment, qualities
of light, the strangeness of words) than many attempts at non-narrative
film. – Jesse Kennedy, TIE
2/23
Los Angeles, California: Redcat
http://www.redcat.org/
noon, 1:30pm and 3pm, 631 W. 2nd St
REDCAT INTERNATIONAL CHILDREN’S FILM FESTIVAL
Now in its third year, this audience favorite offers a world of
sparkling cinematic delights with three weekends of inspired animation,
exhilarating live-action and rarely-shown films from more than 15
countries. Film lovers of all ages are invited to take this eye-opening
journey around the globe—and revel in a treasure trove of unforgettable
stories.
2/23
New York, New York: Millennium Film Workshop
http://www.millenniumfilm.org/
Doors 7, Program 8, 66 E. 4th St.
HAPPENING NOW AT THE FILM-MAKERS’ COOP
Rally on behalf of the Film-Makers' Cooperative at a Winter Benefit
Screening and Silent Auction at the Millennium Film Workshop. The
evening will feature a program curated by Caroline Koebel of historic
and contemporary works recently inducted into the world-famous FMC
collection with in-person appearances by many of the artists. Beirut
Outtakes by Peggy Ahwesh, Faux Movements (Wrong Moves) by Pip Chodorov,
Capitalism: Slavery by Ken Jacobs, Description of a Struggle by Bosko
Blagojevic, The Small Ones by Lynne Sachs, 1/3 (One Over Three) by
Chiaki Watanabe, Carnalavare by Flavia Souza, The Glowing Woman by Joel
Schlemowitz, Meet Me In Wichita by Martha Colburn, Backcomb by Sarah
Pucill, the recent digital preservation of Jud Yalkut's 1967 Kusama's
Self-Obliteration, and a newly acquired print of Mike Kuchar's Tone
Poem. Partake in Two Boots Pizza, refreshments, and hand-screened FMC
t-shirts. Tickets: $10-$25 sliding scale
2/23
New York, New York: Scandinavia House
http://scandinaviahouse.org/programs.html#films
7pm, 58 Park Avenue at 38th St
PACKAGE DEALS AND SCANDINAVIA HOUSE PRESENT SIGUR ROS'S "HEIMA"
Directed by Dean DeBlois, "Heima"—which translates as both "at home" and
"homeland"—chronicles a series of free concerts Sigur Rós, Iceland's
biggest musical export after Björk, played in their native Iceland in
the summer of 2006. The film provides unique insights into one of the
world's most fascinating and inscrutable bands captured live while
exploring their natural habitat—the mysterious, otherworldly landscape
of Iceland—like never before. They played in deserted fish factories,
outsider art follies, far-flung community halls, sylvan fields, darkened
caves, and the huge, horseshoe-shaped Ásbyrgi Canyon (formed, legend has
it, by the hoofprint of Odin's six-legged horse Sleipnir). Material from
all four of the band's albums is featured, including many rare and
notable moments. Among these are a heart-stopping rendition of the
previously unreleased Guitardjamm filmed inside a derelict herring oil
tank in the far West Fjords; a windblown, one-mic recording of Vaka shot
at a dam protest camp subsequently drowned by rising water; and
first-time acoustic versions of such rare live beauties as "Staralfur,"
"Agaetis Byrjun," and "Von." Loosely following a documentary format,
"Heima" serves as an alternative primer for Iceland the country, which
is revealed as less a stag party destination-du-jour than a desolate,
magical place where humans have little right to trespass. The question
of the way Sigur Rós's music relates to, and is influenced by, their
environment has been reduced to a journalistic cliché about glacial
majesty and fire and ice, but there is no doubt that the band is
inextricably linked to the land in which they were forged. 91 min.
Reception sponsored by Reyka Vodka. Arrive early to see Sigur Rós music
videos on the big screen starting at 6:30 pm.
2/23
Toronto, Ontario, Canada: Cinematheque Ontario
http://www.bell.ca/cinematheque
9:15 p.m., Art Gallery of Ontario’s Jackman Hall (317 Dundas Street West)
R. BRUCE ELDER'S THE BOOK OF ALL THE DEAD: PART THREE
PART THREE: EXULTATIONS (IN LIGHT OF THE GREAT GIVING)."To be
resurrected is to be reunited with the body. Hence the EXULTATIONS
region of THE BOOK OF ALL THE DEAD attempts to reconstruct the flesh
(out of the pixels of computer image process) and to reanimate it." – R.
Bruce Elder. FLESH ANGELS (1990, 110 minutes). "The latest image
technology and exotic new computer mathematics like fractals and
cellular automata rhym[ed] . . . with Dante's medieval cosmology . . . a
heady blend of the high-tech and the antique . . . that dazzles the eye"
(Bart Testa).
2/23
Toronto, Ontario, Canada: The 8 Fest
http://satanmacnuggit.com
7 & 9 pm, Trash Palace
THE 8 FEST
SATURDAY FEBRUARY 23 7 PM ORPHAN FILMS & BRING YOUR HOME MOVIES ( Home
Movie Repair Clinic 6 PM ) Homemade Movies home movie history project
presents – ORPHAN FILMS A screening of long lost "orphaned" films. Local
collectors Grant Heaps & Ian Phillips are on a quest to find, preserve
and re-present all the forgotten home movies that end washed-up on the
shores of goodwills, auctions and dumpsters. From: impromptu wrestling
at a 'cognac party', to a man saving a chair from a gas station fire, to
the set (in Barrie) of "The Littlest Hobo", to cottage life on the
Toronto Islands in 1934, we offer strangely compelling portraits of
everyday life from the 1930's to 70's! followed by . . . BRING YOUR HOME
MOVIES The second part of our screening is your chance to bring your
home movies to show (8mm, super 8). Dig through your parent's attic or
grab that orphaned reel you found at the thrift shop. – AND – If you no
longer have a working projector, come early to our HOME MOVIE REPAIR
CLINIC starting at 6 PM. Let us help you one-on-one to look through your
home movie collection again and give advice on preserving your films. 9
PM BAGEROO – the art of simply super 8 Two decades ago, rumours
circulated among filmmakers that super 8 film stock was to be
discontinued by Kodak. Images – numerous and proliferating – of the
demolition of Kodak's plants invade the evening news these days; and
this phenomenon parallels Kodak's game plan as they shift from analogue
to digital. So the future of super 8 film stock remains as shaky as it
has been for the last two decades. But there are pockets in North
America – such as Vancouver, Milwaukee, Saskatoon and Ottawa, just to
name a few – where filmmakers continue to build an artistic practice
working in super 8. "the 8 fest" will endeavor to provide Toronto with
an exhibition platform dedicated solely to small-gauge celluloid.
"BAGEROO - the art of simply super 8" brings to the big screen a
selection of RECENT WORK and a few older pieces. JOHN PORTER (aka the
"Godfather of Super 8" to many) delights with a new condensed ritual in
a small bowling alley; TANYA READ premieres a new work hot from the lab;
and archival gems from ADRIAN GöLLNER, CLIFFORD CAINES and others will
be brought to you for your viewing pleasure!
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SUNDAY, FEBRUARY 24, 2008
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2/24
Los Angeles, California: Redcat
http://www.redcat.org/
noon, 1:30pm and 3pm, 631 W. 2nd St
REDCAT INTERNATIONAL CHILDREN’S FILM FESTIVAL
Now in its third year, this audience favorite offers a world of
sparkling cinematic delights with three weekends of inspired animation,
exhilarating live-action and rarely-shown films from more than 15
countries. Film lovers of all ages are invited to take this eye-opening
journey around the globe—and revel in a treasure trove of unforgettable
stories.
2/24
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
7:30 pm, 701 Mission St/YBCA
DISTRIBUTED MEMORY: LIVE MUSIC AND PROJECTED IMAGES
Distributed Memory, originally presented at the Getty Center, features
commissioned pieces supported in part by Montalvo Arts Center, pairs
filmmakers and composers in the creation of collaborative real-time
cinematic works from the recomposition of found and new materials. This
evening is the second in a two-part series curated by Julie Lazar (the
first will be presented at Montalvo Arts Center on February 8). In
Rotary Wobble and Horizontal Boundaries, Pat O'Neill's formalized
contemplations of urban and natural environments are merged with
electronic musician Carl Stone's live digital scores. Janie Geiser and
Tom Recchion's fusion of live performance, re-photography and collage
animation, Magnetic Sleep, reinterprets the formal melodramatic
traditions of Man Ray and Maya Deren. Presented in association with
Montalvo Arts Center. Janie Geiser, Pat O'Neill, Tom Recchion, and Carl
Stone In Person. $10, general; $6, members, students, disabled, seniors.
2/24
San Francisco, California: Artists Television Access
http://www.atasite.org/
8pm, 992 valencia st
TIK///TIK - XRIN ARMS - NERO'S DAY AT DISNEYLAND
Sunday, February 24, 2008. 8PM $6 tik///tik - xrin arms - nero's day at
disneyland Presented by Club Sandwich *tik///tik* This resident of the
Greater Los Angeles Area uses analog synths and digital samplers to
throw tantrums that fulfill harsh noise fantasies and pop star
nightmares. http://www.myspace.com/tikyoutik *xrin arms* Xrin Arms has
been breaking fingers, leaving his morning manhood on couches, drawing
blood and mentally bashing minds all over the country for the past few
years. Recently Xrin Arms decided to not even have a set home and live
his life traveling to where ever, when ever. Missing Xrin Arms in yr
city is like a car without a stearing wheel.
http://www.myspace.com/xrinarmsmotherfucker *nero's day at disneyland*
Nero's Day At Disneyland is a bizarre mix of baroque, techno, noise and
punk from oakland california. Working himself into a petulent frenzy he
mashes and claws at his keyboards like a rabid dog as people either back
up in horror or inch forward in curiosity.
http://www.myspace.com/nerosdayatdisneland
Enter your event announcements by going to the Flicker Weekly Listing Form
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The weekly listing is also available online at Flicker:
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__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.