Part 2 of 2: This week [May 17 - 26, 2008] in avant garde cinema

From: Weekly Listing (email suppressed)
Date: Sat May 17 2008 - 08:14:33 PDT


Part 2 of 2: This week [May 17 - 26, 2008] in avant garde cinema

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FRIDAY, MAY 23, 2008
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5/23
Philadelphia, Pennsylvania: International House Philadelphia
http://www.ihousephilly.org/programs-film-at-IHouse.htm
7 pm, 3701 Chestnut Street

 ESSENTIAL VISUAL MUSIC: RARE CLASSICS FROM CVM ARCHIVE
  From German pioneers to Light Show psychedelia to Experimental Animation
  classics, rare films and preserved prints from the Collection of Center
  for Visual Music. All 16mm unless noted. Films include: Oskar
  Fischinger: R-1 ein Formspiel (single panel version) c. 1926-33; Hans
  Fischinger: Tanz der Farben (Dance of the Colors) 1939; Charles Dockum:
  Dockum Mobilcolor Performance at the Guggenheim Museum, 1952; Charles
  Dockum: Demonstration of Mobilcolor Projector and 1966 Mobilcolor
  Performance Film, both 1966; Harry Smith, Early Abstractions, Film No. 3
  1949; Oskar Fischinger: Muntz TV Commercial, 1952; Mary Ellen Bute:
  Pastorale; John Stehura: Cibernetik 5.3, 1960-65 (digital); Jud Yalkut:
  Turn, Turn, Turn, 1966; Single Wing Turquoise Bird Light Show Film,
  1971; David Lebrun: Tanka, 1976; Jules Engel: Celebration, 1978; Jules
  Engel: 3 Arctic Flowers, 1978, and Jules Engel: Mobiles, 1978. (16mm,
  most are preserved prints).

5/23
San Francisco, California: Oddball Films
http://www.oddballfilm.com
8:30PM, 275 Capp St

 "SEE, REAPPEAR +BREATHE" INTERACTIVE SCREENING AT ODDBALL FILMS
  For Immediate Release Event: "Jam Z Jammerz: See, Reappear + Breathe" ,
  an Evening of Culture Jamming Interactive Cinema with Los Angeles Media
  Archivist Gerry Fialka in person."See Reappear+Breathe" is a critical.
  forward thinking, entertaining and subversive looks at media pranksters
  and their victims amidst the electronic landscape. With rare clips of
  Lenny Bruce, Ernie Kovacs, Marshall McLuhan. James Joyce and many more.
  Date: Friday, May 23, 2008 at 8:30PM Venue: Oddball Film+Video, 275 Capp
  Street, San Francisco. Admission: $10.00 Limited Seating, RSVP Only.
  RSVP: email suppressed or phone the archive at 415.558.8117 Jam Z
  Jammerz: See, Reappear +Breathe Interactive Screening Live at Oddball
  Films Los Angeles Curator Gerry Fialka in Person! On Friday, May 23,
  2008 at 8:30PM media ecologist Gerry Fialka presents an interactive
  screening of films by subversive artists and pranksters who "inflict
  brand damage" to expose corporate manipulation of America's mediascape.
  "See, Reappear+Breathe" probes critical forward thinking, entertaining
  and subversive looks at media pranksters and their hidden effects amidst
  the electronic landscape. Screening will be rare clips of Lenny Bruce,
  Ernie Kovacs, Marshall McLuhan, James Joyce and more. The program takes
  place at Oddball Films, 275 Capp St, San Francisco. Admission is $10,
  seating is limited RSVP only to: email suppressed or 415-558-8117.
  Fialka probes Marshall McLuhan's Laws of Media in correlation with
  revolutionary artists (Craig Baldwin, the Barbie Liberation
  Organization, Rev. Billy's Church of Stop Shopping, Billboard Liberation
  Front and Bob Dobbs) providing new critical perspectives with surprise,
  humor and the thrill of transgression. Join this agitprop examination of
  the motives and consequences of the jammer's collaboration with the
  jammee. When Sputnik went up fifty years ago, McLuhan upgraded the
  global village to the global theater, and we all became actors. "Jam Z
  Jammerz: See, Reappear & Breathe" (14 minutes, 2008) - As agitprop
  archaeologists, Mark X Farina & Gerry Fialka's provocative video probes
  how the 50's music/comedy icons John Cage (noise as music, side effects
  in silence), Korla Pandit (the Hammond Organ as drum, fake identity),
  Lenny Bruce (speech as jazz, grievance), Ernie Kovacs (visual effects as
  Surrealism, Menippean tactic of the "fourth wall") and Lord Buckley
  (narrative as living organism, elevation not put-down) laid the
  groundwork for contemporary culture jammers. They reinvented Beckett's
  "Nothing is funnier than unhappiness," and Steve Allen's "Behind every
  joke there's a grievance." Their reappearance offers new questions: -
  Did the electric environment kill or save humanity? - Did television
  renew the art museum? - Why did James Joyce make TV the hidden ground in
  his 1939 book "Finnegans Wake" ? - Can the banality of
  satellite-speed-up cause epiphanies? - What have we forgotten about
  social amnesia? - Who is jamming the jammers? Rechanneling George Melies
  and Marcel Duchamp, "Jam Z Jammerz" reinvigorates and mirrors how these
  visionaries elevated self-irony to uncover the ambiguity and complexity
  of ecstasy and numbness. "The audience is the employer." - Marshall
  McLuhan. "I find TV very educational. Every time someone turns on a set
  I go in the other room and read a book." - Groucho Marx. "When you are
  laughing, you're learning." - Bob Dobbs. "Satire is tragedy plus time" -
  Lenny Bruce. Mark X Farina is a Los Angeles based painter, filmmaker and
  biker, whose work has appeared in group shows with David Hockney and Ed
  Rushca. He received his BFA from Edinboro University of Pennsylvania,
  and now heads the Video Department at Otis College of Art and Design in
  LA. He is a practitioner of POP, Pro Punk, Neo Goo, and Reverse
  Engineering in Mixed Media Visual Arts. About Gerry Fialka Gerry Fialka
  is an artist, film curator, writer, lecturer, and paramedia ecologist
  who has conducted interactive workshops from UCLA to MIT, from the Ann
  Arbor Film Festival to Culver City High School. Fialka gave two major
  lectures at The 2001 North America James Joyce Conference at UC
  Berkeley. The public interview series MESS (Media Ecology Soul Sessions)
  has featured Fialka in engaging conversations with the likes of Mike
  Kelley, Alexis Smith, Abraham Polonsky, Mary Woronov, Paul Krassner, Ann
  Magnuson, Heather Woodbury, Norman Klein, Chris Kraus, P. Adams Sitney,
  Hunter Drohojowska-Philp, Kristine McKenna, John Sinclair, Grace Lee
  Boggs, and Firesign Theatre's Phil Proctor. Fialka's interviews have
  been published in books by Mike Kelley and Sylvere Lotringer. He
  graduated from The University of Michigan. "Gerry Fialka creates forums
  that bring together a plurality of critical perspectives into one
  multivalent conversation. " - Janine Marchessault, author of Marshal
  McLuhan: Cosmic Media. For more info:
  http://oddballfilm.com/resources/events_parent.html

5/23
Seattle WA: Potter-Belmar Labs
http://potterbelmar.org/now
7:30 & 9pm, Central Cinema

 FORTUNE
  What does the future hold? What follows us from the past? What do we
  need to know about the present? Live cinema performers, Potter-Belmar
  Labs, will answer these questions and more, on tour stops throughout the
  U.S. Southwest and West Coast in May 2008. Traveling by train, this pair
  of itinerant fortune-tellers will probe the collective subconscious of
  audiences from Albuquerque to Seattle, and on many stops in between.
  Potter-Belmar Labs brings the ancient tradition of the magic lantern
  show to the 21st Century, inviting the audience to participate in a
  collective fortune-telling experience, and presenting the results in
  music, sound and moving image. The Fortune tour is made possible in part
  through Meet the Composer's MetLife Creative Connections program.

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SATURDAY, MAY 24, 2008
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5/24
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia Street

 GERRY FIALKA'S PXL THIS FEST
  As is our wont, we are welcoming SoCal cousin Gerry Fialka with the
  much-anticipated iteration of his annual toy-camera extravaganza. In
  case you didn't know, Fisher-Price's PXL 2000, now 20 years old, is a
  children's video camera that records on audiocassette, producing b/w
  images at such a low resolution as to border on the abstract. The
  lightweight ease and funky charm of this now-cult device has encouraged
  an idiosyncratic aesthetic favoring personal confession and miniature
  commentary. Highlights of this year's line-up include Gerry's own
  Remember to Forget, Robert Sexton's Disassembly Line (on CIA
  mind-control!), Theresa Hulmes' Soulgasm, Freya's They Were Only
  Numbers, L.M. Sabo's Cataclysm, and 4-yr-old Donovan Selinger's Gear
  Story. Doors open at 8pm for Doug Katelus on the retro-tech Optigan,
  Gerry's McLuhan-esque insights into Korla Pandit, and black-and-white
  finger food!

5/24
Seattle WA: Potter-Belmar Labs
http://potterbelmar.org/now
7:30 and 9pm, Central Cinema

 FORTUNE
  What does the future hold? What follows us from the past? What do we
  need to know about the present? Live cinema performers, Potter-Belmar
  Labs, will answer these questions and more, on tour stops throughout the
  U.S. Southwest and West Coast in May 2008. Traveling by train, this pair
  of itinerant fortune-tellers will probe the collective subconscious of
  audiences from Albuquerque to Seattle, and on many stops in between.
  Potter-Belmar Labs brings the ancient tradition of the magic lantern
  show to the 21st Century, inviting the audience to participate in a
  collective fortune-telling experience, and presenting the results in
  music, sound and moving image. The Fortune tour is made possible in part
  through Meet the Composer's MetLife Creative Connections program.

5/24
Silver Springs, MD: Pyramid Atlantic Center
http://www.pyramidatlanticartcenter.org/
7:30 pm, 8230 Georgia Avenue

 THE FREE TRANSLATORS
  Reminiscent of the do-it-yourself approach of the Riot Grrrl movement,
  this Spring two feminist provocateurs are taking their multimedia show
  on the road. Mary Billyou and Sabine Gruffat are hailing from Brooklyn,
  NY and Madison, WI to present "The Free Translators" touring east coast
  cities and towns with a program of radical videos and performances. As
  the title suggests, The Free Translators' video program is inspired by
  widely accessible texts. The artists perform in many of their own
  videos, sometimes enacting the news, dictating words written by the
  Marquis de Sade, or excerpting from Virginia Woolf's anti-war essays. By
  re-interpreting the texts for the audience, the videos explore notions
  of identity and communication, re-imagining issues raised by feminist
  consciousness, the quality of attention today in the midst of multiple
  authorial references, and the diminished space of citizenship around the
  monologue of mass media. In between video screenings, The Free
  Translators present two "Live Tactical Translations," or, live
  multimedia experiments inspired by 1970s feminist art and Soviet
  avant-garde news troupes. Culling from their library of text, sound, and
  image, alter egos Miss Reading and Miss Recognition communicate through
  matching headsets and manipulate analog recordings as they educate
  audiences in their unique methods of reading and comprehension.

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SUNDAY, MAY 25, 2008
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5/25
Philadelphia, Pennsylvania: Small Change Screenings
http://www.smallchangescreenings.com
8 pm, 1026 arch street

 THE FREE TRANSLATORS
  Reminiscent of the do-it-yourself approach of the Riot Grrrl movement,
  this Spring two feminist provocateurs are taking their multimedia show
  on the road. Mary Billyou and Sabine Gruffat are hailing from Brooklyn,
  NY and Madison, WI to present "The Free Translators" touring east coast
  cities and towns with a program of radical videos and performances. As
  the title suggests, The Free Translators' video program is inspired by
  widely accessible texts. The artists perform in many of their own
  videos, sometimes enacting the news, dictating words written by the
  Marquis de Sade, or excerpting from Virginia Woolf's anti-war essays. By
  re-interpreting the texts for the audience, the videos explore notions
  of identity and communication, re-imagining issues raised by feminist
  consciousness, the quality of attention today in the midst of multiple
  authorial references, and the diminished space of citizenship around the
  monologue of mass media. In between video screenings, The Free
  Translators present two "Live Tactical Translations," or, live
  multimedia experiments inspired by 1970s feminist art and Soviet
  avant-garde news troupes. Culling from their library of text, sound, and
  image, alter egos Miss Reading and Miss Recognition communicate through
  matching headsets and manipulate analog recordings as they educate
  audiences in their unique methods of reading and comprehension.

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For info on FrameWorks, contact Pip Chodorov at <email suppressed>.