From: marco poloni (email suppressed)
Date: Sun Jan 04 2009 - 10:23:22 PST
Wow. Excellent. I'll follow-up right away! Thanks, Marco
-----Original Message-----
>From: Nicky Hamlyn <email suppressed>
>Sent: Jan 4, 2009 1:07 PM
>To: email suppressed
>Subject: Re: projecting super-16mm
>
>The technology you desire already exists. It was prototyped by Martin
>Sawyer, a film sound engineer in London: http://
>www.filmsoundfacilities.co.uk
>
>The very narrow space between the edge of the Super 16mm frame and
>the celluloid edge is occupied by a synce pulse track that controls a
>hard drive/player.
>
>Nicky Hamlyn.
>
>
>On 4 Jan 2009, at 17:41, marco poloni wrote:
>
>> Hello all,
>>
>>
>> Also, I'm interested in syncing sound. As there's no space for an
>> optical track on S-16, I figured out the film should have a cue (eg
>> a transparent frame) read by an optical diode that would send a
>> signal to a device, eg Max MSP driving an MP3 reader, or some
>> custom-made electronics driving a solid-state reader (eg “ProDVX
>> F100 Digital Solid State Video Player” which is extensively used in
>> art venues, museums, etc.).
>>
>> Thanks!
>> Marco
>>
>> ------------------------------------------------
>> Marco Poloni, Korsörer Strasse 1, D-10437 Berlin
>> gsm +41.78.6322028, skype marcopoloni
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
------------------------------------------------
Marco Poloni, Korsörer Strasse 1, D-10437 Berlin
gsm +41.78.6322028, skype marcopoloni
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.