Re: Advice cinema of war

From: William Wees, Dr. (email suppressed)
Date: Sun Jan 04 2009 - 14:01:45 PST


Has anyone mentioned Phil Patiris's video "The Iraq Campaign 1991: A Television History (aka 'Network Storm')"?

--Bill Wees

________________________________________
From: Experimental Film Discussion List [email suppressed]
Sent: January 3, 2009 5:32 PM
To: email suppressed
Subject: AW: Advice cinema of war

Sean Snyder's CASIO, SEIKO, SHERATON, TOYOTA, MARS (2004/2005)
deals with Iraq war.

John Smith's FROZEN WAR with the beginning of bombarding afghanistan.

Jill Godmillow's WHAT FAROCKI TAUGHT hasn't lost it's urgency...

And maybe less obvious:
Judith Hopf, Stephan Geene: BEI MIR ZU DIR (low dunkel)...

Greetings from Berlin
madeleine

--
--
> Von: Meredith Drum <email suppressed>
> Antworten an: Experimental Film Discussion List <email suppressed>
> Datum: Sat, 3 Jan 2009 17:08:48 -0500
> An: <email suppressed>
> Betreff: Advice cinema of war
>
> Hi Frameworks List,
>
> I am looking for advice regarding a cinema program I am putting
> together on the subject of the U.S. war in Iraq and related wars. My
> co-programmer Mary Billyou and I will present the screenings at the
> upcoming Scope NYC art fair. I am looking for ideas of works to
> consider. If anyone has any suggestions of recent films and videos by
> artists / documentarians considering the war, please send them my way.
> We are looking at a range of works -- most of them experimental in
> form / perspective but a few of them are expository / journalistic.
> Most are under 20 min but a few are about an hour long. Thanks.
>
> Cheers!
> Meredith Drum
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.