From: Dinorah de Jesús Rodriguez (email suppressed)
Date: Mon Jan 05 2009 - 08:53:19 PST
garden supply stores.
btw, Marianna, i recently stumbled across your website and liked what
I saw. i put a link to your site on my blog, check it out below.
happy to make your acquaintance.
best regards
enjoy today...
Dinorah de Jesús Rodríguez
Film/Video Artist and Freelance Writer
www.solislandmediaworks.com
www.artcinematic.blogspot.com
www.alternativeage.blogspot.com
On Jan 5, 2009, at 9:38 AM, marianna s. ellenberg wrote:
> Does anyone know were to get dirt in the city for an animation? I
> assume sculpture supply stores might have it, but not sure where to
> look.
>
> Cheers,
>
> Marianna
> email suppressed
>
> On Jan 5, 2009, at 12:00 AM, FRAMEWORKS automatic digest system wrote:
>
>> There are 5 messages totalling 234 lines in this issue.
>>
>> Topics of the week:
>>
>> 1. projecting super-16mm (3)
>> 2. 16mm daylight spools and cored
>> 3. Advice cinema of war
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>> ---------------------------------------------------------------------
>> -
>>
>> Date: Sun, 4 Jan 2009 12:41:47 -0500
>> From: marco poloni <email suppressed>
>> Subject: projecting super-16mm
>>
>> Hello all,
>>
>> Does anybody have knowledge as to converting a 16mm Eiki SSL on NT
>> projector to run Super-16? In principle it would be as easy as
>> milling the gate and pressure plate to the ISO-standard b Type Wb
>> aperture of S-16mm, and maybe modifying the rollers too, but I've
>> heard it is actually tricky because the lamp might need to be re-
>> positioned in its housing, realigning the whole optical path, etc..
>>
>> Also, I'm interested in syncing sound. As there's no space for an
>> optical track on S-16, I figured out the film should have a cue
>> (eg a transparent frame) read by an optical diode that would send
>> a signal to a device, eg Max MSP driving an MP3 reader, or some
>> custom-made electronics driving a solid-state reader (eg b ProDVX
>> F100 Digital Solid State Video Playerb which is extensively used
>> in art venues, museums, etc.).
>>
>> Thanks!
>> Marco
>>
>> ------------------------------------------------
>> Marco Poloni, KorsC6rer Strasse 1, D-10437 Berlin
>> gsm +41.78.6322028, skype marcopoloni
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>> ------------------------------
>>
>> Date: Sun, 4 Jan 2009 18:07:30 +0000
>> From: Nicky Hamlyn <email suppressed>
>> Subject: Re: projecting super-16mm
>>
>> The technology you desire already exists. It was prototyped by Martin
>> Sawyer, a film sound engineer in London: http://
>> www.filmsoundfacilities.co.uk
>>
>> The very narrow space between the edge of the Super 16mm frame and
>> the celluloid edge is occupied by a synce pulse track that controls a
>> hard drive/player.
>>
>> Nicky Hamlyn.
>>
>>
>> On 4 Jan 2009, at 17:41, marco poloni wrote:
>>
>>> Hello all,
>>>
>>>
>>> Also, I'm interested in syncing sound. As there's no space for an
>>> optical track on S-16, I figured out the film should have a cue (eg
>>> a transparent frame) read by an optical diode that would send a
>>> signal to a device, eg Max MSP driving an MP3 reader, or some
>>> custom-made electronics driving a solid-state reader (eg ProDVX
>>> F100 Digital Solid State Video Player which is extensively used in
>>> art venues, museums, etc.).
>>>
>>> Thanks!
>>> Marco
>>>
>>> ------------------------------------------------
>>> Marco Poloni, Korsvrer Strasse 1, D-10437 Berlin
>>> gsm +41.78.6322028, skype marcopoloni
>>>
>>>
>>> __________________________________________________________________
>>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>> ------------------------------
>>
>> Date: Sun, 4 Jan 2009 13:23:22 -0500
>> From: marco poloni <email suppressed>
>> Subject: Re: projecting super-16mm
>>
>> Wow. Excellent. I'll follow-up right away! Thanks, Marco
>>
>> -----Original Message-----
>>> From: Nicky Hamlyn <email suppressed>
>>> Sent: Jan 4, 2009 1:07 PM
>>> To: email suppressed
>>> Subject: Re: projecting super-16mm
>>>
>>> The technology you desire already exists. It was prototyped by
>>> Martin
>>> Sawyer, a film sound engineer in London: http://
>>> www.filmsoundfacilities.co.uk
>>>
>>> The very narrow space between the edge of the Super 16mm frame and
>>> the celluloid edge is occupied by a synce pulse track that
>>> controls a
>>> hard drive/player.
>>>
>>> Nicky Hamlyn.
>>>
>>>
>>> On 4 Jan 2009, at 17:41, marco poloni wrote:
>>>
>>>> Hello all,
>>>>
>>>>
>>>> Also, I'm interested in syncing sound. As there's no space for an
>>>> optical track on S-16, I figured out the film should have a cue (eg
>>>> a transparent frame) read by an optical diode that would send a
>>>> signal to a device, eg Max MSP driving an MP3 reader, or some
>>>> custom-made electronics driving a solid-state reader (eg b ProDVX
>>>> F100 Digital Solid State Video Playerb which is extensively
>>>> used in
>>>> art venues, museums, etc.).
>>>>
>>>> Thanks!
>>>> Marco
>>>>
>>>> ------------------------------------------------
>>>> Marco Poloni, KorsC6rer Strasse 1, D-10437 Berlin
>>>> gsm +41.78.6322028, skype marcopoloni
>>>>
>>>>
>>>> __________________________________________________________________
>>>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>>
>>>
>>> __________________________________________________________________
>>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>> ------------------------------------------------
>> Marco Poloni, KorsC6rer Strasse 1, D-10437 Berlin
>> gsm +41.78.6322028, skype marcopoloni
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>> ------------------------------
>>
>> Date: Sun, 4 Jan 2009 10:43:00 -0800
>> From: scott nyerges <email suppressed>
>> Subject: 16mm daylight spools and cored
>>
>> Thanks to all for the input on recycling tapes.
>>
>> While I'm at it, I've got about a dozen 16mm daylight spools w.
>> boxes and about two dozen 16mm cores. Free for whoever wants 'em
>> in NYC.
>>
>> -> Scott Nyerges
>>
>>
>>
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>> ------------------------------
>>
>> Date: Sun, 4 Jan 2009 17:01:45 -0500
>> From: "William Wees, Dr." <email suppressed>
>> Subject: Re: Advice cinema of war
>>
>> Has anyone mentioned Phil Patiris's video "The Iraq Campaign 1991:
>> A Television History (aka 'Network Storm')"?
>>
>> --Bill Wees
>>
>> ________________________________________
>> From: Experimental Film Discussion List
>> [email suppressed] On Behalf Of madeleine bernstorff
>> [email suppressed]
>> Sent: January 3, 2009 5:32 PM
>> To: email suppressed
>> Subject: AW: Advice cinema of war
>>
>> Sean Snyder's CASIO, SEIKO, SHERATON, TOYOTA, MARS (2004/2005)
>> deals with Iraq war.
>>
>> John Smith's FROZEN WAR with the beginning of bombarding afghanistan.
>>
>> Jill Godmillow's WHAT FAROCKI TAUGHT hasn't lost it's urgency...
>>
>> And maybe less obvious:
>> Judith Hopf, Stephan Geene: BEI MIR ZU DIR (low dunkel)...
>>
>> Greetings from Berlin
>> madeleine
>>
>>
>> --
>>
>>
>>
>> --
>>
>>
>>
>>> Von: Meredith Drum <email suppressed>
>>> Antworten an: Experimental Film Discussion List
>>> <email suppressed>
>>> Datum: Sat, 3 Jan 2009 17:08:48 -0500
>>> An: <email suppressed>
>>> Betreff: Advice cinema of war
>>>
>>> Hi Frameworks List,
>>>
>>> I am looking for advice regarding a cinema program I am putting
>>> together on the subject of the U.S. war in Iraq and related wars. My
>>> co-programmer Mary Billyou and I will present the screenings at the
>>> upcoming Scope NYC art fair. I am looking for ideas of works to
>>> consider. If anyone has any suggestions of recent films and
>>> videos by
>>> artists / documentarians considering the war, please send them my
>>> way.
>>> We are looking at a range of works -- most of them experimental in
>>> form / perspective but a few of them are expository / journalistic.
>>> Most are under 20 min but a few are about an hour long. Thanks.
>>>
>>> Cheers!
>>> Meredith Drum
>>>
>>>
>>> __________________________________________________________________
>>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>> ------------------------------
>>
>> End of FRAMEWORKS Digest - 4 Jan 2009 (#2009-6)
>> ***********************************************
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.