From: marco poloni (email suppressed)
Date: Thu Jan 08 2009 - 06:14:19 PST
-----Original Message-----
From: mat fleming <(address suppressed)>
Sent: Jan 8, 2009 12:10 PM
To: (address suppressed)
Subject: Re: 16mm/b&w
Hi All
I had a strange experience watching a print from an recently serviced Aaton LTR.
The picture was so stable for a few seconds that I jumped out of my seat to rush back
to the projector because I thought it was stuck.
Er... got to think of something relevant now... If you have facilities for processing yourself we've been getting pretty
wild results with Agfa sound recording stock in screenprinters chemicals at Film Bee. It's very cheap and kind of sci-fi.
MatOn Wed, Jan 7, 2009 at 7:49 PM, Sandra Maliga <(address suppressed)> wrote:The slower the film stock the more light required and the finer the grain. If you don't need shots that last more than 20 seconds you can use a wind up Bolex.__________________________________________________________________
On Jan 7, 2009, at 4:17 AM, Susana de Sousa Dias wrote:
Dear Frameworkers,
I need some advice about shooting in 16mm b&w. I want to shoot mainly landscapes and cloudy skies (no need for sync sound). Which camera, which lenses and what sort of film stock would you recommend?
Thanks
Susana de Sousa Dias
__________________________________________________________________ For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
__________________________________________________________________ For info on FrameWorks, contact Pip Chodorov at <(address suppressed)>.
(address suppressed)>
------------------------------------------------ Marco Poloni, Korsörer Strasse 1, D-10437 Berlin gsm +41.78.6322028, skype marcopoloni
__________________________________________________________________ For info on FrameWorks, contact Pip Chodorov at <(address suppressed)>.