From: Janis Lipzin (email suppressed)
Date: Fri Jan 09 2009 - 11:37:23 PST
Regarding the request for films dealing with power, I suggest my own
work, "Other Reckless Things" that acknowledges official structures
of medical power and subverts them. The film was inspired by a
newspaper account of a woman who performed a Caesarean section on
herself with a pocketknife and confronts the medical industrial
complex's childbirth practices as they rely on the vulnerability of
their clients and subject women to authoritarian reproductive
technologies. The film's de-romanticized footage of an actual
childbirth has created discomfort in audiences and once a women
fainted while watching the film. Canyon and FilmMakers Coop rent it.
It is also available with live spoken sound/text by Ellen Zweig.
Janis Crystal Lipzin
On Jan 9, 2009, at 10:08 AM, FRAMEWORKS automatic digest system wrote:
> There are 3 messages totalling 545 lines in this issue.
>
> Topics in this special issue:
>
> 1. films/videos dealing with power (3)
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> ----------------------------------------------------------------------
>
> Date: Fri, 9 Jan 2009 12:50:20 -0500
> From: James Cole <email suppressed>
> Subject: Re: films/videos dealing with power
>
> ------=_Part_58986_6152391.1231523420996
> Content-Type: text/plain; charset=ISO-8859-1
> Content-Transfer-Encoding: quoted-printable
> Content-Disposition: inline
>
> Has anyone mentioned Gunvor Nelson's Take Off? That seems pretty
> appropriate. Hollis Frampton's Manual of Arms comes to mind, as well,
> especially with Hout's little rebellion. I assume the person who
> recommended the Kubelka meant Unsere afrikareise, because I'm not sure
> Arnulf Rainer makes a whole lot of sense.
>
> If you've got the time, Yvonne Rainer's films Journeys From Berlin and
> Privilege both fit very well, and are worth seeing.
>
> On Fri, Jan 9, 2009 at 12:27 PM, Casey Pegram
> <email suppressed> wrote=
> :
>
>> It's a theme that runs throughout a lot of Michael Haneke's work:
>> Code
>> Unknown, Cach=E9, Benny's Video, Funny Games, etc.
>>
>> Casey
>>
>> On Jan 9, 2009, at 11:53 AM, Julie Perini wrote:
>>
>> *Symbiopsychotaxiplasm: Take One *by William Greaves
>> Julie
>>
>>
>> On Jan 9, 2009, at 8:15 AM, Adam Hyman wrote:
>>
>> Arnulf Rainer by Kubelka
>>
>>
>> On 1/9/09 7:30 AM, "Gene Youngblood" <email suppressed> wrote:
>>
>> Donigan Cumming
>> Kuchar diaries
>> Coming Apart (Rip Torn)
>> The Continuing Story of Carel and Ferd
>> Double Blind, Sophie Calle
>> Portrait of Jason, Shirley Clarke
>> The Amateurist, Miranda July
>> Der Reise, Michael Klier
>> One Eyed Bum, Andy Mann
>> numerous Warhol
>>
>>
>> ----- Original Message -----
>> From: "Shelly Silver" <email suppressed>
>> To: <email suppressed>
>> Sent: Friday, January 09, 2009 7:48 AM
>> Subject: films/videos dealing with power
>>
>>
>> dear all:
>> i'm putting together several classes that deal with power - different
>> varieties of power relations between those filmed and those doing the
>> filming. this could be extreme (or less extreme) interactions where
>> the filmmaker/cameraperson has power (most typical) or where it's
>> firmly in the hands of the people being filmed. This power can come
>> through the presence of the camera, through verbal interaction, or
>> anything else.
>>
>> I'm most interested in those cases which would make the audience feel
>> uneasy/queasy watching.
>>
>> suggestions?
>>
>> best!
>> shelly
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>> __________________________________________________________________
>> For in=
> fo
>> on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>> __________________________________________________________________
>> For in=
> fo
>> on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> ------=_Part_58986_6152391.1231523420996
> Content-Type: text/html; charset=ISO-8859-1
> Content-Transfer-Encoding: quoted-printable
> Content-Disposition: inline
>
> Has anyone mentioned Gunvor Nelson's Take Off? That seems
> pretty =
> appropriate. Hollis Frampton's Manual of Arms comes to mind,
> as w=
> ell, especially with Hout's little rebellion. I assume the
> person=
> who recommended the Kubelka meant Unsere afrikareise, because
> I'm not =
> sure Arnulf Rainer makes a whole lot of sense.<br>
> <br>If you've got the time, Yvonne Rainer's films Journeys
> From Ber=
> lin and Privilege both fit very well, and are worth
> seeing.<br><br><d=
> iv class=3D"gmail_quote">On Fri, Jan 9, 2009 at 12:27 PM, Casey
> Pegram <spa=
> n dir=3D"ltr"><<a
> href=3D"mailto:email suppressed">(address suppressed)=
> l.com</a>></span> wrote:<br>
> <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid
> rgb(204, =
> 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div
> style=3D""><=
> div>It's a theme that runs throughout a lot of Michael
> Haneke's wor=
> k: Code Unknown, Cach=E9, Benny's Video, Funny Games, etc.</div>
> <div><br></div><div>Casey</div><div><div></div><div
> class=3D"Wj3C7c"><br><d=
> iv><div>On Jan 9, 2009, at 11:53 AM, Julie Perini wrote:</
> div><br><blockquo=
> te type=3D"cite"><div style=3D""><i>Symbiopsychotaxiplasm: Take One
> </=
> i>by William Greaves<div>
> <br></div><div>Julie</div><div><div><div><div><br></div><div><br></
> div><div=
>> On Jan 9, 2009, at 8:15 AM, Adam Hyman wrote:</div><br><blockquote
>> type=3D=
> "cite"><div style=3D"margin: 0px;">Arnulf Rainer by Kubelka</
> div><div style=
> =3D"margin: 0px; min-height: 14px;">
> <br></div><div style=3D"margin: 0px; min-height: 14px;"><br></
> div><div styl=
> e=3D"margin: 0px;">On 1/9/09 7:30 AM, "Gene Youngblood"
> <<a hr=
> ef=3D"mailto:email suppressed"
> target=3D"_blank">email suppressed</a>&g=
> t; wrote:</div>
> <div style=3D"margin: 0px; min-height: 14px;"><br></div>
> <blockquote type=
> =3D"cite"><div style=3D"margin: 0px;">Donigan Cumming</div><div
> style=3D"ma=
> rgin: 0px;">Kuchar diaries</div><div style=3D"margin: 0px;">Coming
> Apart (R=
> ip Torn)</div>
> <div style=3D"margin: 0px;">The Continuing Story of Carel and Ferd</
> div><di=
> v style=3D"margin: 0px;">Double Blind, Sophie Calle</div><div
> style=3D"marg=
> in: 0px;">Portrait of Jason, Shirley Clarke</div><div
> style=3D"margin: 0px;=
> ">The Amateurist, Miranda July</div>
> <div style=3D"margin: 0px;">Der Reise, Michael Klier</div><div
> style=3D"mar=
> gin: 0px;">One Eyed Bum, Andy Mann</div><div style=3D"margin:
> 0px;">numerou=
> s Warhol</div><div style=3D"margin: 0px; min-height: 14px;"><br></
> div><div =
> style=3D"margin: 0px; min-height: 14px;">
> <br></div><div style=3D"margin: 0px;">----- Original Message -----</
> div><di=
> v style=3D"margin: 0px;">From: "Shelly Silver" <<a
> href=3D"mai=
> lto:email suppressed"
> target=3D"_blank">email suppressed</a>&=
> gt;</div>
> <div style=3D"margin: 0px;">To: <<a
> href=3D"mailto:(address suppressed)=
> OL.COM" target=3D"_blank">email suppressed</a>></
> div><div sty=
> le=3D"margin: 0px;">Sent: Friday, January 09, 2009 7:48 AM</
> div><div style=
> =3D"margin: 0px;">
> Subject: films/videos dealing with power</div><div style=3D"margin:
> 0px; mi=
> n-height: 14px;"><br></div><div style=3D"margin: 0px; min-height:
> 14px;"><b=
> r></div> <blockquote type=3D"cite"><div style=3D"margin: 0px;">dear
> all:</d=
> iv><div style=3D"margin: 0px;">
> i'm putting together several classes that deal with power -
> different</=
> div><div style=3D"margin: 0px;">varieties of power relations
> between those =
> filmed and those doing the</div><div style=3D"margin:
> 0px;">filming.<span>&=
> nbsp; </span>this could be extreme (or less extreme) interactions
> where</di=
> v>
> <div style=3D"margin: 0px;">the filmmaker/cameraperson has power
> (most typi=
> cal) or where it's</div><div style=3D"margin: 0px;">firmly in
> the hands=
> of the people being filmed.<span> </span>This power can come</
> div><d=
> iv style=3D"margin: 0px;">
> through the presence of the camera, through verbal interaction, or</
> div><di=
> v style=3D"margin: 0px;">anything else.</div><div style=3D"margin:
> 0px; min=
> -height: 14px;"><br></div><div style=3D"margin: 0px;">I'm most
> interest=
> ed in those cases which would make the audience feel</div>
> <div style=3D"margin: 0px;">uneasy/queasy watching.</div><div
> style=3D"marg=
> in: 0px; min-height: 14px;"><br></div><div style=3D"margin:
> 0px;">suggestio=
> ns?</div><div style=3D"margin: 0px; min-height: 14px;"><br></
> div><div style=
> =3D"margin: 0px;">
> best!</div><div style=3D"margin: 0px;">shelly</div><div
> style=3D"margin: 0p=
> x; min-height: 14px;"><br></div><div style=3D"margin: 0px; min-
> height: 14px=
> ;"><br></div><div style=3D"margin:
> 0px;">__________________________________=
> ________________________________</div>
> <div style=3D"margin: 0px;">For info on FrameWorks, contact Pip
> Chodorov at=
> <<a href=3D"mailto:email suppressed"
> target=3D"_blank">email suppressed</=
> a>>.</div><div style=3D"margin: 0px; min-height: 14px;"><br></div>
> </blo=
> ckquote>
> <div style=3D"margin: 0px; min-height: 14px;"><br></div><div
> style=3D"margi=
> n: 0px; min-height: 14px;"><br></div><div style=3D"margin:
> 0px;">__________=
> ________________________________________________________</div><div
> style=3D=
> "margin: 0px;">
> For info on FrameWorks, contact Pip Chodorov at <<a
> href=3D"mailto:PipCh=
> email suppressed</a>>.</div> </
> blockquote><=
> div style=3D"margin: 0px; min-height: 14px;"><br></div><div
> style=3D"margin=
> : 0px; min-height: 14px;">
> <br></div><div style=3D"margin:
> 0px;">_____________________________________=
> _____________________________</div><div style=3D"margin: 0px;">For
> info on =
> FrameWorks, contact Pip Chodorov at <<a
> href=3D"mailto:email suppressed" =
> target=3D"_blank">email suppressed</a>>.</div>
> <div style=3D"margin: 0px; min-height: 14px;"><br></div> </
> blockquote></div=
>> <br></div></div></div><p>
>> ________________________________________________=
> __________________ For info on FrameWorks, contact Pip Chodorov at
> <<a h=
> ref=3D"mailto:email suppressed</
> a>>. <=
> /p>
> <div><br></div></blockquote></div><br></div></div></div><p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <<a
> href=3D"mailto:PipCh=
> email suppressed</a>>.
> </p><p>
> </p></blockquote></div><br>
> <p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
> <p>
>
> ------=_Part_58986_6152391.1231523420996--
>
> ------------------------------
>
> Date: Fri, 9 Jan 2009 10:02:43 -0800
> From: Freya <email suppressed>
> Subject: Re: films/videos dealing with power
>
> Does it have to involve the camera/subject to a high degree?
>
> I would say this of course, but any film or reproduction of the
> Milgram experiment.
>
> La Commune by Peter Watkins. Incredible film that deals with the
> relationship of the actors, not so much with the camera but the
> subject matter being filmed also there is a tv station being run by
> the commune as well as by the state so it has a freedom of the
> people to create film type thing going on. It doesn't make you
> queasy tho, much the opposite. It is however 6 hours long. Amazing
> film if you ever have the chance to see it tho. Maybe the war game
> by Peter Watkins too!
>
> Pushing the boat out slightly, the third man! It has aspects that
> are potentially uncomfortable for the viewer and black humour that
> makes me laugh and cry at the same time. You have to watch it more
> than once tho to catch it. Lots of uncomfotable stuff such as we
> have to deal with in real life.
>
> "Dear Wendy", a film about some people who try to help an old lady
> across the road. It's about the power of guns. In places it makes
> the viewer think, wow this film glorifies guns and then makes you
> realise, hamg on how is this different to any number of hollywood
> films that you see featuring guns!!! The only difference is this
> film questions peoples relationships to guns.
>
> "Requiem for a dream"! The power of television to affect peoples
> lives and television as some weird ideal to look up to.Also leaves
> you feeling very strange at the end. I had to ask a friend to turn
> the lights on as I felt like I had watched some really creepy
> horror movie although obviously the film doesn't deal with stuff in
> the dark, very strange.
>
> "Freaks" by Todd Browning, my all time favourite movie. A monster
> movie featuring real "circus freaks" as actors. The monsters not
> being the people you might expect them to be in conventional
> Hollywood film. Made people very uncomfortable on release, was
> banned in the u.k. for 30 years and it destroyed the career of Todd
> Browning. Partly rescued from obscurity by Anton La Vey!
>
> love
>
> Freya
>
>
> --- On Fri, 1/9/09, Shelly Silver <email suppressed> wrote:
>
>> From: Shelly Silver <email suppressed>
>> Subject: films/videos dealing with power
>> To: email suppressed
>> Date: Friday, January 9, 2009, 2:48 PM
>> dear all:
>> i'm putting together several classes that deal with
>> power - different varieties of power relations between those
>> filmed and those doing the filming. this could be extreme
>> (or less extreme) interactions where the
>> filmmaker/cameraperson has power (most typical) or where
>> it's firmly in the hands of the people being filmed.
>> This power can come through the presence of the camera,
>> through verbal interaction, or anything else.
>>
>> I'm most interested in those cases which would make the
>> audience feel uneasy/queasy watching.
>>
>> suggestions?
>>
>> best!
>> shelly
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at
>> <email suppressed>.
>
>
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Fri, 9 Jan 2009 13:08:35 -0500
> From: Roger Beebe <email suppressed>
> Subject: Re: films/videos dealing with power
>
> --Apple-Mail-14--185755106
> Content-Transfer-Encoding: quoted-printable
> Content-Type: text/plain; charset="ISO-8859-1"; delsp=yes;
> format=flowed
>
> Trinh T. Minh Ha's films, especially Reassemblage
> Coco Fusco & Paula Heredia's Couple in a Cage
> Ted Passon's Red Bugs (which is a great little study in failed =20
> ethnographic encounters)
>
> and
>
> so many horror films
>
> and that whole history of surveillance films (The Conversation,
> Blow =20
> Out, Sliver, 1984, Enemy of the State, The Truman Show, &c., &c. &c.)
>
> ...
> RB
>
> On Jan 9, 2009, at 12:50 PM, James Cole wrote:
>
>> Has anyone mentioned Gunvor Nelson's Take Off? That seems pretty =20
>> appropriate. Hollis Frampton's Manual of Arms comes to mind, as =20
>> well, especially with Hout's little rebellion. I assume the
>> person =20=
>
>> who recommended the Kubelka meant Unsere afrikareise, because I'm =20
>> not sure Arnulf Rainer makes a whole lot of sense.
>>
>> If you've got the time, Yvonne Rainer's films Journeys =46rom
>> Berlin =20=
>
>> and Privilege both fit very well, and are worth seeing.
>>
>> On Fri, Jan 9, 2009 at 12:27 PM, Casey Pegram =20
>> <email suppressed> wrote:
>> It's a theme that runs throughout a lot of Michael Haneke's work: =20
>> Code Unknown, Cach=E9, Benny's Video, Funny Games, etc.
>>
>> Casey
>>
>> On Jan 9, 2009, at 11:53 AM, Julie Perini wrote:
>>
>>> Symbiopsychotaxiplasm: Take One by William Greaves
>>>
>>> Julie
>>>
>>>
>>> On Jan 9, 2009, at 8:15 AM, Adam Hyman wrote:
>>>
>>>> Arnulf Rainer by Kubelka
>>>>
>>>>
>>>> On 1/9/09 7:30 AM, "Gene Youngblood" <email suppressed> wrote:
>>>>
>>>>> Donigan Cumming
>>>>> Kuchar diaries
>>>>> Coming Apart (Rip Torn)
>>>>> The Continuing Story of Carel and Ferd
>>>>> Double Blind, Sophie Calle
>>>>> Portrait of Jason, Shirley Clarke
>>>>> The Amateurist, Miranda July
>>>>> Der Reise, Michael Klier
>>>>> One Eyed Bum, Andy Mann
>>>>> numerous Warhol
>>>>>
>>>>>
>>>>> ----- Original Message -----
>>>>> From: "Shelly Silver" <email suppressed>
>>>>> To: <email suppressed>
>>>>> Sent: Friday, January 09, 2009 7:48 AM
>>>>> Subject: films/videos dealing with power
>>>>>
>>>>>
>>>>>> dear all:
>>>>>> i'm putting together several classes that deal with power - =20
>>>>>> different
>>>>>> varieties of power relations between those filmed and those =20
>>>>>> doing the
>>>>>> filming. this could be extreme (or less extreme) interactions
>>>>>> =20
>>>>>> where
>>>>>> the filmmaker/cameraperson has power (most typical) or where it's
>>>>>> firmly in the hands of the people being filmed. This power
>>>>>> can =20=
>
>>>>>> come
>>>>>> through the presence of the camera, through verbal
>>>>>> interaction, or
>>>>>> anything else.
>>>>>>
>>>>>> I'm most interested in those cases which would make the =20
>>>>>> audience feel
>>>>>> uneasy/queasy watching.
>>>>>>
>>>>>> suggestions?
>>>>>>
>>>>>> best!
>>>>>> shelly
>>>>>>
>>>>>>
>>>>>> _________________________________________________________________
>>>>>> _
>>>>>> For info on FrameWorks, contact Pip Chodorov at
>>>>>> <email suppressed>.
>>>>>>
>>>>>
>>>>>
>>>>> __________________________________________________________________
>>>>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>>>
>>>>
>>>> __________________________________________________________________
>>>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>>>
>>>
>>> __________________________________________________________________ =
>>> 20=
>
>>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>>
>>>
>>
>> __________________________________________________________________
>> =20
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>>
>> __________________________________________________________________
>> =20
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> --Apple-Mail-14--185755106
> Content-Transfer-Encoding: quoted-printable
> Content-Type: text/html; charset="ISO-8859-1"
>
> <html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode:
> space; =
> -webkit-line-break: after-white-space; ">
> Trinh T. Minh Ha's films, especially Reassemblage<div>Coco Fusco & =
> Paula Heredia's Couple in a Cage</div><div>Ted Passon's Red Bugs
> (which =
> is a great little study in failed ethnographic =
> encounters)</div><div><br></div><div>and=A0</div><div><br></
> div><div>so =
> many horror films</div><div><br></div><div>and that whole history of =
> surveillance films (The Conversation, Blow Out, Sliver, 1984, Enemy
> of =
> the State, The Truman Show, &c., &c. =
> &c.)</div><div><br></div><div>...</div><div>RB</
> div><div><br><div><div=
>> On Jan 9, 2009, at 12:50 PM, James Cole wrote:</div><br =
> class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Has
> anyone =
> mentioned Gunvor Nelson's Take Off?=A0 That seems pretty
> appropriate.=A0 =
> Hollis Frampton's Manual of Arms comes to mind, as well, especially
> with =
> Hout's little rebellion.=A0 I assume the person who recommended the =
> Kubelka meant Unsere afrikareise, because I'm not sure Arnulf Rainer =
> makes a whole lot of sense.<br> <br>If you've got the time, Yvonne =
> Rainer's films Journeys =46rom Berlin and Privilege both fit=A0 very =
> well, and are worth seeing.<br><br><div class=3D"gmail_quote">On
> Fri, =
> Jan 9, 2009 at 12:27 PM, Casey Pegram <span dir=3D"ltr"><<a =
> href=3D"mailto:email suppressed</a>></
> span> =
> wrote:<br> <blockquote class=3D"gmail_quote" style=3D"border-left:
> 1px =
> solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
> 1ex;"><div style=3D""><div>It's a theme that runs throughout a lot
> of =
> Michael Haneke's work: Code Unknown, Cach=E9, Benny's Video, Funny =
> Games, etc.</div> <div><br></div><div>Casey</div><div><div></
> div><div =
> class=3D"Wj3C7c"><br><div><div>On Jan 9, 2009, at 11:53 AM, Julie
> Perini =
> wrote:</div><br><blockquote type=3D"cite"><div =
> style=3D""><i>Symbiopsychotaxiplasm: Take One=A0</i>by William =
> Greaves<div> =
> <br></div><div>Julie</div><div><div><div><div><br></div><div><br></
> div><di=
> v>On Jan 9, 2009, at 8:15 AM, Adam Hyman wrote:</div><br><blockquote =
> type=3D"cite"><div style=3D"margin: 0px;">Arnulf Rainer by =
> Kubelka</div><div style=3D"margin: 0px; min-height: 14px;"> =
> <br></div><div style=3D"margin: 0px; min-height: 14px;"><br></
> div><div =
> style=3D"margin: 0px;">On 1/9/09 7:30 AM, "Gene Youngblood" <<a =
> href=3D"mailto:email suppressed" =
> target=3D"_blank">email suppressed</a>> wrote:</div> <div =
> style=3D"margin: 0px; min-height: 14px;"><br></div> <blockquote =
> type=3D"cite"><div style=3D"margin: 0px;">Donigan Cumming</div><div =
> style=3D"margin: 0px;">Kuchar diaries</div><div style=3D"margin: =
> 0px;">Coming Apart (Rip Torn)</div> <div style=3D"margin: 0px;">The =
> Continuing Story of Carel and Ferd</div><div style=3D"margin: =
> 0px;">Double Blind, Sophie Calle</div><div style=3D"margin: =
> 0px;">Portrait of Jason, Shirley Clarke</div><div style=3D"margin: =
> 0px;">The Amateurist, Miranda July</div> <div style=3D"margin:
> 0px;">Der =
> Reise, Michael Klier</div><div style=3D"margin: 0px;">One Eyed Bum,
> Andy =
> Mann</div><div style=3D"margin: 0px;">numerous Warhol</div><div =
> style=3D"margin: 0px; min-height: 14px;"><br></div><div
> style=3D"margin: =
> 0px; min-height: 14px;"> <br></div><div style=3D"margin: 0px;">----- =
> Original Message -----</div><div style=3D"margin: 0px;">From:
> "Shelly =
> Silver" <<a href=3D"mailto:email suppressed" =
> target=3D"_blank">email suppressed</a>></div> <div
> style=3D"margin:=
> 0px;">To: <<a href=3D"mailto:email suppressed" =
> target=3D"_blank">email suppressed</a>></div><div =
> style=3D"margin: 0px;">Sent: Friday, January 09, 2009 7:48 AM</
> div><div =
> style=3D"margin: 0px;"> Subject: films/videos dealing with =
> power</div><div style=3D"margin: 0px; min-height: 14px;"><br></
> div><div =
> style=3D"margin: 0px; min-height: 14px;"><br></div> <blockquote =
> type=3D"cite"><div style=3D"margin: 0px;">dear all:</div><div =
> style=3D"margin: 0px;"> i'm putting together several classes that
> deal =
> with power - different</div><div style=3D"margin: 0px;">varieties of =
> power relations between those filmed and those doing the</div><div =
> style=3D"margin: 0px;">filming.<span>=A0 </span>this could be
> extreme =
> (or less extreme) interactions where</div> <div style=3D"margin: =
> 0px;">the filmmaker/cameraperson has power (most typical) or where =
> it's</div><div style=3D"margin: 0px;">firmly in the hands of the
> people =
> being filmed.<span>=A0 </span>This power can come</div><div =
> style=3D"margin: 0px;"> through the presence of the camera, through =
> verbal interaction, or</div><div style=3D"margin: 0px;">anything =
> else.</div><div style=3D"margin: 0px; min-height: 14px;"><br></
> div><div =
> style=3D"margin: 0px;">I'm most interested in those cases which
> would =
> make the audience feel</div> <div style=3D"margin: 0px;">uneasy/
> queasy =
> watching.</div><div style=3D"margin: 0px; min-height: =
> 14px;"><br></div><div style=3D"margin: 0px;">suggestions?</div><div =
> style=3D"margin: 0px; min-height: 14px;"><br></div><div
> style=3D"margin: =
> 0px;"> best!</div><div style=3D"margin: 0px;">shelly</div><div =
> style=3D"margin: 0px; min-height: 14px;"><br></div><div
> style=3D"margin: =
> 0px; min-height: 14px;"><br></div><div style=3D"margin: =
> 0px;">________________________________________________________________
> __</=
> div> <div style=3D"margin: 0px;">For info on FrameWorks, contact Pip =
> Chodorov at <<a href=3D"mailto:email suppressed" =
> target=3D"_blank">email suppressed</a>>.</div><div style=3D"margin:
> 0px; =
> min-height: 14px;"><br></div> </blockquote> <div style=3D"margin:
> 0px; =
> min-height: 14px;"><br></div><div style=3D"margin: 0px; min-height: =
> 14px;"><br></div><div style=3D"margin: =
> 0px;">________________________________________________________________
> __</=
> div><div style=3D"margin: 0px;"> For info on FrameWorks, contact Pip =
> Chodorov at <<a href=3D"mailto:email suppressed" =
> target=3D"_blank">email suppressed</a>>.</div> </blockquote><div =
> style=3D"margin: 0px; min-height: 14px;"><br></div><div
> style=3D"margin: =
> 0px; min-height: 14px;"> <br></div><div style=3D"margin: =
> 0px;">________________________________________________________________
> __</=
> div><div style=3D"margin: 0px;">For info on FrameWorks, contact Pip =
> Chodorov at <<a href=3D"mailto:email suppressed" =
> target=3D"_blank">email suppressed</a>>.</div> <div style=3D"margin:
> 0px; =
> min-height: 14px;"><br></div> =
> </blockquote></div><br></div></div></div><p> =
> __________________________________________________________________
> For =
> info on FrameWorks, contact Pip Chodorov at <<a =
> href=3D"mailto:email suppressed</
> a>>. =
> </p> <div><br></div></blockquote></div><br></div></div></div><p> =
> __________________________________________________________________
> For =
> info on FrameWorks, contact Pip Chodorov at <<a =
> href=3D"mailto:email suppressed</
> a>>. =
> </p><div> <br =
> class=3D"khtml-block-placeholder"></div></blockquote></div><br><p> =
> __________________________________________________________________
> For =
> info on FrameWorks, contact Pip Chodorov at <<a =
> href=3D"mailto:email suppressed</a>>. </p><div><br =
> class=3D"khtml-block-placeholder"></div></blockquote></div><br></
> div></bod=
> y></html>=
> <p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
> <p>
>
> --Apple-Mail-14--185755106--
>
> ------------------------------
>
> End of FRAMEWORKS Digest - 9 Jan 2009 - Special issue (#2009-23)
> ****************************************************************
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.