films re: Power

From: Deborah Stratman (email suppressed)
Date: Fri Jan 09 2009 - 21:47:22 PST

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more films re: Power

Jean Marie Straub & Daniele Huillet - nearly any of their films!
Tom Palazzolo's - "Love It/Leave It"
Julie Zando's - "Let's Play Prisoners"
Annik Leroy's - "Cell 719"
Jon Jost - many of his films... "Speaking Directly", "Sure Fire", "Plain
Talk...", "Last Chants..."
Tran T. Kim Trang - "Ocularis"
Richard Serra - "Television Delivers People"
Vito Acconci - "Pryings", "Undertone"... many others
Greta Snider - "Mute"
Dominic Angerame - "Anaconda Targets"
BIT - "BIT Plane"
Bruce Conner - "Report" and "Crossroads"
Jackie Goss - "Stranger Comes to Town"
Paul Sharitz - most of his 16mm films...
Hollis Frampton - "Critical Mass"

On 1/9/09 7:18 PM, "FRAMEWORKS automatic digest system"
<email suppressed> wrote:

> There are 3 messages totalling 557 lines in this issue.
>
> Topics in this special issue:
>
> 1. film/videos dealing with power
> 2. films dealing with power
> 3. films/videos dealing with power
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> ----------------------------------------------------------------------
>
> Date: Sat, 10 Jan 2009 10:43:45 +1100
> From: Jack Sargeant <email suppressed>
> Subject: Re: film/videos dealing with power
>
> also all those films like CANNIBAL HOLOCAUST where the film is 'found
> footage' of a 'documentary' that went wrong (if memory serves)
>
>
> On 10 Jan 2009, at 04:01, Jeanne LIOTTA wrote:
>
>> Has anyone mentioned Yoko Ono's RAPE?
>> How about the feature MAN BITES DOG?
>>
>>
>>
>>
>>
>>
>> www.jeanneliotta.net
>> www.youtube.com/zerojeanli
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Sat, 10 Jan 2009 00:20:11 +0000
> From: Rory Brosius <email suppressed>
> Subject: films dealing with power
>
> --_d54aead2-3fc1-4c85-b666-5db21ed6e9ad_
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> Content-Transfer-Encoding: quoted-printable
>
>
> Hi all=2C
>
> Not too sure if this measures up to your requirements or
> if anyone has mentioned it yet=2C but...
>
> Tom Palazzolo's "Jerry's" (1974) is
> an interesting portrait of both a man who exerts complete control over
> his environment=2C but has also allowed a film to be made about him.=20
> This allows him to push Palazzolo around=2C but also leaves Jerry at the
> whim of a filmmaker that has been referred to as the "fastest camera in
> the Midwest". (see Canyon Cinema as they have a copy).
>
> Jem
> Cohen's "Chain" (2004)=2C is a narrative posing as a documentary and like m=
> any of Cohen's works addresses the
> homogenization of regional character in our "modern world". Cohen also foc=
> uses on the more open implementation of national security in the United Sta=
> tes. This project is seemless=2C but was shot over seven years in over ele=
> ven states.
>
> Deborah
> Stratman's "In Order Not To Be Here" (2002)=2C I think would also add an
> interesting perspective on the power of implied safety via technology
> and surveillance. She refers to this work as "a new genre of horror
> film" and I would most certainly agree with her.
>
> Obviously=2C John Waters' "Pink
> Flamingos" (1972)=2C may also bring that much needed uneasiness that you
> seek with the ever so sensational "Divine" filling every frame with
> the brutal destruction of "acceptable" social behavior.
>
> And=2C in
> the realm of "very narrative" I know it seems not worthy of a mention
> but I think "The Blair Witch Project" (1999)=2C could very much fit this
> profile as the characters become their P.O.V. via a 16mm Arri=2C a
> Handicam=2C and a DAT recorder. Cheesy=2C but possibly worth a look.
>
>
> Not sure if this helps=2C but I thought I'd chime in all the same.
>
> Cheers=2C
> Rory Brosius=
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> --_d54aead2-3fc1-4c85-b666-5db21ed6e9ad_
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> Content-Transfer-Encoding: quoted-printable
>
> <html>
> <head>
> <style>
> .hmmessage P
> {
> margin:0px=3B
> padding:0px
> }
> body.hmmessage
> {
> font-size: 10pt=3B
> font-family:Verdana
> }
> </style>
> </head>
> <body class=3D'hmmessage'>
> Hi all=2C Not too sure if this measures up to your requirements or
> if anyone has mentioned it yet=2C but... Tom Palazzolo's "Jerry's" (=
> 1974) is
> an interesting portrait of both a man who exerts complete control over
> his environment=2C but has also allowed a film to be made about him.&nbsp=
> =3B
> This allows him to push Palazzolo around=2C but also leaves Jerry at the
> whim of a filmmaker that has been referred to as the "fastest camera in
> the Midwest". (see Canyon Cinema as they have a copy). Jem
> Cohen's "Chain" (2004)=2C is a narrative posing as a documentary and like m=
> any of Cohen's works addresses the
> homogenization of regional character in our "modern world".&nbsp=3B Cohen a=
> lso focuses on the more open implementation of national security in the Uni=
> ted States.&nbsp=3B This project is seemless=2C but was shot over seven yea=
> rs in over eleven states. Deborah
> Stratman's "In Order Not To Be Here" (2002)=2C I think would also add an
> interesting perspective on the power of&nbsp=3B implied safety via technolo=
> gy
> and surveillance.&nbsp=3B She refers to this work as "a new genre of horror
> film" and I would most certainly agree with her. Obviously=2C John W=
> aters' "Pink
> Flamingos" (1972)=2C may also bring that much needed uneasiness that you
> seek with the ever so sensational "Divine" filling every&nbsp=3B frame with
> the brutal destruction of "acceptable" social behavior. And=2C in
> the realm of "very narrative" I know it seems not worthy of a mention
> but I think "The Blair Witch Project" (1999)=2C could very much fit this
> profile as the characters become their P.O.V. via a 16mm Arri=2C a
> Handicam=2C and a DAT recorder.&nbsp=3B Cheesy=2C but possibly worth a look=
> . Not sure if this helps=2C but I thought I'd chime in all the s=
> ame. Cheers=2C Rory Brosius</body>
> </html>=
> 
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
> 
>
> --_d54aead2-3fc1-4c85-b666-5db21ed6e9ad_--
>
> ------------------------------
>
> Date: Fri, 9 Jan 2009 20:18:12 -0500
> From: James Cole <email suppressed>
> Subject: Re: films/videos dealing with power
>
> ------=_Part_3719_33230673.1231550292998
> Content-Type: text/plain; charset=ISO-8859-1
> Content-Transfer-Encoding: 7bit
> Content-Disposition: inline
>
> For that matter, Richard Kern's "My Nightmare"
>
> On Fri, Jan 9, 2009 at 6:42 PM, Jack Sargeant <email suppressed> wrote:
>
>> RICHARD KERN: EVIL CAMERAMAN, which plays on the theme then reverses it.
>>
>>
>> On 10 Jan 2009, at 03:43, Bart Weiss wrote:
>>
>> water and power
>> On Jan 9, 2009, at 9:30 AM, Gene Youngblood wrote:
>>
>> Donigan Cumming
>> Kuchar diaries
>> Coming Apart (Rip Torn)
>> The Continuing Story of Carel and Ferd
>> Double Blind, Sophie Calle
>> Portrait of Jason, Shirley Clarke
>> The Amateurist, Miranda July
>> Der Reise, Michael Klier
>> One Eyed Bum, Andy Mann
>> numerous Warhol
>>
>>
>> ----- Original Message ----- From: "Shelly Silver" <
>> email suppressed>
>> To: <email suppressed>
>> Sent: Friday, January 09, 2009 7:48 AM
>> Subject: films/videos dealing with power
>>
>>
>> dear all:
>>
>> i'm putting together several classes that deal with power - different
>> varieties of power relations between those filmed and those doing the
>> filming. this could be extreme (or less extreme) interactions where the
>> filmmaker/cameraperson has power (most typical) or where it's firmly in the
>> hands of the people being filmed. This power can come through the presence
>> of the camera, through verbal interaction, or anything else.
>>
>> I'm most interested in those cases which would make the audience feel
>> uneasy/queasy watching.
>>
>> suggestions?
>>
>> best!
>>
>> shelly
>>
>> __________________________________________________________________
>>
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>> *B**a**rt **Weiss** *<01.jpg>*
>>
>>
>>
>> ** Better Living Through** **V**ideo***
>> *
>> **http://web.mac.com/bartweiss/iWeb/Site/Welcome.html*
>> tweiss/iWeb/Site/Welcome.html>
>> **
>> *
>> *
>> *president/**video association of dallas***
>> *director/**dallas video festival***
>> *Associate Professor/U**niversity of Texas at Arlington***
>> *producer/**frame of mind** **(KERA TV)***
>> *artistic director/** **3 stars cinema***
>> *
>> *
>> *home** **address *
>> *1405 Woodlawn Ave.Dallas Texas 75208.***
>> *voice 214 948 7300***
>> *email** **email suppressed>**
>> *www.videofest.org* <http://www.videofest.org>* ** for video fest info** *
>> aim: videofest
>>
>>
>> __________________________________________________________________ For info
>> on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>> __________________________________________________________________ For info
>> on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> ------=_Part_3719_33230673.1231550292998
> Content-Type: text/html; charset=ISO-8859-1
> Content-Transfer-Encoding: quoted-printable
> Content-Disposition: inline
>
> For that matter, Richard Kern's "My Nightmare" <div cl=
> ass=3D"gmail_quote">On Fri, Jan 9, 2009 at 6:42 PM, Jack Sargeant =3D"ltr"><<a href=3D"mailto:email suppressed</a>>=
> wrote: 
> <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
> 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"">
> RICHARD KERN: EVIL CAMERAMAN, which plays on the theme then reverses it.<di=
> v> </div><div> </div><div> <div><div><div></div><div class=3D"Wj3C=
> 7c"><div>On 10 Jan 2009, at 03:43, Bart Weiss wrote:</div> </div></div>
> <blockquote type=3D"cite"><div><div></div><div class=3D"Wj3C7c">water and p=
> ower  <div><div>On Jan 9, 2009, at 9:30 AM, Gene Youngblood wrote:<=
> /div> <blockquote type=3D"cite"><div>Donigan Cumming Kuchar diaries<b=
> r>Coming Apart (Rip Torn) 
> The Continuing Story of Carel and Ferd Double Blind, Sophie Calle Por=
> trait of Jason, Shirley Clarke The Amateurist, Miranda July Der Reise=
> , Michael Klier One Eyed Bum, Andy Mann numerous Warhol 
> ----- Original Message ----- From: "Shelly Silver" <<a href=3D=
> "mailto:email suppressed<=
> /a>> To: <<a href=3D"mailto:email suppressed" target=3D=
> "_blank">email suppressed</a>> 
> Sent: Friday, January 09, 2009 7:48 AM Subject: films/videos dealing wit=
> h power <blockquote type=3D"cite">dear all: </blockquote><blo=
> ckquote type=3D"cite">i'm putting together several classes that deal wi=
> th power - different varieties of power relations between those filmed and =
> those doing the filming.  this could be extreme (or less extreme) inte=
> ractions where the filmmaker/cameraperson has power (most typical) or where=
> it's firmly in the hands of the people being filmed.  This power =
> can come through the presence of the camera, through verbal interaction, or=
> anything else. 
> </blockquote><blockquote type=3D"cite">I'm most interested in those cas=
> es which would make the audience feel uneasy/queasy watching. </blockquo=
> te><blockquote type=3D"cite">suggestions? </blockquote><blockquote type=
> =3D"cite">
> best! </blockquote><blockquote type=3D"cite">shelly </blockquote><blo=
> ckquote type=3D"cite">_____________________________________________________=
> _____________ </blockquote><blockquote type=3D"cite">For info on FrameWo=
> rks, contact Pip Chodorov at <<a href=3D"mailto:email suppressed" target=
> =3D"_blank">email suppressed</a>>. 
> </blockquote><blockquote type=3D"cite"> </blockquote> ___________=
> _______________________________________________________ For info on Fram=
> eWorks, contact Pip Chodorov at <<a href=3D"mailto:email suppressed" targ=
> et=3D"_blank">email suppressed</a>>. 
> </div></blockquote></div> </div></div><div> se: separate; color: rgb(255, 0, 128); font-family: Helvetica; font-size: 1=
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> <div> ;">  =
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> artweiss/iWeb/Site/Welcome.html" target=3D"_blank"> Narrow'">http://w=
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> ont> l Black'"></div>
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> <div> =3D"'Arial Narrow'">director/ olor=3D"#0000ff"> r: rgb(0, 0, 255);"> olor: rgb(0, 0, 255);"><b=
>> dallas video festival</sp=
> an> style=3D"font-size: 11px;">=
> </div>
> <div><=
> span style=3D"color: rgb(0, 0, 255);"> "> nt-size: 11px;">Associate Pro=
> fessor/=
> U=
> e=3D"'Arial Narrow'">niversity of Texas at Arlington</sp=
> an> =3D"'Arial Narrow'"></div>
> <div> =3D"'Arial Narrow'">producer/ olor=3D"#0000ff"> r: rgb(0, 0, 255);"> olor: rgb(0, 0, 255);"><b=
>> frame of mind</fon=
> t> 'Arial Narrow'"> </span=
>> x;">(KERA TV)</f=
> ont> ;Arial Narrow'"></div>
> <div><=
> span style=3D"color: rgb(0, 0, 255);"> "> nt-size: 11px;">artistic director/=
> <s=
> pan> ;Arial Narrow'"> =
> 3=
> stars cinema tyle=3D"font-size: 11px;"><=
> /b></div>
> <div> ze: 11px;"> </div><div> 0ff"> ize: 11px;">home 0ff"> ize: 11px;">  #0000ff"> nt-size: 11px;">address '" size=3D"3"> =
> </div>
> <div> =3D"font-size: 11px;">1405 Woodlawn Ave.Dallas Texas 75208.</=
> b> ize: 11px;"></div>
> <div> size=3D"3">voice<fon=
> t face=3D"'Arial Narrow'" size=3D"3"> ;"> 214 948 7300 rial Narrow'" size=3D"3"></font=
>> </div>
> <div> size=3D"3">email=
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> deofest.org</a>=
> nt-size: 11px;"></div>
> <div><a href=3D"http://www.videofest.org" target=3D"_blank"> color: rgb(0, 0, 255);"> =3D"color: rgb(0, 0, 255);"> yle=3D"color: rgb(0, 0, 255);"><f=
> ont face=3D"'Arial Narrow'" size=3D"3"> px;">www.videofest.org=
> </a>=
>   ce=3D"'Arial Narrow'" size=3D"3">&=
> nbsp;for video fest info Narrow'" size=3D"3"> </fo=
> nt></div>
> aim: videofest </div></sp=
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> ss=3D"Ih2E3d">
> =
> </font=
>> ___________________________________________________________=
> _______ For info on FrameWorks, contact Pip Chodorov at <<a href=3D"mail=
> to:email suppressed</a>>. 
> <div> </div></div></blockquote></div> </div></div>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <<a href=3D"mailto:PipCh=
> email suppressed</a>>.
> 
> </blockquote></div> 
> 
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
> 
>
> ------=_Part_3719_33230673.1231550292998--
>
> ------------------------------
>
> End of FRAMEWORKS Digest - 9 Jan 2009 - Special issue (#2009-26)
> ****************************************************************
>

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

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