This week [January 10 - 18, 2009] in avant garde cinema

From: Weekly Listing (email suppressed)
Date: Sat Jan 10 2009 - 08:58:11 PST


This week [January 10 - 18, 2009] in avant garde cinema

To subscribe/unsubscribe to the weekly listing, send an
email to (address suppressed)-beam.net.

Enter your announcements (calls for entries, new work, screenings,
jobs, items for sale, etc.) at:

http://www.hi-beam.net/cgi-bin/ann.pl

NEW FILM/VIDEO: NON-FEATURE:
============================
"Keep the Home Fires Burning" by Ryan OToole
 http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=366.ann
"Southern Tier" by Jeff Hyland
 http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=367.ann

NEW CALLS FOR ENTRIES:
=====================
Cambridge International Super 8 Film festival (Cambridge, UK; Deadline: January 09, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=975.ann
Filmaka Lincoln Grammy Competition (Los Angeles,Ca USA; Deadline: January 02, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=976.ann
West Chester Film Festival (West Chester, PA, USA; Deadline: January 31, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=977.ann
Detroit Shorts Film Festival (Detroit, MI; Deadline: March 01, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=978.ann
Euganea Movie Movement 2009 (Monselice/Este - ITALY; Deadline: March 13, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=979.ann

DEADLINES APPROACHING:
======================
Experiments in Cinema V4.2 (Albuquerque, New Mexico, USA; Deadline: January 10, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=937.ann
Renderyard International Film Festival (London; Deadline: February 13, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=941.ann
Portland Documentary & eXperimental Film Festival (PDX FEST) (Portland, OR, USA; Deadline: January 23, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=944.ann
Main Line Film Festival (Wayne, PA, USA; Deadline: January 31, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=960.ann
Magmart | video under volcano (Naples, Italy; Deadline: January 15, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=961.ann
4th Annual Short Shorts Film Festival (Duluth, MN, USA; Deadline: February 13, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=964.ann
Hinterland Film Festival (Montague, MA; Deadline: January 31, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=966.ann
60x60 WHAT IF? (New England, USA; Deadline: January 15, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=968.ann
Lateral Movement: Art & the Moving Image (Adelaide, SA, Australia; Deadline: January 16, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=971.ann
The Virtual Memory Project (Philadelphia; Deadline: January 23, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=972.ann
West Chester Film Festival (West Chester, PA, USA; Deadline: January 31, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=977.ann

Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl

Also available online at Flicker: http://www.hi-beam.net

THIS WEEK'S PROGRAMS (SUMMARY):
==============================
 * The Artist and the Archives - Film Ist, Parts 1-12 [January 10, Los Angeles, California]
 * Brakhage With Brakhage: Marilyn Brakhage Introducing Films By Stan
    Brakhage. [January 11, Los Angeles, California]
 * Brakhage: Films From 1958–1962 [January 12, Chicago, Illinois]
 * Channeling: An Invocation of Spectral Bodies and Queer Spirits [January 12, Eugene, Oregon]
 * 17 Hours of Darkness (Reflections On This Place I Call Home) [January 13, Brooklyn, New York]
 * Curse and Blessing (Film and Filing Cabinet) [January 14, Brooklyn, New York]
 * Karkowski / Hinant & Lohle [January 14, Brussels, Belgium]
 * Avant-Garde Silent Films - "Berlin: Symphony of A City" [January 14, Los Angeles, California]
 * Entrance Strategies [January 15, San Francisco, California]
 * Convergence [January 15, Sheffield]
 * Channeling: An Invocation of Spectral Bodies and Queer Spirits [January 16, San Francisco, California]
 * The Artist and the Archives - "Phantom of the Operator" [January 17, Los Angeles, California]
 * Channeling: An Invocation of Spectral Bodies and Queer Spirits [January 17, Los Angeles, California]
 * Under A Shipwrecked Moon [January 17, San Francisco, California]
 * "Crawford" A Documentary Film By David Modigliani [January 18, Los Angeles, California]

Events are sorted by CITY within each DATE.

--------------------------
SATURDAY, JANUARY 10, 2009
--------------------------

1/10
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00 pm, Silent Movie Theatre, 611 N. Fairfax Ave.

 THE ARTIST AND THE ARCHIVES - FILM IST, PARTS 1-12
  Cinefamily and Los Angeles Filmforum present The Artist and The Archives
  - "Film Ist," parts 1-12 (Gustav Deutsch) Deutsch uses a set of
  industrial, scientific, educational and silent narrative films to
  explore the basic properties and abilities of cinema, providing twelve
  pithy and profound answers to the question, "What is Film?" While Film
  Ist 1-6 (1998) proposes the science laboratory as one birthplace of
  film, the more anthropological sections 7–12 (2002) focuses on variety;
  using tricks, humor and theatre, to trace a lineage back to the
  innovations of Georges Méliès. General admission $10; Filmforum and
  Cinefamily members free. http://www.silentmovietheatre.com and
  http://lafilmforum.wordpress.com. Parking across the street at Fairfax
  High School. Cinefamily: 323-655-2510

------------------------
SUNDAY, JANUARY 11, 2009
------------------------

1/11
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.

 BRAKHAGE WITH BRAKHAGE: MARILYN BRAKHAGE INTRODUCING FILMS BY STAN
 BRAKHAGE.
  Los Angeles Filmforum presents Brakhage with Brakhage: Marilyn Brakhage
  introducing Films by Stan Brakhage. Filmforum is delighted to open its
  2009 season with a marvelous program of films by the master avant-garde
  filmmaker Stan Brakhage, hosted by Marilyn Brakhage in her first
  appearance in Los Angeles. Films include The Machine of Eden (1970), "He
  was born. He suffered. He died" (1974), Burial Path (1978), Visions in
  Meditation #4 (1990), Boulder Blues and Pearls and…(1992), Persians 1-3
  (1999), Chinese Series (2003) General admission $10, students/seniors
  $6, free for Filmforum members. http://lafilmforum.wordpress.com. The
  Egyptian Theatre has a validation stamp for the Hollywood & Highland
  complex. Park 4 hours for $2 with validation.

------------------------
MONDAY, JANUARY 12, 2009
------------------------

1/12
Chicago, Illinois: Doc Films
http://docfilms.uchicago.edu
7:00, Ida Noyes Hall, 1212 E 59th St.

 BRAKHAGE: FILMS FROM 1958–1962
  Six of Brakhage's most influential and greatest films. ANTICIPATION OF
  THE NIGHT is a moving exploration of mortality within a world suffused
  with a tragic and indifferent beauty. WINDOW WATER BABY MOVING is at
  once a document of his daughter's birth and a testament to the
  generative powers of light and love. BLUE MOSES grapples with the
  conflicts between how the camera and the eye perceive. SIRIUS REMEMBERED
  is a loving and gruesome tribute to his beloved pet dog, left to decay
  over the course of three seasons. As Sirius rots, Brakhage never
  flinches. Also in program: THE DEAD, THIGH LINE LYRE TRIANGULAR. All
  films on 16mm. Admission: $5

1/12
Eugene, Oregon: DIVA Center
http://www.proscenia.net/diva/calendar.htm
7:30pm, 110 W Broadway

 CHANNELING: AN INVOCATION OF SPECTRAL BODIES AND QUEER SPIRITS
  CHANNELING: An Invocation of Spectral Bodies & Queer Spirits *a touring
  film and video program curated by Latham Zearfoss and Ethan White*
  CURATORS IN PERSON! CHANNELING is an entryway into the spirit realm and
  the queer body politic: a program of experimental moving image work that
  calls up the ghosts of the past and the specters of the future. The
  intent of the program is to re-imagine film and video as occult
  technologies that allow us to connect with the bodies, experiences, and
  emotions that are often invisible– ghostly, even–in everyday life. The
  works in the program take a personal approach in dealing with the
  political and historical problems that haunt the queer experience: the
  AIDS pandemic (Renwick, DiStefano), the body in transition
  (Montague),the idealized nuclear family (Pena, Robinson), and the narrow
  cultural standards of desirability (EMR, Moulton). CHANNELING presents
  emerging and established artists critically engaging with these concerns
  on their own campy, poetic, sexual,humorous, and even utopian terms,
  using a variety of aesthetic approaches such as digital video, homemade
  effects, saturated 8mm, home movies, animation, green screen, and more.
  Please visit http://channelingqueerspirits.wordpress.com for news, tour
  info, and more information about the artists and works included in the
  program. RUNNING ORDER: Vanessa Renwick - 9 is a Secret (2002, 6:00,
  video) Elliot Montague - Well Dressed (2006, 10:00, Super 8mm on video)
  Shana Moulton - Whispering Pines #7 (2006, 5:00, video) Michael Robinson
  - Carol Anne is Dead (2008, 7:30, video) EMR (Math Bass & Dylan Mira) -
  Somethings Gonna Soon (2008, 4:00, video) Aay Preston-Myint - Some
  Ghosts (2007, 2:00, video) Jillian Pena - Compromise (2005, 10:00,
  video) John Di Stefano - (tell me why): The Epistemology of Disco (1990,
  24:00, video) Total Running Time: ~68 min. $5-$10 Sliding Scale
  Admission

-------------------------
TUESDAY, JANUARY 13, 2009
-------------------------

1/13
Brooklyn, New York: Light Industry
http://www.lightindustry.org/
7:30pm, 55 33rd Street, 3rd Floor

 17 HOURS OF DARKNESS (REFLECTIONS ON THIS PLACE I CALL HOME)
  Curated by Christina Battle "17 hours of darkness (reflections on this
  place I call home)" brings together a collection of works by
  contemporary Canadian artists exploring the dark and nagging anxieties
  associated with the Canadian landscape. An investigation of my own
  obsession with Canada's natural climate, artists represented attempt to
  navigate the darkness that envelops our days for so many hours of the
  year. As we brace for another long winter I wonder how this obsession
  has shaped our collective memory and in turn impacts the Canadian
  experience...oh, and of course, there's some hockey in there too. - CB
  Work to be screened, accompanied by a handmade slideshow: 18,000 Dead in
  Gordon Head, Clive Holden, 35mm on DVD, 2003, 13 mins In the summer of
  1982, during a visit to the poet-filmmaker's hometown, he witnessed the
  murder of a teenage girl – killed by a sniper on a quiet, suburban
  street, in the middle of the afternoon. He returned a year later to lie
  with his camera on the spot where she died, and to roam the
  neighbourhood searching for footage. Taking Pictures, Scott Berry and
  Adam Segal, 16mm, 2007, 3 mins A hand-processed diary film about memory,
  family and loss told through snapshots and landscapes in and around
  Ontario. Music by Sam Phillips. Lake Ontario (in my head), Penny McCann,
  16mm, 2006, 5 mins A meditative look at a mutable and hypnotic horizon.
  Grainy Super 8 imagery, optically printed 16mm footage and an
  atmospheric soundtrack evoke the stillness of mind reached when standing
  before expansive sky and water. oil wells: sturgeon road & 97th street,
  Christina Battle, 16mm, 2002, 3 mins Highlighting the repetitive nature
  of oil wells in northern alberta, this hand processed film documents a
  sighting common to the canadian prairies. Wreck/Nation, John Price,
  16mm, 1998, 12 mins Wreck: I passed the wreck not long after crossing
  into Saskatchewan. Day 3, alone, driving west towards Vancouver. On the
  other side of the highway, a twisted mess of iron and steel. Rail cars
  like beached whales strewn arbitrarily in heaps rupturing the
  perspective symmetry of the endless prairie. At once an allusion to the
  fallibility of industrialization and modernity. I felt after it had
  flashed past the windscreen, that there were significations here that
  reached far deeper than this immediate literal interpretation. Half an
  hour after I had watched the image recede completely into the eastern
  horizon through my side view mirror, the memory of this apocalyptic
  tableaux - its darkly poetic irony - would compel me to turn back.
  Nation: A roll of film shot in Montreal at the 1995 rally against the
  secession of Quebec became the raw material for a candy coloured
  hand-processed meditation on the idea of "Nation." Mean, Clive Holden,
  35mm on DVD, 2006, 3 mins Mean is a diptych made from Super 8 film and
  old video footage. The pun of the title comes from the extra levels of
  "meaning" we attach to nation, religion, sports teams, and even to art
  genres like film and video. The hockey players were shot in Super 8 off
  a TV set and then subjected to cheap and crude "toy-like" effects -- the
  result seems to capture the tragicomic nature of hockey fights (and of
  artists arguing). With the fans, the favourite kind of hockey fight
  results in 100% domination, with the complete humiliation and
  psychological disintegration of the loser. Mean tries to dissolve and
  reconstitute this corrosive culture into a kind of uglybeauty. The
  diseased maple leaves were filmed beside Toronto's Don Valley Parkway,
  the lens focusing on the sky and the sun between the branches. This
  piece isn't really a film or video, it's "grain + noise." Défi des
  étoiles, Sara MacLean, 16mm, 2005, 11 mins Jan 29, 1991 "Ladies and
  Gentlemen: Would you please now rise for our Canadian troops in the
  Persian Gulf War...for our Gold Medal-winning team, and our Country?"
  Shoulders on a Map, Jason Britski, 16mm, 2004, 4 mins "An endless
  inventory of trees, snow, rocks and water rolls by onscreen in this
  experimental travelogue. Shoulders on a Map is a Super 8 homage to
  transportation, motion and the breathtaking landscape of the Canadian
  Rockies." - Ben Murray, Toronto International Film Festival Fore and
  Aft, Sara MacLean, 35mm on DVD, 2008, 6 mins Fore-and-Aft was created by
  the Bay of Fundy in Nova Scotia, Canada - site of the highest tides in
  the world. Images of the tides are married with celluloid that was
  buried in the sea bed, and dragged through the ocean behind a boat.
  Physically exposing film to the motion and light of the sea recorded
  tactile evidence of the repetition and changes wrought by tide cycles.
  Images of the Bluenose (the famous fore-and-aft rigged racing schooner
  from Nova Scotia whose likeness graces the Canadian ten cent coin) float
  ominously overtop of the tides, never coming into clear focus and
  instead dissolving into wet ink droplets and reforming - merging with
  and re-emerging from the sea. With a B.Sc. in Environmental Biology from
  the University of Alberta and an MFA from the San Francisco Art
  Institute, Christina currently lives and works in Toronto, Canada. Her
  artworks have been supported by the Liaison of Independent Filmmakers of
  Toronto (LIFT), the National Film Board of Canada, the Canada Council
  for the Arts, The Ontario Arts Council and the Toronto Arts Council, and
  have screened internationally in festivals and galleries including: The
  Images Festival (Toronto), The London Film Festival (London, England);
  The International Film Festival Rotterdam (The Netherlands); YYZ
  Artists' Outlet (Toronto); White Box (New York); The Foreman Art Gallery
  at Bishops University (Sherbrooke, QB); The city of Toronto's Nuit
  Blanche 2006 and in the 2006 Whitney Biennial: "Day for Night" (New
  York). Tickets - $7, available at door.

---------------------------
WEDNESDAY, JANUARY 14, 2009
---------------------------

1/14
Brooklyn, New York: Light Industry
http://www.lightindustry.org/
7:30pm, 55 33rd Street, 3rd Floor

 CURSE AND BLESSING (FILM AND FILING CABINET)
  Presented by Jem Cohen "Everything is included in the new conception of
  the newsreel. Into the jumble of life resolutely enter." - Dziga Vertov,
  "Kinoks, a Revolution" "...to that factory of film footage in which
  life, passing through the camera lens, does not vanish forever, leaving
  no trace, but does, on the contrary, leave a trace, precise and
  inimitable." - Dziga Vertov, "On Kinopravda" "Not a film, but a filing
  cabinet." - Dziga Vertov, the Diaries In my closets, cabinets, and
  storage rooms there are stacks of films. Some eventually become parts of
  finished projects, some were shown here and there in live music
  collaborations, some never make it beyond the apartment wall. An
  informal evening of mostly 16mm rarities and sketches; a few things
  never previously projected and at least one never previously seen, the
  journey more than the destination. - JC Subjects likely to include the
  following: The Federal Prison on 2nd Ave. Brooklyn (just a few blocks
  from Light Industry). The Eldridge Street Synagogue in disarray. Steel
  factory madness in the North of Spain. Italian Anatomy museum.
  Springtime in Gowanus. Followed by a conversation between Cohen and
  Michael Almereyda. Brooklyn-based Cohen has made over 35 films built
  from his own ongoing archive of street footage, portraits, and sound.
  His feature, CHAIN, premiered at the 2004 Berlin International Film
  Festival and in New York at the Museum of Modern Art and received an
  Independent Spirit Award. Most recently, Cohen collaborated with Patti
  Smith on a series of short films and installations at Fondation Cartier
  in Paris and directed a program of film with live music, Evening's Civil
  Twilight in Empires of Tin (with Vic Chesnutt, members of Silver Mount
  Zion, Fugazi's Guy Picciotto, T. Griffin and Catherine McRae). It will
  be released on dvd by Constellation Records. Cohen's other projects
  include: Benjamin Smoke, (co-directed with Peter Sillen), Instrument
  (Fugazi) and Lost Book Found. He has worked extensively with musicians,
  including Godspeed You Black Emperor!, the Ex, Terry Riley, Elliott
  Smith, Sparklehorse, R.E.M., Blonde Redhead, Stephen Vitiello, and the
  Orpheus Orchestra with Gil Shaham. Cohen's works have been broadcast by
  the BBC, PBS, ARTE, and the Sundance Channel, and are in the collections
  of the Museum of Modern Art, The Whitney, and Melbourne's Screen
  Gallery. Tickets - $7, available at door.

1/14
Brussels, Belgium: Bozar Cinema
http://www.bozar.be/activity.php?id=8647
8 PM, 23 Ravenstein st.

 KARKOWSKI / HINANT & LOHLE
  WED 14.01.2009 / 20:00 BOZAR / BRUSSELS [b]KARKOWSKI / HINANT &
  LOHLE[/b]
  [IMG]http://www.bozar.be/b3/userfiles/FY07-Torturing_Nurse_440302.jpg[/I
  MG] [b]ZBIGNIEW KARKOWSKI - live [i]Fuck You[/i] (Guy Marc Hinant &
  Dominique Lohlé, Belg, 2009, 100', english and chinese, french
  subtitles) - screening[/b] Important figure in the history of noise
  music, [b]Zbigniew Karkowski [/b]has studied with Xenakis, Messiaen,
  Boehmer and Boulez. He has worked with Blixa Bargeld (Einstürzende
  Neubauten), Merzbow, The Hafler Trio and Peter Rehberg. Karkowski is not
  interested in the traditional definition of music. In his opinion, all
  musical theory and systems as cultural concepts must be destroyed.
  [i]Fuck You[/i], the new film by [b]Guy-Marc Hinant and Dominique
  Lohlé[/b] (following their work on Luc Ferrari, Henri Pousseur, David
  Toop and Léo Kupper), is a portrait of Karkowski during a Chinese tour
  in 2006. [i]Fuck You [/i]is an immersion in the heart of the chinese
  underground music scene (Dickson Dee, Torturing Nurse, Sun Meng Jin,
  Wand Changcun, The Bamboo Lover) and sets up a clash between opposite
  visions on music. First screening. INFO:
  http://www.bozar.be/activity.php?id=8647 PALAIS DES BEAUX-ARTS | PALEIS
  VOOR SCHONE KUNSTEN | CENTRE FOR FINE ARTS - 23 rue Ravensteinstraat,
  1000 Bruxelles | Brussel | Brussels - http://www.bozar.be

1/14
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
8:00 pm, Silent Movie Theatre, 611 N. Fairfax Ave.

 AVANT-GARDE SILENT FILMS - "BERLIN: SYMPHONY OF A CITY"
  Cinefamily and Los Angeles Filmforum present Avant-Garde Silent Films -
  "Berlin: Symphony Of A City." Walter Ruttmann's classic 1927 film with
  live musical accompaniment. A vast, restless celebration of urban life
  in Weimar Germany, Ruttman's masterwork is perhaps the most poetic of
  the great "City Symphony" films. General admission $14; Filmforum and
  Cinefamily members $10. http://www.silentmovietheatre.com and
  http://lafilmforum.wordpress.com. Parking across the street at Fairfax
  High School. Cinefamily: 323-655-2510

--------------------------
THURSDAY, JANUARY 15, 2009
--------------------------

1/15
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
7:00 pm, 151 Third Street

 ENTRANCE STRATEGIES
  SFMOMA Phyllis Wattis Theater 7:00 p.m. In conjunction with "The Art of
  Participation: 1950 to Now", this selection of video shorts presents a
  range of documented interventions by contemporary artists and activists.
  From subtle gestures to provocative engagement, these often sly and
  humorous performances question the limits of public space and the
  reliability of the media. No corporate institution is safe from their
  critical lens. The selection includes works by Bernadette Corporation,
  Jeff Cain, Andrea Fraser, Aleksandra Mir, Melinda Stone and Igor Vamos,
  and The Yes Men. $10 general; $7 SFMOMA members, students, and seniors.
  Tickets are available at the museum (with no surcharge) or online.
  Organized by Melissa Pellico and Tanya Zimbardo, media arts, SFMOMA

1/15
Sheffield: Sheffield Hallam University
all day - end view 6-8pm, Sheffield Institute of Art and Design Gallery | Furnival Building | Sheffield Hallam University | 153 Arundel Street | Sheffield S1 2NU

 CONVERGENCE
  CONVERGENCE is an exhibition of works which approach and focus on a
  particular theme or subject through the moving and still image, silence
  and sound. All works have been created by Northern Media School BA & MA
  Film and Media Production, and BA Photography students from Sheffield
  Hallam University. Where: Sheffield Institute of Art and Design Gallery
  Furnival Building | Sheffield Hallam University | 153 Arundel Street |
  Sheffield S1 2NU | UK When: Tuesday 6th January 2009 - 16th January 2009
  - Mondays - Fridays 10-4pm End View: Thursday 15th January 2009 6–8pm -
  Please join course lecturers and students for an evening opening of the
  show with refreshments

------------------------
FRIDAY, JANUARY 16, 2009
------------------------

1/16
San Francisco, California: Artists Television Access
http://www.atasite.org/
8:00pm, 992 Valencia Street

 CHANNELING: AN INVOCATION OF SPECTRAL BODIES AND QUEER SPIRITS
  CHANNELING: An Invocation of Spectral Bodies & Queer Spirits *a touring
  film and video program curated by Latham Zearfoss and Ethan White*
  CURATORS IN PERSON! CHANNELING is an entryway into the spirit realm and
  the queer body politic: a program of experimental moving image work that
  calls up the ghosts of the past and the specters of the future. The
  intent of the program is to re-imagine film and video as occult
  technologies that allow us to connect with the bodies, experiences, and
  emotions that are often invisible– ghostly, even–in everyday life. The
  works in the program take a personal approach in dealing with the
  political and historical problems that haunt the queer experience: the
  AIDS pandemic (Renwick, DiStefano), the body in transition
  (Montague),the idealized nuclear family (Pena, Robinson), and the narrow
  cultural standards of desirability (EMR, Moulton). CHANNELING presents
  emerging and established artists critically engaging with these concerns
  on their own campy, poetic, sexual,humorous, and even utopian terms,
  using a variety of aesthetic approaches such as digital video, homemade
  effects, saturated 8mm, home movies, animation, green screen, and more.
  Please visit http://channelingqueerspirits.wordpress.com for news, tour
  info, and more information about the artists and works included in the
  program. RUNNING ORDER: Vanessa Renwick - 9 is a Secret (2002, 6:00,
  video) Elliot Montague - Well Dressed (2006, 10:00, Super 8mm on video)
  Shana Moulton - Whispering Pines #7 (2006, 5:00, video) Michael Robinson
  - Carol Anne is Dead (2008, 7:30, video) EMR (Math Bass & Dylan Mira) -
  Somethings Gonna Soon (2008, 4:00, video) Aay Preston-Myint - Some
  Ghosts (2007, 2:00, video) Jillian Pena - Compromise (2005, 10:00,
  video) John Di Stefano - (tell me why): The Epistemology of Disco (1990,
  24:00, video) Total Running Time: ~68 min. $6 Admission

--------------------------
SATURDAY, JANUARY 17, 2009
--------------------------

1/17
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30 pm, Silent Movie Theatre, 611 N. Fairfax Ave.

 THE ARTIST AND THE ARCHIVES - "PHANTOM OF THE OPERATOR"
  Cinefamily and Los Angeles Filmforum present The Artist and The Archives
  - Phantom of the Operator (Caroline Martel, 2004) Martel takes
  overlooked artifacts of cinema history—one hundred industrial,
  advertising and scientific management films produced in North America
  between 1903 and 1989—and turns them into a dreamlike montage
  documentary. She also resurrects from the past an arcane electronic
  musical instrument: the ondes Martenot, adding to the mood set by the
  voice of award-winning actor Pascale Montpetit. General admission $10;
  Filmforum and Cinefamily members free. http://www.silentmovietheatre.com
  and http://lafilmforum.wordpress.com. Parking across the street at
  Fairfax High School. Cinefamily: 323-655-2510

1/17
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8:00pm, 1200 N. Alvarado Street (@ Sunset Blvd)

 CHANNELING: AN INVOCATION OF SPECTRAL BODIES AND QUEER SPIRITS
  CHANNELING: An Invocation of Spectral Bodies & Queer Spirits *a touring
  film and video program curated by Latham Zearfoss and Ethan White*
  CURATORS IN PERSON! CHANNELING is an entryway into the spirit realm and
  the queer body politic: a program of experimental moving image work that
  calls up the ghosts of the past and the specters of the future. The
  intent of the program is to re-imagine film and video as occult
  technologies that allow us to connect with the bodies, experiences, and
  emotions that are often invisible– ghostly, even–in everyday life. The
  works in the program take a personal approach in dealing with the
  political and historical problems that haunt the queer experience: the
  AIDS pandemic (Renwick, DiStefano), the body in transition
  (Montague),the idealized nuclear family (Pena, Robinson), and the narrow
  cultural standards of desirability (EMR, Moulton). CHANNELING presents
  emerging and established artists critically engaging with these concerns
  on their own campy, poetic, sexual,humorous, and even utopian terms,
  using a variety of aesthetic approaches such as digital video, homemade
  effects, saturated 8mm, home movies, animation, green screen, and more.
  Please visit http://channelingqueerspirits.wordpress.com for news, tour
  info, and more information about the artists and works included in the
  program. RUNNING ORDER: Vanessa Renwick - 9 is a Secret (2002, 6:00,
  video) Elliot Montague - Well Dressed (2006, 10:00, Super 8mm on video)
  Shana Moulton - Whispering Pines #7 (2006, 5:00, video) Michael Robinson
  - Carol Anne is Dead (2008, 7:30, video) EMR (Math Bass & Dylan Mira) -
  Somethings Gonna Soon (2008, 4:00, video) Aay Preston-Myint - Some
  Ghosts (2007, 2:00, video) Jillian Pena - Compromise (2005, 10:00,
  video) John Di Stefano - (tell me why): The Epistemology of Disco (1990,
  24:00, video) Total Running Time: ~68 min. $5 Admission

1/17
San Francisco, California: Artists Television Access
http://www.atasite.org/
8pm, 992 valencia street

 UNDER A SHIPWRECKED MOON
  saturday, January 17, 2009. 8PM $6 UNDER A SHIPWRECKED MOON Directed by
  Antero Alli (in person) "...where "Under a Shipwrecked Moon" triumphs is
  Alli's extraordinary dream and hallucination sequences which take the
  imagination into new and daring realms that few artists could ever
  aspire to conceive..." -- PHIL HALL. FILMTHEAT.COM The power of a
  long-buried family secret is unleashed when the extreme rituals of a
  self-made shamanic punk rocker catapult him into the spirit realm in
  search of his father, a ship captain who drowned at sea. This ship
  captain's mother was a Finnish sorceress whose powers were passed onto
  the punk rocker grandson, powers that are tested when the grandfather
  unexpectedly collapses into a coma. His consciousness drifts though a
  series of dreams, memories and visions of his first love, the sorceress,
  who beckons him to join her in the Great Beyond in this surreal fable of
  true love, giant hedgehogs and the mystical depths of family bonds.
  Antero Alli (in petrson), Super-8 film &DV, 2003; 96 min. 2-minute
  teaser http://www.fractalvideo.com/HTML/UASMFV.html the movie site
  http://www.verticalpool.com/moon.html filmography
  http://www.verticalpool.com/filmography.html

------------------------
SUNDAY, JANUARY 18, 2009
------------------------

1/18
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.

 "CRAWFORD" A DOCUMENTARY FILM BY DAVID MODIGLIANI
  Los Angeles Filmforum presents "Crawford" A Documentary Film by David
  Modigliani – The Farewell Tour. "Crawford" (2008, 74 min) is an
  extraordinary documentary by first-time filmmaker David Modigliani,
  provides a unique perspective on the Bush presidency: through the eyes
  of the 705 residents of Crawford, Texas. General admission $10,
  students/seniors $6, free for Filmforum members.
  http://lafilmforum.wordpress.com. The Egyptian Theatre has a validation
  stamp for the Hollywood & Highland complex. Park 4 hours for $2 with
  validation.

Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl

The weekly listing is also available online at Flicker:
http://www.hi-beam.net

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.