From: Freya (email suppressed)
Date: Sun Jun 28 2009 - 10:23:21 PDT
It's the wave of the future I think! A pity we can't have some cute avatars on here. I think I'd like to have long purple hair on the Freya avatar. That's how I imagine her anyway. :)
The book would have been loads better if we could all have had pictures of our avatars in there.
love
Freya
--- On Sun, 6/28/09, Tony Conrad <email suppressed> wrote:
> From: Tony Conrad <email suppressed>
> Subject: Re: Frameworks as academic example
> To: email suppressed
> Date: Sunday, June 28, 2009, 4:57 PM
> This is so amusing to me! I guess
> it's time for me to unmask. I've been writing
> to Frameworks off and on for years as "tOny" -- Tony Conrad
> -- but in fact my
> real name is Lara Goodins. I make films under another name
> while studying at a
> community college in New Jersey.
>
>
>
>
>
> On Sun 06/28/09 11:26 AM , Cari Machet email suppressed
> sent:
> > interesting circularly
> > especially because he makes money off of the
> publication of
> > frameworks writing
> > and analysis
> > HE has a copyright of course
> > does the discussion go into open source?
> > cari machet
> > nyc 347-298-9818
> > AIM carismachet
> >
> > Skype carimachet - 646-652-6434
> > Syria +963-099 277 3243
> > Amman +962 077 636 9407
> > On Sun, Jun 28, 2009 at 10:46 AM, Chuck
> Kleinhans wrote:
> > In a short chapter in his new book Inherent Vice:
> Bootleg Histories
> > of Videotape and Copyrights (Duke U Press, 2009) Lucas
> Hilderbrand
> > uses a 2006 discussion thread on Frameworks to study
> differences in
> > understanding video copies. A Frameworker from
> Portugal asked about
> > getting copies of Peter Kubelka's work. David
> Tetzlaff defended
> > bootlegs and Fred Camper criticized them. Others
> joined in
> > including discussion of Ubuweb, etc.
> > The book considers analogue copying via videotape to
> discuss larger
> > issues about the use and perception of media.
> Hilderbrand is an
> > assistant professor at U of CA Irvine.
> > Frameworks does provide an ongoing archive of various
> arguments and
> > attitudes about experimental media and is interesting
> because so many
> > different people and forms are used in some of the
> perennial
> > discussions and issues. There's probably room for a
> more
> > pathological analysis of some "debates."
> > CHUCK KLEINHANS
> >
> __________________________________________________________________
> > For info on FrameWorks, contact Pip Chodorov at .
> >
> __________________________________________________________________
> > For info on FrameWorks, contact Pip Chodorov at .
> >
> >
> >
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.