From: Christopher May (email suppressed)
Date: Fri Sep 18 2009 - 01:21:48 PDT
They do exist.
On Thu, Sep 17, 2009 at 9:53 AM, Jorge Lorenzo Flores Garza <
email suppressed> wrote:
> mmm...The Return of Representation in Avant-Garde Film by Peter Gidal. I
> would hate him if he suddenly was in favor of representations!
>
> ------------------------------
> Date: Thu, 17 Sep 2009 16:28:46 +0200
> From: email suppressed
> Subject: Re: Forthcoming!
> To: email suppressed
>
>
> They're fake, of course... but some of them would make a really interesting
> read!
> Quoting Jonathan Walley <email suppressed>:
>
> > I think these are all invented. Either that or google is WAY behind.
> > EVERY title is co-authored, moreover by one film/video scholar and one
> > art scholar (Gidal and Foster, McEvilley and Rodowick). Each title
> > indicates the merging of two disciplines, usually film/video/media
> > studies and art history (hence the "from this...to that" or "this and
> > that" pattern to the titles). And I'm not sure I see Scott MacDonald
> > doing something on network theory...
> >
> > Still, I'd read any of these phantom books.
> >
> >
> > Jonathan Walley
> > Assistant Professor
> > Department of Cinema
> > Denison University
> > Granville, Ohio
> > email suppressed
> >
> >
> >
> > On Sep 16, 2009, at 10:43 PM, Bernard Roddy wrote:
> >
> >> The Return of Representation in Avant-Garde Film (BFI), by Peter
> >> Gidal and Hal Foster. A startling reconsideration of abstraction
> >> and politics.
> >>
> >> From Happening to Frame, by Benjamin H.D. Buchloh and Jane Blocker
> >> (Minnesota). Blocker subjects the critic to postmodernist feminist
> >> theory through recent avant-garde film.
> >>
> >> Performance, camcorder, text, by Robin Curtis and Raymond Bellour
> >> (some French publisher), with an introduction by Friedrich Kittler.
> >> A penetrating analysis of digital video sequences conceived as text.
> >>
> >> Paul McCarthy and the Stage, by Thomas McEvilley and D.N. Rodowick
> >> (Michigan). McCarthy's recent work is discussed in terms of
> >> Deleuzian film theory and Yves Klein.
> >>
> >> Reviving the Dead: Video art's appropriation of film history
> >> (Duke), by Jeffrey Skoller and Kobena Mercer. The text launches
> >> with a discussion of history and death in postcolonial theory.
> >>
> >> Liveness and Recent Artist's Performance Film (Routledge), by
> >> Philip Auslander and Catherine Elwes. Need I say more?
> >>
> >> From Cinema 16 to Network Theory (MIT), by Eugene Thacker and Scott
> >> MacDonald. Thacker brings his insights on network theory to the
> >> current scene in experimental film.
> >>
> >> Bernie
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >> __________________________________________________________________
> >> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
> >
> >
> > __________________________________________________________________
> > For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> Best regards,
>
> Marcos Ortega
> http://www.expcinema.com
> __________________________________________________________________ For info
> on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> ------------------------------
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> __________________________________________________________________ For info
> on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.