From: Bernard Roddy (email suppressed)
Date: Fri Sep 18 2009 - 13:10:09 PDT
Alas . . it made such sense.
--- On Fri, 9/18/09, Christopher May <email suppressed> wrote:
> From: Christopher May <email suppressed>
> Subject: Re: Forthcoming!
> To: email suppressed
> Date: Friday, September 18, 2009, 4:21 AM
> They do exist.
>
> On Thu, Sep 17, 2009 at 9:53 AM,
> Jorge Lorenzo Flores Garza <email suppressed>
> wrote:
>
>
>
>
>
>
> mmm...The Return of Representation in Avant-Garde Film by
> Peter Gidal. I would hate him if he suddenly was in favor
> of representations!
>
> Date: Thu, 17 Sep 2009 16:28:46 +0200
> From: email suppressed
>
> Subject: Re: Forthcoming!
> To: email suppressed
>
> They're fake, of course... but some of them would make
> a really interesting
> read!
>
> Quoting Jonathan Walley <email suppressed>:
>
>
>
> > I think these are all invented. Either that or google
> is WAY behind.
>
> > EVERY title is co-authored, moreover by one film/video
> scholar and one
>
> > art scholar (Gidal and Foster, McEvilley and
> Rodowick). Each title
>
> > indicates the merging of two disciplines, usually
> film/video/media
>
> > studies and art history (hence the "from
> this...to that" or
> "this and
>
> > that" pattern to the titles). And I'm not
> sure I see Scott
> MacDonald
>
> > doing something on network theory...
>
> >
>
> > Still, I'd read any of these phantom books.
>
> >
>
> >
>
> > Jonathan Walley
>
> > Assistant Professor
>
> > Department of Cinema
>
> > Denison University
>
> > Granville, Ohio
>
> > email suppressed
>
> >
>
> >
>
> >
>
> > On Sep 16, 2009, at 10:43 PM, Bernard Roddy wrote:
>
> >
>
> >> The Return of Representation in Avant-Garde Film
> (BFI), by Peter
>
> >> Gidal and Hal Foster. A startling
> reconsideration of abstraction
>
> >> and politics.
>
> >>
>
> >> From Happening to Frame, by Benjamin H.D. Buchloh
> and Jane Blocker
>
> >> (Minnesota). Blocker subjects the critic to
> postmodernist feminist
>
>
> >> theory through recent avant-garde film.
>
> >>
>
> >> Performance, camcorder, text, by Robin Curtis and
> Raymond Bellour
>
> >> (some French publisher), with an introduction by
> Friedrich Kittler.
>
>
> >> A penetrating analysis of digital video
> sequences conceived as
> text.
>
> >>
>
> >> Paul McCarthy and the Stage, by Thomas McEvilley
> and D.N. Rodowick
>
> >> (Michigan). McCarthy's recent work is
> discussed in terms of
>
> >> Deleuzian film theory and Yves Klein.
>
> >>
>
> >> Reviving the Dead: Video art's appropriation
> of film history
>
> >> (Duke), by Jeffrey Skoller and Kobena Mercer.
> The text launches
>
> >> with a discussion of history and death in
> postcolonial theory.
>
> >>
>
> >> Liveness and Recent Artist's Performance Film
> (Routledge), by
>
> >> Philip Auslander and Catherine Elwes. Need I say
> more?
>
> >>
>
> >> From Cinema 16 to Network Theory (MIT), by Eugene
> Thacker and Scott
>
>
> >> MacDonald. Thacker brings his insights on
> network theory to the
>
> >> current scene in experimental film.
>
> >>
>
> >> Bernie
>
> >>
>
> >>
>
> >>
>
> >>
>
> >>
>
> >>
>
> >>
>
> >>
>
> >>
>
> >>
>
> >>
>
> >>
>
> >>
> __________________________________________________________________
>
> >> For info on FrameWorks, contact Pip Chodorov at
> <email suppressed>.
>
> >
>
> >
>
> >
> __________________________________________________________________
>
> > For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>
>
> Best regards,
>
>
>
> Marcos Ortega
>
> http://www.expcinema.com
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>
> ¿Quieres un regalo de cumpleaños? Messenger te
> lo da
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at
> <email suppressed>.
>
>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.