From: BAENA DIAZ, FRANCISCO (email suppressed)
Date: Fri Oct 23 2009 - 02:29:03 PDT
Hi, Fred.
Thanks a lot.
The first one is a good example of i need it... but for previous chapter, i mean: for the foundation of clasical topology. In fact, we -because it's a collective work- analyse it.
The second don't. But i'll see it.
Any way what i would is something like this, but on "exposed cinema", that is, on cinema in museums (real examples: D'Est, by Chantal Akerman in Jeu de Paume; Voyage(s) en Utopie, by JL Godard in Pompidou; L'Île et Elle, by Agnès Varda in Cartier Foundation; Correspondencias, by Erice / Kiarostami in CCCB; works by Douglas Gordon, etc.) Naturally, it would be any invented installation, inside the movie.
Why dominant cinema? Well... they are the rules of the game.
Cheers,
FB
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De: Experimental Film Discussion List en nombre de Fred Camper
Enviado el: vie 23/10/2009 4:37
Para: email suppressed
Asunto: Re: how dominant cinema perform other cinemas
Quoting "BAENA DIAZ, FRANCISCO" <email suppressed>:
> So, what i need is a scene -a sequence- where any movie -from
> dominant cinema- perform the "exposed cinema".
An early example would be Buster Keaton's "Sherlock Jr." One later
one, Peter Bogdanovich's "Target," which involves a drive-in movie.
But I also have a question for you. Why must the film you study be
from "dominant cinema"?
Fred Camper
Chicago
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For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.