From: Gene Youngblood (email suppressed)
Date: Wed Oct 28 2009 - 10:55:20 PDT
Re: default silence versus intended silenceUnless history shows otherwise, I always assumed it was Brakhage. That is, having the option of a synchronous soundtrack and deliberately not using it. Bunuel did it in parts of L'age d'Or, and if we get into that there are probably numerous examples.
----- Original Message -----
From: Rob Gawthrop
To: email suppressed
Sent: Wednesday, October 28, 2009 11:32 AM
Subject: Re: default silence versus intended silence
Check out Rick Altman's "Silent Film Sound" though I doubt if it answers your questions about silence.
Rob
On 28/10/2009 16:58, "Myron Ort" <email suppressed> wrote:
It is often mentioned that "silent" films were meant to have live
performed sound tracks, organ, piano, orchestras, etc. Were any
early films actually meant to be shown truly silent by their
creators? What is known about this? Melies, Griffith, Eisenstein etc.
did they all prescribe music/sound for their film showings? If not,
what is the earliest known film truly meant to be shown
intentionally silent?
When, where, and how prevalent was it to show films in silence.
Obviously, as a film students for the most part we saw early silent
films without any soundtracks, live or otherwise. This was
widespread. How misleading was this typical experience? Now that I
recall, most all of the shows I attended in my youth at that little
movie theater across from my high school that showed Chaplin, Keaton,
etc. were always silent. I am thinking I was mislead......
default silence versus intended silence
Myron Ort
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__________________________________________________________________ For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.