From: Weekly Listing (email suppressed)
Date: Sun Nov 22 2009 - 08:20:27 PST
This week [November 21 - 29, 2009] in avant garde cinema
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NEW FILM/VIDEO: NON-FEATURE:
============================
"‘Southwark Park Tenement’" by David Anthony Sant
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=404.ann
"le haricot bleu" by pierre villemin
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=402.ann
"Elements of TIME" by David Montgomery
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=403.ann
NEW CALLS FOR ENTRIES:
=====================
29th Black Maria Film + Video Festival (Jersey City, NJ, USA; Deadline: December 10, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1074.ann
Toronto Student Film Festival (Toronto, Canada; Deadline: March 22, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1096.ann
Manipulated Image #12 @ the Santa Fe Complex In cooperation with VideoChannel NewMediaFest'2010: 10 Years [NewMediaArtProjectNetwork]:||cologne (Santa Fe, NM, USA; Deadline: December 21, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1097.ann
DEEP LEAP MICROCINEMA - SACRED GEOMETRIES (Portland, OR, USA; Deadline: November 29, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1098.ann
Boston Science Fiction Film Festival (Boston, MA, USA ; Deadline: December 21, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1099.ann
DEADLINES APPROACHING:
======================
One Minute Challenge (London; Deadline: November 30, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1046.ann
Go Short (Nijmegen, The Netherlands; Deadline: December 01, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1053.ann
12th Wisconsin Film Festival (Madison, WI, USA; Deadline: December 01, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1068.ann
29th Black Maria Film + Video Festival (Jersey City, NJ, USA; Deadline: December 10, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1074.ann
International film competition - "Intervideo Talent Award" (Mainz, Germany; Deadline: November 30, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1078.ann
Experiments in Cinema (Albuquerque, NM, USA; Deadline: December 10, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1083.ann
Cambridge International Super 8 Film Festival (Cambridge, United Kingdom; Deadline: December 26, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1087.ann
Free to Be..US! (Orono, ME, USA; Deadline: November 23, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1090.ann
$100 Film Festival (Calgary, AB CANADA; Deadline: December 01, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1091.ann
Manipulated Image #12 @ the Santa Fe Complex In cooperation with VideoChannel NewMediaFest'2010: 10 Years [NewMediaArtProjectNetwork]:||cologne (Santa Fe, NM, USA; Deadline: December 21, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1097.ann
DEEP LEAP MICROCINEMA - SACRED GEOMETRIES (Portland, OR, USA; Deadline: November 29, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1098.ann
Boston Science Fiction Film Festival (Boston, MA, USA ; Deadline: December 21, 2009)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1099.ann
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THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* The Search: New videos By Kyle Canterbury [November 21, Chicago, Illinois]
* Stan Brakhage Program [November 21, New York]
* Hollis Frampton's Hapax Legomena Pt. 2 [November 21, Philadelphia, Pennsylvania]
* Carousel Microcinema #1: Tree Claps Hand: Gentle Films For Tough Times [November 21, San Diego, California]
* Other Cinema: Alcatraz Anniversary [November 21, San Francisco, California]
* Yvonne Rainer: Journeys From Berlin/1971 [November 21, San Francisco, California]
* Tropical Vulture: Ybcalive! George Kuchar & Miguel Calderon [November 21, San Francisco, California]
* Ava Gardner Independent Film Festival [November 21, Smithfield, NC, USA]
* Los Angeles Filmforum Presents the Ann Arbor Film Festival Tour – Program
2 [November 22, Los Angeles, California]
* Black Zero [November 22, New York, New York]
* Text of Light [November 22, New York]
* Clair/Picabia/Bunuel Program [November 22, New York]
* Los Olvidados [November 22, New York]
* 'changes In the Contemporary City' [November 22, Rotterdam, the Netherlands]
* Yvonne Rainer: Privilege [November 22, San Francisco, California]
* Stephanie Maxwell visual Music [November 23, Seattle, Washington]
* La Calle - La Habitacion; Urban Research Selection [November 24, Freiburg i. Br.]
* 5-9 Site Specific Film and video Projections [November 24, Maidstone, Kent, UK]
* Symbiopsychotaxiplasm: Take One [November 24, Reading, Pennsylvania]
* Cinematheque Salon: Cinematheque Sing Along [November 24, San Francisco, California]
* Cronica D'una Mirada: Clandestine Filmmaking In Franco's Spain, 1960 –
1975 Part ii: Notes On Emigration [November 25, Philadelphia, Pennsylvania]
* Heiko Daxl and Ingeborg FüLep, Directors Lounge Screenings [November 26, Berlin, Germany]
* Robert Breer Program 1 [November 27, New York, New York]
* Robert Breer Program 2 [November 27, New York, New York]
* Altered States [November 28, Brussels, Belgium]
* James Broughton Program 1 [November 28, New York, New York]
* James Broughton Program 2 [November 28, New York, New York]
* L'age D'or [November 28, New York, New York]
* Short Film Show [November 28, Old Bridge N.J]
* Martinez: 'songs To Enemies & Deserts' [November 28, San Francisco, California]
* Ybcalive! George Kuchar & Miguel Calderon [November 28, San Francisco, California]
* Mono No Aware iii International Expanded Cinema Exhibition [November 29, Brooklyn, New York]
Events are sorted by CITY within each DATE.
---------------------------
SATURDAY, NOVEMBER 21, 2009
---------------------------
11/21
Chicago, Illinois: White Light Cinema
http://www.whitelightcinema.com
8:00pm, The Nightingale (1084 N. Milwaukee Ave.)
THE SEARCH: NEW VIDEOS BY KYLE CANTERBURY
For the past several years Kyle Canterbury has been quietly, in the
shadows, creating a stunning body of work. His videos are among the
richest expressions of cinema of the last several decades. His eye for
color and texture, rhythm and composition, rival many of the masters of
experimental film. But comparisons are facile - Canterbury is working
different terrain. He is rooting to the primal essence of the video
medium unlike anyone before. ***** In the last year or two, Canterbury
has moved from a more formal exploration of video specificity to
something less definable. His recent landscape works (for lack of a
better description) are ineffable, hauntingly beautiful pieces that
frequently operate at the margins of movement. Tiny, almost
imperceptible, gestures create micro-rhythms and call for an actively
engaged viewer. ***** Whether it is the Utah desert, a formal garden, or
the screen of a window, Canterbury is not so much concerned with what we
see as he is with how we see it. ***** Program: On the Ground (2008, 9
min, video); The Search (2008, 19 min, video); From Fragments (2009, 6
min, video); Screen (2009, 4 min, video); Chair (2009, 6 min, video);
January (2009, 11 min, video); Gardens (2009, 24 sec, video); Utah
(2009, 10 min, video); Garden (2009, 10 min, video). Program approx. 76
minutes. Admission: $7.00-10.00 sliding scale.
11/21
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:00 pm, 32 2nd Avenue
STAN BRAKHAGE PROGRAM
All films are silent. LOVING (1956, 4 minutes, 16mm) THE WEIR-FALCON
SAGA (1970, 29 minutes, 16mm) THE MACHINE OF EDEN (1970, 11 minutes,
16mm) SEXUAL MEDITATION #1: MOTEL (1970, 7 minutes, 16mm) DOOR (1971, 4
minutes, 16mm) SEXUAL MEDITATION: ROOM WITH A VIEW (1971, 4 minutes,
16mm) THE SHORES OF PHOS: A FABLE (1972, 10 minutes, 16mm) THE RIDDLE OF
LUMEN (1972, 14 minutes, 16mm) A selection from some of Brakhage's most
densely mysterious works. "Have you seen a falcon stoop / accurate,
unforeseen / and absolute, between / wind-ripples over harvest? Dead /
of what's to be, is and has been – / were we not better dead? / His
wings churn air / to flight. / Feathers slight / with sun, he rises
where / dazzle rebuts our stare, / wonder our fright." –Basil Bunting,
"The Spoils" Total running time: ca. 90 minutes.
11/21
Philadelphia, Pennsylvania: Film @ International House
http://www.ihousephilly.org/hollisframpton.htm
2pm, 3701 Chestnut Sreet
HOLLIS FRAMPTON’S HAPAX LEGOMENA PT. 2
Saturday, November 21 at 2pm Hapax Legomena Program 2 Introduced by
Rebecca Sheehan, The University of Pennsylvania and Haverford College
Hapax Legomena are, literally, 'things said once'. The scholarly jargon
refers to those words that occur only a single time in the entire oeuvre
of an author, or in a whole literature. – Hollis Frampton Hollis
Frampton – photographer, theoretician, philosopher and, above all,
filmmaker – is one of the towering figures of American avant-garde
cinema. Possessed of a frighteningly prodigious and wide-ranging
intellect, he was a voracious reader from childhood, and his films
abound with evidence of his fascination with linguistics, science,
mathematics and philosophy. Frampton was active as a filmmaker for only
a decade-and-a-half (his career cut tragically short by his death from
cancer in 1984). But in that brief time he created a breathtakingly
ambitious body of work, whose range and inventiveness are unsurpassed.
Frampton's seven-part Hapax Legomena is arguably his greatest completed
achievement. While its various parts can each stand alone, together they
form a complex and quasi-symphonic whole – an enigmatic structuralist
'autobiography', a series of investigations into the possibilities of
filmmaking, and a playful and dazzling encyclopedia of the cinema that
is perhaps the closest thing avant-garde film has to Bach's
"Well-Tempered Clavier". Puzzling, conceptually daring, and at times
disarmingly comic, Hapax Legomena is one of the pinnacles of
experimental film. Hapax Legomena was preserved through a major
cooperative effort funded by the National Film Preservation Foundation
and undertaken by the Museum of Modern Art, Anthology Film Archives, the
New York University Moving Image Archiving and Preservation Program and
Bill Brand, professor in the NYU program and project conservator.
Traveling Matte -Hapax Legomena IV dir. Hollis Frampton, US, 1971, 16mm,
34 mins b/w, silent Traveling Matte is the pivot upon which the whole of
Hapax Legomena turns. – Hollis Frampton This film metaphors an entire
human life: birth, sex, death – the framing device is the fingers and
palm of the maker's hand, wherein others only attempt to read the
future. – Stan Brakhage Ordinary Matter - Hapax Legomena V dir. Hollis
Frampton, US, 1972, 16mm, 36 mins, b/w A vision of a journey, during
which the eye of the mind drives headlong through Salisbury Cloister (a
monument to enclosure), Brooklyn Bridge (a monument to connection),
Stonehenge (a monument to the intercourse between consciousness and
LIGHT)… visiting along the way diverse meadows, barns, waters where I
now live; and ending in the remembered cornfields of my childhood. –
Hollis Frampton Remote Control - Hapax Legomena VI dir. Hollis Frampton,
US, 1972, 16mm, 29 mins, b/w "[In Remote Control], the images speed up
to the point where every successive frame is different from every
previous frame, so that if there is an image in it, it's a kind of inner
voice within the images, as sometimes music will have many voices that
can be written out on the paper, and then in the listening the real
shape of the music is to be found in the voice that is generated among
them… It was shot in a single evening, off the tube, right off the
ordinary TV set, in the course of an evening.– Hollis Frampton Special
Effects - Hapax Legomena VII dir. Hollis Frampton, US, 1972, 16mm, 11
mins, b/w I wanted to affirm and honor the film frame itself. Because so
much of what we know now, so much of our experience is something that
comes to us through that frame. It seems to be a kind of synonym for
what we are conscious of. I have only seen the pyramids of Egypt within
that frame. I have only seen – endless things – most of what I believe I
have experienced I have in fact seen at the movies. I've seen it inside
that frame. – Hollis Frampton Free admission IHouse members above
Internationalist level; $5 Internationalists; $6 students + seniors; $8
general admission. In advance at TICKETWEB or 1/2 hour before showtime
at The Ibrahim Theater Box Office.
11/21
San Diego, California: Carousel Microcinema San Diego
http://carouselmicrocinema.wordpress.com/
7:00pm, 2031 El Cajon Blvd., San Diego, CA 92104
CAROUSEL MICROCINEMA #1: TREE CLAPS HAND: GENTLE FILMS FOR TOUGH TIMES
The inaugural program for Carousel Microcinema has been set. The videos
and films in this program place the maker and the viewer in
confrontation with the natural world. Each artist of course has their
own peculiar approach towards the environments that receive their
cameras. Some are elemental, wild, and natural. Others emphasize the
clumsiness of human interventions upon the landscape. All of these
films, I think, share a certain tension between wonderment and
disassociation, romance and horror. These are generous, sensitive works
for these crass drylongso days we're living through. The best thing
about these pieces is that each artist knows when to step back and let
nature take its course. I look forward to writing more about them as the
screening date approaches. And I thank all of the film/videomakers for
their generous participation. –CAULEEN SMITH
11/21
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia St.
OTHER CINEMA: ALCATRAZ ANNIVERSARY
A daring episode in San Francisco history that turned the country upside
down: the occupation of Alcatraz Island by "Indians of All Tribes." In
the opening half, shorts by Ohlone makers, first-ever viewing of slides
from the Alcatraz Newsletter, and films about ancient villages, sacred
sites, and endangered species. After intermission, director James
Fortier introduces his inspirational Alcatraz Is Not an Island, a
stirring record of the epochal event, told with sharp-spoken verse,
superb cinematography, an incredible Native soundtrack, with major
appearances by John Trudell, and Richard Oakes. PLUS poetic pieces by
Ben Wood, Chris Kennedy, and Jesse Drew, representatives from the Int'l
Treaty Council, and a display of rare period posters.
11/21
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
7:30 pm, San Francisco Art Institute -- 800 Chestnut (between Jones and Leavenworth)
YVONNE RAINER: JOURNEYS FROM BERLIN/1971
Yvonne Rainer in-person -- Uncertain Relations: Yvonne Rainer in
Residence -- Presented in collaboration with the San Francisco Art
Institute Graduate Division, Spheres of Interest: Experiments in
Thinking & Action, the graduate lecture series, directed by Renée Green,
Dean of Graduate Studies. -- [members: $5 / non-members: $10 / SFAI
students & faculty: free] ----- The films of Yvonne Rainer confront the
personal implications of social and political issues with a keen wit,
inventive sensibility and uncompromising voice. Interweaving narrative
and non-narrative elements while challenging expectations of fact and
fiction, Rainer deconstructs cinematic conventions and creates
subversive filmic explorations that further the immediacy, corporeality
and emotional complexity of her dance and performance work. "Journeys
from Berlin/1971", Rainer's fourth feature, is a groundbreaking
exploration of the personal and political realms of psychiatry,
feminism, terrorism and power. Annette Michelson's psychoanalytic
sessions provide the framework for theoretical and visual
deconstructions -- and a new filmic choreography.
11/21
San Francisco, California: Yerba Buena Center for the Arts
http://www.ybca.org/tickets/production/view.aspx?id=9666
2-4pm, 701 Mission Street
TROPICAL VULTURE: YBCALIVE! GEORGE KUCHAR & MIGUEL CALDERON
Tropical Vulture is a cross-generational project which highlights the
artistic influences between Bay Area artist George Kuchar, a Bay Area
legend of independent filmmaking, and Mexican artist Miguel
Calderón. The exhibition features an experimental narrative video
titled Conversations with a Tropical Vulture. The exhibition features a
preview of the feature length film Conversations with a Tropical Vulture
which will premiere at YBCA in the Fall of 2010. The film, scripted by
both artists with Calderón as the director and Kuchar in the role
of lead actor, blends Hollywood glamour and drama with an all too
real-life approach, which creates and inspires a counterpoint of
unattainable desire against unbearable actuality. Shot on location in
Acapulco, the film utilizes a "low-fi" aesthetic and playful use of
non-professional actors. Photographs and sculptures related to this
commissioned project and earlier videos made by each artist will also be
on view including the US premiere of Calderón's latest video Best
Seller and the world premiere of Kuchar's Burrito Bay, a video diary
about the making of Tropical Vulture. While the artists are in residence
at YBCA, a series of artist talks are planned, moderated by both
Calderón and Kuchar, with Bay Area video and filmmakers. All
events free with gallery admission. Nov. 21: Sam Green Lecture, Gallery
3. As part of Miguel Caldéron and George Kuchar's Tropical Vulture
lecture series, join Academy Award nominated film maker Sam Green as he
lectures and performs several personal key moments—based in film and
visual and performance art that relate to influences within his own film
practice.
11/21
Smithfield, NC, USA: Ava Gardner Independent Film Festival
http://www.myspace.com/AvaGardnerFilmFestival
noonish till midnight, 109 South Third Street
AVA GARDNER INDEPENDENT FILM FESTIVAL
The Third Annual Ava Gardner Independent Film Festival celebrates Ava's
passion for the Arts with Independent Films, live music, parties, and so
much more. November 18-21, 2009
-------------------------
SUNDAY, NOVEMBER 22, 2009
-------------------------
11/22
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30 pm, Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas
LOS ANGELES FILMFORUM PRESENTS THE ANN ARBOR FILM FESTIVAL TOUR – PROGRAM
2
The Ann Arbor Film Festival is the original and longest running
independent film festival in the United States, recognized as a premiere
showcase for risk-taking, pioneering and art driven cinema. This program
explores themes of a changing globalized world through personal,
existential journeys and includes films from Paris, London, Winnipeg,
and the U.S. Films: "Cattle Call" (Mike Maryniuk & Matthew Rankin, 4
min); "Utopia, Part 3: The World's Largest Shopping Mall" (Sam Green &
Carrie Lozano, 12 min); "Quiero Ver" (Adele Horne; 6 min); "Skhizein"
(Jeremy Clapin, 14 min); "Retouches" (Georges Schwizgebel, 5 min); "Más
Se Perdió"( Stephen Connolly, 15 min); "Nora" (Alla Kovgan & David
Hinton, 35 min); "Blue Tide, Black Water" (Eve Gordon & Sam Hamilton, 10
min) General admission $10, students/seniors $6, free for Filmforum
members. The Egyptian Theatre has a validation stamp for the Hollywood &
Highland complex. Park 4 hours for $2 with validation.
11/22
New York, New York: Performa09, White Box and The Thing
6pm, White Box,
BLACK ZERO
by Aldo Tambellini and Group Center (1965/1968) featuring Aldo
Tambellini (projections), William Parker (music), Ben Morea (noise
machine), Maggie Clapis and the voice of Calvin C. Hernton (poet).
Organized and curated by Christoph Draeger, 2009. The critically
acclaimed "Black Zero" (1965-68) by Aldo Tambellini was one of the very
first multimedia performances. It will be re-staged in its original form
by the artist who created it, Aldo Tambellini. We are very pleased to
announce that the music for the piece will be improvised live by William
Parker (double bass), whom the Allmusic Guide calls Free Jazz's
pre-eminent bass player today. Aldo Tambellini wrote this synopsis for
"Black Zero" in 1965: "At present, BLACK ZERO keeps on changing and
growing with each presentation, just like the BLACK balloon which
appears in the performance agonizingly grows, expands and disappears. In
BLACK ZERO, you'll be inside of the black womb of the Space Era. And in
that womb, the Black UMBRA poet, Calvin C. Hernton, the famous
African-American poet will read his poems. The plastic gas-masked figure
floats like an astronaut under the expanding simultaneous motion of the
stars. The television monitors pulsate in their insane cosmic dance. One
day the light and the energy of the sun will become ice cold and the
enormous sun disc will become BLACK."
11/22
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:00 pm, 32 2nd Avenue
TEXT OF LIGHT
THE TEXT OF LIGHT by Stan Brakhage 1974, 67 minutes, 16mm, silent.
Brakhage's tour-de-force exploration of refracted light in an ashtray.
"All that is, is light." –Dun Scotus Erigena
11/22
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:30 pm, 32 2nd Avenue
CLAIR/PICABIA/BUNUEL PROGRAM
René Clair and Francis Picabia ENTR'ACTE (1924, 22 minutes, 35mm) A
masterpiece of Dada and a feat of cinema magic. Made as intermission
entertainment for the Ballet Suédois from an impromptu scene by Francis
Picabia. Luis Buñuel and Salvador Dalí UN CHIEN ANDALOU (1928, 22
minutes, 35mm) Twenty-two minutes of pure, scandalous dream-imagery, a
stream of images from which anything that could be given a rational
meaning was rigorously excluded. It's still the unsurpassed masterpiece
of the surrealist cinema. Luis Buñuel LAND WITHOUT BREAD / LAS HURDES:
TIERRA SIN PAN (1932, 28 minutes, 35mm. With English narration.) "A
documentary describing, matter-of-factly, a region of Spain so ravaged
by epidemic poverty that there our worst fantasies find their objective
correlative." –Raymond Durgnat Total running time: ca. 75 minutes. .
11/22
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
LOS OLVIDADOS
LOS OLVIDADOS by Luis Buñuel 1950, 88 minutes, 35mm. In Spanish with no
subtitles. English synopsis available. Buñuel's unsentimental view of
Mexico's poor, with equal parts of cruelty and surrealism. A sort of
sequel to LAND WITHOUT BREAD
11/22
Rotterdam, the Netherlands: SIR Cinema
http://www.sculptureinternationalrotterdam.nl
ongoing, Coolsingel 47
'CHANGES IN THE CONTEMPORARY CITY'
The programme includes works by Pawel Althamer, Pia Rőnicke, Esra
Ersen, Heidrun Holzfield and Manon de Boer. Curator of the film
programme: Jos van der Pol (artist , advisor SIR) in cooperation with
SIR. Opening hours: Tuesday � Friday: 17:00 � 20:00 /
Saturday and Sunday:ay: 12:00 � 18:00 Pawel Althamer, Brodnoo
2000, 2000 Video 5,52 minutes Brodno 2000 shows an event that actively
involved the local community in the artists' work, by requiring the
collaboration of the residents of the block of flats where he lives. The
result was a huge sign '2000' made out of windows lit up in the
appropriate order. Pia Rőnicke: Urban Fiction, 2003, 16 minutes
Urban Fiction transports us into a hypothetical world of architectural
discussion, which we have to imagine as an exchange of ideological
statements between Le Corbusier and Constant. The master and the pupil.
The purist and the humanist. Hard-core utopia and cutting-edge vision.
Iconic beauty and the beauty of social intercourse. Pia Rőnicke,
Outside the Living Room, 2000, 8 minutes Pia Rőnicke takes on the
role of the poetic urban planner to create a fictional vision of
reconciliation between nature and urbanism. Set to an emotive
soundtrack, the viewer takes a dream like journey through various
animated landscapes to encounter fictional and recognisable urban
cityscapes reconstructed to feature nature as the dominant force;
Manhattan skyscrapers are surrounded by dense forests, and Mies van der
Rohe's Lake Shore Drive Apartments are topped with rice fields. Esra
Ersen, Perfect/Growing Older (dis)gracefully, 2006, 22 minutes Ersen has
been struck by the radical transformation currently taking place in
Liverpool and the impact upon its inhabitants. Regeneration promises a
new identity for the city in the run-up to being European Capital of
Culture. Acting as a kind of urban planner, transferring her methods
from city to person, Ersen has performed a makeover on a long-standing
resident of Liverpool. Is it only the facade of a city that is
transformed, and does the inner core remain the same, just like in a
make-over? Heidrun Holzfeind, Corviale -II Serpento, 2001, 34 minutes
Corviale � II Serpento shows the contrast between the reality of
everyday life and the promises of modernist structures for a society.
The film focuses on the 9,500 inhabitants of Corviale, Rome, a 1-km long
housing complex, commissioned in 1972 by the Institute for Social
Housing to provide much-needed housing for the working class. Never
finished, the village is based on Le Corbusier's Unité d'Habitation of
Marseilles. Manon de Boer, Resonating Surface, 2005, 38 minutes
Resonating Surfaces is triptych of a city, a woman and a lifestyle. This
is the personal story of Rolnik, a Brazilian psychoanalyst currently
living in São Paulo, and encompasses the Brazilian dictatorship of the
sixties as well as the Parisian intellectual climate surrounding Deleuze
and Guattari in the seventies.
11/22
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
7:30 pm, San Francisco Art Institute -- 800 Chestnut (between Jones and Leavenworth)
YVONNE RAINER: PRIVILEGE
Yvonne Rainer in-person -- Uncertain Relations: Yvonne Rainer in
Residence -- Presented in collaboration with the San Francisco Art
Institute Graduate Division, Spheres of Interest: Experiments in
Thinking & Action, the graduate lecture series, directed by Renée Green,
Dean of Graduate Studies. -- [members: $5 / non-members: $10 / SFAI
students & faculty: free] ----- "Who else could spin hot flashes, Lenny
Bruce, Carmen Miranda and [Eldridge Cleaver's] Soul on Ice into such a
pungent brew?" (The Village Voice) ----- In "Privilege", Rainer takes on
the rarely explored subject of menopause and constructs a fascinating,
witty and complex social critique of empowerment and class while delving
into issues of age, sexuality and race. Rainer plays with narrative
conventions and simultaneously disrupts notions of continuity and
identity, weaving the emotional and fictive realms of melodrama,
documentary, text and archival imagery into a richly textured and
compelling work.
-------------------------
MONDAY, NOVEMBER 23, 2009
-------------------------
11/23
Seattle, Washington: Northwest Film Forum
http://www.nwfilmforum.org
8pm, 1515 12th Ave (at Pike)
STEPHANIE MAXWELL VISUAL MUSIC
DIRECTOR IN ATTENDANCE Co-Presented by Third Eye Cinema Stephanie
Maxwell Visual Music Stephanie Maxwell specializes in hand-painted
experimental abstract animation. After performing a variety of painting,
marking and engraving techniques directly onto 35mm film stock, Maxwell
re-photographs each frame of the film using a digital feed camera and
digital frame capture, sometimes employing additional manipulations such
as bending and twisting the film, layering film frames together, and
progressive alterations of the image during the frame by frame
re-photography. This screening will feature selections from Maxwell's
work from 1984 through her two newest works from 2008, as well as a
twelve-minute short documentary about Maxwell's filmmaking process, with
footage of the artist at work. www.nwfilmforum.org
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TUESDAY, NOVEMBER 24, 2009
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11/24
Freiburg i. Br.: Directors Lounge
http://www.richfilm.de/currentUpload/
19:30, Kommunales Kino Freiburg, Urachstr. 40, 79102 Freiburg im Breisgau
LA CALLE - LA HABITACION; URBAN RESEARCH SELECTION
La Calle – la Habitación -*°*- (The Street – the Habitat) -*°*- Urban
Research at Kommunales Kino Freiburg -*°*- The film program Urban
Research comprises works of artists who explore urbanity in contemporary
cities with experimental means. In recent times, a growing number of
contemporary artists have come forward with personal and challenging
views onto the changing urban environment. This selection of films
brings together films from the realm of Latin lingua, mainly Latin
America but also Portugal, Chicago and a Latin enclave in Vienna. The
artists' views reflect daily life and they "deturn" or shift perceptions
towards the less ordinary. Some settings appear more common than
expected – in certain ways, urban life has become internationally
similar and the artists request the audience to read subtleties and
notes in between lines. -*°*- In a report on the Red Cross in Mexico
City, the daily ambiguities between the middle class perspectives of Red
Cross operation volunteers, and the clean world of modern medicine on
one hand, and poverty and violence eruptions in the street on the other,
make visible the contradictions of the fragmented urban geography. Or,
the wildly growing building extensions of social housing projects, too
small in their layouts, aren't just adoringly depicted as informal
architecture but shown in all the contradictions between anarchy,
self-organization, daily life, internal conflicts and legal
insecurities. In other films, the gaze at windows of the neighborhood or
watching random encounters on the street reflect daily life and private
escapes; and the random encounters with abandoned magnetic tapes on the
street, or with the "spirit" of "super barrio" attempt to link pop
culture with the reality of vernacular life. One film asks "where is
Macondo" and finds that place not just in Gabriel Garcia Marquez'
imagination but in a barrio of Vienna (Austria) and in Avacataca
(Columbia). -*°*- Klaus W. Eisenlohr, artist and filmmaker in Berlin
received several grants such as "Cast & Cut" in Hannover 2004 and HIAP,
Helsinki 2006, and he organizes screenings and the Urban Research
program with Directors Lounge since 2005. Urban Research has been shown
internationally at cinemas in St. Petersburg, London, Freiburg,
Hannover, Berlin and Dordrecht. This program was selected and edited
with the support of Verena Grimm (Berlin/ Mexiko Stadt) and Fernando
Llanos (Mexiko). -*°*- | Tuesday 24 Nov, 19:30, presented by Klaus W.
Eisenlohr | -*°*- Artists: Fernando Llanos, Verena Grimm, José Matiella
+ Ivan Edeza, Jeremy Xido, Alejandro Loaera, Casilda Sánchez, Beatriz +
Carlos Matiella, Noëlle Georg, Hector Falcón, Paola Velasquez + Pilar
Ortiz -*°*- Links: www.directorslounge.net, www.koki-freiburg.de
11/24
Maidstone, Kent, UK: 5-9
www.5-9.org.uk
5pm - 9pm, Unit B9, The Powerhub, St. Peters Street, Maidstone, Kent, ME16 0ST
5-9 SITE SPECIFIC FILM AND VIDEO PROJECTIONS
5 – 9 is a show of new, site specific, film and video by Dominic de Vere
and Sebastian Edge, Stavros Gangos, Nicky Hamlyn, Conor Kelly and Cathy
Rogers. Most of the work has been made in the Powerhub, a former
commercial vehicles factory, situated by the river Medway in Maidstone
and close to Maidstone East railway station. All the work is designed to
be projected onto the windows of the gallery, and can be viewed from the
railway footbridge opposite, as well as from inside the building. This
exhibition results from a collaboration between staff and graduates of
the MA in Artists' Film Video and Photography at the University for the
Creative Arts, Maidstone. Private View and Film Night, Friday 27th
November 2009 Films showing from 7.30pm Free entrance / bar available.
Programme includes film projections of: Night Train Railings Da Capo:
Variations On A Train With Anna all by Guy Sherwin Opening the
Nineteenth Century: 1896 (3D) by Ken Jacobs Pro Agri by Nicky Hamlyn And
a selection of video and film from lecturers and students of UCA
Maidstone. Supported by the National Lottery through Arts Council
England, UCA Maidstone and FrancisKnight.
11/24
Reading, Pennsylvania: Berks Filmmakers, Inc
www.berksfilmmakers.org
7:30 pm, Albright College
SYMBIOPSYCHOTAXIPLASM: TAKE ONE
Symbiopsychotaxiplasm:Take One (1968, 70 min.) by WILLIAN GREAVES "In
1968, there were at best a handful of African-American directors working
in television and no African-Americans directing feature films. For an
African-American director to make a feature film, let alone one as
experimental as a film by Warhol or Godard, could not have been imagined
if Greaves hadn't gone out and done it…. On-screen the director
(Greaves) outlines the responsibilities of the crew. The film is being
shot by three 16mm cameras, each equipped with a zoom lens and a
magazine that holds eleven minutes of film, and all three synced, in the
clumsy technology of the day, to reel-to-reel sound recorders. One
cameraman, Greaves instructs, is to focus solely on the actors playing
the scene; another cameraman is to film the crew that is shooting the
scene; and the third is to include the actors and the crew, as well as
onlookers and anything interesting that's happening in the park.
(Sometimes Greaves himself wields a fourth camera.) ….
Symbiopsychotaxiplasm Take One invites endless speculation both from the
audience and from everyone on the screen….. Thanks to Greaves's lively,
innovative editing (involving some of the most surprising contrapuntal
double and triple split-screen images in the history of movies), the
film has the polyrhythmic elegance of its Miles Davis score. More than
mere background music, the score is the abstract model for the film's
improvisations on a theme and also an expressive element in its own
right."- Amy Taubin
11/24
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
7:00 pm, Make Out Room -- 3225 22nd St. (between Mission and Valencia)
CINEMATHEQUE SALON: CINEMATHEQUE SING ALONG
[members: free / non-members: $10] ----- To dispel the disparaging and
misguided claims that experimental work is little more than a territory
for tedious academic pursuits, this edition of the Cinematheque Salon
proves once-and-for-all that the avant-garde knows the importance of
whimsy. Anyone familiar with the films of Robert Nelson, Martha Colburn,
Morgan Fisher, Lawrence Jordan, Peggy Ahwesh, William T. Wiley and
others (including the fellow we'll be presenting one week later) knows
that humor is an integral element of many experimental works.
Cinematheque relocates the (un)usual action to one of the organization's
favorite watering holes and devotes this special program to the most
maligned of motion picture forms -- the karaoke video. Peripheral
Produce's PDX Film Festival and the Northwest Film Forum's Karaoke
Challenge have long championed these peculiar mini-masterpieces,
annually commissioning new works for their nefarious purposes. The
Cinematheque Sing Along will include pieces from these aforementioned
events as well as the premiere of several to-be-announced videos at this
one-time-only screening. Featuring videos by Bryan Boyce, Michael
Robinson, Kelly Sears, Mary Elizabeth Yarborough and many, many others.
----------------------------
WEDNESDAY, NOVEMBER 25, 2009
----------------------------
11/25
Philadelphia, Pennsylvania: Film @ International House Philadelphia
http://www.ihousephilly.org/cronicadunamirada.htm#emigration
7pm, 3701 Chestnut Street
CRONICA D'UNA MIRADA: CLANDESTINE FILMMAKING IN FRANCO'S SPAIN, 1960 –
1975 PART II: NOTES ON EMIGRATION
Cronica D'una Mirada: Clandestine Filmmaking in Franco's Spain, 1960 –
1975 Co-presented by the Department of Hispanic Studies and the Cinema
Studies Program at the University of Pennsylvania This six-part
documentary series focuses on a generation of independent filmmakers
whose innate unwillingness to conform required them to produce,
distribute and exhibit radical films during Francisco Franco's regime.
Shooting under the pretense of amateur filmmaking, they hid within
crowds of protesters, producing works that were often highly creative
and even experimental. In order to protect the identities of its
participants, many of these films had no credits. While this body of
work represents a margin of Spanish film history, it nevertheless
contains some of the most crucial, first-hand documents of the end of
the dictatorship, revealing problems of housing and social services,
immigration, the fate of political prisoners and restrictions on
expression and free speech. These films explore an era that fought for
freedom through cinema. Curated by Marta Sanchez and Manuel Barrios.
Special thanks to Bryan Cameron and Anna Cox of the Department of
Hispanic Studies at the University Of Pennsylvania and Charlotte Nitta
Cargni. And to Michael Solomon and Toni Esposito of the Department of
Romance Languages at Penn, for their extraordinary efforts in subtitling
the short films contained in the Cronica series. Wednesday, November 25
at 7pm Part II: Notes on Emigration dir. Manuel Barrios, Spain, 2004,
DVD, 44 mins, color & b/w, Spanish w/ English subtitles The motion
picture camera ceased to be innocent as more and more disquieting images
were captured through its lens, such as the river of people that where
ejected out of the train onto Franca station in Barcelona. These were
people trying to leave the poverty of the countryside behind but instead
ended up in city slums. Within Franco's regime, this was viewed merely
as the price of progress. For filmmakers at this point, it was not just
about trying to make the spectator think or be surprised by a curious
image, but about trying to mobilize people to stand up against
authority. followed by No se Admite Personal (Plaza de Urquinaona) dir.
Antoni Lucchetti, Spain, 1968, DVD, 15 mins, b/w, Spanish w/ English
subtitles Spain's rural population rose in the earliest hours to board
buses for the center of Barcelona where they waited for unscrupulous
employers to find them as cheap labor, without contracts, agreements or
social security. Field for Men (El Campo para el Hombre) dir. Helena
Lumbreras and Maria Lisa, Spain, DVD, 1974, 49 mins, b/w, Spanish w/
English subtitles Featuring two extremes of agricultural property in the
Galician and Andalusia regions and clearly critical of the living
conditions of the farmers, the film represents the work of the only
women directors making these clandestine movies. 52 Sundays (52
Domingos) dir. Llorenc Soler, Spain, 1967, DVD, 27 mins, b/w, Spanish w/
English subtitles With breathtaking expressiveness, eloquence and raw
and honest testimony about the world of bullfighting, this work
chronicles the misadventures of young people seeking better lives by
becoming matadors, the only way to break free of their social stratum.
52 Sundays is considered among the best films of the world of
bullfighting. Free admission members above Internationalist level; $5
Internationalists; $6 students + seniors; $8 general admission. In
advance at TICKETWEB or 1/2 hour before showtime at The Ibrahim Theater
Box Office.
---------------------------
THURSDAY, NOVEMBER 26, 2009
---------------------------
11/26
Berlin, Germany: Directors Lounge
http://www.richfilm.de/currentUpload/
21:00, Z-Bar, Bergstr. 2, Berlin-Mitte
HEIKO DAXL AND INGEBORG FüLEP, DIRECTORS LOUNGE SCREENINGS
Two Berlin artist present their single channel video work, curated by
Klaus W. Eisenlohr. -°*°- Programm: 01. Le Cinema - Le Train; 02.
Apeiron; 03. Euriental Colours; 04. Memory of Perception; 05. Avant
Garde Robe; 06. Immer nach Norden; 07. Health And Civilization; 08.
Tuned Graphics; 09. The Thin Line Between Fiction....; 10. Neither - I
see the sea; LINKS: http://www.directorslounge.net,
http://www.mediainmotion.de/
-------------------------
FRIDAY, NOVEMBER 27, 2009
-------------------------
11/27
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
ROBERT BREER PROGRAM 1
All prints are recent 16mm-to-35mm preservations! BLAZES (1961, 3
minutes, 35mm) 66 (1966, 5.5 minutes, 35mm) 69 (1969, 4.5 minutes, 35mm)
70 (1970, 5 minutes, 35mm) 77 (1970, 6.5 minutes, 35mm) FIST FIGHT
(1964, 9 minutes, 35mm) SWISS ARMY KNIFE WITH RAT AND PIGEON (1981, 6.5
minutes, 35mm) FUJI (1974, 9 minutes, 35mm) The happy, joyful, playful
abstractionist of the avant-garde. Early works and late masterpieces.
11/27
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:00 pm, 32 2nd Avenue
ROBERT BREER PROGRAM 2
All prints are recent 16mm-to-35mm preservations! UN MIRACLE (1954, 30
seconds, 35mm) Made with Pontus Hulten. RECREATION (1956, 1.5 minutes,
35mm) A MAN AND HIS DOG OUT FOR AIR (1957, 2 minutes, 35mm) JAMESTOWN
BALLOOS (1957, 6 minutes, 35mm) LE MOUVEMENT (1957, 14 minutes, 35mm)
EYEWASH (1959, 3 minutes, 35mm) EYEWASH (ALTERNATIVE VERSION) (1959, 3
minutes, 35mm) BANG (1986, 10 minutes, 35mm) Total running time: ca. 45
minutes
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SATURDAY, NOVEMBER 28, 2009
---------------------------
11/28
Brussels, Belgium: COURTisane
http://www.courtisane.be/
21h, Cimatics Festival, Les Brigittines
ALTERED STATES
With the digital invading every creative enterprise and form of
expression, pencils have become pixels, dreams have turned into data.
While cinema's obsession with the "holy grail" of photorealism has
generated a blizzard of visual extravaganzas aimed at a suspension of
the distinction between representation and simulation, a generation of
DIY bricoleurs use ubiquitious "tools of vizuality" (Kevin Kelly) to
explore alternative viewings and readings of the familiar. Through
processes of transference, translation and combination, they encode,
reveal or impose layers of information and deceive expectations about
visibility and availability. Poking the surfaces of various images,
sounds and symbols, their renderings create poetic, playful and often
melancholic environments that are both alien and familiar, questioning
our relation to images and our imagination. Screening video works by
Stephen Gray, Joseph Ernst, Chirstinn Whyte & Jake Messenger, Oliver
Laric, Max Hattler, David O'Reilly, Michael Robinson, Dave Griffiths,
Jonathon Kirk, Dietmar Offenhuber, Rebecca Baron & Doug Goodwin, Nicolas
Provost, Bernard Gigounon and Stewart Smith. Curated by Stoffel
Debuysere and Maria Palacios Cruz, in collaboration with Courtisane.
11/28
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:30 pm, 32 2nd Avenue
JAMES BROUGHTON PROGRAM 1
DREAMWOOD (1972, 45 minutes, 16mm) "A modern day spiritual odyssey in
which a man is mysteriously compelled to leave his home and embark on a
voyage to a strange, magical island…. Heroic in concept, subtle in
execution, [this] is a beautiful film by a true master of the medium."
–David Bienstock THE GOLDEN POSITIONS (1970, 32 minutes, 16mm) "A
lovely, poetic, humorous and crystal investigation of mankind standing,
sitting and lying down." –John Wasserman, SAN FRANCISCO CHRONICLE Total
running time: ca. 80 minutes
11/28
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:30 pm, 32 2nd Avenue
JAMES BROUGHTON PROGRAM 2
THE PLEASURE GARDEN (1953, 38 minutes, 35mm) THIS IS IT (1971, 10
minutes, 16mm) HIGH KUKUS (1974, 3 minutes, 16mm) Three films by an
American avant-garde film pioneer. His films are celebrations of the joy
of living. If there is such a thing as American Zen, Broughton is the
master of it. Total running time: ca. 55 minutes.
11/28
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:00 pm, 32 2nd Avenue
L'AGE D'OR
by Luis Buñuel and Salvador Dalí 1930, 73 minutes, 35mm. In French with
no subtitles; English synopsis available. Conventional attempts at plot
synopsis wither in the face of L'ÂGE D'OR. In Buñuel's words, "The story
is a sequence of moral and surrealist aesthetics. The sexual instinct
and the sense of death form the substance of the film. It is a romantic
film performed in full surrealistic frenzy."
11/28
Old Bridge N.J: Short Film Show
1:30, 1 Old Bridge Plaza
SHORT FILM SHOW
"Old Bridge Library Hosts Local Filmmakers"(Old Bridge, NJ) - The Old
Bridge Public Library will host a free screening of short movies by
local filmmakers on Saturday, November 28 at 1:30 p.m. This event is
free and open to the public and snacks will be provided. Among the
presenters:* Marla Cukor will present "The Mas...querade," neo-noir
thriller.* Jamal Hall will present "Strivin'" in which an inner city kid
has a dream and will have to overcome some life changing obstacles in
his own home.* Brian Jude will present "The Last Days of Frank Whyte," a
film about the perils of life on the street.The Old Bridge Library is
located at 1 Old Bridge Plaza at the intersection of Route 516 and
Cottrell Road in Old Bridge. For more information, please call (732)
721-5600 ext. 5033 or visit www.oldbridgelibrary.org.
11/28
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia St.
MARTINEZ: 'SONGS TO ENEMIES & DESERTS'
David Martinez returns from the Sahara to share the images and sounds
that he collected traveling through the Darfuri villages and
battlegrounds. Not only do we witness the rebels' history and
motivations, but we also enjoy the benefits of Martinez' broader
regional, continental, and global analysis, brought to bear on this
contemporary catastrophe. Co-billed is Gini Reticker's Pray the Devil
Back to Hell, chronicling the remarkable story of the courageous
Liberian women who came together to end a bloody civil war and bring
peace to their shattered country. PLUS the premiere of Sahar Al-Sawaf's
Um Abdullah, an artful animated piece about her Iraqi refugee family.
11/28
San Francisco, California: Yerba Buena Center for the Arts
http://www.ybca.org/tickets/production/view.aspx?id=9666
2-4pm, 701 Mission Street
YBCALIVE! GEORGE KUCHAR & MIGUEL CALDERON
A conversation with George Kuchar and screening of Secrets of the Shadow
World, a video based on the recently deceased ufologist, John Keel,
which features his theories about paranormal musings. The screening is a
tribute and a rare opportunity for those interested in this subject and
author to see and hear him expound his views on film.
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SUNDAY, NOVEMBER 29, 2009
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11/29
Brooklyn, New York: MONO NO AWARE
www.mononoawarefilm.com
5 PM - 11 PM SHARP, 47 Beaver Street
MONO NO AWARE III INTERNATIONAL EXPANDED CINEMA EXHIBITION
" MONO NO AWARE III " Date: Sunday, November 29th 2009 Time: 5:00pm -
11:00pm Location: Lumenhouse (47 Beaver Street) Cost: Free MONO NO AWARE
IS AN INTERNATIONAL EXHIBITION OF EXPANDED CINEMA PERFORMANCES. TAKING
ITS NAME FROM THE JAPANESE EXPRESSION MEANING "THE PATHOS OF THINGS".
THE CONCEPT IS TO PRESENT WORK WHICH IS EPHEMERAL IN NATURE WITH AN
EMPHASIS ON THE CINEMATIC EXPERIENCE. RECENT ADVANCEMENTS IN TECHNOLOGY
HAVE ALTERED THE AUDIENCE EXPERIENCE AND CONNECTIVITY ASSOCIATED WITH
THE CINEMA. WEBSITES, TELEVISION, AND EVEN CELL PHONES HAVE BECOME AN
EVERYDAY VEHICLE FOR FILM AND VIDEO. ALL OF THE WORK PRESENTED AT MONO
NO AWARE CONSISTS OF ONE PART FILM PROJECTION AND ONE PART LIVE
PERFORMANCE ELEMENT. 16MM OR SUPER 8MM FILMS ONLY, NO DIGITAL VIDEO. WE
BELIEVE THERE IS A MAGIC IN SEEING THE FILM PRINT. THERE IS A PRESENCE A
POET HAS READING HIS/HER OWN WRITING. THERE IS A FEELING THAT RESONATES
IN YOUR CHEST WHEN YOU SEE A MUSICIAN PERFORM LIVE. EACH MONO NO AWARE
PERFORMANCE IS ONE OF A KIND, SOME PARTICIPANTS HAVE GONE SO FAR AS TO
DESTROY THE FILM WORK AFTER ITS FIRST RUN AT THE EVENT. WE INVITE YOU TO
JOIN US SUNDAY NOVEMBER 29TH AT LUMENHOUSE IN BROOKLYN. THE EVENT IS
FREE TO ATTEND. THANK YOU. FOR MONO NO AWARE FILM EVENT PROGRAM 2009
PLEASE VISIT ................................WWW.MONONOAWAREFILM.COM
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__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.