From: anja ross (email suppressed)
Date: Mon Jul 05 2010 - 03:10:11 PDT
Hi Framework participiants,
Do you know if Jonas Mekas filmarchive representing Birgit Hein' s films or
is this just a man dominated archive?
It is time for me! Give me the address that I can sent a DVD.
Anja
2010/7/5 anja ross <email suppressed>
> Hi Frameworks Participiants,
> To mention: Let 's speak about Birgit Hein's films. I studied with her but
> honestly I am not convinced anymore about her films and how she is managing
> to create her films.
> But nevertheless,
> now I do this what I find well and o.k. for me.
>
> Took quite a long way,
>
> Anja
>
>
>
> 2010/7/5 anja ross <email suppressed>
>
> Hi Framewok Participiants,
>> I have an 16 mmm film let developed and the result was disgusting. Now I
>> want to paint on the film. Might it possible to tell me which ink is the
>> best for this?
>>
>> All the best, but I would like to mention: I am not good for talks about
>> films.
>> I am not a filmhistorians at all.
>>
>> A good day, Anja
>>
>>
>> PS: Kubelkas films I watched at the HBK, Braunschweig, Filmklasse, but now
>> I am in Berlin!
>>
>> 2010/7/5 Evan Meaney <email suppressed>
>>
>> Hi Björn:
>>>
>>> It's funny, I'm actually teaching a class about codes and sequences in
>>> cinema in the fall, stateside - Kubelka's AR is an important part of the
>>> syllabus. I haven't found a ton of work about the *specific* code at
>>> work in AR but I was lucky enough to see him speak a few years ago about it.
>>> He said that he was interested in having the exact same amount of light and
>>> dark hit the screen over the duration of the piece. The presence and absence
>>> of information equalizing one another. Ditto for the sound, where the noise
>>> ( I forget it if it's just white noise or something more particular at the
>>> moment) contrasts directly with the silence.
>>>
>>> I would love, love, love to see that rock
>>> and find out that exact equation.
>>> If someone out there has it, do let us know.
>>>
>>> All the best,
>>>
>>> Evan
>>>
>>> On Jul 4, 2010, at 6:13 PM, Lundgren wrote:
>>>
>>> I remeber reading about Peter Kubelka saying something about that
>>> Arnulf
>>> Rainer was the only eternal film, that he would write down the
>>> concept/code/script/equation/whatever on a rock and then when all other
>>> works of cinema had faded away (by technical death or whatever) his could
>>>
>>> allways be recreated perfectly in its intended form.
>>>
>>> Anyway, what I was interested in was that form. Does anyone know if he
>>> ever
>>> spoke of the "code" or has anyone with access to a film copy been able to
>>>
>>> determine it?
>>>
>>> A secondary question is also this: What is the technical form of the
>>> "soundtrack"?
>>>
>>> ______________
>>> Björn Lundgren
>>> Sweden
>>>
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>>>
>>>
>>>
>>> _______________________________________________
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>>>
>>
>
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