From: Nicholas O'Brien (email suppressed)
Date: Tue Jul 20 2010 - 11:30:08 PDT
If you order a tetenal kit (
http://www.bhphotovideo.com/c/product/109284-REG/Tetenal_T102034_E_6_3_Bath_Kit_for.html)
it will come with instructions (kinda) about how to properly process e-6
reversal color film.
this booklet will include temperatures, times, etc
On Tue, Jul 20, 2010 at 12:24 PM, Jodie Mack <email suppressed>wrote:
> Hi Veronica,
>
> An E6 slide processing kit (much like this one:
> http://www.calumetphoto.com/item/KP02680/) can get you started for color
> hand-processing. The manual lists times, temperatures, batch measurements,
> etc.
>
> Don't forget your mask and gloves!!!
>
> JM
> Chicago
>
> ------------------------------
> Date: Tue, 20 Jul 2010 11:18:30 -0700
> From: email suppressed
> To: email suppressed
> Subject: [Frameworks] info on hand-processing colour film needed
>
>
> Hi!
> I hand-process my own B&W 16mm film and would like to do the same with
> colour, reversal or neg. I use a Lomo tank.
>
> Could anyone tell me how to do it? chemicals needed, times, temperatures,
> etc?
> Or maybe someone knows where I could get this information?
>
> Thank you
>
> Best
> Veronica
> www.veronicaibarra.com
> ------------------------------
> *De:* Rory Brosius <email suppressed>
> *Para:* email suppressed
> *Enviado:* mar,20 julio, 2010 18:51
> *Asunto:* Re: [Frameworks] experimental documentary (thank you)
>
> Christopher,
>
> Thank you for the kind response. I hope you are able to incorporate
> everything you hope to.
>
> Keep us updated!
>
> Cheers,
>
> Rory
>
> PS: If you are looking to incorporate some interesting portraits,
> docudrama, and "self-reflexive" films (as Marilyn had said)...
>
> *Grey Gardens: *Albert & David Maysles
>
> *Sherman's March: *Ross McElwee
>
> *War: *Jake Mahaffy
>
> *Chain: *Jem Cohen
>
> and for fun...
>
> *The King of Kong: A Fistful of Quarters: *Seth Gordon
> ------------------------------
> From: email suppressed
> To: email suppressed
> Date: Tue, 20 Jul 2010 16:34:54 +0000
> Subject: [Frameworks] experimental documentary (thank you)
>
> Hello all,
>
>
>
> Thanks to everyone for so many excellent and thought provoking
> recommendations. Some of them were already on my radar but many others had
> either slipped my mind or were completely unknown to me.
>
>
>
> Thanks in particular to Amanda, Dan, Robert, Dinorah, Jeanne, Ken, Matt,
> Mike, Jason, Carl, Sonali, David, Ted, Elizabeth, Mads, Greg, James, Shane,
> Jeff, Beverly, Manuele, Rory and Rob (whew!).
>
>
>
> Special thanks to Marilyn, Jason and Rory for prodding me to focus my
> thoughts a bit more as I begin to shape the syllabus for the course.
>
>
>
> In response to their comments a little context is probably in order:
>
>
>
> The class I will be teaching this fall is called Film Documentary. Based
> on past experience with the student body I suspect that the vast majority of
> my students have an idea of documentary that does not go very far beyond Ken
> Burns and Michael Moore. Its within this context that I decided that I
> would teach an "experimental documentary" course in order to challenge these
> sorts of preconceptions. In any case when I posted my initial query to
> Frameworks I deliberately left the terminology undefined so as to cast as
> wide a net as possible in the hopes that I would get a range of responses
> (it seemed to have worked). I assumed correctly that many responses would
> point me in directions that I might not have anticipated. At the same time
> I included the names of certain film and video makers in order to provide
> some sense of what I meant by "experimental." The point was to provide some
> context without closing off potential avenues.
>
>
>
> Marilyn wondered about the purpose of the course. One of the major areas
> of focus for this class will be, as Marilyn put it, on "self-reflexive
> documentaries that are honest, also, about their subjectivity.” Rather
> than a history of such films I intend to design the course as an
> introduction to these kinds of films (and videos) with no attempt to be
> exhaustive or definitive. In this spirit, the discussions around
> terminology (“experimental” and “documentary”) will be integrated into the
> course with as little doctrinaire fanfare as possible.
>
>
>
> Jason, I wholeheartedly agree that there are no clear boundaries between
> Narrative, Documentary and Experimental film. I intend to design the
> course in such way that the content and spirit of the course convey this
> lack of definitive boundaries.
>
>
>
> Rory, Documentary Film is a theory course however I have recently begun to
> fold optional production assignments into my theory courses and I intend to
> do the same with my “experimental” version of the this class. How exactly
> I will do this has yet to be determined. I am not sure how much
> experience with hands on processes. Certainly the discussion around
> terminology and processes will have to be placed within an historical
> context.
>
>
>
> Again, thanks to all the very helpful feedback.
>
>
>
> Best,
>
>
>
> CH
>
>
>
>
>
>
> ------------------------------
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> ------------------------------
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>
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