Re: [Frameworks] info on hand-processing colour film needed

From: email suppressed
Date: Wed Jul 21 2010 - 00:25:12 PDT


Tetenal make a three bath colour reversal kit: http://www.tetenal.co.uk/product_details.php?p_id=1944&vlang_id=4079
.

  It's a doddle to use and works well with a Lomo tank, though it's
not that cheap,

Nicky Hamlyn.

On 20 Jul 2010, at 19:18, Veronica Ibarra wrote:

> Hi!
> I hand-process my own B&W 16mm film and would like to do the same
> with colour, reversal or neg. I use a Lomo tank.
>
> Could anyone tell me how to do it? chemicals needed, times,
> temperatures, etc?
> Or maybe someone knows where I could get this information?
>
> Thank you
>
> Best
> Veronica
> www.veronicaibarra.com
> De: Rory Brosius <email suppressed>
> Para: email suppressed
> Enviado: mar,20 julio, 2010 18:51
> Asunto: Re: [Frameworks] experimental documentary (thank you)
>
> Christopher,
>
> Thank you for the kind response. I hope you are able to incorporate
> everything you hope to.
>
> Keep us updated!
>
> Cheers,
>
> Rory
>
> PS: If you are looking to incorporate some interesting portraits,
> docudrama, and "self-reflexive" films (as Marilyn had said)...
>
> Grey Gardens: Albert & David Maysles
>
> Sherman's March: Ross McElwee
>
> War: Jake Mahaffy
>
> Chain: Jem Cohen
>
> and for fun...
>
> The King of Kong: A Fistful of Quarters: Seth Gordon
> From: email suppressed
> To: email suppressed
> Date: Tue, 20 Jul 2010 16:34:54 +0000
> Subject: [Frameworks] experimental documentary (thank you)
>
> Hello all,
>
>
> Thanks to everyone for so many excellent and thought provoking
> recommendations. Some of them were already on my radar but many
> others had either slipped my mind or were completely unknown to me.
>
>
> Thanks in particular to Amanda, Dan, Robert, Dinorah, Jeanne, Ken,
> Matt, Mike, Jason, Carl, Sonali, David, Ted, Elizabeth, Mads, Greg,
> James, Shane, Jeff, Beverly, Manuele, Rory and Rob (whew!).
>
>
> Special thanks to Marilyn, Jason and Rory for prodding me to focus
> my thoughts a bit more as I begin to shape the syllabus for the
> course.
>
>
> In response to their comments a little context is probably in order:
>
>
> The class I will be teaching this fall is called Film Documentary.
> Based on past experience with the student body I suspect that the
> vast majority of my students have an idea of documentary that does
> not go very far beyond Ken Burns and Michael Moore. Its within this
> context that I decided that I would teach an "experimental
> documentary" course in order to challenge these sorts of
> preconceptions. In any case when I posted my initial query to
> Frameworks I deliberately left the terminology undefined so as to
> cast as wide a net as possible in the hopes that I would get a range
> of responses (it seemed to have worked). I assumed correctly that
> many responses would point me in directions that I might not have
> anticipated. At the same time I included the names of certain film
> and video makers in order to provide some sense of what I meant by
> "experimental." The point was to provide some context without
> closing off potential avenues.
>
>
> Marilyn wondered about the purpose of the course. One of the major
> areas of focus for this class will be, as Marilyn put it, on "self-
> reflexive documentaries that are honest, also, about their
> subjectivity.” Rather than a history of such films I intend to
> design the course as an introduction to these kinds of films (and
> videos) with no attempt to be exhaustive or definitive. In this
> spirit, the discussions around terminology (“experimental” and
> “documentary”) will be integrated into the course with as little
> doctrinaire fanfare as possible.
>
>
> Jason, I wholeheartedly agree that there are no clear boundaries
> between Narrative, Documentary and Experimental film. I intend to
> design the course in such way that the content and spirit of the
> course convey this lack of definitive boundaries.
>
>
> Rory, Documentary Film is a theory course however I have recently
> begun to fold optional production assignments into my theory courses
> and I intend to do the same with my “experimental” version of the
> this class. How exactly I will do this has yet to be determined. I
> am not sure how much experience with hands on processes. Certainly
> the discussion around terminology and processes will have to be
> placed within an historical context.
>
>
> Again, thanks to all the very helpful feedback.
>
>
> Best,
>
>
> CH
>
>
>
>
>
>
>
> The New Busy is not the too busy. Combine all your e-mail accounts
> with Hotmail. Get busy.
>
> _______________________________________________
> FrameWorks mailing list
> email suppressed
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