From: 40 Frames (email suppressed)
Date: Thu Jul 29 2010 - 14:44:42 PDT
40 Frames screened both Demon Lover and Seventeen....
http://40frames.org/past_screenings/2007/winter_spring/#joel_demott
http://40frames.org/past_screenings/2006/winter_spring/#seventeen
Prints were rented directly from Jeff.... have the prints become suddenly
unavailable?
--Alain
On Thu, Jul 29, 2010 at 12:15 PM, Patricia R. Zimmermann
<email suppressed>wrote:
> Compare to Wiseman's HIGH SCHOOL, and it's easy to make the claim of the
> significance for SEVENTEEN in US film history.
>
> -------
> Patricia R. Zimmermann, Ph.D.
> Professor, Cinema, Photography and Media Arts
> Roy H. Park School of Communications
> Codirector, Finger Lakes Environmental Film Festival
> Division of Interdisciplinary and International Studies
> 953 Danby Road
> Ithaca College
> Ithaca, New York 14850 USA
> Office: +1 (607) 274 3431
> FAX: +1 (607) 274 7078
> http://faculty.ithaca.edu/patty/
> http://www.ithaca.edu/fleff
> BLOG: http://www.ithaca.edu/fleff10/blogs/open_spaces/
> email suppressed
>
>
> ---- Original message ----
> >Date: Thu, 29 Jul 2010 15:12:22 -0400
> >From: email suppressed (on behalf of Adam Levine <
> email suppressed>)
> >Subject: Re: [Frameworks] Open letter to Jeff Kreines
> >To: Experimental Film Discussion List <email suppressed>
> >
> > Cosigned. Seeing Seventeen at the PFA was a seminal
> > experience for me. It's definitely up there with any
> > American film ever made, documentary or otherwise.
> >
> > On Jul 29, 2010, at 2:44 PM, Rick Prelinger
> > <email suppressed> wrote:
> >
> > Seventeen, one of the greatest unavailable US
> > films.
> >
> > Rick Prelinger
> > email suppressed
> > Prelinger Library & Archives
> > San Francisco
> > On Jul 29, 2010, at 11:37,
> > <email suppressed> wrote:
> >
> > Sorry Frameworkers,
> > Didn't mean to send this as part of the
> > Kodachrome discussion.
> >
> > Open Letter to Jeff Kreines:
> > Dear Jeff,
> > As you know, I've been trying to find out
> > how to access your (and Joel DeMott's) films
> > for some months now--without success. And you
> > also know of my interest in speaking with you
> > about your experiences as a student in the MIT
> > film program years ago.
> > You are a regular and valuable contributor
> > to FRAMEWORKS, and I'm sure many FRAMEWORKERS
> > would be interested in knowing whether your
> > films are available, and if so how (and if
> > not, why not). And my guess is that many of us
> > would be interested in hearing about your
> > experiences at MIT: would you be willing to
> > respond to questions about this on FRAMEWORKS?
> > All the Best,
> > Scott
> > Scott MacDonald
> >
> > -------- Original Message --------
> > Subject: Re: [Frameworks] Early Kodachrome
> > From: Jeff Kreines
> > <email suppressed>
> > Date: Wed, July 28, 2010 3:38 pm
> > To: Experimental Film Discussion List
> > <email suppressed>
> >
> > A little more on that film (with a few
> > inaccuracies):
> > http://1000words.kodak.com/post/?ID=2982503
> >
> > ------------------------------------------------
> >
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-- 40 FRAMES Alain LeTourneau Pam Minty 40 FRAMES Attention: Pam Minty PO Box 15207 Portland, OR 97293 USA +1 503 231 6548 40frames.org 16mmdirectory.org
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