From: Flores-Gutiérrez, Beatriz (email suppressed)
Date: Sun Aug 01 2010 - 15:51:36 PDT
Ah, the tyranny of categories and "specialness"! What if there was no separation between the artist, the so-called layman, and the critic? What if everyone was all of these and more, and no one was "receiving or giving" but both at the same time? One moment you mirror (or what you call receive, which by the way has nothing to do with being a woman, so out of date, and/or as if women couldn't give... and hetero-centric), the other you project and thankfully you can never remain under any given identity . After all who are the artist/critic/layman without their respective audiences?
Cheers,
Beatriz
-----Original Message-----
From: email suppressed on behalf of Fred Smith
Sent: Sat 7/31/2010 7:33 PM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] Fluid Criticism (was Open Litter)
Anyone agree with the critique used in the file 'Rattatoi' after the critic
finds out the chef is a rat?
----- Original Message -----
From: "Steven Gladstone" <email suppressed>
To: "Experimental Film Discussion List" <email suppressed>
Sent: Saturday, July 31, 2010 5:21 PM
Subject: Re: [Frameworks] Fluid Criticism (was Open Litter)
> "The Critic is there to encourage the good, and discouraged the bad."
>
> That is a quote from my father-in-law, Sanford Pinsker who is a bona
> fide literary critic.
>
> Although I liked the sentence about how critics sole aim is to chronicle
> their own impressions.
>
>
> --
> Steven Gladstone
> New York Based Cinematographer
> Gladstone films
> http://www.gladstonefilms.com
> 917-886-5858
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