From: Weekly Listing (email suppressed)
Date: Sat Jul 24 2010 - 10:32:03 PDT
This week [July 24 - August 1, 2010] in avant garde cinema
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FUNDING:
========
Funder Needed for a feature film (Deadline: November 19, 2010)
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NEW CALLS FOR ENTRIES:
=====================
The Accolade Competition (La Jolla, CA, USA; Deadline: August 27, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1190.ann
folly (Location: Preston, Lancashire, UK; Deadline: , )
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1191.ann
GLI.TC/H (Location: Chicago, IL. USA; Deadline: August 20, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1192.ann
The 33rd Big Muddy Film Festival (Location: Carbondale, IL, USA; Deadline: December 12, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1193.ann
DEADLINES APPROACHING:
======================
July 24, 2010 Basement Media Festival Cambridge, Massachusetts, USA
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1155.ann&showimages=
July 30, 2010 Indie Fest La Jolla, CA, USA
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1179.ann&showimages=
July 31, 2010 6th Renderyard Short Film Festival London
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1133.ann&showimages=
July 31, 2010 Journal of Short Film Columbus, Ohio, USA
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1187.ann&showimages=
July 31, 2010 Lucca Film Festival 2010 Lucca, Tuscany - Italy
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1163.ann&showimages=
August 1, 2010 Images Festival Toronto, Ontario, CANADA
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August 15, 2010 zwergWERK - Oldenburg Short Film Days Oldenburg, Germany
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1164.ann&showimages=
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THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* New Works By So and Bahto [July 24, Los Angeles, California]
* Empire [July 24, New York]
* Motion Graphics Philadelphia Mini Festival 2010 [July 24, Philadelphia, Pennsylvania]
* Jodie Mack Zummertapez Screening At Roots & Culture [July 25, Chicago, Illinois]
* Views of Montana: Next Year Country [July 25, Los Angeles, California]
* 21st Century Limited: Experimental Films 2000-2009: Program Five [July 25, New York, New York]
* 21st Century Limited: Experimental Films 2000-2009: Program Six [July 25, New York, New York]
* Lupe [July 25, New York]
* Essential Cinema: Warhol/Whitney Program [July 25, New York]
* My Hustler [July 25, New York]
* Lupe [July 30, New York]
* Motion Graphics San Francisco 2010 [July 30, San Francisco, California]
* Red Hook Cine Soiree!! [July 31, Brooklyn, New York]
* Stephanie Barber Program 1 [July 31, New York]
* Stephanie Barber Program 2 [July 31, New York]
* The Los Angeles Premiere of A Bientot J’Espere (Be Seeing You) A Film By
Chris Marker and Mario Marret and An Injury To One, By Travis
Wilkerson [August 1, Los Angeles, California]
* Essential Cinema: Quick Billy [August 1, New York]
* Essential Cinema: Baillie/Crockwell Program [August 1, New York]
Events are sorted by CITY within each DATE.
-----------------------
SATURDAY, JULY 24, 2010
-----------------------
7/24
Los Angeles, California: the wulf.
music.calarts.edu/~mwinter/
8:30 PM, 1026 South Santa Fe Avenue #203 (entrance on Sacramento St)
NEW WORKS BY SO AND BAHTO
Free. Mark So will present a new piece based on John Ashbery's poem
"Wild City". Rick Bahto will project two (possibly more) new Super 8
films: Still Life for Charles Boone (2010, Super 8, b/w, 17 minutes,
silent) and Performing Marmarth (2010, Super 8, b/w, 3 minutes, silent).
7/24
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
1:30 pm, 32 2nd Avenue
EMPIRE
by Andy Warhol 1964, 8 hours and 5 minutes, 16mm. Photographed by Warhol
and Jonas Mekas. What better way to inaugurate the series than with the
boringest masterpiece of them all: Andy Warhol's monumental,
conceptually ground-breaking (not to mention butt-breaking) EMPIRE.
(Full disclosure: EMPIRE was photographed by Jonas – but who could argue
that it doesn't belong here?) The culmination of Warhol's minimalist
style, it consists of an 8-hour shot of the Empire State Building,
filmed from evening into the early morning on July 25-26, 1964, from the
41st floor of the Time-Life building. A nighttime study of a skyscraper
in slow motion, EMPIRE is a cinematic meditation on the nature of
duration. Warhol himself wouldn't have been caught dead watching the
whole thing, but that doesn't mean you shouldn't give it your best shot!
THOSE WHO HEROICALLY ENDURE THE ENTIRE FILM WILL BE REWARDED WITH A
SPECIAL PRIZE!
7/24
Philadelphia, Pennsylvania: Motion Graphics Festival
http://MGFest.com
10:00am, all over the city
MOTION GRAPHICS PHILADELPHIA MINI FESTIVAL 2010
Motion Graphics Festival :: July Tour: Atlanta, Philadelphia and San
Francisco The Motion Graphics Festival is the premier creative
conference for motion design, visual effects, sound design and interface
technology, presenting a wide array of events including: art showcases,
workshops, panel discussions, studio tours, theater screenings, industry
mixers and audio visual showcases. Throughout July, MGFest is touring
Atlanta (9-11 July), Philadelphia (24-25 July), and San Francisco (30
July – 1 August) delivering workshops and screenings focused in motion
and sound design. Entertainment events include screenings with artists
curated from international talent, such as: The Mill, Dvein, Pleix,
Psyop, Herzog & De Meuron, Warp Records, The Crystal Method, Royksopp,
Assassin's Creed 2, LucasArts and many more. With an artistic lineup of
events focused on discovering new talent and providing them an
opportunity to showcase their work, Call For Entry submissions are
accepted throughout the year. To enter, please go to:
http://MGFest.com/10/call/#4entry Subscribe to event updates here:
http://MGFest.com/connect.php Philadelphia Motion Graphics MINI Festival
2010: Saturday 24 – Sunday 25 July MGFest Philadelphia is a mini weekend
festival exclusively featuring workshops and screenings. The festival
arrives with workshops in Cinema 4D and Adobe After Effects. MGFest will
then host screenings in the evenings from 6:00pm to 8:00pm, with its
MGFest Philadelphia Screening on Saturday and Stash Best of 2009
Screening on Sunday. Seats are limited so get your tickets soon. Full
Event Information and registration: http://MGFest.com/#philly
---------------------
SUNDAY, JULY 25, 2010
---------------------
7/25
Chicago, Illinois: Roots and Culture Gallery
8pm, 1034 N. Milwaukee Ave
JODIE MACK ZUMMERTAPEZ SCREENING AT ROOTS & CULTURE
The Zummer Tapez video mixtape series returns to Roots & Culture on
Sunday, July 25 with a program from local animator Jodie Mack. Combining
the formal techniques and structures of experimental/abstract animation
with those of cinematic genres, her films use collage to investigate the
relationship between graphic cinema and storytelling, the tension
between sensation and narration.
------------------------------------------------------------ This
mixtape weaves clips from an assortment of Mack's animated experiments
with the spectacles of movie musical choreography,abstract animation,
internet a-capella multi-tracking sensations, and summer camp
performances! Sure to bring out the song in everyone's heart, you'll
sing, you'll dance, you'll trip out.
------------------------------------------------------------ Jodie Mack
is an animator, songstress, curator, and enthusiast/experimental film
cheerleader. She received her MFA from the School of the Art Institute
of Chicago in 2007, an Illinois Arts Council Media Arts Fellowship in
2008, and the Helen Hill Award from the Orphan Film Symposium in 2010.
This fall, she's moving to rural Vermont to start as an assistant
professor of animation at Dartmouth College in Hanover, New Hampshire.
But, before that, she will present on optical toys at Enemy's DORKBOT on
July 29th and screen most of her Chicago-made works in there entirety at
the Nightingale on August 21.
7/25
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30 pm, Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas
VIEWS OF MONTANA: NEXT YEAR COUNTRY
Los Angeles Filmforum presents Views of Montana: NEXT YEAR COUNTRY
Preceded by Four Short films by Cindy Stillwell All Los Angeles
premieres! Admission for Filmforum screenings: $10 general, $6
students/seniors, free for Filmforum members Advance ticket purchase
available through Brown Paper Tickets at
http://www.brownpapertickets.com/event/119621 Montana, the state and the
state of mind, the troubled farmlands and the polluted legacy of the
mines, the labor strife and drought – has been the source of a variety
of fascinating documentaries in the past few years. We'll look at a few
this week and next, starting with a set of films today on farmlands,
rain, and the landscape. Cindy Stillwell's films range all over the
range, a stylistically smart exploration of landscape and farm & ranch
routines, while Joseph Aguirre's Next Year Country is a new and lush
portrait of families and the quest for rain for their drought-ridden
lands. Director Joseph Aguirre of Next Year Country in person!
7/25
New York, New York: Film Society of Lincoln Center
http://www.filmlinc.com
6:30pm, 165 West 65th Street, upper level
21ST CENTURY LIMITED: EXPERIMENTAL FILMS 2000-2009: PROGRAM FIVE
Drawn from Film Comment's best-of-the-decade poll, six programs showcase
some of the most memorable experimental works from the first decade of
the 21st century. Don't miss this rare opportunity to experience
beautiful, provocative, and poetic works by masterful artists, new and
old. These programs feature works selected from the May/June 2010 Film
Comment poll "A Decade in the Dark—Avant-Garde Film and Video 2000-2009.
PROGRAM FIVE: LIBERTY OR DEATH TRT: 95/6:30pm Ah Liberty! Ben Rivers,
2008, U.K., 19m. Footnotes to A House of Love Laida Lertxundi, 2007,
13m. The Fourth Watch Janie Geiser, 2000, 10m. An Injury to One Travis
Wilkerson, 2002, 53m. 1. Anarchy in the U.K. Scavengers in an untamed
settlement. Born Free – Live Wild. 2. A heart with no vacancy, a house
without walls. 3. A spectral haunting just before daybreak, in dappled
sunlight and the blue moiré of the cathode ray. 4. Speaking the unspoken
truth, revisiting the scene of a crime.
7/25
New York, New York: Film Society of Lincoln Center
http://www.filmlinc.com
9:15pm, 165 West 65th Street, upper level
21ST CENTURY LIMITED: EXPERIMENTAL FILMS 2000-2009: PROGRAM SIX
Drawn from Film Comment's best-of-the-decade poll, six programs showcase
some of the most memorable experimental works from the first decade of
the 21st century. Don't miss this rare opportunity to experience
beautiful, provocative, and poetic works by masterful artists, new and
old. These programs feature works selected from the May/June 2010 Film
Comment poll "A Decade in the Dark—Avant-Garde Film and Video 2000-2009.
PROGRAM SIX: CONFIDENTIAL TRT: 87m/9:15pm A Letter to Uncle Boonmee
Apichatpong Weerasethakul, 2009, Thailand, 18m. Tabula Rasa Vincent
Grenier, 1993-2004, Canada, 7m. Dwarfs the Sea Stephanie Barber, 2007,
5m. Let Me Count the Ways 10...9...8...7...6...Leslie Thornton, 2004,
22m. Great Man and Cinema Jim Finn, 2009, 4m. Second and Lee Kevin
Everson, 2008, 3m. Something Else Kevin Everson 2007, 3m. It's Not My
Memory of It – Three Related Documents The Speculative Archive, 2003,
25m. Porous boundaries of identity, spirits of place. On the record, off
the radar, registered as ephemeral or indestructible. History can be
invisible, apparitional, stealthy, manufactured, planted, bronzed. File
or misfile under: Confidential or Public Record.
7/25
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:00 pm, 32 2nd Avenue
LUPE
by Andy Warhol / Jose Rodriguez-Soltero 1966, 72 minutes, 16mm. With
Edie Sedgwick and Billy Name. & 1966, 50 minutes, 16mm. Preserved by
Anthology with support from the Andy Warhol Foundation for the Visual
Arts. With Mario Montez, Charles Ludlam, and Lola Pashalinski. The
ultimate underground biopic double-feature: a pair of essential films
investigating (and transfiguring) the life and persona of Mexican
Hollywood star Lupe Velez, and featuring performances by two of the
legends of the 60s underground. Warhol's two-reel version, designed to
be shown as either a single- or double-screen work, is a showcase for
Edie Sedgwick, who interacts with Billy Name and then dines alone in an
elegant apartment, drinking herself into a toilet-bowl grave. Rather
than focusing on Velez's decline, Rodriguez-Soltero's version is a
sumptuous film that celebrates both Velez and actor Mario Montez.
Drawing on the collaboration of Theater of the Ridiculous stars Lola
Pashalinski and Charles Ludlam, LUPE is one of the finest films from the
New York underground, offering an ecstatic explosion of color, costume,
music, camp performance, and complex superimpositions.
7/25
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: WARHOL/WHITNEY PROGRAM
[The Essential Cinema Warhol screenings on July 25 are dedicated to the
memory of Callie Angell, who passed away earlier this year. A renowned
Warhol scholar, Callie worked as Anthology's librarian in the
mid-seventies, was the recipient of one of our Film Preservation Honors
in 1996, and collaborated with us on film programs in recent years. Her
passing represents an enormous loss to the community, and she will be
greatly missed.] Andy Warhol EAT (1963, 35 minutes, 35mm, b&w, silent)
John and James Whitney FILM EXERCISES 1-5 (1943-45, 18 minutes, 16mm)
James Whitney LAPIS (1963-66, 10 minutes, 16mm, silent) Total running
time: ca. 65 minutes.
7/25
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:00 pm, 32 2nd Avenue
MY HUSTLER
by Andy Warhol 1965, 67 minutes, 16mm, b&w. MY HUSTLER is an early
commercial venture in Warhol's filmmaking career which has since become
one of the classics of gay cinema. It is the story of a sexual triangle
in which Ed Hood competes with his Fire Island neighbors, Joe Campbell
and Genevieve Charbin, for the attentions of Paul America, whom he has
rented for the weekend from "Dial-a-Hustler." The realism of the
scenario is due largely to the absence of a script and performances by
actors essentially playing themselves.
---------------------
FRIDAY, JULY 30, 2010
---------------------
7/30
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:30 pm, 32 2nd Avenue
LUPE
See program notes for July 25th, 6 pm.
7/30
San Francisco, California: Motion Graphics Festival
http://MGFest.com
10:00am, all over the city
MOTION GRAPHICS SAN FRANCISCO 2010
Motion Graphics Festival :: July Tour 2010: Atlanta, Philadelphia and
San Francisco The Motion Graphics Festival is the premier creative
conference for motion design, visual effects, sound design and interface
technology, presenting a wide array of events including: art showcases,
workshops, panel discussions, studio tours, theater screenings, industry
mixers and audio visual showcases. Throughout July, MGFest is touring
Atlanta (9-11 July), Philadelphia (24-25 July), and San Francisco (30
July – 1 August) delivering workshops and screenings focused in motion
and sound design. Entertainment events include screenings with artists
curated from international talent, such as: The Mill, Dvein, Pleix,
Psyop, Herzog & De Meuron, Warp Records, The Crystal Method, Royksopp,
Assassin's Creed 2, LucasArts and many more. With an artistic lineup of
events focused on discovering new talent and providing them an
opportunity to showcase their work, Call For Entry submissions are
accepted throughout the year. To enter, please go to:
http://MGFest.com/10/call/#4entry Subscribe to event updates here:
http://MGFest.com/connect.php San Francisco Motion Graphics Festival
2010: Friday 30 July – Sunday 1 August MGFest San Fran provides three
days of workshops and a weekend of screenings. Workshops include Cinema
4D with Mograph, Adobe After Effects, Introduction to Flash, and Sound
Design. MGFest will then host weekend screenings in the evenings from
6:00pm to 8:00pm, with its MGFest San Francisco Screening on Saturday
and Stash Best of 2009 Screening on Sunday. Full Event Information and
registration: http://MGFest.com/#sanfran
-----------------------
SATURDAY, JULY 31, 2010
-----------------------
7/31
Brooklyn, New York: BWAC
http://www.facebook.com/#!/event.php?eid=116349161745781&ref=ts
3PM, 499 Van Brunt Street
RED HOOK CINE SOIREE!!
featuring plangent nostalgia and tropical revelry!!! Guest Programmer
Joel Schlemowitz presents... A salon of experimental and underground
films from cine-artists Marie Losier, Jennifer Reeves, Nathaniel Lambert
Cummings, Bradley Eros, Jim Jennings, Jeremy D. Slater, Sheri Wills. A
summer afternoon and short works of avant-garde cinema? Our agenda is to
program our soiree attuned to the enchantment of the season of
Mid-Summer Nights' Dreams, to indulge ourselves in the hazy and lazy
segment of the calendar, to enlighten ourselves lightly and sprightly,
to work Puckish mischief on the screen, to take respite from the
oppressive sun in the magic lantern parlor by the sea. Expect red wine
and soft cheese, and 78s of 1920s Hawaiian guitar played on the
Victrola! Directions: http://www.bwac.org/directions (...right across
from Fairway)
7/31
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:30 pm, 32 2nd Avenue
STEPHANIE BARBER PROGRAM 1
Anthology welcomes Baltimore-based multi-media artist Stephanie Barber,
who has been quietly amassing a remarkable body of work over the last 15
years, producing a steady stream of films and videos that are
meticulously crafted and disarmingly modest. Barber uses cinema to
explore the borders between text and image, photography and poetry,
memory and loss. Each film creates its own whimsical world, teetering on
the edge of sadness yet never maudlin. Barber's intellectually playful
works engage both brains and funny bones. "Stephanie Barber…has one of
the most original visions to emerge recently from the diverse
experimental film scene. Deceptively simple at first, her work is unique
in the way it alters and even suspends time." –CHICAGO READER "[Barber's
films] can feel like highly formal exercises in film language made by a
profoundly restless mind, playing image and sound off each other and
forcing you to locate implied meanings on your own. Others are both
silly and oddly engaging, involving puppets mundanely discussing
pressing metaphysical concerns. And others calmly and almost
imperceptibly sweep you up in the genuine breadth of their emotional
wake." –Bret McCabe, THE BALTIMORE CITY PAPER A SIDES flower, the boy,
the librarian (1996, 6 minutes, 16mm) they invented machines (1997, 8
minutes, 16mm) shipfilm (1998, 3 minutes, 16mm) letters, notes (2000,
4.5 minutes, 16mm) catalog (2005, 11 minutes, 16mm) total power dead,
dead, dead (2005, 3 minutes, 16mm) dwarfs the sea (2007, 7 minutes,
video) the visit and the play (2008, 8 minutes, video) the inversion,
transcription, evening track and attractor (2008, 13 minutes, video) to
the horse dream of arms (2010, 5 minutes, video) Total running time: ca.
75 minutes.
7/31
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:30 pm, 32 2nd Avenue
STEPHANIE BARBER PROGRAM 2
Anthology welcomes Baltimore-based multi-media artist Stephanie Barber,
who has been quietly amassing a remarkable body of work over the last 15
years, producing a steady stream of films and videos that are
meticulously crafted and disarmingly modest. Barber uses cinema to
explore the borders between text and image, photography and poetry,
memory and loss. Each film creates its own whimsical world, teetering on
the edge of sadness yet never maudlin. Barber's intellectually playful
works engage both brains and funny bones. "Stephanie Barber…has one of
the most original visions to emerge recently from the diverse
experimental film scene. Deceptively simple at first, her work is unique
in the way it alters and even suspends time." –CHICAGO READER "[Barber's
films] can feel like highly formal exercises in film language made by a
profoundly restless mind, playing image and sound off each other and
forcing you to locate implied meanings on your own. Others are both
silly and oddly engaging, involving puppets mundanely discussing
pressing metaphysical concerns. And others calmly and almost
imperceptibly sweep you up in the genuine breadth of their emotional
wake." –Bret McCabe, THE BALTIMORE CITY PAPER B SIDES woman stabbed to
death (1996, 7 minutes, 16mm) these horizon (1997, 12 minutes, 16mm)
city at heart (2003, 4 minutes, 16mm) dogs (2000, 15 minutes, 16mm) the
end of the world (2001, 32 minutes, video) bust chance bar (harbor)
counter (2008/10, 6 minutes, video) Total running time: ca. 80 minutes.
----------------------
SUNDAY, AUGUST 1, 2010
----------------------
8/1
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30 pm, Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas
THE LOS ANGELES PREMIERE OF A BIENTOT J’ESPERE (BE SEEING YOU) A FILM BY
CHRIS MARKER AND MARIO MARRET AND AN INJURY TO ONE, BY TRAVIS WILKERSON
The Los Angeles Premiere of a Chris Marker film from 1968! À BIENTÔT,
J'ESPÈRE offers an inspiring look back at a time when workers, faced
with intolerable conditions and job losses resulting from the nascent
globalization of the European common market, took a stand. Marker and
Mario Marret filmed the 1967 strike at the Rhodiaceta textile mill in
Besançon, France. AN INJURY TO ONE provides a corrective—and absolutely
compelling—glimpse of a particularly volatile moment in early 20th
century American labor history: the rise and fall of Butte, Montana.
Specifically, it chronicles the mysterious death of Wobbly organizer
Frank Little, a story whose grisly details have taken on a legendary
status in the state. Much of the extant evidence is inscribed upon the
landscape of Butte and its surroundings. Thus, a connection is drawn
between the unsolved murder of Little, and the attempted murder of the
town itself. Little was murdered on August 1, 1917. Filmforum brings
back Travis Wilkerson's masterful documentary in commemoration. Advance
ticket purchase available through Brown Paper Tickets at
http://www.brownpapertickets.com/event/120380
8/1
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: QUICK BILLY
1971, 73 minutes, 16mm Film Notes Bruce Baillie's journey through "the
dark wood encountered in the middle of life's journey" (Dante), with
references to Bardo Thodol. A major work from one of the great poets of
cinema.
8/1
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: BAILLIE/CROCKWELL PROGRAM
Film Notes Bruce Baillie MASS FOR THE DAKOTA SIOUX (1963-64, 20 minutes,
16mm, b&w) QUIXOTE (1964-65, 45 minutes, 16mm) CASTRO STREET (1966, 10
minutes, 16mm) ALL MY LIFE (1966, 3 minutes, 16mm) VALENTIN DE LAS
SIERRAS (1968, 10 minutes, 16mm) Meditations on America by a filmmaker
whom Willard van Dyke once called the most American of all contemporary
filmmakers. Annette Michelson has referred to Bruce Baillie as one of
the few American political filmmakers. Douglass Crockwell GLENS FALLS
SEQUENCE (1964, 8 minutes, 16mm) "The basic idea was to paint continuing
pictures on various layers with plastic paint, adding at times and
removing at times, and to a certain extent these early attempts were
successful." –D.C. Total running time: ca. 100 minutes.
Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl
The weekly listing is also available online at Flicker:
http://www.hi-beam.net
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