From: Anna Biller (email suppressed)
Date: Mon Oct 11 2010 - 10:09:03 PDT
Ha ha. L.A. really does have a lot of smart people who make things.
SERIOUSLY.
On Oct 11, 2010, at 8:31 AM, Bernard Roddy wrote:
> Seriously? A lot? Where are these films screened? I don't mean
> the restoration work. I mean the new work.
>
> Bernie
>
> From: Mark Toscano <email suppressed>
> To: Experimental Film Discussion List <email suppressed>
> Sent: Mon, October 11, 2010 3:43:04 AM
> Subject: Re: [Frameworks] Recommendations for 16mm optical sound
>
> I've used DJ Audio (not DJ Sound) for tons of restoration track
> negatives and my own work, and they're great. I know a lot of L.A.
> independent filmmakers like NT Audio as well, including a few who
> are particularly meticulous and exacting.
>
> Mark Toscano
>
>
> --- On Sun, 10/10/10, 40 Frames <email suppressed> wrote:
>
> From: 40 Frames <email suppressed>
> Subject: Re: [Frameworks] Recommendations for 16mm optical sound
> To: "Experimental Film Discussion List" <email suppressed
> >
> Date: Sunday, October 10, 2010, 7:33 PM
>
>
>
> On Sun, Oct 10, 2010 at 7:57 AM, Chris Brabant <email suppressed
> > wrote:
> Chris Millar at Noise & Light in Seattle does an amazing job
> creating 16mm optical tracks. It's hard to find any info but I
> believe (hope) he's still making them. No problems with sending him
> a digital file or CD, that's usually the route I go.
>
> Contact is: email suppressed
>
> -cj brabant
>
>
>
>
> Chris Millar (Noise & Light) is no longer shooting optical tracks.
> 40 Frames has the old Noise & Light equipment. We are preparing to
> to offer this service in 2011.
>
> In the meantime, try Gibbs Chapman (Non Productions) in San
> Francisco, or DJ Sound or NT Audio in LA.
>
>
> Alain
>
>
>
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