Re: [Frameworks] shooting hi-con 16mm question

From: Jay Hudson (email suppressed)
Date: Tue Nov 30 2010 - 11:19:07 PST


can you get mid tones too

i am getting some sound film asa 8 or so

On Tue, Nov 30, 2010 at 2:39 AM, john warren <email suppressed>wrote:

> works like a charm
>
> On Nov 29, 2010, at 11:24 PM, Jay Hudson <email suppressed> wrote:
>
> what about hicon on an optical printer?
>
> On Mon, Nov 29, 2010 at 4:51 AM, Freya <email suppressed> wrote:
>
>>
>> If you are developing it yourself, you could maybe push it a stop to make
>> it a bit faster?
>>
>> love
>>
>> Freya
>>
>>
>> --- On Mon, 11/29/10, DOMINIC ANGERAME <email suppressed>
>> wrote:
>>
>> > From: DOMINIC ANGERAME <email suppressed>
>> > Subject: Re: [Frameworks] shooting hi-con 16mm question
>> > To: "Experimental Film Discussion List" <email suppressed
>> >
>> > Date: Monday, November 29, 2010, 12:04 AM
>> > If
>> > the asa is about 12 or less, it is almost impossible to
>> > shoot more than two hours after the sun is at its peak and
>> > three hours before. Almost impossible to shoot on rainy
>> > overcast days. You can try, however, it will probably look
>> > awful.
>> >
>> > Dominic
>> >
>> > From:
>> > k. a.r. <email suppressed>
>> > To:
>> > email suppressed
>> > Sent: Sun,
>> > November 14, 2010 11:37:10 AM
>> > Subject: Re:
>> > [Frameworks] shooting hi-con 16mm question
>> >
>> >
>> >
>> >
>> >
>> >
>> > San Francisco has been consistently sunny and bright enough
>> > for high con....
>> > come shoot here.
>> >
>> >
>> >
>> >
>> >
>> > Kristie Reinders, B.F.A.
>> >
>> > Director of Cinematography, Electric Visions
>> >
>> > Curator and Head Projectionist, Electric Mural Project
>> >
>> > The Mission, San Francisco, CA
>> >
>> >
>> >
>> > 'A first class technician should work best under
>> > pressure.'
>> >
>> > - - - Issac Asimov
>> >
>> >
>> >
>> > Date: Sun, 14 Nov 2010
>> > 10:59:33 -0800
>> > From: email suppressed
>> > To: email suppressed
>> > Subject: [Frameworks] shooting hi-con 16mm question
>> >
>> > Hey all, just had a question about shooting hi-con/print
>> > stock 16mm. Has anyone ever tried shooting it in overcast
>> > weather? The weather is pretty wintery here in California
>> > right now, and it's been hard to find a weekend
>> > that's both sunny and convenient for my one actor. Any
>> > help would be appreciated. Thanks!
>> >
>> >
>> > -charles
>> >
>> >
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>> >
>> >
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>>
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