From: Philippe Leonard (email suppressed)
Date: Tue Nov 30 2010 - 20:31:40 PST
With a cinex you'll be able to find out the right exposure to retain
as much details as you need in the midtones from your originals
Best,
Phil
On Tue, Nov 30, 2010 at 2:19 PM, Jay Hudson <email suppressed> wrote:
> can you get mid tones too
>
> i am getting some sound film asa 8 or so
>
> On Tue, Nov 30, 2010 at 2:39 AM, john warren <email suppressed>
> wrote:
>>
>> works like a charm
>> On Nov 29, 2010, at 11:24 PM, Jay Hudson <email suppressed> wrote:
>>
>> what about hicon on an optical printer?
>>
>> On Mon, Nov 29, 2010 at 4:51 AM, Freya <email suppressed> wrote:
>>>
>>> If you are developing it yourself, you could maybe push it a stop to make
>>> it a bit faster?
>>>
>>> love
>>>
>>> Freya
>>>
>>>
>>> --- On Mon, 11/29/10, DOMINIC ANGERAME <email suppressed>
>>> wrote:
>>>
>>> > From: DOMINIC ANGERAME <email suppressed>
>>> > Subject: Re: [Frameworks] shooting hi-con 16mm question
>>> > To: "Experimental Film Discussion List"
>>> > <email suppressed>
>>> > Date: Monday, November 29, 2010, 12:04 AM
>>> > If
>>> > the asa is about 12 or less, it is almost impossible to
>>> > shoot more than two hours after the sun is at its peak and
>>> > three hours before. Almost impossible to shoot on rainy
>>> > overcast days. You can try, however, it will probably look
>>> > awful.
>>> >
>>> > Dominic
>>> >
>>> > From:
>>> > k. a.r. <email suppressed>
>>> > To:
>>> > email suppressed
>>> > Sent: Sun,
>>> > November 14, 2010 11:37:10 AM
>>> > Subject: Re:
>>> > [Frameworks] shooting hi-con 16mm question
>>> >
>>> >
>>> >
>>> >
>>> >
>>> >
>>> > San Francisco has been consistently sunny and bright enough
>>> > for high con....
>>> > come shoot here.
>>> >
>>> >
>>> >
>>> >
>>> >
>>> > Kristie Reinders, B.F.A.
>>> >
>>> > Director of Cinematography, Electric Visions
>>> >
>>> > Curator and Head Projectionist, Electric Mural Project
>>> >
>>> > The Mission, San Francisco, CA
>>> >
>>> >
>>> >
>>> > 'A first class technician should work best under
>>> > pressure.'
>>> >
>>> > - - - Issac Asimov
>>> >
>>> >
>>> >
>>> > Date: Sun, 14 Nov 2010
>>> > 10:59:33 -0800
>>> > From: email suppressed
>>> > To: email suppressed
>>> > Subject: [Frameworks] shooting hi-con 16mm question
>>> >
>>> > Hey all, just had a question about shooting hi-con/print
>>> > stock 16mm. Has anyone ever tried shooting it in overcast
>>> > weather? The weather is pretty wintery here in California
>>> > right now, and it's been hard to find a weekend
>>> > that's both sunny and convenient for my one actor. Any
>>> > help would be appreciated. Thanks!
>>> >
>>> >
>>> > -charles
>>> >
>>> >
>>> > _______________________________________________
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>>> >
>>> >
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>>>
>>>
>>>
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