From: info (email suppressed)
Date: Wed Dec 01 2010 - 12:58:19 PST
I had is gone.
Thanks-
Best regards,
Stephen Parr
Director
Oddball Films
Oddball Film+Video
www.oddballfilm.com
275 Capp Street
San Francisco, CA 94110
Phone 415-558-8117
About Oddball Films
Oddball Films is the film component of Oddball Film+Video, a stock footage
company providing offbeat and unusual film footage for feature films like
Milk, documentaries like The Summer of Love, television programs like
Mythbusters, clips for Boing Boing and web projects around the world.
Our films are almost exclusively drawn from our collection of over 50,000
16mm prints of animation, commercials, educationals, feature films, movie
trailers, medical, industrial military, news out-takes and every genre in
between. Wešre actively working to present rarely screened genres of cinema
as well as avant garde and ethno-cultural documentaries which expand the
boundaries of cinema. Oddball Films is the largest film archive in Northern
California and one of the most unusual private collections in the US. We
invite you to join us for our award-winning weekly offerings of offbeat
cinema.
Follow us on facebook and Twitter!
http://www.facebook.com/oddballfilm
http://twitter.com/Oddballfilms
Press: http://thebolditalic.com/ethankanat/stories/85-keeping-it-reel
http://www.sfbg.com/sexsf/2010/02/11/saturday-give-your-valentine-gift-vd
http://carnalnation.com/content/25565/5/oddball-films-erotic-eclectic-and-un
usual
http://sanfrancisco.jetblue.com/2010/07/oddball-films-presents-reel-fun.html
The Archive: www.lostamerica.com/oddballfilm
17 Reasons Why!
http://missionlocal.org/2010/05/17-reasons-remembered/
> From: <email suppressed>
> Reply-To: <email suppressed>
> Date: Tue, 30 Nov 2010 12:00:44 -0600
> To: <email suppressed>
> Subject: FrameWorks Digest, Vol 6, Issue 38
>
> Send FrameWorks mailing list submissions to
> email suppressed
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://mailman-mail5.webfaction.com/listinfo/frameworks
> or, via email, send a message with subject or body 'help' to
> email suppressed
>
> You can reach the person managing the list at
> email suppressed
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of FrameWorks digest..."
>
>
> Today's Topics:
>
> 1. 60 Hz crystal sync generator (urgently needed) (40 Frames)
> 2. Stan Brakhage Film Packages (DOMINIC ANGERAME)
> 3. 60 Hz crystal sync generator (urgently needed) - Nagra III,
> etc (40 Frames)
> 4. VideoSur III in Boston, Dec 10 (m. nikiforova)
> 5. Re: shooting hi-con 16mm question (Jay Hudson)
> 6. Re: shooting hi-con 16mm question (john warren)
> 7. last call kodachrome (Pip Chodorov)
> 8. Re: last call kodachrome (Mark Toscano)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Mon, 29 Nov 2010 11:30:28 -0800
> From: 40 Frames <email suppressed>
> Subject: [Frameworks] 60 Hz crystal sync generator (urgently needed)
> To: Experimental Film Discussion List <email suppressed>
> Message-ID:
> <AANLkTimuU0+7JpyOS=email suppressed>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Please help if you can, we are in need of a 60 Hz crystal sync generator
> (preferably with a 1/4" out, but any connector will do as we can make the
> required cable if necessary). The device we had on order has been further
> delayed, and we needed this item yesterday.
>
> I realize The Film Group makes these, however their turnaround time is 2
> weeks, which too late for our use.
>
> If you have a 60 Hz crystal sync generator you are willing to sell, or one
> you can loan/rent to us for 60 days, then please get in contact with us.
>
>
> Thanks,
> Alain
>
>
> --
> 40 FRAMES
> Alain LeTourneau
> Pam Minty
>
> 40 FRAMES
> Attention: Pam Minty
> PO Box 15207
> Portland, OR 97293
> USA
>
> +1 503 231 6548
> 40frames.org
> 16mmdirectory.org
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> ------------------------------
>
> Message: 2
> Date: Mon, 29 Nov 2010 13:06:55 -0800 (PST)
> From: DOMINIC ANGERAME <email suppressed>
> Subject: [Frameworks] Stan Brakhage Film Packages
> To: Experimental Film Discussion List <email suppressed>
> Message-ID: <email suppressed>
> Content-Type: text/plain; charset="utf-8"
>
>
>
>
>
>
> ________________________________
> Marilyn Brakhage has compiled some excellent packages of Stan Brakhage?s
> films
> for use in classrooms and exhibitions. Canyon Cinema will be offering these
> packages at special rates. Individual films by Stan Brakhage continue to be
> available for rent at Canyon Cinema?s standard prices. As the possibilities
> are
> much wider than what is contained in these few suggestions, if you have other
> programming ideas of your own, please contact Canyon Cinema to negotiate a
> price. The programs listed here do not constitute a full retrospective of
> Stan
> Brakhage?s work, though they may provide a basis for various partial
> retrospectives.
>
> Please see the Canyon Cinema website canyoncinema.com for details or email
> email suppressed for details.
>
> Thanks
>
> Dominic Angerame
> Executive Director, Canyon Cinema
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>
> ------------------------------
>
> Message: 3
> Date: Mon, 29 Nov 2010 13:50:08 -0800
> From: 40 Frames <email suppressed>
> Subject: [Frameworks] 60 Hz crystal sync generator (urgently needed) -
> Nagra III, etc
> To: Experimental Film Discussion List <email suppressed>
> Message-ID:
> <email suppressed>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Some older Nagras, like the Nagra III, often had an external box that was
> meant to output 60 Hz crystal sync, so one of
> these would work as well. I know someone out there has 3 laying in a box in
> their closet.
>
> Alain
>
>
>
> ---------- Forwarded message ----------
> From: 40 Frames <email suppressed>
> Date: Mon, Nov 29, 2010 at 11:30 AM
> Subject: 60 Hz crystal sync generator (urgently needed)
> To: Experimental Film Discussion List <email suppressed>
>
>
>
> Please help if you can, we are in need of a 60 Hz crystal sync generator
> (preferably with a 1/4" out, but any connector will do as we can make the
> required cable if necessary). The device we had on order has been further
> delayed, and we needed this item yesterday.
>
> I realize The Film Group makes these, however their turnaround time is 2
> weeks, which too late for our use.
>
> If you have a 60 Hz crystal sync generator you are willing to sell, or one
> you can loan/rent to us for 60 days, then please get in contact with us.
>
>
> Thanks,
> Alain
>
>
> --
> 40 FRAMES
> Alain LeTourneau
> Pam Minty
>
> 40 FRAMES
> Attention: Pam Minty
> PO Box 15207
> Portland, OR 97293
> USA
>
> +1 503 231 6548
> 40frames.org
> 16mmdirectory.org
> -------------- next part --------------
> An HTML attachment was scrubbed...
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> http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20101129/
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>
> ------------------------------
>
> Message: 4
> Date: Mon, 29 Nov 2010 21:40:20 -0500 (EST)
> From: "m. nikiforova" <email suppressed>
> Subject: [Frameworks] VideoSur III in Boston, Dec 10
> To: email suppressed
> Message-ID: <email suppressed>
> Content-Type: text/plain; charset="iso-8859-15"
>
> VideoSur III: Experimental Shorts from Argentina, Chile, and Brazil by various
> artists (2010, approx 90 min.). Inspired by the spirit of exchange in the
> Americas, DiscordiaFilms’ VideoSur programs present Latin American video
> art to US audiences. VideoSur III explores how South American artists use
> digital media to communicate their experience of urban environments. Whether
> working in their cities of origin, travel destinations or temporary places
> residence, these artists comment on the transitory and connective realities of
> Latin American communities. Fully immersed in a globalized, visual culture,
> the videos highlight artists’ unique perspectives and creative
> approaches, often made necessary by a lack of resources. Featuring work in
> animation, stop-motion and video-performance, VideoSur III depicts vast
> cityscapes, micro-perspectives of city life, and the rapid exchanges that
> result from migration. Presented by DiscordiaFilms and the Ruth and Carl J.
> Shapiro Fil
> m Program at the Museum of Fine Arts, Boston, in partnership with Villa
> Victoria Center for the Arts. VideoSur III is curated by Liz Munsell of
> DiscordiaFilms and Mauricio Rom?n of Espacio G.
>
>
> http://www.mfa.org/programs/film/videosur-iii-experimental-shorts-argentina-ch
> ile-and-brazil
>
> Museum of Fine Arts Boston
> December 10, 2010
> 8:00 pm - 9:30 pm
> Remis Auditorium 161
>
> Price
> $6 MFA members, seniors, and students
> $7 Nonmembers
>
>
> ------------------------------
>
> Message: 5
> Date: Tue, 30 Nov 2010 02:24:14 -0500
> From: Jay Hudson <email suppressed>
> Subject: Re: [Frameworks] shooting hi-con 16mm question
> To: Experimental Film Discussion List <email suppressed>
> Message-ID:
> <email suppressed>
> Content-Type: text/plain; charset="iso-8859-1"
>
> what about hicon on an optical printer?
>
> On Mon, Nov 29, 2010 at 4:51 AM, Freya <email suppressed> wrote:
>
>>
>> If you are developing it yourself, you could maybe push it a stop to make
>> it a bit faster?
>>
>> love
>>
>> Freya
>>
>>
>> --- On Mon, 11/29/10, DOMINIC ANGERAME <email suppressed>
>> wrote:
>>
>>> From: DOMINIC ANGERAME <email suppressed>
>>> Subject: Re: [Frameworks] shooting hi-con 16mm question
>>> To: "Experimental Film Discussion List" <email suppressed>
>>> Date: Monday, November 29, 2010, 12:04 AM
>>> If
>>> the asa is about 12 or less, it is almost impossible to
>>> shoot more than two hours after the sun is at its peak and
>>> three hours before. Almost impossible to shoot on rainy
>>> overcast days. You can try, however, it will probably look
>>> awful.
>>>
>>> Dominic
>>>
>>> From:
>>> k. a.r. <email suppressed>
>>> To:
>>> email suppressed
>>> Sent: Sun,
>>> November 14, 2010 11:37:10 AM
>>> Subject: Re:
>>> [Frameworks] shooting hi-con 16mm question
>>>
>>>
>>>
>>>
>>>
>>>
>>> San Francisco has been consistently sunny and bright enough
>>> for high con....
>>> come shoot here.
>>>
>>>
>>>
>>>
>>>
>>> Kristie Reinders, B.F.A.
>>>
>>> Director of Cinematography, Electric Visions
>>>
>>> Curator and Head Projectionist, Electric Mural Project
>>>
>>> The Mission, San Francisco, CA
>>>
>>>
>>>
>>> 'A first class technician should work best under
>>> pressure.'
>>>
>>> - - - Issac Asimov
>>>
>>>
>>>
>>> Date: Sun, 14 Nov 2010
>>> 10:59:33 -0800
>>> From: email suppressed
>>> To: email suppressed
>>> Subject: [Frameworks] shooting hi-con 16mm question
>>>
>>> Hey all, just had a question about shooting hi-con/print
>>> stock 16mm. Has anyone ever tried shooting it in overcast
>>> weather? The weather is pretty wintery here in California
>>> right now, and it's been hard to find a weekend
>>> that's both sunny and convenient for my one actor. Any
>>> help would be appreciated. Thanks!
>>>
>>>
>>> -charles
>>>
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> email suppressed
>>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>> -----Inline Attachment Follows-----
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> email suppressed
>>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>
>>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> email suppressed
>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>
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>
> ------------------------------
>
> Message: 6
> Date: Mon, 29 Nov 2010 23:39:33 -0800
> From: john warren <email suppressed>
> Subject: Re: [Frameworks] shooting hi-con 16mm question
> To: Experimental Film Discussion List <email suppressed>
> Message-ID: <email suppressed>
> Content-Type: text/plain; charset="us-ascii"
>
> works like a charm
>
> On Nov 29, 2010, at 11:24 PM, Jay Hudson <email suppressed> wrote:
>
>> what about hicon on an optical printer?
>>
>> On Mon, Nov 29, 2010 at 4:51 AM, Freya <email suppressed> wrote:
>>
>> If you are developing it yourself, you could maybe push it a stop to make it
>> a bit faster?
>>
>> love
>>
>> Freya
>>
>>
>> --- On Mon, 11/29/10, DOMINIC ANGERAME <email suppressed> wrote:
>>
>>> From: DOMINIC ANGERAME <email suppressed>
>>> Subject: Re: [Frameworks] shooting hi-con 16mm question
>>> To: "Experimental Film Discussion List" <email suppressed>
>>> Date: Monday, November 29, 2010, 12:04 AM
>>> If
>>> the asa is about 12 or less, it is almost impossible to
>>> shoot more than two hours after the sun is at its peak and
>>> three hours before. Almost impossible to shoot on rainy
>>> overcast days. You can try, however, it will probably look
>>> awful.
>>>
>>> Dominic
>>>
>>> From:
>>> k. a.r. <email suppressed>
>>> To:
>>> email suppressed
>>> Sent: Sun,
>>> November 14, 2010 11:37:10 AM
>>> Subject: Re:
>>> [Frameworks] shooting hi-con 16mm question
>>>
>>>
>>>
>>>
>>>
>>>
>>> San Francisco has been consistently sunny and bright enough
>>> for high con....
>>> come shoot here.
>>>
>>>
>>>
>>>
>>>
>>> Kristie Reinders, B.F.A.
>>>
>>> Director of Cinematography, Electric Visions
>>>
>>> Curator and Head Projectionist, Electric Mural Project
>>>
>>> The Mission, San Francisco, CA
>>>
>>>
>>>
>>> 'A first class technician should work best under
>>> pressure.'
>>>
>>> - - - Issac Asimov
>>>
>>>
>>>
>>> Date: Sun, 14 Nov 2010
>>> 10:59:33 -0800
>>> From: email suppressed
>>> To: email suppressed
>>> Subject: [Frameworks] shooting hi-con 16mm question
>>>
>>> Hey all, just had a question about shooting hi-con/print
>>> stock 16mm. Has anyone ever tried shooting it in overcast
>>> weather? The weather is pretty wintery here in California
>>> right now, and it's been hard to find a weekend
>>> that's both sunny and convenient for my one actor. Any
>>> help would be appreciated. Thanks!
>>>
>>>
>>> -charles
>>>
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> email suppressed
>>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>> -----Inline Attachment Follows-----
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> email suppressed
>>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>
>>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> email suppressed
>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>> _______________________________________________
>> FrameWorks mailing list
>> email suppressed
>> http://mailman-mail5.webfaction.com/listinfo/frameworks
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>
> ------------------------------
>
> Message: 7
> Date: Tue, 30 Nov 2010 10:03:32 +0100
> From: Pip Chodorov <email suppressed>
> Subject: [Frameworks] last call kodachrome
> To: Experimental Film Discussion List <email suppressed>
> Message-ID: <p06240878c91a6e02d233@[192.168.0.15]>
> Content-Type: text/plain; charset="us-ascii" ; format="flowed"
>
> Just a reminder that in 30 days Dwayne's will stop processing Kodachrome!
> They will process any rolls received until noon on Dec 30
> (http://www.dwaynesphoto.com/).
> So get out your last rolls and film the snow, before it's too late!
> -Pip
>
>
> ------------------------------
>
> Message: 8
> Date: Tue, 30 Nov 2010 04:07:25 -0800 (PST)
> From: Mark Toscano <email suppressed>
> Subject: Re: [Frameworks] last call kodachrome
> To: Experimental Film Discussion List <email suppressed>
> Message-ID: <email suppressed>
> Content-Type: text/plain; charset=us-ascii
>
> I know there's been mystery and confusion about this deadline due to various
> dates being cited out there, but I wanted to second Pip's announcement here
> that this is what Dwayne's told me a couple of weeks ago when I asked them
> about it.
>
> Mark
>
>
> --- On Tue, 11/30/10, Pip Chodorov <email suppressed> wrote:
>
>> From: Pip Chodorov <email suppressed>
>> Subject: [Frameworks] last call kodachrome
>> To: "Experimental Film Discussion List" <email suppressed>
>> Date: Tuesday, November 30, 2010, 1:03 AM
>> Just a reminder that in 30 days
>> Dwayne's will stop processing Kodachrome!
>> They will process any rolls received until noon on Dec 30
>> (http://www.dwaynesphoto.com/).
>> So get out your last rolls and film the snow, before it's
>> too late!
>> -Pip
>> _______________________________________________
>> FrameWorks mailing list
>> email suppressed
>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
>
>
>
> ------------------------------
>
> _______________________________________________
> FrameWorks mailing list
> email suppressed
> http://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
> End of FrameWorks Digest, Vol 6, Issue 38
> *****************************************
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