[Frameworks] Part 2 of 2: This week [February 12 - 20, 2011] in avant garde cinema

From: Weekly Listing (email suppressed)
Date: Sun Feb 13 2011 - 09:39:59 PST


Part 2 of 2: This week [February 12 - 20, 2011] in avant garde cinema

-------------------------
FRIDAY, FEBRUARY 18, 2011
-------------------------

2/18
Berlin, Germany: Directors Lounge
http://www.richfilm.de/currentUpload/
starting 6 pm, Meinblau, Pfefferberg, Schönhauser Allee 176, 10119 Berlin Mitte

 THE 7TH BERLIN INTERNATIONAL DIRECTORS LOUNGE
  This year's 7th Berlin International Directors Lounge has attracted an
  outstanding number of international artists and filmmakers to come to
  Berlin, to be personally present and to introduce their programme or
  show their art. The media art festival, organized by Berlin artists,
  will again present not just a selection of this year's best submissions,
  but exhibit a large number of curated programmes on specific topics
  selected by German and international guest curators. Directors Lounge
  features three main programmes every day, together with live music
  events, DJ's and a loop programme at the lounge bar. The lounge invites
  for meetings and discussions, or just a cool chill-out. º*¨¨*º Directors
  Lounge as an initiative of artists encompasses monthly screenings,
  exhibitions and art events for several years now. And, the festival in
  February that features a wide and international spectrum of experimental
  works, documentary films and art works, mostly focussing on the short
  form. This all happens in a relaxed ambience, in the mode of an open
  house, a meeting-point during Berlinale and the idea of a lounge that
  has become much more than an insider's tip in the Berlin art scene.
  º*¨¨*º Beginning with Febr. 10th over the period of ten days, and
  starting at 6 pm, Directors Lounge features a daily programme of
  specials at Meinblau on Pfefferberg in Berlin-Mitte, the heart of
  Berlin. Highlights include composer Michael Nyman, who will personally
  present his film work; Jean-Gabriel Périot, one of the most important
  exponents of French experimental film; the Collectif Jeune Cinéma;
  Alexei Dmitriev (St. Petersburg), shooting star of the international
  curator scene; Berlin gallerist Fridey Mickel; Kika Nicolela (Brazil);
  Klaus W. Eisenlohrs "Urban Research"; the Zebra Poetry Film Festival and
  films by artists of the Myriam Blundell Project (London), to name only a
  few. Following a good old tradition of Directors Lounge's curators, the
  program will be out just shortly before the start of the festival. Check
  it out here: www.directorslounge.net º*¨¨*º º*¨¨*º Meinblau,
  Pfefferberg, Christinenstr. 18 | Schönhauser Allee 176, U Senefelder
  Platz, 10119 Berlin Mitte º*¨¨*º daily from 6 pm - open end º*¨¨*º
  Opening Party: Thurs, 10th, 8 pm º*¨¨*º no admission fee for all
  screenings

2/18
Boston, Massachusetts: ArtsEmerson
http://ArtsEmerson.org
7pm, Paramount Center: Bright Family Screening Room 559 Washington St

 BEAUTY AND THE BEAST; HISTOIRE(S) DU CINéMA
  One of cinema's most enchanting and sensuous excursions into the realm
  of poetic fantasy. To save her father, Belle agrees to live with the
  hideous Beast, eventually transforming him with her love.

2/18
Chicago, Illinois: Film Studies Center
http://filmstudiescenter.uchicago.edu/
7:00pm, University of Chicago, 5811 S. Ellis, Cobb 307

 FORMS/FORCES: AN EVENING WITH FILM ARTIST ROSALIND SCHNEIDER
  Rosalind Schneider has been in the vanguard of Art of the Moving Image
  since the early 1970′s. Throughout her career, Schneider's
  abstract studies have pushed the boundaries of visual language, from
  painting to sculpture to film, video and digital media. Within the last
  decade, Schneider's work was archived in the Museum of Modern Art's
  permanent film collection, and included in 'The Color of Ritual, the
  Color of Thought: Women Avant-Garde Filmmakers in America, 1930-2000,' a
  series at the Whitney Museum of American Art curated by Chrissie Iles.
  Schneider's unique visual language incorporates anamorphic mirrors,
  shadows, and multiple screens to dramatize the forces of nature and the
  human body in motion. This program features a screening and discussion
  with Schneider of her early films, Abstraction (1971) and the
  triple-projected Parallax (1973), both recently restored by NYWIFT's
  Women's Film Preservation Fund, and her stunning Earth Saga (1980).
  Co-sponsored by the Film Studies Center Graduate Student Curatorial
  Program, and the Center for Gender Studies. Free and open to the public.
  Reservations may be made at the Film Studies Center website.

2/18
Gainesville, Florida: FLEX (Florida Experimental Film Festival)
flexfest.org
11pm, THE TOP SECRET SPACE

 MERRY-GO-ROUND
  MERRY-GO-ROUND: A UDIOVISUAL PROJECTION INSTALLATION BY PATRICK NUGENT
  AND SARA SCHNECKLOTH

2/18
Gainesville, Florida: FLEX (Florida Experimental Film Festival)
flexfest.org
7pm, THE TOP SECRET SPACE

 NEITHER HERE NOR THERE
  2005 Census (2:00/HDV/2005-2010/USA) Bryan Boyce; Utopia, Part 3: The
  World's Biggest Shopping Mall (13:09/HD/2009/USA) Sam Green; Sincerity:
  The Character of Ronald Regan (6:22/Video/2010/USA) Chris Royalty; White
  House (8:00/DV/2009/USA) Georg Koszulinski; Common Ground
  (27:00/DVcam/Dec. 2008/USA) Vera Brunner-Sung; Ella (13:00, MiniDV,
  16mm/Feb. 2010/USA-Guatemala) Taylor McIntosh

2/18
Gainesville, Florida: FLEX (Florida Experimental Film Festival)
flexfest.org
9pm, THE TOP SECRET SPACE

 THE PROGRAM IN WHICH...
  Triumph of the Wild (5:20/Video/2008/USA-Netherlands) Martha Colburn;
  Iron-Wood (7:00/16mm/2009/Australia) Richard Tuohy; Toward the Blue
  (9:40/Super 8mm & MiniDV/Jun. 2009/USA) Randy Caspersen; Somewhere Only
  We Know (5:15/Video/2009/USA) Jesse McLean; Sparkle Plenty
  (5:30/Film/Video hybrid/2009/USA) Kerry Laitala; The Laying on of Hands
  (8:20/Video/2010/USA) Nick Twemlow; Make Them Jump (11:00/16mm/Jan.
  2010/USA) Kelly Spivey; Earl (9:05/HDV/2008/USA) Nick Harvey; Bever
  Skull Magick (5:53/Standard Def./2010/Netherlands-Canada) Steve Reinke

2/18
Kansas City, Missouri: Nelson-Atkins Museum of Art
http://www.nelson-atkins.org
7:00 p.m., 4525 Oak Street

 ELECTROMEDIASCOPE
  "InsideOut: New Performance Videos." "Winner," Harry Dodge (USA) and
  Stanya Kahn (USA), 2002, 15:43 min., video. "All Together Now," Harry
  Dodge (USA) and Stanya Kahn (USA), 2008, 26:52 min., video. "Baby,"
  Hester Scheurwater (Holland), 2006, 2 min., video. "Purify," Hester
  Scheurwater (Holland), 2007, 2:30 min., video. "A Family Finds
  Entertainment," Ryan Trecartin (USA), 2004, 42 min., video. Part of
  program continuing from Feb. 11 and to Feb. 25.

---------------------------
SATURDAY, FEBRUARY 19, 2011
---------------------------

2/19
Astoria, Queens, New York: Museum of the Moving Image
www.movingimage.us
3:00 pm, 35 Avenue at 37 Street

 ENIAIOS: CYCLE FIVE
  Saturday, February 19, 3:00 p.m. ENIAIOS: CYCLE FIVE By Gregory
  Markopoulos 263 mins. (4 hours, 23 mins.) Visionary filmmaker and
  American expatriate Gregory Markopoulos (1928-1992) devoted his last
  twenty years to Eniaios, an eighty-hour meditation on the essence of
  cinema, embodied in an intricate fusion of Greek myth, portraiture, and
  landscape. The film was designed to be shown only in its entirety during
  special screenings of its twenty-two cycles, or "orders," in a carefully
  chosen site outside the Peloponnesian village of Lyssaria. At the
  current pace of restoration and preservation, with successive screenings
  of individual cycles every few years, the entire film will not be seen
  until 2028. Museum of the Moving Image will screen Eniaios: Cycle 5 on
  Saturday, February 19, 2011, at 3:00 p.m. Prior to the screening will be
  an hour-long panel discussion, at 1:00 p.m., with Robert Beavers, who
  was Gregory Markopoulos's companion for nearly thirty years and who
  directs the Temenos Association, devoted to the preservation and
  presentation of Markopoulos's work. A panel of noted scholars, including
  Rebekah Rutkoff, Dr. Jeffrey Stout, and Richard Suchenski, will discuss
  Markopoulos's work. This 16mm projection copy of Eniaios: Cycle 5 was
  made possible by a grant from the National Film Preservation Foundation,
  with funding from The Film Foundation. The event is free with museum
  admission. For your reference, an essay by P. Adams Sitney on
  Markopoulos's Eniaios project can be found: here

2/19
Berlin, Germany: Directors Lounge
http://www.richfilm.de/currentUpload/
starting 6 pm, Meinblau, Pfefferberg, Schönhauser Allee 176, 10119 Berlin Mitte

 THE 7TH BERLIN INTERNATIONAL DIRECTORS LOUNGE
  This year's 7th Berlin International Directors Lounge has attracted an
  outstanding number of international artists and filmmakers to come to
  Berlin, to be personally present and to introduce their programme or
  show their art. The media art festival, organized by Berlin artists,
  will again present not just a selection of this year's best submissions,
  but exhibit a large number of curated programmes on specific topics
  selected by German and international guest curators. Directors Lounge
  features three main programmes every day, together with live music
  events, DJ's and a loop programme at the lounge bar. The lounge invites
  for meetings and discussions, or just a cool chill-out. º*¨¨*º Directors
  Lounge as an initiative of artists encompasses monthly screenings,
  exhibitions and art events for several years now. And, the festival in
  February that features a wide and international spectrum of experimental
  works, documentary films and art works, mostly focussing on the short
  form. This all happens in a relaxed ambience, in the mode of an open
  house, a meeting-point during Berlinale and the idea of a lounge that
  has become much more than an insider's tip in the Berlin art scene.
  º*¨¨*º Beginning with Febr. 10th over the period of ten days, and
  starting at 6 pm, Directors Lounge features a daily programme of
  specials at Meinblau on Pfefferberg in Berlin-Mitte, the heart of
  Berlin. Highlights include composer Michael Nyman, who will personally
  present his film work; Jean-Gabriel Périot, one of the most important
  exponents of French experimental film; the Collectif Jeune Cinéma;
  Alexei Dmitriev (St. Petersburg), shooting star of the international
  curator scene; Berlin gallerist Fridey Mickel; Kika Nicolela (Brazil);
  Klaus W. Eisenlohrs "Urban Research"; the Zebra Poetry Film Festival and
  films by artists of the Myriam Blundell Project (London), to name only a
  few. Following a good old tradition of Directors Lounge's curators, the
  program will be out just shortly before the start of the festival. Check
  it out here: www.directorslounge.net º*¨¨*º º*¨¨*º Meinblau,
  Pfefferberg, Christinenstr. 18 | Schönhauser Allee 176, U Senefelder
  Platz, 10119 Berlin Mitte º*¨¨*º daily from 6 pm - open end º*¨¨*º
  Opening Party: Thurs, 10th, 8 pm º*¨¨*º no admission fee for all
  screenings

2/19
Boston, Massachusetts: ArtsEmerson
http://ArtsEmerson.org
7pm, Paramount Center: Bright Family Screening Room 559 Washington St

 BEAUTY AND THE BEAST; HISTOIRE(S) DU CINéMA
  One of cinema's most enchanting and sensuous excursions into the realm
  of poetic fantasy. To save her father, Belle agrees to live with the
  hideous Beast, eventually transforming him with her love.

2/19
Brooklyn, New York: Microscope Gallery
http://www.microscopegallery.com
7pm, 4 Charles Place, Bushwick

 STEPHANIE GRAY: SIG(H)NS - SUPER 8 FILMS
  Bikes. Buildings. Poetry. Metallica... This is what the world is made
  of, as it appears in this selection of short super8 films by Stephanie
  Gray, an out-and-out modern bike heroine riding among urban decadence
  and sighing, lamenting for the disappearance of brick-built pieces of
  reality. Although poetry and metal music can partly relieve her, Poe's
  cravens seem to keep storming over the city pronouncing their nevermore
  at the funerals of empty buildings, houses, stores. Gray is able to zoom
  in and rediscover the beauty of what is simple, the poetry inherent in
  little things, and even a single bike ride to work can find its way to
  happiness. Seeing through her eyes gives us the chance to practice this
  very special, fertile, right - if ever rightness existed - perspective
  on the world. -- andrea monti... "...we just never get used to it, the
  higher and higher we fly and the easier it is to say, "TAKE THIS JOB AND
  SHOVE IT", and soon we burst and it is very very lite, and we just get
  used to the dark, but the reds, and the smokes and the steel and the
  cries of "justice", of "fairness", of "it's the principle of the thing,
  bud", it's like strangers, it's like fire." ... (from "School of Work",
  by Stephanie Gray, published in "Heart Stoner Bingo", 2007)... ...The
  program features 11 super 8 short films by Gray, all projected on film,
  including the premiere of her fresh-from-print "Satanic Bible on
  Interlibrary Loan". A few of them will be projected with live narration
  by the artist. The evening includes works from 1999-2011 including
  2010's "You know they want to disappear Hell's Kitchen as Clinton" as
  well as display of a selection of film still prints.

2/19
Gainesville, Florida: FLEX (Florida Experimental Film Festival)
flexfest.org
1pm, THE HIPPODROME STATE THEATER

 35MM-MARATHON
  Horizontal Boundaries (23:00/35mm/2008/USA) Pat O'Neill; Trypps #7
  (Badlands) (10:00/S16mm/2010/USA) Ben Russell; Trees of Syntax, Leaves
  of Axis (10:00/35mm/2009/Japan-Canada) Daïchi Saïto; Desert 79
  (19:06/35mm/2010/Norway) Anna Abrahams; Lumphini 2552 (3:00/35mm/Sep.
  2009/Thailand) Tomonari Nishikawa; Strips (6:00/35mm/Jan. 2010/Canada)
  Félix Dufour-Laperrière; Coming Attractions (25:00/35mm/2010/Austria)
  Peter Tscherkassky

2/19
Gainesville, Florida: FLEX (Florida Experimental Film Festival)
flexfest.org
7pm, THE TOP SECRET SPACE

 FOR THE LOVERS
  Sweet Clover, A Homecoming (17:25/Super 8mm/May 2010/USA) Jen Heuson;
  Nilda (8:14/Super 8mm/Mar. 2010/Philippines) Joy A. Aquino; Everytime
  (10:31/Digital Video/2010/Netherlands) Boersen & Lukács; Der Spiegel
  (4:55/Digital Video/2007/Isreal-Germany) Keren Cytter; Father Lover
  Friend (7:55/HD Video/2010/USA) Lindsay Foster; Fantasy Suite
  (7:17/Digital Video/Jul. 2009/USA) Kent Lambert; The Voyagers
  (16:30/DV/Jun. 2010/USA) Penny Lane

2/19
Gainesville, Florida: FLEX (Florida Experimental Film Festival)
flexfest.org
9pm, THE TOP SECRET SPACE

 AUGENLICHT
  Varfix (8:23/HD/Jan. 2010/Japan) Kotaro Tanaka; ...These Blazing Starrs!
  (14:27/16mm/2011/USA) Deborah Stratman; New Year Sun
  (3:00/16mm/2010/USA) Sun Jonathan Schwartz; Day/Night (Devil's
  Milhopper) (4:56/16mm/Apr. 2009/USA) Andres E. Arocha; Retrograde
  Premonition (5:00/HD/2010/USA) Leighton Pierce; Light from the Mesa
  (7:00/Super 8mm/2010/USA) Paul Clipson; Rayning (7:00/16mm/2010/USA)
  Robert Todd; Head Garden (3:50/Digital Video/2009/USA) Lilli Carré;
  Compressive/Percussive (18:00/Digital Video/2010/USA) Scott Stark

2/19
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:00 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: MARIE MENKEN PROGRAM 1
  All films preserved by Anthology Film Archives. VISUAL VARIATIONS ON
  NOGUCHI (1955, 4 minutes, 16mm, b&w) HURRY! HURRY! (1957, 3 minutes,
  16mm) GLIMPSE OF THE GARDEN (1957, 5 minutes, 16mm) DWIGHTIANA (1959, 3
  minutes, 16mm, score by Teiji Ito) BAGATELLE FOR WILLARD MAAS (1961, 5
  minutes, 16mm) NOTEBOOK (1962-63, 10 minutes, 16mm, silent) MOOD
  MONDRIAN (1961, 7 minutes, 16mm, silent) EYE MUSIC IN RED MAJOR (1961, 4
  minutes, 16mm, silent) ANDY WARHOL (1965, 22 minutes, 16mm) Marie Menken
  represents the lyrical sensibility in the American avant-garde film. She
  manages to get the maximum visual intensity from minimally photogenic
  subjects. Her usage of single-frame and her poetic attitude and purity
  had a strong influence on many filmmakers of the sixties. Total running
  time: ca. 70 minutes.

2/19
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:30 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: MARIE MENKEN PROGRAM 2
  All films preserved by Anthology Film Archives. WRESTLING (1964, 8
  minutes, 16mm, b&w, silent) MOONPLAY (1962, 5 minutes, 16mm, b&w) DRIPS
  IN STRIPS (1961, 3 minutes, 16mm, silent) GO! GO! GO! (1962-64, 12
  minutes, 16mm, silent) LIGHTS (1964-66, 7 minutes, 16mm, b&w, silent)
  SIDEWALKS (1966, 7 minutes, 16mm, b&w, silent) EXCURSION (1968, 5
  minutes, 16mm) WATTS WITH EGGS? (1967, 12 minutes, 16mm, silent)
  ARABESQUE FOR KENNETH ANGER (1961, 4 minutes, 16mm) Total running time:
  ca. 70 minutes.

2/19
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue

 ROSE LOWDER PROGRAM
  FILMMAKER IN PERSON! NYC PREMIERE OF NEW WORK! Anthology is delighted to
  present a program of films by French experimental filmmaker Rose Lowder,
  featuring several brand-new works which will be enjoying their NYC
  premiere! Lowder has been a prolific practitioner of perceptual
  experiments with 16mm film since the 1970s. She has composed more than
  50 films, mostly in and around her home in the beautiful Avignon region
  of France. Lowder's breathtaking and carefully composed films explore
  landscape and cityscape using a unique single-frame structure. After
  training as a painter and sculptor in artist studios and art schools in
  Lima, Lowder worked in London as an artist while earning a living as a
  film editor. Since 1977 she has been active as a film curator, as well
  as a filmmaker. In order to make her body of work available to a wider
  public, she compiled a collection of films and paper documents, The
  Experimental Film Archive of Avignon (1981). In 1982, she co-founded the
  experimental film distribution organization, Lightcone, which currently
  circulates more than 3,500 films throughout Europe and the U.S. Lowder
  is still active with Lightcone and regularly tours France and Europe as
  a film curator. Lowder has not visited the U.S. since the late-80s, and
  so we are overjoyed to welcome her back for this evening's program. "I
  have shot many reels of film, and I build on my past experience, but
  each reel covers new ground. To me, a project isn't interesting if I
  know exactly what's going to happen. I could film a flowerpot, but that
  would be cinematographically totally boring. I want the subject that I'm
  filming to be living its own life." –Rose Lowder LES TOURNESOLS COLORÉS
  / COLORED SUNFLOWERS (1983, 3 minutes, 16mm, silent) QUIPROQUO (1992, 13
  minutes, 16mm. Music by Katie O'Looney.) BOUQUETS 1-10 (1994-95, 11.5
  minutes, 16mm, silent) JARDINS DU MARAIS / MARSH GARDENS (2010, 2.5
  minutes, 16mm, silent) FLEUR DE SEL / SEA SALT FLOWER (2010, 32 minutes,
  16mm. Music by François Alexis Degrenier) Total running time: ca. 65
  minutes.

2/19
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30PM, 992 Valencia Street

 SAT. 2/19: KUCHAR’S SECRET OF WENDEL SAMSON +
  In the afterglow of Valentine's, the season opens with a celebration of
  all things erotic. Headlining is Mike Kuchar (in person) with his '66
  masterpiece, The Secret of Wendel Samson. Co-billed is the world
  premiere of a three-part sex suite, Absinthe, by Jason Mitchell and
  Stacey Ransom (in person). ALSO Ximena Cuevas' The Bed, Arlene Sanders'
  The Mulberry Bush, Kronhausen's legendary PsychoMontage, and in person,
  Kerry Laitala's Pin-Up in 3-D! PLUS Mike Olenick's Rabid, Julia
  Ostertag's SexJunkie, Dinorah de Jesus Rodriguez' XXX, Jean Painlevé's
  Sex Life of an Octopus, and an ultra-rare found fragment of Jack Smith
  and Gerard Malanga rolling around in bed! Come early to this inaugural
  event for PornOrchestra music, free sangria and condoms, bouquets of
  flowers, and Ms. Laitala's stereoscopic installations!

-------------------------
SUNDAY, FEBRUARY 20, 2011
-------------------------

2/20
Berlin, Germany: Directors Lounge
http://www.richfilm.de/currentUpload/
starting 6 pm, Meinblau, Pfefferberg, Schönhauser Allee 176, 10119 Berlin Mitte

 THE 7TH BERLIN INTERNATIONAL DIRECTORS LOUNGE
  This year's 7th Berlin International Directors Lounge has attracted an
  outstanding number of international artists and filmmakers to come to
  Berlin, to be personally present and to introduce their programme or
  show their art. The media art festival, organized by Berlin artists,
  will again present not just a selection of this year's best submissions,
  but exhibit a large number of curated programmes on specific topics
  selected by German and international guest curators. Directors Lounge
  features three main programmes every day, together with live music
  events, DJ's and a loop programme at the lounge bar. The lounge invites
  for meetings and discussions, or just a cool chill-out. º*¨¨*º Directors
  Lounge as an initiative of artists encompasses monthly screenings,
  exhibitions and art events for several years now. And, the festival in
  February that features a wide and international spectrum of experimental
  works, documentary films and art works, mostly focussing on the short
  form. This all happens in a relaxed ambience, in the mode of an open
  house, a meeting-point during Berlinale and the idea of a lounge that
  has become much more than an insider's tip in the Berlin art scene.
  º*¨¨*º Beginning with Febr. 10th over the period of ten days, and
  starting at 6 pm, Directors Lounge features a daily programme of
  specials at Meinblau on Pfefferberg in Berlin-Mitte, the heart of
  Berlin. Highlights include composer Michael Nyman, who will personally
  present his film work; Jean-Gabriel Périot, one of the most important
  exponents of French experimental film; the Collectif Jeune Cinéma;
  Alexei Dmitriev (St. Petersburg), shooting star of the international
  curator scene; Berlin gallerist Fridey Mickel; Kika Nicolela (Brazil);
  Klaus W. Eisenlohrs "Urban Research"; the Zebra Poetry Film Festival and
  films by artists of the Myriam Blundell Project (London), to name only a
  few. Following a good old tradition of Directors Lounge's curators, the
  program will be out just shortly before the start of the festival. Check
  it out here: www.directorslounge.net º*¨¨*º º*¨¨*º Meinblau,
  Pfefferberg, Christinenstr. 18 | Schönhauser Allee 176, U Senefelder
  Platz, 10119 Berlin Mitte º*¨¨*º daily from 6 pm - open end º*¨¨*º
  Opening Party: Thurs, 10th, 8 pm º*¨¨*º no admission fee for all
  screenings

2/20
Gainesville, Florida: FLEX (Florida Experimental Film Festival)
flexfest.org
11pm, THE TOP SECRET SPACE

 WRAP UP AFTER PARTY AND AWARDS CEREMONY
  LIVE VJ PERFORMANCE BY AMANDA JUSTICE

2/20
Gainesville, Florida: FLEX (Florida Experimental Film Festival)
flexfest.org
4pm, THE TOP SECRET SPACE

 HERE AND THERE
  Scene 32 (5:00/16mm and HD to digital/2009/India-USA) Shambhavi Kaul;
  Twin Propellers (3:00/Super 8mm, 2010/USA) Jason Halprin; 5 Lessons and
  9 Questions About Chinatown (9:54/ HD/ Feb. 2010/USA) Shelly Silver;
  Long for the City (9:10/Super 8mm/2008/USA) Jem Cohen; The Indian
  Boundary Line (41:00/16mm, 8mm, Super 8mm/2010/USA) Thomas Comerford

2/20
Gainesville, Florida: FLEX (Florida Experimental Film Festival)
flexfest.org
7pm, THE TOP SECRET SPACE

 PEOPLE, FOR A CHANGE, AND BIRDS
  Mugs (4:00/Mini DV/2008/USA) Ronnie Cramer; Irma
  (13:00/HDTV/2010/Mexico-USA) Charles Fairbanks; Villa 31 Buenos Aires
  (5:00/DVC Pro/2010/Spain) Chus Dominique; Immokalee, My Home
  (16:00/Super-8mm/Nov. 2009/USA) Kevin T. Allen & Jennifer L. Heuson;
  AM/PM (9:00/16mm/2010/USA) Brigid McCaffrey; Avó (Muidumbe)
  (10:49/DV-CAM/2009/Portugal) Raquel Schefer; Destination Finale
  (9:15/8mm/2008/Germany) Philip Widmann; The Commoners (12:30/HDV/Jul.
  2009/USA) Jessica Bardsley and Penny Lane

2/20
Gainesville, Florida: FLEX (Florida Experimental Film Festival)
flexfest.org
9pm, THE TOP SECRET SPACE

 LOOK/TOUCH
  Posthaste Perennial Pattern (3:38/16mm/2010/USA) Jodie Mack; Piel Canela
  (3:30/16mm/2010/USA) Linda Scobie; Sutrapeze (5:30/HD/2010/Netherlands)
  Pim Zwier; Esthesia (4:12/Video/Jun. 2010/USA) Kyle Sullivan; Flyscreen
  (8:00/16mm/2010/Australia) Richard Tuohy; Way Fare
  (6:30/DV/2009/Germany) Sylvia Schedelbauer; Horizon Line (1:00/HDV/USA)
  Katherin McInnis; Trilogía Sin Título (12:00/Super
  8/2008-2009/Argentina) Pablo Marín; Tokyo--Ebisu (5:00/16mm/Sep.
  2010/Japan) Tomonari Nishikawa; How Should You Pick Up the Ball and
  Throw It? (2:00/16mm/2009/USA) Zach Iannazzi; TUSSLEMUSCLE
  (5:00/16mm/Nov. 2009/USA) Steve Cossman; Collide-O-Scope (3:24/Super
  8mm/Jan. 2010/England) Naren Wilks; Special Offer Inside
  (4:30/16mm/2010/USA) Jodie Mack; 28.IV.81 (Bedouin Sparks)
  (2:49/16mm/Jan. 2009/USA) Christopher Harris

2/20
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30pm, The Echo Park Film Center, 1200 N Alvarado St. (@ Sunset Blvd.) Los Angeles, CA 90026

 FRED WORDEN: ILLUSIONS AND ALTERCATIONS
  Fred Worden in person! Los Angeles Filmforum is proud to welcome
  one-time Angeleno Fred Worden for a program of eight film and digital
  video shorts spanning the mid-'80s to the present day. Worden has been
  making experimental film since the mid 1970s and has had his work shown
  at the 2002 Whitney Biennial, The Museum of Modern Art, The Centre
  Pompidou, The Pacific Film Archive, The New York Film Festival, The
  London Film Festival, The Rotterdam International Film Festival, The
  Toronto Film Festival, The Hong Kong International Film Festival and
  numerous other experimental film venues. He is currently an Associate
  Professor in the Department of Visual Arts at UMBC.

2/20
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:45 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: MELIES PROGRAM 1
  All films in this program are b&w and silent. THE CONJUROR /
  L'ILLUSIONISTE FIN DE SIÈCLE (1899, 1 minute, 35mm) TRIP TO THE MOON /
  VOYAGE DANS LA LUNE (1902, 12 minutes, 35mm) THE PALACE OF THE ARABIAN
  NIGHTS / LE PALAIS DES MILLE ET UNE NUITS (1905, 21 minutes, 35mm)
  DELIRIUM IN A STUDIO / ALI BARBOUYOU ALI BOUF À L'HUILE (1907, 5
  minutes, 35mm) MERRY FROLICS OF SATAN / LES QUATRES CENT FARCES DU
  DIABLE (1906, 18 minutes, 35mm) Magician, master of special effects,
  Méliès broke with the realistic (Lumière) mode of cinema and celebrated
  unlimited fantasy and artificiality (in its best sense). Total running
  time: ca. 60 minutes.

2/20
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:15 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: MELIES PROGRAM 2
  The films on this program are hand-tinted and silent. THE CASCADE OF
  FIRE / LA CASCADE DE FEU (1904, 3 minutes, 35mm) A DIABOLICAL TENANT /
  UN LOCATAIRE DIABOLIQUE (1909, 8 minutes, 35mm) THE HUNCHBACK FAIRY / LA
  FÉE CARABOSSE (1906, 13 minutes, 35mm) VOYAGE ACROSS THE IMPOSSIBLE / LE
  VOYAGE À TRAVERS L'IMPOSSIBLE (1904, 20 minutes, 35mm) Total running
  time: ca. 50 minutes.

2/20
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:30 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: MELIES PROGRAM 3
  All films in this program are b&w and silent. EXTRAORDINARY ILLUSIONS /
  ILLUSIONS FUNAMBULESQUES (1903, 3 minutes, 16mm) THE ENCHANTED WELL / LE
  PUITS FANTASTIQUE (1903, 3 minutes, 16mm) THE APPARITION / LE REVENANT
  (1903, 3 minutes, 16mm) TUNNEL UNDER THE CHANNEL / LE TUNNEL SOUS LA
  MANCHE (1907, 25 minutes, 16mm) SIGHTSEEING THROUGH WHISKY / PAUVRE JEAN
  OU LES MESAVENTURES D'UN BUVEUR (1909, 5 minutes, 16mm) THE DOCTOR'S
  SECRET / HYDROTHÉRAPIE FANTASTIQUE (1909, 11 minutes, 16mm) Total
  running time: ca. 55 minutes.

2/20
Seattle, Washington: Northwest Film Forum
http://www.nwfilmforum.org
8pm, 1515 12th Ave (at Pike)

 LONG LIVE OUR LOVE
  Recent works by Michael Robinson, Ben Russell and Laida Lertxundi -
  Director Laida Lextundi in attendance! A desert wind is blowing, a
  bright light flickering out from far beyond that half-blue horizon. This
  landscape is a skyscape, it is a rotating mirror, it is a stuttering
  television image. You and I are there as well - we are jungled and we
  are masked, we are lost but we are holding hands. We have song and bell
  and bird for guides, and with you and you standing next to me, this is
  certainly all we need: Long Live Our Love!

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