Part 1 of 2: This week [October 8 - 16, 2011] in avant garde cinema
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NEW FILM/VIDEO: NON-FEATURE:
============================
"Field Notes: Processing the Idea of Nature in Los Angeles" by kate lain
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=480.ann
NEW CALLS FOR ENTRIES:
=====================
Need a creative escape?ARTErra rural artistic residency (PT) LAST VACANCIES (Tondela, Portugal; Deadline: September 24, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1361.ann
The Journal of Short Film Volume 25 (Columbus, Ohio USA; Deadline: October 28, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1362.ann
Black Maria Film + Video Festival (Jersey City, NJ, USA; Deadline: November 26, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1363.ann
Fermynwoods Contemporary Art (UK; Deadline: October 24, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1364.ann
EcoFocus Film Festival (Athens, GA USA; Deadline: October 22, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1365.ann
Magmart | international videoart festival - VII edition (Naples, Irìtaly; Deadline: February 29, 2012)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1366.ann
Best Shorts Competition (La Jolla, Ca USA; Deadline: December 16, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1367.ann
Indie Fest (La Jolla, Ca USA; Deadline: October 28, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1368.ann
Accolade Competition (La Jolla, Ca USA; Deadline: November 18, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1369.ann
DEADLINES APPROACHING:
======================
Midnight Black Festival Of Darkness (Los Angeles CA USA; Deadline: October 08, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1317.ann
Images Festival (Toronto, Ontario, Canada; Deadline: October 17, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1336.ann
ARTErra-rural artistic residency (Tondela, Portugal; Deadline: October 31, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1340.ann
MONO NO AWARE V (Brooklyn, NY USA; Deadline: November 09, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1357.ann
The Journal of Short Film Volume 25 (Columbus, Ohio USA; Deadline: October 28, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1362.ann
Fermynwoods Contemporary Art (UK; Deadline: October 24, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1364.ann
EcoFocus Film Festival (Athens, GA USA; Deadline: October 22, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1365.ann
Indie Fest (La Jolla, Ca USA; Deadline: October 28, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1368.ann
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THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Views From the Avant Garde: Studies For the Decay of the West [October 8, New York, New York]
* Views From the Avant Garde: Cabinet of Curiosities [October 8, New York, New York]
* Harun Farocki Program 3: Images of the World and the Inscription of War [October 8, New York, New York]
* Harun Farocki Program 1 [October 8, New York, New York]
* Harun Farocki Program 6: How To Live In the Federal Republic of Germany [October 8, New York, New York]
* In Comparison [October 8, New York, New York]
* Harun Farocki Program 9 [October 8, New York, New York]
* Views From the Avant Garde: Looking Through A Glass Onion [October 8, New York, New York]
* Views From the Avant Garde: Jean-Marie Straub [October 8, New York, New York]
* Views From the Avant Garde: Voluptuous Sleep [October 8, New York, New York]
* Views From the Avant Garde: Daniel Eisenberg: the Unstable Object [October 8, New York, New York]
* Views From the Avant Garde: Kevin Jerome Everson [October 8, New York, New York]
* Views From the Avant Garde: Jerome Hiler & Nathaniel Dorsky [October 8, New York, New York]
* Views From the Avant Garde: John Zorn: A Film In 15 Scenes [October 8, New York, New York]
* Views From the Avant Garde: George Kuchar [October 8, New York, New York]
* Webmasters/Webslaves [October 8, San Francisco, California]
* Dream States: the Avant-Garde of the 1940s and 1950s [October 9, Los Angeles, California]
* Harun Farocki Program 6: How To Live In the Federal Republic of Germany [October 9, New York, New York]
* Creators of the Shopping Worlds [October 9, New York, New York]
* Harun Farocki Program 11 [October 9, New York, New York]
* Harun Farocki Program 12 [October 9, New York, New York]
* Views From the Avant Garde: the Soul and the Stem [October 9, New York, New York]
* Views From the Avant Garde: virgin Springs [October 9, New York, New York]
* Views From the Avant Garde: Jerome Hiler & Nathaniel Dorsky [October 9, New York, New York]
* Views From the Avant Garde: the Pettifogger [October 9, New York, New York]
* Views From the Avant Garde: Ladders and Tracks [October 9, New York, New York]
* Views From the Avant Garde: John Zorn: A Film In 15 Scenes [October 9, New York, New York]
* Views From the Avant Garde: the Red and the Black [October 9, New York, New York]
* Animation of the Unconsciousness: Calarts and the Teachings of Jules
Engel [October 10, Los Angeles, California]
* Views From the Avant Garde: Cabinet of Curiosities [October 10, New York, New York]
* Harun Farocki Program 7 [October 10, New York, New York]
* In Comparison [October 10, New York, New York]
* Views From the Avant Garde: Aurand/MuÑOz/Sami [October 10, New York, New York]
* Views From the Avant Garde: Jean-Marie Straub [October 10, New York, New York]
* Views From the Avant Garde: Looking Through A Glass Onion [October 10, New York, New York]
* Views From the Avant Garde: the Pettifogger [October 10, New York, New York]
* Views From the Avant Garde: virgin Springs [October 10, New York, New York]
* Views From the Avant Garde: Paul Clipson Super 8 Performance [October 10, New York, New York]
* Views From the Avant Garde: Two Years At Sea [October 10, New York, New York]
* Views From the Avant Garde: Bitches Brew [October 10, New York, New York]
* Views From the Avant Garde: Twenty Cigarettes [October 10, New York, New York]
* Fixc Program 1 [October 11, New York, New York]
* Fixc Program 2 [October 11, New York, New York]
* Vampyr [October 11, Reading, Pennsylvania]
* Paul Sharits: An Open Cinema [October 12, Berkeley, California]
* Fixc Program 3 [October 12, New York, New York]
* Fixc Program 4 [October 12, New York, New York]
* Paul Sharits: An Open Cinema [October 13, Berkeley, California]
* Steina! [October 13, Chicago, Illinois]
* Santiago Sierra and Takeshi Murata Doublebill and Uk Premieres [October 13, London, England]
* Materia Obscura [October 13, Montreal, Quebec, Canada]
* Audio-Visual Performance: 49 Flies [October 13, Montreal, Quebec, Canada]
* Essential Cinema: Nanook of the North [October 13, New York, New York]
* This Side of Paradise [October 13, New York, New York]
* Essential Cinema: Man of Aran [October 13, New York, New York]
* Yanqui Walker and the Optical Revolution [October 14, Boston, Massachusetts]
* Werner Schroeter/Elfi Mikesch: A Voice That Lingers [October 14, Los Angeles, California]
* Rinse, Repeat, Restore - Conferences of Mark Toscano and Gustav Deutch On
Film Archive [October 14, Montreal, Quebec, Canada]
* New and Unseen Super-8 Films By Boston Filmmakers [October 15, Boston, Massachusetts]
* Werner Schroeter/Elfi Mikesch: A Voice That Lingers [October 15, Los Angeles, California]
* Essential Cinema: Jordan/Levitt/Maas Program [October 15, New York, New York]
* Lo-Tech Hi-Jinx [October 15, San Francisco, California]
* Patrick Keiller's Robinson In Ruins [October 15, Toronto, Ontario, Canada]
* My Favorite Color Is Blue [October 16, Boston, Massachusetts]
* Por La Noche Volvió Delirando "Todo Es Agua” [October 16, Montreal, Quebec, Canada]
* Essential Cinema: Hollis Frampton Program [October 16, New York, New York]
* Misalt Screening Series Presents: Glitch Vs Scratch [October 16, San Francisco, California]
* American Originals Now: Lynne Sachs [October 16, Washington, DC]
Events are sorted by CITY within each DATE.
-------------------------
SATURDAY, OCTOBER 8, 2011
-------------------------
10/8
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
1:15pm, Walter Reade Theate
VIEWS FROM THE AVANT GARDE: STUDIES FOR THE DECAY OF THE WEST
Klaus Wyborny, Germany, 2010, 80m Filmmaker in person!
10/8
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
11:15am, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: CABINET OF CURIOSITIES
Between Gold: Jonathan Schwartz, U.S., 2011, 10m 42s; Tin Pressed: Dani
Leventhal, U.S., 2011, 6m 23s; Fifteen an Hour: Kevin Jerome Everson,
U.S., 2011, 6m; Tableaux Vivants: Vincent Grenier, U.S., 2011, 10m 20s;
Curious Light: Charlotte Pryce, U.S., 2011, 4m 12s; Forms Are Not
Self-Subsistent Substances: Samantha Rebello, U.K., 2010, 22m; The
Matter Propounded, of its Possibility or Impossibility, treated in four
Parts: David Gatten, U.S., 2011, 13m; from Jhana and the Rats of James
Olds: Miniatures : Stephanie Barber, U.S., 2011, 2m; Degas: Stephanie
Barber, U.S., 2011, 58s; The Eclipse: Stephanie Barber, U.S., 2011, 33s;
ransom notes: Kelly Egan, Canada, 2011, 4m; Conjuror's Box : Kerry
Laitala, U.S., 2011, 4m.
10/8
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
3:15 pm, 32 2nd Avenue
HARUN FAROCKI PROGRAM 3: IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR
See notes for October 5, 9:00 pm.
10/8
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:00 pm, 32 2nd Avenue
HARUN FAROCKI PROGRAM 1
See notes for October 4, 7:30 pm.
10/8
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:00 pm, 32 2nd Avenue
HARUN FAROCKI PROGRAM 6: HOW TO LIVE IN THE FEDERAL REPUBLIC OF GERMANY
HOW TO LIVE IN THE FEDERAL REPUBLIC OF GERMANY / LEBEN – BRD 1990, 83
minutes, 16mm. "A mordantly comic montage of short scenes taken from 32
instructional classes, as well as therapy and test sessions. The film
alternates between two kinds of activity: simulations and exercises
carried out by human beings (learning about everything from child care
to striptease to war to sales techniques to auto safety) and products
being tested without visible human intervention. … The thin line
separating socialization from indoctrination is repeatedly traversed –
and the implication is that while diverse appliances are being tested
for human use, humans are being trained and tested so they can aspire to
the performance level of appliances." –Jonathan Rosenbaum, CHICAGO
READER
10/8
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
IN COMPARISON
IN COMPARISON / ZUM VERGLEICH 2009, 61 minutes, 16mm. For his most
recent film, Farocki observes the process of manufacturing bricks, in
various cultures, and across different modes and scales of production.
"For IN COMPARISON, I wanted to make a film about concomitance, and
about contemporary production on a range of different technical levels.
So I looked for an object that had not changed too much in the past few
thousand years. This could have been a shoe or a knife, but a brick
becomes part of a building and therefore part of our environment. So the
brick appears as something of a poetic object. I follow its mode of
creation and use in Africa, India, and Europe." –H.F.
10/8
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:00 pm, 32 2nd Avenue
HARUN FAROCKI PROGRAM 9
THE APPEARANCE / DER AUFTRITT 1996, 40 minutes, video. "Farocki once
again takes us into the world of advertising. An advertising agency has
to pitch a marketing concept to an optician's consortium, represented by
the manager who is the first to see the campaign. The logo submitted,
'Eyedentity', is examined from every angle: it must simultaneously
express both the company's dynamism and its reliability! A fascinating,
dispassionate glimpse behind closed doors, where every detail is
dramatized to win that lucrative contract." –Jörg Becker & THE INTERVIEW
/ DIE BEWERBUNG 1997, 58 minutes, video. "In the summer of 1996, we
filmed application training courses in which one learns how to apply for
a job. School drop-outs, university graduates, people who have been
retrained, the long-term unemployed, recovered drug addicts, and
mid-level managers – all of them are supposed to learn how to market and
sell themselves, a skill to which the term 'self management' is applied.
The self is perhaps nothing more than a metaphysical hook from which to
hang a social identity." –H.F.
10/8
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
1:45pm, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: LOOKING THROUGH A GLASS ONION
Passage Upon the Plume: Fern Silva, U.S., 2011, 6m 46s; Shayne's
Rectangle : Dani Leventhal, U.S., 2011, 5m 4s; Line Describing Your Mom:
Michael Robinson, U.S., 2011, 5m 50s; Gossip: Bobby Abate, U.S., 2011,
8m 19s; from Jhana and the Rats of James Olds: Tatum's Ghost: Stephanie
Barber, U.S., 2011, 3m 45s The Death of the Gorilla: Peter Mays, U.S.,
1966, 16m (new restoration by the Academy Film Archive); By foot-candle
light: Mary Helena Clark, U.S., 2011, 9m; A Lax Riddle Unit: Laida
Lertxundi, Spain, 2011, 6m; Sounding Glass: Sylvia Schedelbauer,
Germany, 2011, 7m; The Evil Eyes: Bobby Abate, U.S., 2010, 18m.
10/8
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
11am, Walter Reade Theate
VIEWS FROM THE AVANT GARDE: JEAN-MARIE STRAUB
Lothringen! co-directed with Danièle Huillet France, 1994, 20m Un
héritier France/South Korea, 2011, 20m L'Inconsolable France, 2011, 15m
Schakale und Araber Switzerland, 2011, 11m
10/8
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
4:15pm, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: VOLUPTUOUS SLEEP
Betzy Bromberg, U.S., 2011, 95m FIlmmaker in person!
10/8
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
4pm, Walter Reade Theate
VIEWS FROM THE AVANT GARDE: DANIEL EISENBERG: THE UNSTABLE OBJECT
Less and Less / Toujours moins Luc Moullet, France, 2010, 14m The
Unstable Object U.S./Germany/Turkey, 2011, 69m Daniel Eisenberg in
person!
10/8
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
6:45pm, Walter Reade Theate
VIEWS FROM THE AVANT GARDE: KEVIN JEROME EVERSON
Quality Control U.S., 2011, 70m 42s The Prichard U.S., 2011, 11m 18s
10/8
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
7:15pm, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: JEROME HILER & NATHANIEL DORSKY
Words of Mercury: Jerome Hiler, U.S., 2011, 25m; The Return: Nathaniel
Dorsky, U.S., 2011, 27m. Both filmmakers in person!
10/8
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
9:30pm, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: JOHN ZORN: A FILM IN 15 SCENES
15 scenes: 254 shots Gobolux, U.S., 2011, 15m Well Then There Now Lewis
Klahr, U.S., 2011, 19m 30s Bare Room Joey Izzo, U.S., 2011, 31m 33s
arcana Henry Hills, U.S./Austria, 2011, 33m John Zorn and all filmmakers
in person at October 8 screening!
10/8
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
9:45pm, Walter Reade Theater
VIEWS FROM THE AVANT GARDE: GEORGE KUCHAR
Lingo of the Lost: U.S., 2010, 37m 45s. Empire of Evil: U.S., 2011, 50m
10/8
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, ATA, 992 Valencia Street
WEBMASTERS/WEBSLAVES
RIP IN PIECES AMERICA + DEAR BILL + DEAR STEVE + ANONYMOUS + A program
on the politics of social media: Dominic Gagnon's Rip in Pieces is a
riveting compilation of "extremist" videos removed from YouTube (for
ideological, not sexual content). ALSO: Still making headlines, Steve
Jobs is the addressee in Herman Asselberghs' Dear Steve, a trenchant
analysis of the "new hegemony" of new media, whilst we witness the
disassembly of one of Jobs' laptops! AND Sarah Christman's Dear Bill,
emailed to—you guessed it—Bill Gates, taken to task for his
less-than-accessible archival empire. PLUS Greg Berger's inspirational
interview with a Cairo blogger/activist, Egypt: How We Did It; Julian
Assange in a WikiLeaks infomercial; and an open letter from the
hactivist group, Anonymous. Come early for cheap spiked coffee and
Andrew Wilson's Global Countdown.
-----------------------
SUNDAY, OCTOBER 9, 2011
-----------------------
10/9
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30pm, The Spielberg Theater at the Egyptian, 6712 Hollywood Blvd (at Las Palmas)
DREAM STATES: THE AVANT-GARDE OF THE 1940S AND 1950S
This program launches LA Filmforum's screening series Alternative
Projections: Experimental Film in Los Angeles, 1945-1980. The series
will feature over 24 shows between now and May 2012. Alternative
Projections is Filmforum's exploration of the community of filmmakers,
artists, curators and programmers who contributed to the creation and
presentation of experimental film and video in Southern California in
the postwar era. This program includes Meshes of the Afternoon by Maya
Deren (1943), Juliet by Man Ray (ca.1940), Salvador Dali sequence from
Hitchcock's Spellbound (1945), Fireworks by Kenneth Anger (1947), On the
Edge by Curtis Harrington (1949/2003), Psyche (Du sang, de la volupté et
de la mort, part 1) by Gregory Markopoulos (1947), House of Cards by
Joseph Vogel (1947), and What is a Man? By Sara Kathryn Arledge (1958).
10/9
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
2:45 pm, 32 2nd Avenue
HARUN FAROCKI PROGRAM 6: HOW TO LIVE IN THE FEDERAL REPUBLIC OF GERMANY
See notes for October 7, 7 pm.
10/9
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:45 pm, 32 2nd Avenue
CREATORS OF THE SHOPPING WORLDS
THE CREATORS OF THE SHOPPING WORLDS / DIE SCHÖPFER DER EINKAUFSWELTEN
2001, 72 minutes, video. "Everyone is familiar with this experience [of
shopping] and knows what a mall looks like. This self-evident phenomenon
is, however, the result of a highly complex process. The designing of
shopping malls is overseen by an army of planners, managers and
scientists. … Farocki shows how mall producers look at malls when they
want to find out, for example, how passers-by move, where they stop and
where they reach for an article. He adds these images to the everyday
ones – and gives them a magical charge." –Antje Ehmann
10/9
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:30 pm, 32 2nd Avenue
HARUN FAROCKI PROGRAM 11
WHAT'S UP? / WAS IST LOS? 1991, 60 minutes, 16mm. "How a look can be
turned toward its goal by grasping and measuring its covetousness is
shown in an exemplary fashion in WHAT'S UP? in a motif depicting a
postcard of a painting by Titian in an eye-mark recorder. Elsewhere
topographical test images of the human brain record stimulus-response
patterns during visual trials by measuring brainwaves (calibration
curves). Research on the effectiveness of advertising investigates the
question of what advertisements affect what regions of the brain, what
scenes 'work' – images for an 'inward' colonization of the human body,
at once a commodity and a market." –Jörg Becker & RESPITE / AUFSCHUB
2007, 40 minutes, video, silent. Resurrects footage shot by Rudolf
Breslauer, an inmate of a Dutch transit camp for Jews during WWII. The
images we see of incoming and outgoing trains, prisoners being
processed, and daily camp life are set to Farocki's silent intertitle
commentary.
10/9
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:45 pm, 32 2nd Avenue
HARUN FAROCKI PROGRAM 12
PRISON IMAGES / GEFÄNGNISBILDER 2000, 60 minutes, video. "A film
composed of images from prisons. Quotes from fiction films and
documentaries as well as footage from surveillance cameras. A look at
the new control technologies, at personal identification devices,
electronic ankle bracelets, electronic tracking devices. The cinema has
always been attracted to prisons." –H.F. & NOTHING VENTURED / NICHT OHNE
RISIKO 2004, 50 minutes, video. The film follows the negotiations
between a mid-sized company and a venture capital firm as the company
looks for capital to start production on its invention. Farocki limits
himself to observing events without comment. It's a microscopic look at
one cell of today's economy, an ethnographic portrait of a commonplace
business dealing.
10/9
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
12pm, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: THE SOUL AND THE STEM
Señora con Flores / Woman with Flowers: Chick Strand; Jan Villa: Natasha
Mendonca; The Sole of the Foot: Robert Fenz; Correspondence: Robert Fenz
10/9
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
1pm, Walter Reade Theater
VIEWS FROM THE AVANT GARDE: VIRGIN SPRINGS
Baptismal Sticks and Stones: April Simmons, U.S., 2011, 6m 50s; Devil's
Gate: Laura Kraning, U.S., 2011, 20m; Twice Removed: Leslie Thornton,
U.S., 2011, 9m ; Ricky: Janie Geiser, U.S., 2011, 11m; Silent Springs :
Erin Espelie, U.S., 2011, 12m 57s; Gazette: Eléonore de Montesquiou,
Russia/Estonia, 2009, 4m 12s; Kudzu Vine: Josh Gibson, U.S., 2011,
19.52m.
10/9
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
2:45pm, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: JEROME HILER & NATHANIEL DORSKY
Words of Mercury: Jerome Hiler, U.S., 2011, 25m; The Return: Nathaniel
Dorsky, U.S., 2011, 27m. Both filmmakers in person!
10/9
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
3:30pm, Walter Reade Theater
VIEWS FROM THE AVANT GARDE: THE PETTIFOGGER
Lewis Klahr, U.S., 2011, 65m Filmmaker in person October 9 screening!
10/9
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
5:30pm, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: LADDERS AND TRACKS
Berlin Tracks 18h00-20h00 Shiloh Cinquemani, U.S./Germany, 2011, 2m 7s
(k)now (t)here Hey–Yeun Jang, U.S., 2011, 8m 50s Subway: Angela
Ferraiolo, U.S., 2011, 7m 40s; Village, silenced: Deborah Stratman,
U.S., 2011, 4m 56s; Snakes and Ladders: Katherin McInnis, U.S., 2011,
3m; Longhorn Tremolo: Scott Stark, U.S., 2010, 16m; Landfill 16:
Jennifer Reeves, U.S., 2011, 8m 52s; Barren: Katherin McInnis, U.S.,
2010, 2m; Back View: Vincent Grenier, U.S., 2011, 17m; The Toy Sun: Ken
Kobland, U.S., 2011, 33m
10/9
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
6pm, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: JOHN ZORN: A FILM IN 15 SCENES
15 scenes: 254 shots Gobolux, U.S., 2011, 15m Well Then There Now Lewis
Klahr, U.S., 2011, 19m 30s Bare Room Joey Izzo, U.S., 2011, 31m 33s
arcana Henry Hills, U.S./Austria, 2011, 33m
10/9
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
8:15pm, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: THE RED AND THE BLACK
River Rites: Ben Russell, U.S./Suriname, 2011, 11m 30s; Shadow, Seed,
Spagyric : David Baker, U.S., 2011, 5m 12s; Peril of the Antilles : Fern
Silva, U.S., 2011, 5.51m; A Preface to Red: Jonathan Schwartz,
U.S./Turkey, 2010, 6m; Protocol: Lina Rodriguez, Canada/Colombia, 2011,
1m 15s; Imperceptihole: Lori Felker & Robert Todd, U.S., 2011, 14m 37s;
LIGHT LICKS: BY THE WATERS OF BABYLON: I WANT TO PAINT IT BLACK: Saul
Levine, U.S., 2011, 12m; Third Law: N Kedzie Blvd.: Mike Gibisser, U.S.,
2011, 7m 10s; Slow Burn: Jesse Cain, U.S., 2011, 19m 46s.
------------------------
MONDAY, OCTOBER 10, 2011
------------------------
10/10
Los Angeles, California: Redcat
http://www.redcat.org/
8:30pm, 631 West 2nd St.
ANIMATION OF THE UNCONSCIOUSNESS: CALARTS AND THE TEACHINGS OF JULES
ENGEL
Jack H. Skirball Series $10 [students $8, CalArts $5] Presented as part
of Pacific Standard Time and co-presented with Los Angeles
Filmforum.Founded and directed by Jules Engel (1909–2003), the CalArts
Film Graphics Program (later called "Experimental Animation") sought to
push the boundaries of animation. Through his teaching, and the example
of his own work, Engel fostered the emergence of a new form of
animation—freewheeling, transgressive, and imaginative. What happens
when an animator follows a line, a patch of color, or a shape into the
unconscious? What wild images would emerge; how could one image lead to
another? What can we learn about art and the human condition from these
brave forays into the unknown depths of the mind? Such were the
questions posed by Engel's own films—Shapes and Gestures (1976), Wet
Paint (1977), Hors d'oeuvre (1978)—and by the students carrying his
legacy: Kathy Rose (Mirror People, 1974), Adam Beckett (Flesh Flows,
1974), Dennis Pies/Sky David (Aura-Corona, 1974), Henry Selick (Phases,
1978), Lisze Bechtold (Moon Breath Beat, 1980), and others. In person:
Christine Panushka, Dennis Pies, Lisze Bechtold Curated by Christine
Panushka. Part of the series Alternative Projections: Experimental Film
in Los Angeles, 1945-1980, organized by Los Angeles Filmforum. Presented
as part of Pacific Standard Time. This unprecedented collaboration,
initiated by the Getty, brings together more than 60 cultural
institutions from across Southern California for six months beginning
October 2011 to tell the story of the birth of the L.A. art scene.
Pacific Standard Time is an initiative of the Getty. The presenting
sponsor is Bank of America. "Jules Engel's work speaks for itself.
Direct and lucid, it requires no paraphrase. The language, which is
universal… comes from the center of his being." —Lucretia Cole
10/10
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
11am, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: CABINET OF CURIOSITIES
Between Gold: Jonathan Schwartz, U.S., 2011, 10m 42s; Tin Pressed: Dani
Leventhal, U.S., 2011, 6m 23s; Fifteen an Hour: Kevin Jerome Everson,
U.S., 2011, 6m; Tableaux Vivants: Vincent Grenier, U.S., 2011, 10m 20s;
Curious Light: Charlotte Pryce, U.S., 2011, 4m 12s; Forms Are Not
Self-Subsistent Substances: Samantha Rebello, U.K., 2010, 22m; The
Matter Propounded, of its Possibility or Impossibility, treated in four
Parts: David Gatten, U.S., 2011, 13m; from Jhana and the Rats of James
Olds: Miniatures : Stephanie Barber, U.S., 2011, 2m; Degas: Stephanie
Barber, U.S., 2011, 58s; The Eclipse: Stephanie Barber, U.S., 2011, 33s;
ransom notes: Kelly Egan, Canada, 2011, 4m; Conjuror's Box : Kerry
Laitala, U.S., 2011, 4m.
10/10
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:15 pm, 32 2nd Avenue
HARUN FAROCKI PROGRAM 7
See notes for October 7, 9 pm.
10/10
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:00 pm, 32 2nd Avenue
IN COMPARISON
See notes for October 8, 7:30 pm.
10/10
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
1:30pm, Walter Reade Theater
VIEWS FROM THE AVANT GARDE: AURAND/MUÑOZ/SAMI
Villatalla Jeannette Muñoz, Switzerland/Chile/Italy, 2011, 21m 59s A
Year / Ein Jahr Renate Sami, Germany, 2011, 12m Young Pines / Junge
Kiefern Ute Aurand, Germany/Japan, 2011, 43m
10/10
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
11:30am, Walter Reade Theate
VIEWS FROM THE AVANT GARDE: JEAN-MARIE STRAUB
Lothringen! co-directed with Danièle Huillet France, 1994, 20m Un
héritier France/South Korea, 2011, 20m L'Inconsolable France, 2011, 15m
Schakale und Araber Switzerland, 2011, 11m
10/10
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
3:45pm, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: LOOKING THROUGH A GLASS ONION
Passage Upon the Plume: Fern Silva, U.S., 2011, 6m 46s; Shayne's
Rectangle : Dani Leventhal, U.S., 2011, 5m 4s; Line Describing Your Mom:
Michael Robinson, U.S., 2011, 5m 50s; Gossip: Bobby Abate, U.S., 2011,
8m 19s; from Jhana and the Rats of James Olds: Tatum's Ghost: Stephanie
Barber, U.S., 2011, 3m 45s The Death of the Gorilla: Peter Mays, U.S.,
1966, 16m (new restoration by the Academy Film Archive); By foot-candle
light: Mary Helena Clark, U.S., 2011, 9m; A Lax Riddle Unit: Laida
Lertxundi, Spain, 2011, 6m; Sounding Glass: Sylvia Schedelbauer,
Germany, 2011, 7m; The Evil Eyes: Bobby Abate, U.S., 2010, 18m.
10/10
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
3pm, Walter Reade Theater
VIEWS FROM THE AVANT GARDE: THE PETTIFOGGER
Lewis Klahr, U.S., 2011, 65m Filmmaker in person October 9 screening!
10/10
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
5pm, Walter Reade Theater
VIEWS FROM THE AVANT GARDE: VIRGIN SPRINGS
Baptismal Sticks and Stones: April Simmons, U.S., 2011, 6m 50s; Devil's
Gate: Laura Kraning, U.S., 2011, 20m; Twice Removed: Leslie Thornton,
U.S., 2011, 9m ; Ricky: Janie Geiser, U.S., 2011, 11m; Silent Springs :
Erin Espelie, U.S., 2011, 12m 57s; Gazette: Eléonore de Montesquiou,
Russia/Estonia, 2009, 4m 12s; Kudzu Vine: Josh Gibson, U.S., 2011,
19.52m.
10/10
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
6:30pm, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: PAUL CLIPSON SUPER 8 PERFORMANCE
Chorus U.S., 2009/2011, 8 min (featuring live musical performance)
Compound Eyes Nos. 1-5 U.S., 2011, 27min (soundtrack by Jefre
Cantu-Ledemsa) Light from the Mesa U.S., 2010, 7m (soundtrack by Barn
Owl) Chorus U.S., 2009/2011, 8m (16mm version with soundtrack by Gregg
Kowalsky) Morphologies U.S., 2011, 20m (featuring live musical
performance) Filmmaker in person!
10/10
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
7:30pm, Walter Reade Theater
VIEWS FROM THE AVANT GARDE: TWO YEARS AT SEA
Ben Rivers, U.K., 2011, 86m Filmmaker in person!
10/10
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
8:45pm, Francesca Beale Theater
VIEWS FROM THE AVANT GARDE: BITCHES BREW
Posthaste Perennial Pattern: Jodie Mack, U.S., 2010, 3m 38s;
Babobilicons: Daina Krumins, U.S., 1982, 16m (35mm preservation by the
Academy Film Archive); You Are Now Running On Reserve Battery Power:
Jessie Stead, U.S., 2011, 11m; Hull: Tara Merenda Nelson, U.S., 2011, 7m
32s; from Jhana and the Rats of James Olds: The Phone Call : Stephanie
Barber, U.S., 2011, 1m; Billy and the Magician: Stephanie Barber, U.S.,
2011, 3m 18s; Little Kitten: Stephanie Barber, U.S., 2011, 42s; Level of
Zero Buoyancy: Stephanie Barber, U.S., 2011, 4m 53s; Romance Novels:
Stephanie Barber, U.S., 2011, 1m 4s; A Party Record Packed with Sex and
Sadness: Bobby Abate, U.S., 2011, 10m 11s; Praxis 8 – 12 Scenes: Dietmar
Brehm, Austria, 2010, 25m; Taste Test: Andrew Lampert, U.S., 2011, 2m
30s; Bitch-Beauty: MM Serra, U.S., 2011, 7m
10/10
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
9pm, Walter Reade Theater
VIEWS FROM THE AVANT GARDE: TWENTY CIGARETTES
James Benning, U.S., 2011, 99m Filmmaker in person!
-------------------------
TUESDAY, OCTOBER 11, 2011
-------------------------
10/11
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
FIXC PROGRAM 1
nthology hosts the Helsinki-based cooperative FixC for several programs
of experimental films and videos. In psychology 'fixation' means the
state wherein the individual develops obsessions in relation to somebody
or something. It can also mean gestures like maintaining one's gaze in a
constant direction, repetition, and/or rituals. The "Fixation" screening
is a brief journey through the diverse worlds of the moving image. FixC
is an independent artist cooperative, which was launched to generate,
distribute, and promote video art, media art, and experimental cinema,
and to produce curated touring exhibitions and screenings. For more
info, please visit: www.fixc.fi Unless otherwise noted, all works were
made and will be presented on video. PROGRAM 1: Juha van Ingen FLUTTER
(2006, 3.5 minutes) Seppo Renvall EXOTIQUE (2009, 9 minutes) Maria
Duncker THE HOLY ROAD (2009, 2.5 minutes) Maria Duncker GO-GO (2002, 3
minutes) Kari Yli-Annala A LIFE OF ONE'S OWN (2008, 9 minutes) Maria
Duncker BLOOM (2006, 4 minutes) Jarkko Räsänen IN GIRUM IMUS NOCTE ET
CONSUMIMUR IGNI (2011, 5 minutes) Jarkko Räsänen FOLDING (2007-08, 6.5
minutes, silent) Erkka Nissinen VANTAA (2008, 12 minutes) Total running
time: ca. 60 minutes.
10/11
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:15 pm, 32 2nd Avenue
FIXC PROGRAM 2
PROGRAM 2: Seppo Renvall EESTAAS 2008, 53 minutes, 16mm-to-video.
'Eestaas' means back-and-forth in Finnish. Shot on 16mm, the film is
intended to be projected forwards and then backwards. This work combines
experimental film with electro-acoustic music. Together, they form a
comprehensive experience which adds up to more than the sum of its
parts. The music is produced by Samuli 'Teho' Majamäki, and the other
musicians appearing alongside him are Ilpo Väisänen (Pan sonic), Tapani
Rinne, and Verneri Lumi (Rinneradio).
10/11
Reading, Pennsylvania: Berks Filmmakers, Inc
http://www.berksfilmmakers.org
7:30 pm, Albright College Center for the Arts
VAMPYR
CARL THEODOR DREYER This amazing, enigmatic film nightmare is one of the
greatest films by Denmark's incomparable master of silent and early
sound cinema.
---------------------------
WEDNESDAY, OCTOBER 12, 2011
---------------------------
10/12
Berkeley, California: Pacific Film Archive
http://www.bampfa.berkeley.edu/
7:30 pm, 2575 Bancroft Way
PAUL SHARITS: AN OPEN CINEMA
Wednesday, October 12, 2011 7:30 p.m. Paul Sharits: Midcareer Work
Paul Sharits (U.S., 1973–76). Introduced by Jennifer Pranolo. Sharits's
midcareer films were meant to push perceptual limits, "so that one
cannot tell whether or not what one is experiencing is in the work or in
oneself." Includes Analytical Studies III, Shutter Interface, and Tails.
(50 mins)
10/12
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:00 pm, 32 2nd Avenue
FIXC PROGRAM 3
PROGRAM 3: Maria Duncker ALUMINIUM (2003, 4.5 minutes) Maria Duncker
HOMECOMING (2005, 4 minutes) Seppo Renvall BACK TO THE HUMANITY (2007, 4
minutes) Jarkko Räsänen UNFOLDING (2011, 6.5 minutes, silent) Juha van
Ingen WEB SAFE (2008, 7 minutes, silent) Kari Yli-Annala GUARDIAN
CREATURES (2005, 3 minutes) Erkka Nissinen NIGHT SCHOOL (2007, 13
minutes) Erkka Nissinen RIGID REGIME (2009, 17 minutes) Maria Duncker
PORN (2003, 2 minutes) Maria Duncker FOAM HEAD (2009, 1 minute) Juha van
Ingen TOP-DOWN (2011, 4.5 minutes, silent) Juha van Ingen
(DIS)INTEGRATOR (1992, 4 minutes) Total running time: ca. 75 minutes.
10/12
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:00 pm, 32 2nd Avenue
FIXC PROGRAM 4
Seppo Renvall, Juha van Ingen & Jarkko Räsänen LENKKI 2011, 20 minutes,
Super-8mm loops with live soundtrack. Found ethnological footage of life
in Finland projected and tweaked by Seppo Renvall and Juha van Ingen.
The live soundtrack, composed by Jarkko Räsänen, combines original
sounds from the film footage and field recordings of audio elements
suggested by the images.
--------------------------
THURSDAY, OCTOBER 13, 2011
--------------------------
10/13
Berkeley, California: Pacific Film Archive
http://www.bampfa.berkeley.edu/
7:30 pm, 2575 Bancroft Way
PAUL SHARITS: AN OPEN CINEMA
Thursday, October 13, 2011 7:30 p.m. Paul Sharits: Late Work Paul
Sharits (U.S., 1975–82). Introduced by Branden W. Joseph. Towards the
end of his career, Sharits turned to visceral icons of pathology and
decay, juxtaposing the disintegration of the body and the decomposition
of the filmic material. Includes Epileptic Seizure Comparison, Apparent
Motion, and 3rd Degree. (71 mins)
10/13
Chicago, Illinois: Conversations at the Edge
http://www.saic.edu/cateblog
6pm, Gene Siskel Film Center, 164 N. State Street
STEINA!
Steina Vasulka in person! Live performance! A major figure in the
histories of video and electronic art, Steina Vasulka has continually
expanded the possibilities of multimedia with her groundbreaking
innovations. Trained as a classical violinist in Iceland, Steina turned
to video after moving to New York City in the mid-1960s. Her distinctly
musical experiments with the electronic signal, including her real-time
performances and development of early video synthesizers, reverberate
throughout historical and contemporary art practice. Steina's recent
projects continue this pioneering approach, as her dynamic environments
of digitally manipulated visual and acoustic landscapes have been
installed around the world. This evening, Steina presents a collection
of both classic early pieces and newer works, discusses her interest in
electronic media, and performs a stirring, not-to-be-missed
interpretation of her seminal performance piece, Violin Power
(1974-78/1992 – present). Steina Vasulka, 1970-2011, USA, multiple
formats, ca. 75 min + discussion.
10/13
London, England: Artprojx Cinema
http://www.artprojx.com/cinema
8.15pm, Prince Charles Cinema, 7 Leicester Place, WC2H 7BY
SANTIAGO SIERRA AND TAKESHI MURATA DOUBLEBILL AND UK PREMIERES
Artprojx Cinema presents - Santiago Sierra & Takeshi Murata – An Artist
Film & Video Double Bill. UK Premiere Screenings Thursday 13 October
2011 from 8.15pm – 11.30pm. Artprojx at Prince Charles Cinema, 7
Leicester Place, London WC2. >>>> Team Gallery, Lisson Gallery,
prometeogallery di Ida Pisani & Galeria Helga de Alvear present the UK
premiere of 'NO, Global Tour' by Santiago Sierra (8.15pm runs 120 mins).
>>>> & Salon 94 presents the UK premiere of 'I, Popeye' by Takeshi
Murata, screened along with early works by the artist (10.30pm runs 60
mins). >>>> Tickets to both screenings £10. £6.50 for a single screening
(includes BEER or POPCORN)
http://www.princecharlescinema.com >>>>
Contact artprojxcinema_at_gmail.com for any concessions, press or large
group bookings.
http://www.artprojx.com
10/13
Montreal, Quebec, Canada: Festival Du Nouveau Cinema, Montreal
http://www.beyond2000.co.uk/umbrella/
8:30pm , the Agora du Coeur des Sciences de l'UQÀM. (174 ave. President Kennedy, Montreal). All performances are FREE
MATERIA OBSCURA
JÜRGEN REBLE & THOMAS KÖNER (DEU) - Materia Obscura Our universe is made
up in large part of invisible dark matter. This performance featuring
Jürgen Reble's 25,000 high-resolution scans of 16mm "chemograms" is a
gateway into that world. www.filmalchemist.de -
http://www.koener.de/
and
10/13
Montreal, Quebec, Canada: Festival Du Nouveau Cinema, Montreal
http://www.beyond2000.co.uk/umbrella/
8:30pm, the Agora du Coeur des Sciences de l'UQÀM. (174 ave. President Kennedy, Montreal). All performances are FREE
AUDIO-VISUAL PERFORMANCE: 49 FLIES
PIERRE HÉBERT & LORI FREEDMAN (CA) - 49 Flies A live animation
performance by Pierre Hébert based on recordings of trapped flies. The
flies prompt an ensemble of five virtual instruments with which
clarinettist Lori Freedman will improvise.
10/13
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:00 pm, 32 2nd Avenue
ESSENTIAL CINEMA: NANOOK OF THE NORTH
by Robert Flaherty 1922, 83 minutes, 35mm The most enduring of all
Flaherty's films for its simplicity of purpose, structure, and design.
It ennobles its subjects rather than exploiting them. Sharp and
uncluttered, the film relies on a few well-developed sequences which
remain in the memory of the viewer. "NANOOK is one of the most vital,
dramatic and human films that has ever flashed across the screen." –Rex
Ingram
10/13
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
THIS SIDE OF PARADISE
Jonas Mekas THIS SIDE OF PARADISE 1999, 35 minutes, 16mm. "For a period
of several years [in the] late 60s and early 70s, I had the fortune to
spend some time, mostly during the summers, with Jackie Kennedy's and
her sister Lee Radziwill's families and children. Cinema was an
integral, inseparable, as a matter of fact, a key part of our
friendship. The time was still very close to the untimely, tragic death
of John F. Kennedy. Jackie wanted to give something to her children to
do, to help to ease the transition, life without a father. One of her
thoughts was that a movie camera would be fun for children. Peter Beard,
who was at that time tutoring John Jr. and Caroline in art history,
suggested to Jackie that I was the man to introduce the children to
cinema. Jackie said yes. And that's how it all began. "The images in
this film, with a few exceptions, all come from the summers Caroline and
John Jr. spent in Montauk, with their cousins Anthony and Tina
Radziwill, in an old house Lee had rented from Andy Warhol, for a few
summers. Andy himself spent many of his weekends there, in one of the
cottages, as did Peter Beard, whom the children had adopted almost like
their older brother or a father they missed. These were summers of
happiness, joy and continuous celebrations of life and friendships.
These were days of Little Fragments of Paradise." –J.M. Plus: Jonas
Mekas SCENES FROM THE LIFE OF ANDY WARHOL 1963-90, 35 minutes, 16mm.
This extraordinary diary film chronicles Warhol's everyday life and
work, and the social and cultural milieu that swirled around him, with
appearances from a host of figures including THIS SIDE OF PARADISE
participants Caroline Kennedy, Peter Beard, and Tina Radziwill. Total
running time: ca. 75 minutes.
10/13
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:00 pm, 32 2nd Avenue
ESSENTIAL CINEMA: MAN OF ARAN
by Robert Flaherty 1934, 76 minutes, 35mm Flaherty's third major film
portrays the lives of a family of fisher folk on the Aran Islands off
the coast of Galway, Ireland. Flaherty selected this location and
subjects because of their isolation as the westernmost outpost of
European civilization. In addition, the daily struggle between the
islanders and the sea perfectly suited his interests and concerns. The
scenes at sea are breathtaking. "His passionate devotion to the
portrayal of human gesture and of a man's fight for his family makes the
film an incomparable account of human dignity. Better than anyone,
Flaherty knew how to show the true face of Man." –Georges Sadoul
(continued in next email)
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