From: Weekly Listing (email suppressed)
Date: Sat Jan 27 2007 - 09:39:35 PST
This week [January 27 - February 4, 2007] in avant garde cinema
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NEW FILM/VIDEO: NON-FEATURE:
===========================
"Wrap" by Jerry King Musser
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=288.ann
ITEMS FOR SALE:
==============
magnasync 16mm synchronizer
http://www.hi-beam.net/cgi-bin/ann.pl?type=sale&readfile=3.ann
super 8 film editor
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FUNDING:
=======
Experimental TV Center (Deadline: March 15, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=funding&readfile=11.ann
MISCELLANEOUS:
=============
songs for film
http://www.hi-beam.net/cgi-bin/ann.pl?type=misc&readfile=85.ann
NEW CALLS FOR ENTRIES:
=====================
Daily Constitutional, Issue 4 (Richmond, VA; Deadline: February 02, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=679.ann
Streaming Festival (The Hague; Deadline: February 07, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=680.ann
San Francisco International Film Festival (San Francisco, CA, USA; Deadline: March 23, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=681.ann
19th Onion City Experimental Film and Video Festival (Chicago, IL, USA; Deadline: April 13, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=682.ann
10 or Less Film Festival (Portland, OR, USA; Deadline: June 15, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=683.ann
Worldwide Short Film Festival (Toronto, ON, Canada; Deadline: February 23, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=684.ann
2007 Great Lakes Film Festival (Erie PA USA; Deadline: June 30, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=685.ann
James River Film Festival (Richmond; Deadline: February 15, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=686.ann
DEADLINES APPROACHING:
======================
PARIS STRIP FILM FESTIVAL (Paris, France; Deadline: February 26, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=561.ann
PA Festival of Films (Slippery Rock, PA, USA; Deadline: February 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=607.ann
Hong Kong International Film Festival (Hong Kong ; Deadline: January 27, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=608.ann
Independent Film Festival of Boston (Boston, MA, U.S.A.; Deadline: January 31, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=623.ann
Dereel Independent Film Festival (Melbourne, Victoria, Australia; Deadline: February 03, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=634.ann
The Delta International Film and Video Festival (Cleveland, MS USA; Deadline: February 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=642.ann
Images Contre Nature (Marseille, France; Deadline: March 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=650.ann
Studio 27 - Oral Action (San Francisco, CA USA; Deadline: February 01, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=669.ann
The Secret Technology Show (San Francisco, CA; Deadline: February 16, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=672.ann
Bicycle Film Festival (New York, NY, United States; Deadline: February 17, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=674.ann
No Fixed Abode and the Mobile Cinema (Sheffield, UK; Deadline: February 23, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=678.ann
Daily Constitutional, Issue 4 (Richmond, VA; Deadline: February 02, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=679.ann
Streaming Festival (The Hague; Deadline: February 07, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=680.ann
Worldwide Short Film Festival (Toronto, ON, Canada; Deadline: February 23, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=684.ann
James River Film Festival (Richmond; Deadline: February 15, 2007)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=686.ann
Enter your event announcements by going to the Flicker Weekly Listing Form
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THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Film Love: andy Warhol 2 [January 27, Atlanta, Georgia]
* We Are So Much Better Than This (Video Screening & Sound Instalaltion) [January 27, Brooklyn, New York]
* Essential Cinema - Sergei Eisenstein [January 27, New York, New York]
* I Am Not A War Photographer: Films of Lynne Sachs [January 27, New York, New York]
* Electric Cinema Redux: the Before & After Glow [January 27, Rotterdam]
* Electric Cinema Redux -Manifestations of Presence: the Expanded Film
Performance and the Impulse To Preserve [January 27, Rotterdam]
* Electric Cinema Redux - Time/Space Capsules In Flux [January 27, Rotterdam]
* Japanese Animation Trips [January 27, Toronto, Ontario, Canada]
* Meet the Maker - Documentary Filmmaker Joanna Kohler Presents Boxers [January 28, Chicago, Illinois]
* Filmforum Presents the World Premiere of Erika Suderberg's New Work
“Decline and Fall" [January 28, Los Angeles, California]
* Essential Cinema - Sergei Eisenstein [January 28, New York, New York]
* I Am Not A War Photographer: Films of Lynne Sachs [January 28, New York, New York]
* Wu Wenguang China village Self-Governance Film Project [January 29, Los Angeles, California]
* In the Poem About Love You Don’T Write the Word Love [January 29, New York, New York]
* Yoko Ono: Bed-In [January 30, Berkeley, California]
* Then, Not Nauman: Conceptualists of the Early Seventies [January 31, Berkeley, California]
* We're So Screwed Film Showcase [January 31, Chicago, Illinois]
* International Sound and video Artist At Diva Center [January 31, Eugene, Oregon]
* The Emperor's Naked Army Marches On [January 31, New York, New York]
* The Wave: New Experimental Films From China [February 1, Chicago, Illinois]
* Goodbye Cp [February 1, New York, New York]
* A Dedicated Life By Kazuo Hara [February 1, New York, New York]
* Tracks + Gestures [February 1, Sherbrooke, QC]
* Robert Beavers: To the Winged Distance: 1 [February 2, London, England]
* Extreme Private Eros: Love Song 1974 By Kazuo Hara [February 2, New York, New York]
* Jacques Demy's the Pied Piper -- New York Revival! Brand New Print! [February 2, New York, New York]
* The Emperor's Naked Army Marches On [February 2, New York, New York]
* Jacques Demy's the Pied Piper -- New York Revival! Brand New Print! [February 2, New York, New York]
* Re-Defining video: Work By Kyle Canterbury [February 3, Chicago, Illinois]
* Goodbye Cp [February 3, New York, New York]
* Jacques Demy's the Pied Piper -- New York Revival! Brand New Print! [February 3, New York, New York]
* Extreme Private Eros: Love Song 1974 By Kazuo Hara [February 3, New York, New York]
* Jacques Demy's the Pied Piper -- New York Revival! Brand New Print! [February 3, New York, New York]
* The Emperor's Naked Army Marches On [February 3, New York, New York]
* Jacques Demy's the Pied Piper -- New York Revival! Brand New Print! [February 3, New York, New York]
* Landscape of Mind: Location, Location, Location; Frederic Worden, Usa,
Emmanuel Lefrant, France, Julie Murray, Ireland [February 3, Toronto, Ontario, Canada]
* Robert Beavers: To the Winged Distance: 2 [February 4, London, England]
* Filmforum Presents the Full-Length Version of Adele Horne's Documentary
"The Tailenders" [February 4, Los Angeles, California]
* A Dedicated Life By Kazuo Hara [February 4, New York, New York]
* Jacques Demy's the Pied Piper -- New York Revival! Brand New Print! [February 4, New York, New York]
* The Emperor's Naked Army Marches On [February 4, New York, New York]
* Jacques Demy's the Pied Piper -- New York Revival! Brand New Print! [February 4, New York, New York]
* Extreme Private Eros: Love Song 1974 By Kazuo Hara [February 4, New York, New York]
* Jacques Demy's the Pied Piper -- New York Revival! Brand New Print! [February 4, New York, New York]
* Tie: the Experimental Cinema Exposition—“Celluloid Cinema” Program One [February 4, San Francisco, California]
Events are sorted by CITY within each DATE.
--------------------------
SATURDAY, JANUARY 27, 2007
--------------------------
1/27
Atlanta, Georgia: Eyedrum
http://www.eyedrum.org
8:00 PM, 290 Martin Luther King Jr Dr Suite 8
FILM LOVE: ANDY WARHOL 2
Frequent Small Meals presents the second of a two-night series on this
influential but rarely screened filmmaker. | Space is one of Warhol's
most unusual films, made during the "superstar" phase of his career.
Warhol assembled a cast of Factory denizens, and asked them to read a
script from cue cards. However, as the filming proceeds, the cast
becomes more interested in interacting with each other than in following
the script. Warhol allows this breakdown to happen, and lets his usually
static camera travel through the ensuing mayhem. | PROGRAM: Space
(1965), 16mm, 67 minutes | Andy Warhol 1 and 2 is a Film Love event,
programmed and hosted by Andy Ditzler for Frequent Small Meals. More
information on Frequent Small Meals music, film, and art events can be
found at www.frequentsmallmeals.com
1/27
Brooklyn, New York: Monkeytown
http://www.monkeytownhq.com
7:30PM, 10:00PM, 58 N 3rd St (btw. Kent & Wythe)
WE ARE SO MUCH BETTER THAN THIS (VIDEO SCREENING & SOUND INSTALALTION)
Video Screening including works by Tanja Dabo, Marianna Ellenberg,
Oriana Fox, Stephanie Gray, Sharon Hayes, Nisi Jacobs, Omer Krieger,
Steve Reinke and Scott Stark. Sound Installation "Wettings" by Marianna
Ellenberg. A mock-health infomercial, providing guidelines and support
for the curse of incontinence and other bodily dysfunctions, is
broadcast in the bathroom stalls. Organized by Marianna Ellenberg Price:
FREE plus $10.00 food/drink minimum Two Showings:7:30pm show, 10:00pm
show The video works in "We are So Much Better Than This—Performing the
Truth/Perusing a Lie" subvert the symbiotic relationship between the
script, the voice, its owner, and potential embodiment. Hovering between
abstract images and spectral bodies, the voice is never stabilized in
these works, it is either edited to the wrong sync point or created from
a falsified script. This screening traces the breadth and variation of
the video voice, including the queering of popular Americana In Steve
Reinke's "Anthology of American Folk Song" (Canada, 2004), the replaying
of counter-revolutionary voices in Hayes "SLA Screed 16" (USA, 2002) and
exhausting the voice of cultural tourism in Dabo's "Wellcomme"(Croatia,
2004). A range of techniques is employed in these works, from
lipsynching to de-synchronization, shifting the authority of the
disembodied voice, re-inhabiting it with freudian slips,
miscalculations, polymorphous perversity and human desire. Screening:
Omer Krieger, "FLAG" (Israel, 2 min, 2003, video ) Produced by TV
CHANNEL Steve Reinke, "Anthology of American Folk Song" video (Canada,
29 min, 2004) Marianna Ellenberg,"The Psychotrophic Alphabet From Z to
Z" Video (USA/UK, 3 min, 2004) Tanja Dabo "Wellcome "video (Croatia, 9
min, 2004) Sharon Hayes "(SLA) Screed No. 16" video (USA,10 min, 2004)
Oriana Fox "Consciousness, Understanding 'N Trust" video (USA/UK, 6 min,
2003) Scott Stark "More Than Meets the Eye: Remaking Jane Fonda" video,
(USA, 20 min, 2006) Stephanie Gray, "Untitled Laverne & Shirley", super
8mm/video, 2007 World Premiere Nisi Jacobs, From the Horses Mouth (I can
produce-pronounce-nuclear) video (USA,11min,2005)
1/27
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:30pm, 32 Second Ave @ 2nd St
ESSENTIAL CINEMA - SERGEI EISENSTEIN
1925, 74 minutes, b&w. With Russian intertitles. English synopsis
available. Eisenstein's constructivist montage and rigid,
super-structured plot share equal weight with a seemingly spontaneous,
inflamed emotion.
1/27
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30pm, 32 Second Ave @ 2nd St
I AM NOT A WAR PHOTOGRAPHER: FILMS OF LYNNE SACHS
SHORT FILMS BY LYNNE SACHS AND BOSNIAN-AMERICAN COLLABORATIVE WEBSITE
PRESENTATION TORNADO (2001, 4 minutes, video) A cine-poem shot from the
perspective of Brooklyn where much of the paper and soot from the
burning towers fell on September 11. Sachs' fingers obsessively handle
these singed fragments of resumes, architectural drawings and calendars,
normally banal office material that takes on a new, haunting meaning.
FIRST STEPS IN A TERRA INCOGNITA (2002, 4 minutes, video) A young
American woman travels to Bosnia to contemplate life there after a
period of war. The camera is her being, moving quietly in and out of
apartments and mosques in Sarajevo, across cultures, between the real
and the imaginary. THE HOUSE OF DRAFTS: A BOSNIAN-AMERICAN COLLABORATIVE
WEBSITE (2002, 15 min presentation, visit www.house-of-drafts.org) Made
in collaboration with Jeanne Finley. THE SMALL ONES (2006, 5 minutes,
video) During WWII, the US Army hires Sachs' cousin, a doctor, to
reconstruct the bones – small and large – of dead American soldiers.
Composed of highly abstracted war imagery and children at a birthday
party. INVISIBLE (work-in-process, 30 minutes, video) Sachs will show a
longer experimental narrative version of her film about Sandor Lenard
(see THE SMALL ONES), her iconoclastic cousin who survived the horrors
of WWII only to run breathlessly to the jungles of Brazil.
1/27
Rotterdam: International Film Festival Rotterdam/Nederlands Filmmuseum
http://www.filmfestivalrotterdam.com/eng/programme/programme_schedule/combined_programme.aspx?id=6aac9077-1e05-465c-a868-e897c2a5387e
10:00 PM, Lantaren Venster - Gouvernestraat 133
ELECTRIC CINEMA REDUX: THE BEFORE & AFTER GLOW
Programme III The Electric Cinema ReDux programme concludes with this
late night screening of more intimate or erotic films. Includes a
recently restored film (by the Nederlands Filmmuseum) of Dutch filmmaker
Barbara Meter and filmmakers' who presented their work at Electric
Cinema circa 1970's: Steve Dwoskin, Kurt Kren (with Otto Muehl), Carolee
Schneeman, Tom Chomont and VALIE EXPORT.
1/27
Rotterdam: International Film Festival Rotterdam/Nederlands Filmmuseum
http://www.filmfestivalrotterdam.com/eng/programme/programme_schedule/combined_programme.aspx?id=7d54d90e-030a-40b7-befe-88de60abfbd8
12:00PM, Lantaren Venster - Gouvernestraat 133
ELECTRIC CINEMA REDUX -MANIFESTATIONS OF PRESENCE: THE EXPANDED FILM
PERFORMANCE AND THE IMPULSE TO PRESERVE
The Netherlands Filmmuseum together with the Rotterdam Film Festival
will present a three-part programme Electric Cinema ReDux. Focusing on
the era of Amsterdam 's Electric Cinema (circa 1969-1973), an
underground venue for experimental film run by a handful of filmmakers
from the Dutch Filmmakers Co- op and originally curated by filmmaker
Barbara Meter. The Filmmuseum is currently in the process of restoring
approximately 400 Dutch experimental films and the Electric Cinema Redux
programme will include a preview from a sampling of newly restored works
by prior Dutch Co-op members; Barbara Meter, Mattijn Seip and Daniel
Singelenberg as well as a sampling of film works from international
filmmakers who screened at the ELECTRIC CINEMA in the 1970's. Programmes
compiled by Tina Bastajian. Programme One- EXPANDED CINEMA by Malcolm Le
Grice, Horror Film I, VALIE EXPORT's Abstract Film no. 1, and
Auf+Ab+An+Zu and Jos Schoffelen's, some thing/no thing with Kurt Kren's
study of Electric Cinema, 30/73 Coop Cinema Amsterdam and William
Raban's Filmaktion a time-lapse documentation of Filmaktion at The
Walker Art Gallery June 1973.
1/27
Rotterdam: International Film Festival Rotterdam/Nederlands Filmmuseum
http://www.filmfestivalrotterdam.com/eng/programme/programme_schedule/combined_programme.aspx?id=91be15b1-dd3f-4188-822f-fcb374cabc02
4:00PM, Lantaren Venster - Gouvernestraat 133
ELECTRIC CINEMA REDUX - TIME/SPACE CAPSULES IN FLUX
Electric Cinema was an underground venue for experimental film in
Amsterdam between 1969 and 1974 originally curated by filmmaker Barbara
Meter. Electric Cinema ReDux is a collaboration between The Nederlands
Filmmuseum and IFFR, with programmes compiled by Tina Bastajian.
Programme II A sampling of films that explore time and space through
single, double and triple screen projections by both Dutch and visiting
filmmakers who came to Electric Cinema in the 1970's. Filmmakers
include: Barbara Meter, Malcolm Le Grice, VALIE EXPORT, Hans Scheugl,
Daniel Singelenberg, Mattijn Seip, William Rabin and Kurt Kren.
1/27
Toronto, Ontario, Canada: Pleasure Dome
http://www.pdome.org/
8 pm, 952 Queen St. West
JAPANESE ANIMATION TRIPS
A special benefit screening of Japanese animated shorts to raise money
for LIFT's newly established award, The Roberto. The Japanese Animation
Trips programme was guest-curated by Ken Okubo for the special drugs and
cinema-themed sidebar White Light at the 2006 International Film
Festival Rotterdam. The programme features: Nobuhiro Aihara's surreal,
abstract Trip (with Keiichi Tanaami) and Yellow Night; Kurosaka Keita's
Sea Roar (Umi no uta) set in a traditional fishing village where ancient
ceremonies are held to burn old boats and pray for their spirits;
Fujiwara Osato's Souvenirs of Japan (Omiyage), the story of an old lady
who owns a busy souvenir shop in a tourist area remembering her
hardships before, during, and after the war; Finally, Hiratake Shinya's
unforgettable French (Furansu jin) uses 6,000 spectacular wood block
prints to recount the adventures of a Japanese boy wandering around
France, hallucinating due to the foreignness of the environment and its
strange language.
------------------------
SUNDAY, JANUARY 28, 2007
------------------------
1/28
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
7:00pm, Chicago Filmmakers (5243 N. Clark St.)
MEET THE MAKER - DOCUMENTARY FILMMAKER JOANNA KOHLER PRESENTS BOXERS
Minneapolis based filmmaker Joanna Kohler will be presenting her new
documentary Boxers, which is showing before its official release in a
nearly complete work-in-progress version. Kohler will be discussing the
film and her working methods as a documentarian and will be seeking
feedback from the audience for her final edit. Boxers is a compelling
look at an all-female amateur boxing team as they train for an
international competition. Partly shot at the Windy City Boxing Gym on
Chicago's South Side, Boxers documents the lives of these role-breaking
women as they traverse the male-dominated boxing world. Special
Admission: Free for Chicago Filmmakers members; $5 general.
1/28
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00 pm, Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas
FILMFORUM PRESENTS THE WORLD PREMIERE OF ERIKA SUDERBERG’S NEW WORK
“DECLINE AND FALL"
An experimental feature-length documentary about aerial bombing,
reconstruction, mass protest, and monumentality. Spanning historical and
present day images from Rome, Yucatán, Berlin and Los Angeles this work
seeks to examine empire; its artifacts, structures and collapse.
1/28
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:30pm, 32 Second Ave @ 2nd St
ESSENTIAL CINEMA - SERGEI EISENSTEIN
OCTOBER / OKTYABR 1928, 143 minutes, b&w. With Russian intertitles.
English synopsis available. Eisenstein celebrates the baroque in
OCTOBER, as opposed to the Greek classicism of POTEMKIN, disappointing
contemporary audience expectations. "Intellectual cinema" starts here.
1/28
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30pm, 32 Second Ave @ 2nd St
I AM NOT A WAR PHOTOGRAPHER: FILMS OF LYNNE SACHS
STATES OF UNBELONGING (2006, 63 minutes, BetaSP. Made in collaboration
with Nir Zats, music by Ted Reichman.) The core of this reflection on
war, land, the Bible and filmmaking is a portrait of Revital Ohayon, an
Israeli filmmaker and mother killed in a terrorist act on a kibbutz near
the West Bank. A film essay on the violence of the Middle East that
ponders issues of identity, crisis in the region, and the hope for
union. "Both humanist reverie and implicit cautionary tale." –VILLAGE
VOICE With: THE SMALL ONES (2006, 5 minutes, video) See notes for
Saturday, January 27.
------------------------
MONDAY, JANUARY 29, 2007
------------------------
1/29
Los Angeles, California: Redcat
http://www.redcat.org/
8pm, 631 W. 2nd st
WU WENGUANG CHINA VILLAGE SELF-GOVERNANCE FILM PROJECT
Los Angeles premiere People's Republic of China, 2006, 100 min., mini-DV
When China's central government allowed local elections to proceed in
2005, Wu Wenguang, one of the main exponents of the Beijing-based "New
Documentary Movement", offered 40 villagers in remote areas of the
country DV cameras and technical training so that they could document
this historic event. From housewives to peasants young and old, the
newly empowered villagers tell stories that are intimate, earnest,
revelatory—and uncensored. Shifting between documentary and news exposé,
these vivid accounts range from "A Futile Election" in Shaanxi to a
housewife observing the everyday life of her community, from a property
dispute over a quarry field to the impact of governmental decisions on
the livelihood of Yunnan farmers. In person: Wu Wenguang $ Student with
Valid ID $8 General
1/29
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30pm, 32 Second Ave. @ 2nd St.
IN THE POEM ABOUT LOVE YOU DON’T WRITE THE WORD LOVE
Anthology presents a film/video series as part of Artists Space's
exhibition IN THE POEM ABOUT LOVE YOU DON'T WRITE THE WORD LOVE. This
exhibition series brings together works by several generations of
artists and filmmakers whose practices engage – in tacit and explicit
ways – the overwhelming media culture in which we live. Works to be
shown: Matthew Buckingham SITUATION LEADING TO A STORY (1999, 21 min,
16mm, b&w, sound) Drawing upon disjunctive narratives and multiple
filmic genres—including 'serious' documentary, travelogue, and amateur
movies—Buckingham stages his reception to four discarded home movies
that he found on the streets of New York. Bringing to light larger
capitalist and imperialist narratives and probing deeper forms of
ideological meaning and ethical consequence, the film emphasizes the
inaccessibility of historical truth; and Jeremy Deller & Mike Figgis
BATTLE OF ORGREAVE (2001, 60 min, video, color) This reenactment shifts
between public and private cultures to expose discrepancies of the
British news media and the hidden values surrounding the violent coal
miners strike in South Yorkshire in June 1984; and Harun Farocki &
Andrei Ujica VIDEOGRAMS OF A REVOLUTION (1992, 106 min, video, color,
sound) Farocki and Ujica's film details the five days in December of
1989 during which a popular uprising in Romania deposed and executed the
Stalinist dictator Nicolae Ceauçescu. Questions regarding the
intersection of television, violence, and democracy, all structure the
terrain on which Videograms of a Revolution unfolds. The television
cameras are the main actors in the piece, this is what remains in focus
throughout.
-------------------------
TUESDAY, JANUARY 30, 2007
-------------------------
1/30
Berkeley, California: Pacific Film Archive
http://www.bampfa.berkeley.edu/
7:30PM, 2575 Bancroft Way, Berkeley, CA 94720
YOKO ONO: BED-IN
Bed-In Yoko Ono, John Lennon (U.S., 1969) Allan deSouza and Yong Soon
Min in Person "It's a bed-in, folks!" John Lennon announces as he and
Yoko Ono begin their weeklong protest for peace. In Bed-In, John and
Yoko, having been refused entry into the U.S., are bedded down for the
week in a Toronto hotel, where they host a constant stream of visitors:
Al Capp, cantankerous as ever; Tommy Smothers, who admits he is "not a
hep cat"; Timothy Leary, who surely wants to be; a roomful of promo men
and DJs, plus a phone call from Berkeley's People's Park. "Gimmicks and
salesmanship," Lennon says, "peace and war are two products." This is
"apparatus exposed" in more ways than one, showing the chaos surrounding
"Peace: The Advertisement," and the production surrounding "The John and
Yoko Show." A time capsule that is very funny, more than a little silly,
surprisingly candid, frequently tender. Followed by shorts: Lennon,
Sontag, Beuys (Kota Ezawa, U.S., 2004). In this animation, Lennon (at a
1969 Amsterdam bed-in with Ono), Susan Sontag, and Joseph Beuys comment
on art and social change. Will **** for Peace (excerpts) (Yong Soon Min,
Allan deSouza, U.S., 2003). A three-day restaging of the original
bed-in, in the context of the Iraq war.
---------------------------
WEDNESDAY, JANUARY 31, 2007
---------------------------
1/31
Berkeley, California: Pacific Film Archive
http://www.bampfa.berkeley.edu/
7:30PM, 2575 Bancroft Way, Berkeley, CA 94720
THEN, NOT NAUMAN: CONCEPTUALISTS OF THE EARLY SEVENTIES
Ritual Redux Works by Vito Acconci, Terry Fox, Joan Jonas, William
Wegman Undoubtedly the body was the artist's first medium; then came
things external, colored pigment, a bone, a brush, a hide surface. The
late sixties saw artists return to the beginning, once again privileging
the body and the possibility that its movement through the world and the
residue of its passage were fair equivalents to the canvas and hewn
stone. In Vito Acconci's Openings, the artist painfully pulls the hairs
from his stomach until his belly has the purity of a gesso'd canvas.
Joan Jonas's first performance videowork, Organic Honey's Visual
Telepathy, is a study of female gestures in which Jonas and her alter
ego, Organic Honey, masquerade within videospace. The use of video
allowed the artist to double herself, heightening this strange ritual of
the self. More a rite than a ritual, the beautifully executed
performance Turgescent Sex is Terry Fox's tribute to the tragedy of My
Lai. Blindfolded with a bandage, Fox releases a fish, entangled in a
knotted rope, then stages a symbolic pyre. Another alter ego, the
Weimaraner Man Ray, appears beside William Wegman in his absurdist
shorts, performed with unexpectedly subversive whimsy. Selections from
Wegman's Reel 1 will be interspersed throughout. Openings (Vito Acconci,
U.S., 1970). Organic Honey's Visual Telepathy (Joan Jonas, U.S., 1972).
Turgescent Sex (Terry Fox, U.S., 1971). Selected Works: Reel 1 (William
Wegman, U.S., 1970)
1/31
Chicago, Illinois: Acme Artworks
8:00 PM, 1741 N. Western
WE'RE SO SCREWED FILM SHOWCASE
Just how destructive can Cobra Commander and that guy(You know the one)
from "Dawson's Creek" actually be? Some filmmakers dared...yes, dared to
explore the possible side effects of an extended exposure to poorly
transmitted pop culture. Join us in the first lo-fi installment of a
monthly screening showcasing unknown, talented, and fairly desperate
filmmakers...and, their films. $5
1/31
Eugene, Oregon: DIVA Center
http://www.proscenia.net/diva/calendar.htm
8:00 PM, DIVA Center 110 W. Broadway
INTERNATIONAL SOUND AND VIDEO ARTIST AT DIVA CENTER
The DIVA Center offers an evening of sound and video art with visiting
artists from Melbourne Australia and the Pacific Northwest on January
31st at 8:00 PM. Admission: $5. Student with school ID: $3 "An Evening
of Transpacific Diagonalism" bridges the vast Pacific expanse and
touches common ground in Eugene when Australian sound artists Camila
Hannan and Tarab of Melbourne join Portland's Seth Nehil, Daniel Heila
of Eugene, and others in a cutting edge evening of sonic and visual art.
1/31
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:30pm, 32 Second Ave. @ 2nd St.
THE EMPEROR’S NAKED ARMY MARCHES ON
(1987, 122 minutes, 16mm, color) An exceptional documentary portrait of
Kenzo Okuzaki, a 62-year-old WWII veteran who acquired a prison record
(for killing a man and for firing pachinko balls at the Emperor) in the
course of his fanatical campaign to lay the blame for Japan's conduct of
the war on the Emperor. He seeks to expose the horrifying secret behind
an incident, buried by history, involving the Japanese army stationed in
New Guinea at the end of the war. Specifically, he wants to know why
several Japanese soldiers were executed by their commander. Forty years
later survivors are taken aback by Okuzaki's sudden visit and his
insistence that they speak out in front of the camera, a volatile mix of
apologetic politeness, deceit (his wife and anarchist friend pose as
victims' relatives), and sudden violence. Kazuo Hara's fly-on-the-wall
technique fascinates both for its bizarre protagonist, and for its
brutally frank portrait of a society constrained by notions of shame
rather than guilt.
--------------------------
THURSDAY, FEBRUARY 1, 2007
--------------------------
2/1
Chicago, Illinois: Conversations at the Edge
http://www.siskelfilmcenter.org/
6 pm, 164 N. State St.
THE WAVE: NEW EXPERIMENTAL FILMS FROM CHINA
Little more than a decade and a half old, Chinese media art is
vigorously energizing the country..s rich aesthetic traditions, ushering
in new forms of art-making to express China..s rapid social, economic,
and political changes. This program, curated by Li Zhenhua, surveys the
field with works from Beijing, Shanghai, and Guangzhou: 1201 (Wang Ning,
2002); BACKYARD..HEY! SUN IS RISING (Yang Fudong, 2001); BEAUTIFUL CLOUD
(Zhou Xiaohu, 2001); BURNERS (Cao Fei, 2003); JERK DON..T SAY FUCK (Zhao
Liang, 2000); NEWS DANCE (8GG, 2002); SUMMER OF 1969 (Cao Kai, 2002);
SING WITH ME (Zheng Yunhan, 2004); SAN YUAN LI (Ou Ning and Cao Fei,
2003). Mandarin with English subtitles. Various formats.
2/1
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:30pm, 32 Second Ave. @ 2nd St.
GOODBYE CP
(1972, 82 minutes, 16mm, b&w) Hara's debut challenges taboos about
representations of handicapped people, in particular the shame
associated with physical differences. In a street in downtown Yokohama
the main protagonist, Yokota Hiroshi, proudly displays his naked body, a
gesture Hara emphasizes, stating, "It is difficult to look at
handicapped people's bodies so that's what I wanted to show." Hara
allows the disabled to speak for themselves as participants rather than
as victims; as Yokota says, "Pity I can do without." GOODBYE CP does not
encourage a facile empathy with the plight of people with disabilities
but rather forces viewers to confront their own fears and misgivings.
2/1
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:30pm, 32 Second Ave. @ 2nd St.
A DEDICATED LIFE BY KAZUO HARA
(1994, 157 minutes, 35mm, color) Master documentary filmmaker Kazuo Hara
directs this portrait of noted writer and literary figure Mitsuharu
Inoue. A Dedicated Life focuses on a subject to the point where all
notions of a stable truth are destroyed. The film began as an account of
the life of Japanese novelist Mitsuharu Inoue, but in the course of
shooting the writer contracted cancer, physically deteriorated and
passed away. We watch him reminisce about his early life as he begins to
die, only to realise some two-thirds of the way into the film that the
interviews with his childhood acquaintances contradict almost everything
Inoue has said. Hara commented after the film that he had nearly
finished shooting A Dedicated Life before he realized it was not about
Inoue's life story, but the reality of the fictional world in which the
writer lived.
2/1
Sherbrooke, QC: Foreman Art Gallery at Bishop's University
http://www.ubishops.ca/ccc/cultural/mission.htm
9pm, Le téléphone rouge (38 Wellington South)
TRACKS + GESTURES
Audio Visions from Up North! This program of recent experimental film &
cinematic video from Canada and Quebec lays down tracks -- in snow, over
celluloid, across optical fields. Music for eye & ear (hold the
control), with tracking shots that reveal the organic thru artifice.
Painting as conceptual coordinate and point of departure, particularly
the gestural Automatism of Riopelle and black/white Borduas minimalism,
where representational abstraction flows from corporeal rhythms and
spontaneous production. We work to keep (it) warm. Featuring recent work
by: Mitchell Akiyama, Deco Dawson, Ryan Diduck, Kelly Egan, Julien
Idrac, Brett Kashmere, Karl Lemieux, Sheila & Nicholas Pye, and Daichi
Saito. Curated by Brett Kashmere. More info:
http://www.m-o-s-t-r-a.com/video_dumbo/06-tracks-gestures.html
------------------------
FRIDAY, FEBRUARY 2, 2007
------------------------
2/2
London, England: Tate Modern
http://www.tate.org.uk/modern/programmes/film
7pm, Bankside, SE1
ROBERT BEAVERS: TO THE WINGED DISTANCE: 1
Robert Beavers has laboured in relative isolation on works whose goal
"is for the projected film image to have the same force of awakening
sight as any other great image." His meticulously crafted films are at
once lyrical and rigorous, sensuous and complex. Whilst communicating
his response to the landscapes, architecture and traditions of the
Mediterranean and Alpine countries in which they were filmed, they also
incorporate deeply personal and aesthetic themes. Rarely seen in public,
Robert Beavers' remarkable body of work is a celebration of light, life
and colour. The retrospective is structured in two parts: Six programmes
of selected titles will be followed on the last weekend by "My Hand
Outstretched to the Winged Distance and Sightless Measure", Beavers'
complete cycle of eighteen films. Curated by Mark Webber. With thanks to
Temenos Verein, Cineric Inc., and The Guild of St George. TO THE WINGED
DISTANCE: PROGRAMME 1: Introduced by Robert Beavers. WORK DONE
(1972/1999, 22 min) Bracing in its simplicity, Work Done was shot in
Florence and the Alps, and celebrates an archaic Europe. Contemplating a
stone vault cooled by blocks of ice or the hand stitching of a massive
tome or the frying of a local delicacy, Beavers considers human
activities without dwelling on human protagonists. Like many of Beavers'
films, Work Done is based on a series of textural or transformative
equivalences: the workshop and the field, the book and the forest, the
mound of cobblestones and a distant mountain. (J. Hoberman, The Village
Voice) AMOR (1980, 15 min) Amor is an exquisite lyric, shot in Rome and
at the natural theatre of Salzburg. The recurring sounds of cutting
cloth, hands clapping, hammering, and tapping underline the associations
of the montage of short camera movements, which bring together the
making of a suit, the restoration of a building, and details of a
figure, presumably Beavers himself, standing in the natural theatre in a
new suit, making a series of hand movements and gestures. A handsomely
designed Italian banknote suggests the aesthetic economy of the film:
the tailoring, trimming, and chiselling point to the editing of the film
itself. (P. Adams Sitney, Film Comment) THE HEDGE THEATRE (1986-90/2002,
19 min) Beavers shot The Hedge Theatre in Rome in the 1980s. It is an
intimate film inspired by the Baroque architecture and stone carvings of
Francesco Borromini and "St. Martin and the Beggar," a painting by the
Sienese painter Il Sassetta. Beavers' montage contrasts the sensuous
softness of winter light with the lush green growth brought by spring
rains. Each shot and each source of sound is steeped in meaning and
placed within the film's structure with exacting skill to build a poetic
relationship between image and sound. (Susan Oxtoby, Toronto
International Film Festival)
2/2
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30pm, 32 Second Ave. @ 2nd St.
EXTREME PRIVATE EROS: LOVE SONG 1974 BY KAZUO HARA
(1974, 98 minutes, 16mm, b&w) Hara's second film, and without doubt his
most outrageous, personal and masochistic work. Shot over several years,
mostly in handheld black-and-white and often with out-of-synch sound,
this raw confessional has Hara following his ex-wife, 26-year-old
radical feminist Miyuki Takeda. The two lived together for three years
and share a child, as this documentary captures their post-break-up
relationship and her new life without him. This was a brutal dose of
reality for Japanese viewers, as it matter-of-factly tackles heartache,
sex, insecurities, gender politics, and even on-camera childbirth. This
is an extraordinarily intimate portrayal of the ideology, philosophy,
and lives of radicals in the Vietnam era, revolving around the postwar
relationship of Japan, Okinawa, and the United States.
2/2
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7pm, 32 Second Ave. @ 2nd St.
JACQUES DEMY’S THE PIED PIPER -- NEW YORK REVIVAL! BRAND NEW PRINT!
(1972, 90 min, 35mm. Starring Donovan, Jack Wild, Donald Pleasance, and
John Hurt) Anthology presents a brand-new print of Jacques Demy's THE
PIED PIPER, the follow-up and fairy-tale companion-piece to DONKEY SKIN
(which itself enjoyed a recent revival at Film Forum). Unavailable on
video and unscreened in the U.S. for decades, THE PIED PIPER, Demy's
second and final English-language film, features none other than
singer-songwriter Donovan in the lead role. Ripe for rediscovery, THE
PIED PIPER, perhaps the greatest of Demy's neglected films, is not to be
missed – the original tagline says it best: "Come children of the
universe, let Donovan take you away, far far away." A possible surprise
visit from the star may occur!
2/2
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:30pm, 32 Second Ave. @ 2nd St.
THE EMPEROR’S NAKED ARMY MARCHES ON
See notes for Jan 31.
2/2
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9pm, 32 Second Ave. @ 2nd St.
JACQUES DEMY’S THE PIED PIPER -- NEW YORK REVIVAL! BRAND NEW PRINT!
See notes for Feb 2
--------------------------
SATURDAY, FEBRUARY 3, 2007
--------------------------
2/3
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
8:00pm, Chicago Filmmakers (5243 N. Clark St.)
RE-DEFINING VIDEO: WORK BY KYLE CANTERBURY
Kyle Canterbury in Person! Chicago Filmmakers is extremely pleased to
present the first one-person show (and first ever U.S. screening) of the
work of Kyle Canterbury, an extraordinarily talented new experimental
video artist who lives in Michigan. Canterbury has been making videos
for only a little over a year, and his work is already some of the most
exciting and dynamic film or video of any kind of the last decade or
more. Oh, and he's only 17 years old! Canterbury has developed a palette
of techniques that emphasize the specificity and artistic potential of
the video medium unlike anyone else. He uncovers a stunning array of
textures, formal compositions, and rhythmic patterns in the normally
flat video image. Fred Camper has written: "I do not think it is too
grand to declare that Canterbury has done for video something like what
Brakhage has done for film. In his hands, after less than a year of
work, this medium, which so many have found severely limited, has become
as supple, as pliable, as sensuous, and as rhythmically various, as film
was for Brakhage." Canterbury will screen approximately 30 short works,
including 19: passage, A VIDEO, EVODI, and Fragments from a Room (all
2006) Complete titles available on our website.
2/3
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:30pm, 32 Second Ave. @ 2nd St.
GOODBYE CP
see notes for Feb 1.
2/3
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5pm, 32 Second Ave. @ 2nd St.
JACQUES DEMY’S THE PIED PIPER -- NEW YORK REVIVAL! BRAND NEW PRINT!
See notes for Feb 2
2/3
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30pm, 32 Second Ave. @ 2nd St.
EXTREME PRIVATE EROS: LOVE SONG 1974 BY KAZUO HARA
See notes for Feb. 2
2/3
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7pm, 32 Second Ave. @ 2nd St.
JACQUES DEMY’S THE PIED PIPER -- NEW YORK REVIVAL! BRAND NEW PRINT!
See notes for Feb 2
2/3
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:30pm, 32 Second Ave. @ 2nd St.
THE EMPEROR’S NAKED ARMY MARCHES ON
See notes for Jan 31.
2/3
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9pm, 32 Second Ave. @ 2nd St.
JACQUES DEMY’S THE PIED PIPER -- NEW YORK REVIVAL! BRAND NEW PRINT!
See notes for Feb 2
2/3
Toronto, Ontario, Canada: Pleasure Dome
http://www.pdome.org/
8 pm, 129 Spadina Ave
LANDSCAPE OF MIND: LOCATION, LOCATION, LOCATION; FREDERIC WORDEN, USA,
EMMANUEL LEFRANT, FRANCE, JULIE MURRAY, IRELAND
The films in this programme are, for the most part, abstract or use
representational images to abstract ends — Emmanuel Lefrant speaks of
his cameraless films as being in the Landscape Art tradition; Frederic
Worden's films are called Here and The OR Cloud (which is short for ORT
Cloud , a cluster of rocks orbiting in outer space); and Julie Murray's
Orchard is really that, shots of an orchard. Hence the title of the show
— Landscape of Mind: Location, Location, Location — a selection of films
of differing techniques which cover the optical landscape: external
ground, inner mind, cosmic universe. Julie Murray works in a number of
different styles: collage, animation, landscape. Exquisitely shot and
edited, Murray's films are located somewhere we recognize – they just
don't stay there. " …in all of Murray's films, the images and the
editing can pull several ways at once. There are no absolutes, and even
the light by which we see is altered by the material it passes through."
(Fred Camper) Emmanuel Lefrant works on speed, rhythm, materiality, and
colour, and on developing the "secret forms" in the emulsion. Frederic
Worden's films develop from his interest in intermittent projection as
the source of cinema's primordial powers — a cinema of pure energy that
bypasses the discursive mind and goes right at the body; a cinema of
direct experiences that stalks the unforeseen, non-translatable.
(Curated by Barbara Sternberg)
------------------------
SUNDAY, FEBRUARY 4, 2007
------------------------
2/4
London, England: Tate Modern
http://www.tate.org.uk/modern/programmes/film
3pm, Bankside, SE1
ROBERT BEAVERS: TO THE WINGED DISTANCE: 2
Introduction by P. Adams Sitney (Princeton University, author of
"Visionary Film"). Screening followed by a discussion between Robert
Beavers and P. Adams Sitney. FROM THE NOTEBOOK OF … (1971/1998, 48 min)
From the Notebook of … was shot in Florence and takes as its point of
departure Leonardo da Vinci's notebooks and Paul Valéry's essay on da
Vinci's process. These two elements suggest an implicit comparison
between the treatment of space in Renaissance art and the moving image.
The film marks a critical development in the artist's work in that he
repeatedly employs a series of rapid pans and upward tilts along the
city's buildings or facades, often integrating glimpses of his own face.
As Beavers notes in his writing on the film, the camera movements are
tied to the filmmakers' presence and suggest his investigating gaze.
(Henriette Huldisch, Whitney Museum of American Art)
2/4
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00 pm, Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas
FILMFORUM PRESENTS THE FULL-LENGTH VERSION OF ADELE HORNE'S DOCUMENTARY
"THE TAILENDERS"
Nominated in the Independent Spirit Awards `Truer Than Fiction"
category! A portrait of Gospel Recordings Network (GRN), a grassroots
organization founded in 1939 in Los Angeles that has recorded Bible
stories in over 5,500 of the world's 8,000-plus languages and dialects,
and made those recordings available in the most remote regions through
inventive, ultra-low technology. Filmmaker Adele Horne in person!
2/4
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
3:15pm, 32 Second Ave. @ 2nd St.
A DEDICATED LIFE BY KAZUO HARA
see notes for Feb 1.
2/4
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5pm, 32 Second Ave. @ 2nd St.
JACQUES DEMY’S THE PIED PIPER -- NEW YORK REVIVAL! BRAND NEW PRINT!
See notes for Feb 2
2/4
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:30pm, 32 Second Ave. @ 2nd St.
THE EMPEROR’S NAKED ARMY MARCHES ON
See notes for Jan 31.
2/4
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7pm, 32 Second Ave. @ 2nd St.
JACQUES DEMY’S THE PIED PIPER -- NEW YORK REVIVAL! BRAND NEW PRINT!
See notes for Feb 2
2/4
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:00pm, 32 Second Ave. @ 2nd St.
EXTREME PRIVATE EROS: LOVE SONG 1974 BY KAZUO HARA
See notes for Feb. 2
2/4
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9pm, 32 Second Ave. @ 2nd St.
JACQUES DEMY’S THE PIED PIPER -- NEW YORK REVIVAL! BRAND NEW PRINT!
See notes for Feb 2
2/4
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
7:30pm, Yerba Buena Center for the Arts Screening Room 701 Mission Street
TIE: THE EXPERIMENTAL CINEMA EXPOSITION—“CELLULOID CINEMA” PROGRAM ONE
Conceived in Telluride, CO in 2000, the Denver-based TIE has quickly
become an exemplary festival celebrating contemporary and historical
avant-garde cinema. Taking as its mission the "preservation of the
fundamental qualities of cinema and film exhibition," the festivals
have, to date, screened over 600 films and hosted over 200 artists and
renowned for artistic vision and an exaltation of the direct viewing
experience of original-format film works. Cinematheque is proud to
present a two-program sampler of TIE's past festivals. Note: This is
two-part screening series. Individual programs take place on different
evenings, at different venues, and are ticketed separately. Excerpts
from author Richard Meltzer's 250 minute 8mm work Bogus Boxing Trash
will precede each screening. TIE, Program One: An international
selection of shorts in 8mm, 16mm and sumptuous 35mm. Highlights include
some of the earliest examples of x-ray cinematography from the 1930s;
Abu Kifan's ethereal slow motion underwater landscapes; and a rare
double panel presentation of footage shot by Andy Warhol of a very noisy
Velvet Underground practice that's eventually broken up by the NYPD
(with Warhol himself interceding). This setup allows the projectionist
to switch from one optical track to the other, making the projection as
much a part of the viewing experience as the band's raw performance and
Paul Morrisey's psychedelic cinematography. Screening: Christopher
Becks: Pan of the Landscape. Gerard Holthuis: Careless Reef, Part 2: Abu
Kifani. Jason Livingston: July Fix. Luther Price: Mother (revised).
Michael Robinson: The General Returns from One Place to Another.
Bernhard Schreiner: Hwa-Shan District. Sami van Ingen: The Sequent of
Hanna Ave. Andy Warhol: The Velvet Underground and Nico (presented in
double projection!). Sheri Wills: Anodyne. Admission:$8 General / $6
Members, Seniors, Students w/ID Advance Tickets (THIS SHOW ONLY):
415-978-ARTS
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The weekly listing is also available online at Flicker:
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__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.