From: D. Mark Andrews (email suppressed)
Date: Thu Jan 08 2009 - 07:54:08 PST
Mat,
Can you clarify?
Agfa sound recording stock?
Screenprinters chemicals?
Film Bee?
Thanks,
mark
-----Original Message-----
From: mat fleming [mailto:email suppressed]
Sent: Thursday, January 08, 2009 3:10 AM
To: email suppressed
Subject: Re: 16mm/b&w
Hi All
I had a strange experience watching a print from an recently serviced
Aaton LTR.
The picture was so stable for a few seconds that I jumped out of my seat
to rush back
to the projector because I thought it was stuck.
Er... got to think of something relevant now... If you have facilities for
processing yourself we've been getting pretty
wild results with Agfa sound recording stock in screenprinters chemicals
at Film Bee. It's very cheap and kind of sci-fi.
Mat
On Wed, Jan 7, 2009 at 7:49 PM, Sandra Maliga <email suppressed> wrote:
The slower the film stock the more light required and the finer the
grain. If you don't need shots that last more than 20 seconds you can use a
wind up Bolex.
On Jan 7, 2009, at 4:17 AM, Susana de Sousa Dias wrote:
Dear Frameworkers,
I need some advice about shooting in 16mm b&w. I want to shoot mainly
landscapes and cloudy skies (no need for sync sound). Which camera, which
lenses and what sort of film stock would you recommend?
Thanks
Susana de Sousa Dias
__________________________________________________________________ For
info on FrameWorks, contact Pip Chodorov at <email suppressed>.
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
__________________________________________________________________ For
info on FrameWorks, contact Pip Chodorov at <email suppressed>.
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.