From: mat fleming (email suppressed)
Date: Thu Jan 08 2009 - 03:10:23 PST
Hi All
I had a strange experience watching a print from an recently serviced Aaton
LTR.
The picture was so stable for a few seconds that I jumped out of my seat to
rush back
to the projector because I thought it was stuck.
Er... got to think of something relevant now... If you have facilities for
processing yourself we've been getting pretty
wild results with Agfa sound recording stock in screenprinters chemicals at
Film Bee. It's very cheap and kind of sci-fi.
Mat
On Wed, Jan 7, 2009 at 7:49 PM, Sandra Maliga <email suppressed> wrote:
> The slower the film stock the more light required and the finer the grain.
> If you don't need shots that last more than 20 seconds you can use a wind
> up Bolex.
>
>
> On Jan 7, 2009, at 4:17 AM, Susana de Sousa Dias wrote:
>
> Dear Frameworkers,
>>
>> I need some advice about shooting in 16mm b&w. I want to shoot mainly
>> landscapes and cloudy skies (no need for sync sound). Which camera, which
>> lenses and what sort of film stock would you recommend?
>>
>> Thanks
>>
>> Susana de Sousa Dias
>>
>> __________________________________________________________________ For
>> info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>>
>
> __________________________________________________________________
>
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.