From: Shelly Silver (email suppressed)
Date: Fri Jan 09 2009 - 08:27:52 PST
no need for it to be experimental. just a camera, a person behind, a
person/people in front.
of course, peeping tom, a great suggestion.
best,
shelly
>
>
>On Jan 9, 2009, at 10:03 AM, Pablo Marin wrote:
>
>>Shelly,
>>
>>does it have to be experimental?
>>
>>if not, try Peeping Tom, by Michael Powell.
>>
>>best,
>>pablo marin.
>>
>>
>>
>>--- On Fri, 1/9/09, Shelly Silver
>><<mailto:email suppressed> wrote:
>>
>>From: Shelly Silver <<mailto:email suppressed>
>>Subject: films/videos dealing with power
>>To: <mailto:email suppressed
>>Date: Friday, January 9, 2009, 11:48 AM
>>
>>dear all:
>>i'm putting together several classes that deal with power - different
>>varieties of power relations between those filmed and those doing
>>the filming.
>>this could be extreme (or less extreme) interactions where the
>>filmmaker/cameraperson has power (most typical) or where it's firmly in the
>>hands of the people being filmed. This power can come through the
>>presence of
>>the camera, through verbal interaction, or anything else.
>>
>>I'm most interested in those cases which would make the audience feel
>>uneasy/queasy watching.
>>
>>suggestions?
>>
>>best!
>>shelly
>>
>>
>>__________________________________________________________________
>>For info on FrameWorks, contact Pip Chodorov at
>><<mailto:email suppressed>.
>>
>>
>>__________________________________________________________________
>>For info on FrameWorks, contact Pip Chodorov at
>><<mailto:email suppressed>.
>>
>>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.