From: Freya (email suppressed)
Date: Wed Jun 17 2009 - 07:39:09 PDT
Scope is actually a slightly larger apeture than academy but yes the big problem would be the right projection lens.
Academy loses a bit on the top and bottom to keep the aspect ratio more like that of the silent aspect ratio in spite of the loss of the area on the film to the optical soundtrack.
However the Fox Movietone format was much like you describe and the old FW Munrau film "Sunrise" was originally shot in this format. If you can lay your hands on one of the recent DVD re-issues in the correct original aspect ratio, you can get a peek at what it looked like, and Sunrise is a great film anyway so theres two reasons for checking it out! :)
love
Freya
--- On Wed, 6/17/09, Nicky Hamlyn <email suppressed> wrote:
> From: Nicky Hamlyn <email suppressed>
> Subject: Re: 35mm projection options
> To: email suppressed
> Date: Wednesday, June 17, 2009, 12:37 PM
> Any cinema that can show scope should
> be able to show Academy, since the frame ratio is basically
> the same as scope (full frame), providing they have a lens
> that will fit the picture onto the screen,
> Nicky Hamlyn.
> Freya writes:
> > The only formats you can assume will be supported in
> cinemas are scope and 1.185. Some more art house cinemas
> might be able to do Academy standard too but it is much more
> rare. Theres a move at the moment to replace 1:1.185 with
> 16:9 like modern tvs but it remains to be seen what will
> happen.
> >> Digital projection may help BUT you may have
> >> problems getting a full frame scan. (I deal with
> this a lot
> >> as I make archival film scanners and scan lots of
> full
> >> aperture films, even preserving edge markings.)
> >
> > It shouldn't be a big problem as it is basically
> Super35 in 4perf. Theres lots of telecine out there to do
> this (and I would assume full scans too). You just need to
> find places that can handle S35. They may not be keen on
> putting your painted film near their expensive equipment
> tho!
> > The other option might be to get it optically printed
> to a pillarboxed 1.185 print but this would be VERY
> expensive.
> > love
> > Freya
> >
> >
> >
> >
> __________________________________________________________________
> > For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.