From: Freya (email suppressed)
Date: Thu Aug 31 2006 - 16:22:38 PDT
With regard to Eraserhead, I have come to wonder if it
wasn't somewhat influenced by the beginning of "The
Silence". Nobody else seems to understand what I mean
tho, but I feel there is the same audiable presence in
both works.
I think the silence is actually an interesting film in
this respect, although obviously it might be a
slightly strange choice for obvious reasons! I think
the soundtrack at the beginning is really interesting
tho.
and that filmm that is showing in america shortly with
the buzz saws: Ed Emshwiller's "Thanatopsis". I like
the use of sound in that. Also Artavazd Pelechian's
"Les Habitants" too! ;) Both interesting.
love
Freya
--- Cari Machet <email suppressed> wrote:
> i agree w/ david lynch but the sound design i think
> most interesting is
> fire walk w/ me
> (and some of the stuff in twin peaks)
> esp. the hearing aided screamer david lynch plays
> and
> when he gives a coded message at the airport that is
> seemingly
> non-sensical
> the audio to go w/ flickering fluorescent lights -
> wind...
> sometimes it is that he even uses the sound
> sometimes it is how
>
> i like bruce lee's films for the sound in the fight
> scenes
> easy rider - the new orleans cemetery scene
> (mostly brought to mind cause i just saw the last
> movie)
> solaris both tarkovsky + soderbergh
> to parsifal
> dreams by kurosawa - the snowstorm one
> last days + elephant
> polanski's repulsion - esp. when she is raped
>
> c
>
> On 8/31/06, joe beres <email suppressed> wrote:
> >
> > I would certainly look at Coppola's The
> Conversation. Many of David
> > Lynch's films also have very innovative sound
> design. Eraserhead, Lost
> > Highway, and Mulholland Drive all come to mind,
> but there are
> > interesting audio elements in most of his work.
> Jem Cohen's Chain is
> > another excellent candidate, but you would need to
> contact Jem directly
> > as I don't think it is available commercially at
> this point. Hope that
> > helps a bit.
> >
> > joe beres
> >
> > gyoungblood wrote:
> > > Frameworkers, I'm looking for innovative uses of
> sound in films
> > > -- experimental or mainstream narrative, but
> they must be on DVD. By
> > > "sound" I mean primarily non-musical
> ambient/diegetic or extradiegetic
> > > collage, etc. It can include speech. I have
> already thought of Godard
> > > and early Viola.
> > >
> > > Gene Youngblood
> > > Department of Moving Image Arts
> > > The College of Santa Fe
> > > 1600 St. Michael's Drive
> > > Santa Fe, NM. 87505 USA
> > > Vox: +1.505.473.6406
> > > Fax: +1.505.473.6403
> > > Office: email suppressed <mailto:
> email suppressed>
> > > Home: email suppressed
> <mailto:email suppressed>
> > >
> > >
> > >
> > >
>
__________________________________________________________________
> For
> > > info on FrameWorks, contact Pip Chodorov at <
> email suppressed>.
> > >
> >
> >
> >
>
__________________________________________________________________
> > For info on FrameWorks, contact Pip Chodorov at <
> email suppressed>.
> >
>
>
>
__________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at
> <email suppressed>.
>
>
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__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.